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Darren (1599 KP) rated All the Money in the World (2017) in Movies
Jun 20, 2019
Story: All the Money in the World starts when John Paul Getty III (Charlie Plummer) get kidnapped in Rome, the ransom is $17 Million, the only person that can help her mother Gail Harris (Williams) get the money is the estranged billionaire grandfather J Paul Getty (Christopher Plummer) who isn’t willing to pay a single dollar to get his favourite grandson back.
Fletcher Chase (Wahlberg) is recruited to negotiate a deal with the kidnappers, but Getty isn’t willing to spare a dollar to get him back as the situation starts to get out of hand as time starts to run out on getting John Paul Getty III back alive.
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Thoughts on All the Money in the World
Characters – Gail Harris is the mother of John Paul Getty III, she has given up her fortune she could have had from her divorce to keep her son, she must go back to her old father in law to get the money, even after she doesn’t get the money she leads the campaign to save her son. J Paul Getty is the richest man in the world, he has made the money by taking whatever he wants and will never give up money for anything that doesn’t increase his value. Businessman at heart he will only do a deal for his own good. Fletcher Chase is the deal maker, he has been able to negotiate deals for Getty for years and now he is assigned to help retrieve the grandson.
Performances – Michelle Williams is the true star of this movie, she shines in every scene she is in, showing the strength on front of the cameras and the weakness behind them. Christopher Plummer is great in his role which was one that we get to see him take very late in the process. Mark Wahlberg is surprisingly good in his role, taking a supporting position he handles everything without becoming over the top like you would imagine him doing.
Story – The story here follows the kidnapping of the grandchild of the richest man in the world and follows whether he is willing to spend his fortune to get him back alive. We have the concerned mother that will do anything to get him back, even go against the father-in-law. While the story does come off slow at times as we do go through the same process too often, but it does show how greed can drive people to make terrible decisions.
Biopic/Crime/Mystery – This is meant to be about a real person, not sure how real the story is truly about, this could be considered one of the biggest kidnapping cases of all time if is real though.
Settings – The film does use the backdrops wonderfully through the film to make us feel like we are part of the scenes we are watching through, the beauty stands out here.
Scene of the Movie – Williams performance is something to sit and enjoy.
That Moment That Annoyed Me – It does feel long.
Final Thoughts – This is a good crime thriller, it shows us just how far people will go for money and how far people will go to keep it.
Overall: Long strong movie.
https://moviesreview101.com/2018/04/23/all-the-money-in-the-world-2017/
Fletcher Chase (Wahlberg) is recruited to negotiate a deal with the kidnappers, but Getty isn’t willing to spare a dollar to get him back as the situation starts to get out of hand as time starts to run out on getting John Paul Getty III back alive.
REPORT THIS AD
Thoughts on All the Money in the World
Characters – Gail Harris is the mother of John Paul Getty III, she has given up her fortune she could have had from her divorce to keep her son, she must go back to her old father in law to get the money, even after she doesn’t get the money she leads the campaign to save her son. J Paul Getty is the richest man in the world, he has made the money by taking whatever he wants and will never give up money for anything that doesn’t increase his value. Businessman at heart he will only do a deal for his own good. Fletcher Chase is the deal maker, he has been able to negotiate deals for Getty for years and now he is assigned to help retrieve the grandson.
Performances – Michelle Williams is the true star of this movie, she shines in every scene she is in, showing the strength on front of the cameras and the weakness behind them. Christopher Plummer is great in his role which was one that we get to see him take very late in the process. Mark Wahlberg is surprisingly good in his role, taking a supporting position he handles everything without becoming over the top like you would imagine him doing.
Story – The story here follows the kidnapping of the grandchild of the richest man in the world and follows whether he is willing to spend his fortune to get him back alive. We have the concerned mother that will do anything to get him back, even go against the father-in-law. While the story does come off slow at times as we do go through the same process too often, but it does show how greed can drive people to make terrible decisions.
Biopic/Crime/Mystery – This is meant to be about a real person, not sure how real the story is truly about, this could be considered one of the biggest kidnapping cases of all time if is real though.
