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Neil Hannon recommended Hounds of Love Soundtrack by Kate Bush in Music (curated)

"The first half is just an astonishing rundown, it's almost like a greatest hits. This record, and Kate Bush in general, has a lot to do with me making music at all. It was her complete inability to do what everybody else was doing, she just was a law unto herself. I found that incredibly awe-inspiring, in most ways. I also loved her use of strings, in a sort of choppy choppy way, rather than a sentimental way. In pop music, you tend to have strings just colouring in the chords at the back or doing a syrupy high note, and I always thought they could do more than that, and she proved it in a kind of [mimics heavy staccato strings] kind of baroque style, which I have shamelessly pilfered basically. The second half she goes off on one, and some of it's a bit silly, but, you know, who cares? Even when it's silly it's great. Now I'm pretty sure I just took one listen to 'Running Up That Hill', which would've been the first single, and thought, ""I'm having that"". I would've bought it on cassette because that was the era, and I probably wore out the cassette until it warbled and I had to buy a new one!"

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LoganCrews (2861 KP) rated Swallow (2019) in Movies

Jan 13, 2021 (Updated Jan 13, 2021)

Swallow (2019)

2019 | Drama

9.0

(2 Ratings)

Movie Rating

To be fair, I'd rather swallow a screwdriver than hang out with rich white people too. Gorgeous, nasty, and mean - but never disrespectful. Medically accurate? Perhaps not, but these seldom ever are anyhow so what can you do? In fact I found this to be much more compelling and satisfying as a depiction of obnoxious old-money business whities having their perfect little synthetic image destroyed by people who refuse to shape themselves around it than a portrait of pica. As everyone has already pointed out, Austin Stowell and in particular Haley Bennett are just astounding - easily not only her best performance to date, but the type of galvanizing role that should propel her star-power vastly beyond just Jennifer Lawrence comparisons considering that this is way better work than anything J-Law has done in years anyhow (excluding 𝘮𝘰𝘵𝘩𝘦𝘳! [I'm a simp for stupid, manic arthouse cinema I know you don't have to tell me]). Deeply, deeply, *deeply* unsettling - can pleasantly report that its reputation is as airtight as claimed. Super messy but I think that gives it more character tbh, and what an excellent use of music. A bit too on-the-nose at times but also the type of movie that's destined to be misinterpreted by morons everywhere.