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Mark @ Carstairs Considers (2518 KP) rated 21st Birthday in Books

Jun 2, 2021  
21st Birthday
21st Birthday
James Patterson, Maxine Paetro | 2021 | Mystery
4
4.0 (1 Ratings)
Book Rating
Needed Some Careful Editing to be Good
It all starts with a woman confronting Cindy Thomas in her office at the San Francisco Chronicle. The woman is certain that something bad has happened to her daughter and granddaughter, and her son-in-law is to blame. She wants Cindy to write stories about it and post about it on her blog, but Cindy quickly turns the woman over to her friend, San Francisco detective Lindsay Boxer, who pushes the police to start an investigation and make it a priority. Sadly, it isn’t long before a dead body turns up. Will Lindsay and the rest of the Women’s Murder Club figure out what is really happening?

Usually with this series, I complain about the characters having plotlines that rarely if ever intersect. Here, I was thrilled to see that the characters, including Claire and Yuki, are working together on one case, and they all get their moments to shine. While the characters are a bit thin, we did like them all and care enough to keep reading. The plot is compelling with twists that intrigue. However, the authors can’t land it. I get what we are supposed to think happened, but in the rush to wrap things up after the final twist, we don’t get a major plot point from earlier in the book explained. Meanwhile, the editing was sloppy, including students at a high school being in class on a Saturday, missing days, and Lindsay being in two places at once near the end of the book. This reads more like a first draft that needed an editor to help polish it up instead of a finished novel.
  
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LoganCrews (2861 KP) rated Dial M for Murder (1954) in Movies

Sep 20, 2020  
Dial M for Murder (1954)
Dial M for Murder (1954)
1954 | Crime, Mystery
6
7.8 (15 Ratings)
Movie Rating Watch
A mid-tier episode of "Law & Order" from the 50s that's as mildly rousing as it is boring in a nearly 1:1 ratio. Yes the writing is impressively airtight, and always leaves you looking for some sort of holes to no avail - one of those films where you play a fun little guessing game in your head every time a character says or does something. Could they have slipped up? Do the other characters know that? But here's my main problem with this: it's so DRY holy shit. Yes the story is rigorously optimized for this sort of deal, but that's all there is to chew on here - nothing else. The characters in this movie exist only to explain and inform each other about the story as it happens - outside of the first couple scenes there are no little moments of interpersonal interaction between characters that involves anything else besides telling people what just happened, no moments of humor outside of a bad gay joke and a couple telegraphed duds, no personality building beyond how they react in relation to - again - the singular crime narrative. That's virtually every single scene, so it quickly feels like you're just watching the same thing over and over again. This goes straight past staunchly formal and almost into rudimentary, but Grace Kelly and Ray Milland are wonderful enough to carry this very talky one-trick pony along with the sheer attention to detail of the plot. Still definitely fair but way too straightforward, I can't act like dozens of better ones have been done even if this did potentially pave the way for a lot of them.