Settings – The film does use the backdrops wonderfully through the film to make us feel like we are part of the scenes we are watching through, the beauty stands out here.
Scene of the Movie – Williams performance is something to sit and enjoy.
That Moment That Annoyed Me – It does feel long.
Final Thoughts – This is a good crime thriller, it shows us just how far people will go for money and how far people will go to keep it.
Overall: Long strong movie.
https://moviesreview101.com/2018/04/23/all-the-money-in-the-world-2017/
Emma @ The Movies (1786 KP) rated The Rhythm Section (2019) in Movies
Mar 5, 2020
The Rhythm Section popped up almost out of nowhere when it hit screens. Seeing the cast line-up I was very interested in seeing what it had to offer.
Stephanie has been a broken woman ever since her family died in a plane crash. The situation would be tough for anyone to deal with but it's made worse by the fact she was supposed to be on the plane too. Life in tatters, addicted to drugs and turning tricks for money she's all but given up on life. That's when Proctor appears.
Proctor is an investigative journalist who is tracking down the people responsible for the tragedy. He takes her in and she paws over his evidence. With a new found rage she goes off on her own, but actions have consequences and it's a steep learning curve.
There is something in The Rhythm Section, the story has a definite spark, but this final product didn't hit the right note for me. It's a classic story of revenge but the film doesn't seem to make much out of it. Littering it with flashbacks to fill in story and attempt to get us in Stephanie's head just adds to the jumpiness throughout. That jumpiness wasn't just reserved for the story, I noted that the camera movements early on were bizarre, I imagine in an effort to emulate her physical and mental state, but it was particularly jarring to watch.
The Rhythm Section seems to have no real way to follow the passage of time, which I feel was a mistake as it would have helped to make things more believable. Somehow B (Law) managed to get Stephanie off drugs, markedly improve her fitness levels and train her to be an (admittedly mediocre) assassin. With some concept of time elapsing I might have been on board with that transformation.
All that training seems to be for nought as she mainly survives off dumb luck during her travels. Her natural luck would also explain how she managed to capture the only bit of information she needed at the beginning of the film to find Proctor's well trained and secret source.
Law and Lively had some good moments in her training montage. There was some humour and friendship, of a sort, but the combative nature of both characters outside of that felt strained and neither appeared comfortable in the role. Sterling K. Brown playing Mark Serra seemed to be the most at home in the role, there was a spark there that gave him a confidence in what he was doing.
With a script written by the author of the source material I'm at a bit of a loss, this scenario should mean that it's a proper representation of the book but I'm left with little desire to experience any of the other three stories in this series having seen Rhythm Section.
As I said, there feels like there's something in this idea that would have made a great film, but it feels rushed and a little confused. The film ends in a way that could see a sequel, and that is possible given the other books in the series, but I can't see it progressing beyond one film off the back of this.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-rhythm-section-movie-review.html
Stephanie has been a broken woman ever since her family died in a plane crash. The situation would be tough for anyone to deal with but it's made worse by the fact she was supposed to be on the plane too. Life in tatters, addicted to drugs and turning tricks for money she's all but given up on life. That's when Proctor appears.
Proctor is an investigative journalist who is tracking down the people responsible for the tragedy. He takes her in and she paws over his evidence. With a new found rage she goes off on her own, but actions have consequences and it's a steep learning curve.
There is something in The Rhythm Section, the story has a definite spark, but this final product didn't hit the right note for me. It's a classic story of revenge but the film doesn't seem to make much out of it. Littering it with flashbacks to fill in story and attempt to get us in Stephanie's head just adds to the jumpiness throughout. That jumpiness wasn't just reserved for the story, I noted that the camera movements early on were bizarre, I imagine in an effort to emulate her physical and mental state, but it was particularly jarring to watch.
The Rhythm Section seems to have no real way to follow the passage of time, which I feel was a mistake as it would have helped to make things more believable. Somehow B (Law) managed to get Stephanie off drugs, markedly improve her fitness levels and train her to be an (admittedly mediocre) assassin. With some concept of time elapsing I might have been on board with that transformation.
All that training seems to be for nought as she mainly survives off dumb luck during her travels. Her natural luck would also explain how she managed to capture the only bit of information she needed at the beginning of the film to find Proctor's well trained and secret source.
Law and Lively had some good moments in her training montage. There was some humour and friendship, of a sort, but the combative nature of both characters outside of that felt strained and neither appeared comfortable in the role. Sterling K. Brown playing Mark Serra seemed to be the most at home in the role, there was a spark there that gave him a confidence in what he was doing.
With a script written by the author of the source material I'm at a bit of a loss, this scenario should mean that it's a proper representation of the book but I'm left with little desire to experience any of the other three stories in this series having seen Rhythm Section.
As I said, there feels like there's something in this idea that would have made a great film, but it feels rushed and a little confused. The film ends in a way that could see a sequel, and that is possible given the other books in the series, but I can't see it progressing beyond one film off the back of this.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/the-rhythm-section-movie-review.html
Gareth von Kallenbach (980 KP) rated Sherlock Holmes: A Game of Shadows (2011) in Movies
Aug 7, 2019
Robert Downey, Jr. and Jude Law return once again as Sherlock Holmes and Dr. Watson in “Sherlock Holmes: A Game of Shadows“. In this installment, a series of bombings across Europe has positioned the nations of the world on the brink of war. Holmes is convinced that there is a criminal mastermind behind the numerous, seemingly unrelated events and he believes it is renowned scholar James Moriarty (Jared Harris).
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Lobositz to Leuthen: Horace St Paul and the Seven Years War, 1756-1757
Book
In 1751, at the age of 22 and then a law student, Horace St Paul had, as he described it, "a...
Webster's College Dictionary and Thesaurus
Reference and Education
App
Webster's New World ® College Dictionary and Roget's A-Z Thesaurus is a software bundle of the...
Emma @ The Movies (1786 KP) rated Twist (2021) in Movies
Feb 17, 2021
I'm not sure what grabbed me about this one to make me watch... probably the cast. When will I learn?
Twist has been fending for himself for a long time, but when he crosses paths with Dodge and Batesy, he finds himself a family on the wrong side of the law.
The trend for updating stories is one I've enjoyed in the past, but Twist felt like a weird hybrid of a film that... well, let's get into it.
It may have been based on Oliver Twist, but I genuinely don't think they should have made is such a big splash. Yes, there are similarities, but the majority of the time it just felt like it was the character names being thrown in at random to make the connection. And is it the sort of connection you need to exploit? I don't think that you've naturally got a crossover between what the story of Oliver Twist is and what is represented here.
As an ensemble it's got some pretty big names attached. Caine, Clarke and Headey are generally a good call when it comes to picking something to watch... this is definitely how I got tricked into watching Twist.
Caine was... Caine, if you know, you know. Headey was a psycho that came across so excessively over the top, maybe to give the film wider appeal in other markets? I'm not entirely sure to be honest. And Clarke at least made for some enjoyable watching.
Our other, younger cast members, were such a random group. Rafferty Law as Twist didn't give a lot, and I know that by the nature of his character origin and backstory his nature was supposed to be on a different level to the others, but I didn't find it very believable. Dodge and Batesy played by Rita Ora and Franz Drameh fit well together initially, but I quickly found Drameh to be much more skilled as Ora's acting became a little lacklustre.
Overall there's weren't many moments in Twist that worked for me because of this odd mix of cast. The biggest anomaly being Leigh Francis as the traffic warden. Had the tone of the film been different then I absolutely could have seen a place for him in it, but as it was his role stuck out like a sore thumb.
We witness a lot of freerunning (or parkour, I'm not sure which term is more appropriate here) through the film and they used this as an opportunity to fling the camera around too and put in some fancy moves. Generally I'm not a fan, and while they fit in the moment, they seemed out of place given that the rest of the camerawork felt a little more generic. I noted down that it seemed to almost be missing at some points, but I'm not sure if that's because I just sighed and ignored it or if it was only used on certain types of shots... I will not be watching it again to find out.
Twist feels like it's what you would get if you took the TV series Hustle and mixed it with a London gangster movie... but without the same level of finesse. There is definitely something in this film but I think I was severely distracted by the attempt to capitalise on a bizarre reworking of a classic tale.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/twist-movie-review.html
Twist has been fending for himself for a long time, but when he crosses paths with Dodge and Batesy, he finds himself a family on the wrong side of the law.
The trend for updating stories is one I've enjoyed in the past, but Twist felt like a weird hybrid of a film that... well, let's get into it.
It may have been based on Oliver Twist, but I genuinely don't think they should have made is such a big splash. Yes, there are similarities, but the majority of the time it just felt like it was the character names being thrown in at random to make the connection. And is it the sort of connection you need to exploit? I don't think that you've naturally got a crossover between what the story of Oliver Twist is and what is represented here.
As an ensemble it's got some pretty big names attached. Caine, Clarke and Headey are generally a good call when it comes to picking something to watch... this is definitely how I got tricked into watching Twist.
Caine was... Caine, if you know, you know. Headey was a psycho that came across so excessively over the top, maybe to give the film wider appeal in other markets? I'm not entirely sure to be honest. And Clarke at least made for some enjoyable watching.
Our other, younger cast members, were such a random group. Rafferty Law as Twist didn't give a lot, and I know that by the nature of his character origin and backstory his nature was supposed to be on a different level to the others, but I didn't find it very believable. Dodge and Batesy played by Rita Ora and Franz Drameh fit well together initially, but I quickly found Drameh to be much more skilled as Ora's acting became a little lacklustre.
Overall there's weren't many moments in Twist that worked for me because of this odd mix of cast. The biggest anomaly being Leigh Francis as the traffic warden. Had the tone of the film been different then I absolutely could have seen a place for him in it, but as it was his role stuck out like a sore thumb.
We witness a lot of freerunning (or parkour, I'm not sure which term is more appropriate here) through the film and they used this as an opportunity to fling the camera around too and put in some fancy moves. Generally I'm not a fan, and while they fit in the moment, they seemed out of place given that the rest of the camerawork felt a little more generic. I noted down that it seemed to almost be missing at some points, but I'm not sure if that's because I just sighed and ignored it or if it was only used on certain types of shots... I will not be watching it again to find out.
Twist feels like it's what you would get if you took the TV series Hustle and mixed it with a London gangster movie... but without the same level of finesse. There is definitely something in this film but I think I was severely distracted by the attempt to capitalise on a bizarre reworking of a classic tale.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/twist-movie-review.html
Darren (1599 KP) rated Destroyer (2018) in Movies
Sep 13, 2019
Characters – Erin Bell is a police officer that went so deep undercover that she lost her family, 17-years-later the leader of that gang has returned, this will give the Erin a chance to make peace with this case, trying to put her addiction problems a side, Erin won’t take any abuse from anybody, she will step over the line of the law to make sure she puts an end to this case. Silas is the leader of the gang, he makes his followers do anything to prove themselves to him and will lead them in breaking the law, he has gone into hiding, with his return making him a target for Erin. Petra is one of the main followers in the gang, she is one that is still active with Silas, showing that her addiction is still controlling her life. Chris is the partner that worked with Erin in the undercover job, we see how they got to learn to work together to make themselves seem like a couple.
Performances – Nicole Kidman gives one of her career best performances ever single scene we see her committed to this role where she demands your attention unlike any performance, we have ever seen from her before. Toby Kebbell does make us believe his character is on edge and a threat through each and every scene he appears in. Tatiana Maslany and Sebastian Stan complete the main supporting cast which shows us they can step up to look strong against Kidman through the film.
Story – The story here follows a former undercover police officers that wants to make amends for her case which ended in tragedy and has made her lose out part of her life when it comes to family, turning her to her own addictions. The first thing to know about this that we have two times being viewed, it is easy to tell the two apart because of the length of Erin’s hair. As Erin is trying to locate Silas, we get the flashbacks to her interactions with the gang members as she gets to relocate them as she is searching for Silas. Away from the investigation side of the story, Erin is also trying to rebuild her relationship with her daughter one that she shattered with her problems in the past. The mix of the two stories shows us just how dysfunctional this life can become for anyone that gets too deep within the undercover job.
Action/Crime – The action in the film follows the events of the robbery, how it went down and how the escape was planned. We do enter the crime world, which sees how Erin went undercover and operated within the gang, followed by how she bent the laws to track Silas back down.
Settings – The film is set in LA which as always is a wonderful backdrop for the criminal underworld, it shows us just how crime can get done around the city without people seeing it come.
Scene of the Movie – The robbery.
That Moment That Annoyed Me – The final encounter.
Final Thoughts – This is brilliant crime thriller that shows that Nicole Kidman is one of the greatest actresses of her generation, we have a story that keeps you guessing with an anti-hero in Erin that needs to fix her life.
Overall: Gripping Tense Thriller
Performances – Nicole Kidman gives one of her career best performances ever single scene we see her committed to this role where she demands your attention unlike any performance, we have ever seen from her before. Toby Kebbell does make us believe his character is on edge and a threat through each and every scene he appears in. Tatiana Maslany and Sebastian Stan complete the main supporting cast which shows us they can step up to look strong against Kidman through the film.
Story – The story here follows a former undercover police officers that wants to make amends for her case which ended in tragedy and has made her lose out part of her life when it comes to family, turning her to her own addictions. The first thing to know about this that we have two times being viewed, it is easy to tell the two apart because of the length of Erin’s hair. As Erin is trying to locate Silas, we get the flashbacks to her interactions with the gang members as she gets to relocate them as she is searching for Silas. Away from the investigation side of the story, Erin is also trying to rebuild her relationship with her daughter one that she shattered with her problems in the past. The mix of the two stories shows us just how dysfunctional this life can become for anyone that gets too deep within the undercover job.
Action/Crime – The action in the film follows the events of the robbery, how it went down and how the escape was planned. We do enter the crime world, which sees how Erin went undercover and operated within the gang, followed by how she bent the laws to track Silas back down.
Settings – The film is set in LA which as always is a wonderful backdrop for the criminal underworld, it shows us just how crime can get done around the city without people seeing it come.
Scene of the Movie – The robbery.
That Moment That Annoyed Me – The final encounter.
Final Thoughts – This is brilliant crime thriller that shows that Nicole Kidman is one of the greatest actresses of her generation, we have a story that keeps you guessing with an anti-hero in Erin that needs to fix her life.
Overall: Gripping Tense Thriller
Curtis Sittenfeld's engaging novel looks at Hillary Rodham's life through this prism: what if she hadn't married Bill Clinton? In 1971, as Hillary Rodham graduates from Wellesley, she delivers a commencement speech that gains national prominence. She heads to Yale Law school--an intelligent woman, filled with the desire to help those in need. It is there she meets Bill Clinton, a fellow law student. The connection between the two is instant--for the first time, Hillary feels she has found someone who appreciates her both emotionally and physically. In real life, Hillary and Bill head to Arkansas. He proposes three times, and she finally accepts, becoming Hillary Rodham Clinton.
"The first time I saw him, I thought he looked like a lion."
But here, in this imaginative and powerful novel, Hillary does not accept Bill's third proposal. Devastated, she leaves Arkansas and embarks on a different life. The pair's paths cross again (and again) in the years ahead, causing Hillary to sometimes doubt her decision.
I found this to be such an interesting read and oddly hopeful somehow, as if Sittenfeld read my brain and created the world I dreamed of--what a great book to read during these dismal times. It takes a little time to get into the flow of the writing: the first-person narrative certainly places you in the action, but I needed to adjust to switching back and forth between time periods (Hillary's past and present). And, funnily enough, you have to remember that this is and isn't Hillary--the first quarter of the book or so loosely follows Hillary's real life, so sometimes you have to recall who is truly speaking. I am not actually reading a Hillary memoir.
I loved how this book rewrites history--and with zero apologies. Bill Clinton does not always come off looking good here, though the love and chemistry between the two is clearly palpable. You find a variety of other characters from real life, so to speak, who sometimes play their actual roles, or re-imagined versions, and it's so fun. And, why yes, even Donald Trump has a place here. What a wonderful place it is, too. If you love politics, or political satire, there's a lot to love here.
"'If Bill Clinton was my boyfriend, I'd keep an eye on him too.'"
The Hillary of Sittenfeld's world is so real, so true, and so vulnerable and lovable. (And whoa, are there sex scenes, guys.) Even better, Sittenfeld doesn't make her perfect by any stretch; she's flawed and fallible, too. It doesn't take long to see history's actual Hillary taking this path, and sometimes, oh sometimes, I longed for her to do so. Sittenfeld excels at telling a tale from another person's perspective, somehow putting herself in their shoes. I got so caught up in this Hillary's world that I read the last half of the book in one take, desperate to know what happened to her. She felt real to me, and I needed to know how her life turned out. Please, Hillary, let it all work out this time.
This book is different, yes. It might not be for everyone, politically. But I found it fascinating to think about such a thing--how the choices we make in life affect so much. Not just saying yes to a marriage proposal, but all the other actions we take on any given day. This is a smartly written book, cementing Sittenfeld as a brilliant writer and storyteller. 4 stars.
"The first time I saw him, I thought he looked like a lion."
But here, in this imaginative and powerful novel, Hillary does not accept Bill's third proposal. Devastated, she leaves Arkansas and embarks on a different life. The pair's paths cross again (and again) in the years ahead, causing Hillary to sometimes doubt her decision.
I found this to be such an interesting read and oddly hopeful somehow, as if Sittenfeld read my brain and created the world I dreamed of--what a great book to read during these dismal times. It takes a little time to get into the flow of the writing: the first-person narrative certainly places you in the action, but I needed to adjust to switching back and forth between time periods (Hillary's past and present). And, funnily enough, you have to remember that this is and isn't Hillary--the first quarter of the book or so loosely follows Hillary's real life, so sometimes you have to recall who is truly speaking. I am not actually reading a Hillary memoir.
I loved how this book rewrites history--and with zero apologies. Bill Clinton does not always come off looking good here, though the love and chemistry between the two is clearly palpable. You find a variety of other characters from real life, so to speak, who sometimes play their actual roles, or re-imagined versions, and it's so fun. And, why yes, even Donald Trump has a place here. What a wonderful place it is, too. If you love politics, or political satire, there's a lot to love here.
"'If Bill Clinton was my boyfriend, I'd keep an eye on him too.'"
The Hillary of Sittenfeld's world is so real, so true, and so vulnerable and lovable. (And whoa, are there sex scenes, guys.) Even better, Sittenfeld doesn't make her perfect by any stretch; she's flawed and fallible, too. It doesn't take long to see history's actual Hillary taking this path, and sometimes, oh sometimes, I longed for her to do so. Sittenfeld excels at telling a tale from another person's perspective, somehow putting herself in their shoes. I got so caught up in this Hillary's world that I read the last half of the book in one take, desperate to know what happened to her. She felt real to me, and I needed to know how her life turned out. Please, Hillary, let it all work out this time.
This book is different, yes. It might not be for everyone, politically. But I found it fascinating to think about such a thing--how the choices we make in life affect so much. Not just saying yes to a marriage proposal, but all the other actions we take on any given day. This is a smartly written book, cementing Sittenfeld as a brilliant writer and storyteller. 4 stars.
Matthew Krueger (10051 KP) rated Training Day (2001) in Movies
Jun 11, 2020
King Kong Ain't Got Shit On Ms
I love this movie, i have seen it about 5-7 times now. It is on my top ten films of all time. I love Denzel Performace, he played as a excellent villian, and he should do it more often, cause he doesnt play the villian that much, the only other film I can think of is "American Gangster" and thats it.
The plot: Police drama about a veteran officer who escorts a rookie on his first day with the LAPD's tough inner-city narcotics unit. "Training Day" is a blistering action drama that asks the audience to decide what is necessary, what is heroic and what crosses the line in the harrowing gray zone of fighting urban crime. Does law-abiding law enforcement come at the expense of justice and public safety? If so, do we demand safe streets at any cost?
In June 2003, the American Film Institute named Alonzo Harris the 50th greatest screen villain of all time in its list AFI's 100 Years...100 Heroes & Villains.
Also excellent quotes like..
"You gotta be a wolf to catch a wolf."
"You gotta control your smiles & cries because that's all you have & nobody can take that away from you."
"You wanna go to jail or you wanna go home?"
"To protect the sheep you gotta catch the wolf, and it takes a wolf to catch a wolf."
"I've been planning this all week, son. You talk that crazy shit, I'll make sure that blood gets to the lab. You wanna walk your baby nuts around the block, you won't make it to the corner, but if you're cool, if you're cool... then you're a hero. You're a virgin shooter above suspicion."
"You don't know any stories? Okay, I'll tell you a story. This is a newspaper. It's 90 per cent bullshit, but it's entertaining. That's why I read it, because it entertains me. You won't let me read it, so you entertain me with your bullshit. Tell me a story, right now."
"This shit's chess, it ain't checkers."
"You got a dick. You do have a dick, don't you? Okay, the dick lines up straight like that right? To the right of it and to the left of it are pockets, right? In those pockets are money. Look in either one of 'em, pay the bill."
And of course..
"Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me."
Its a excellent, phenomenal movie and a must watch film.
The plot: Police drama about a veteran officer who escorts a rookie on his first day with the LAPD's tough inner-city narcotics unit. "Training Day" is a blistering action drama that asks the audience to decide what is necessary, what is heroic and what crosses the line in the harrowing gray zone of fighting urban crime. Does law-abiding law enforcement come at the expense of justice and public safety? If so, do we demand safe streets at any cost?
In June 2003, the American Film Institute named Alonzo Harris the 50th greatest screen villain of all time in its list AFI's 100 Years...100 Heroes & Villains.
Also excellent quotes like..
"You gotta be a wolf to catch a wolf."
"You gotta control your smiles & cries because that's all you have & nobody can take that away from you."
"You wanna go to jail or you wanna go home?"
"To protect the sheep you gotta catch the wolf, and it takes a wolf to catch a wolf."
"I've been planning this all week, son. You talk that crazy shit, I'll make sure that blood gets to the lab. You wanna walk your baby nuts around the block, you won't make it to the corner, but if you're cool, if you're cool... then you're a hero. You're a virgin shooter above suspicion."
"You don't know any stories? Okay, I'll tell you a story. This is a newspaper. It's 90 per cent bullshit, but it's entertaining. That's why I read it, because it entertains me. You won't let me read it, so you entertain me with your bullshit. Tell me a story, right now."
"This shit's chess, it ain't checkers."
"You got a dick. You do have a dick, don't you? Okay, the dick lines up straight like that right? To the right of it and to the left of it are pockets, right? In those pockets are money. Look in either one of 'em, pay the bill."
And of course..
"Aww, you motherfuckers. Okay. Alright. I'm putting cases on all you bitches. Huh. You think you can do this shit... Jake. You think you can do this to me? You motherfuckers will be playing basketball in Pelican Bay when I get finished with you. SHU program, nigga. 23 hour lockdown. I'm the man up in this piece. You'll never see the light of... who the fuck do you think you're fucking with? I'm the police, I run shit around here. You just live here. Yeah, that's right, you better walk away. Go on and walk away... 'cause I'm gonna' burn this motherfucker down. King Kong ain't got shit on me. That's right, that's right. Shit, I don't, fuck. I'm winning anyway, I'm winning... I'm winning any motherfucking way. I can't lose. Yeah, you can shoot me, but you can't kill me."
Its a excellent, phenomenal movie and a must watch film.
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