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Hazel (1853 KP) rated The Stars Never Rise (The Stars Never Rise, #1) in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest
The Stars Never Rise</i> is the first book in an exciting new dystopian series. Since the war, the rise of soul sucking demons has been reduced, but instead of worrying about the remaining few, Nina Kane spends her time trying to provide food and clothing for herself and her younger sister Melanie. That is until she comes face to face with a demon – a degenerate – that she barely escapes from. Believing that it was a one off encounter and that she is safe within the walled in town of New Temperance run by the Unified Church, Nina turns her focus back to her sister who has her own troubles.
Before Nina gets the chance to help Melanie try to resolve her problem she encounters her second demon in the physical form of someone she has known all her life. While trying to protect herself, Nina unleashes a power she never knew she had. She is an exorcist who can rid bodies of demons, however the Church paints her as a wanted person with suspicions of being possessed.
The story gets exciting when Nina meets Finn, a fugitive, and his friends who help her to escape from the clutches of the Church. The mysterious Finn reveals the truth about Nina’s abilities and the lies the Church want people to believe. Within twenty-four hours the world is no longer the place Nina knew it to be.
Rachel Vincent has filled this book with lots of original ideas from her interpretation of demons to the character Finn, who is not human in the traditional sense. Not only does the story have fantasy/supernatural themes, it also deals with other more realistic issues such as poverty and teenage pregnancy.
<i>The Stars Never Rise</i> is bound to make an impression in the young adult market and become popular with dystopian lovers of all ages. Those who love this book will be eagerly awaiting the next in the series.
The Stars Never Rise</i> is the first book in an exciting new dystopian series. Since the war, the rise of soul sucking demons has been reduced, but instead of worrying about the remaining few, Nina Kane spends her time trying to provide food and clothing for herself and her younger sister Melanie. That is until she comes face to face with a demon – a degenerate – that she barely escapes from. Believing that it was a one off encounter and that she is safe within the walled in town of New Temperance run by the Unified Church, Nina turns her focus back to her sister who has her own troubles.
Before Nina gets the chance to help Melanie try to resolve her problem she encounters her second demon in the physical form of someone she has known all her life. While trying to protect herself, Nina unleashes a power she never knew she had. She is an exorcist who can rid bodies of demons, however the Church paints her as a wanted person with suspicions of being possessed.
The story gets exciting when Nina meets Finn, a fugitive, and his friends who help her to escape from the clutches of the Church. The mysterious Finn reveals the truth about Nina’s abilities and the lies the Church want people to believe. Within twenty-four hours the world is no longer the place Nina knew it to be.
Rachel Vincent has filled this book with lots of original ideas from her interpretation of demons to the character Finn, who is not human in the traditional sense. Not only does the story have fantasy/supernatural themes, it also deals with other more realistic issues such as poverty and teenage pregnancy.
<i>The Stars Never Rise</i> is bound to make an impression in the young adult market and become popular with dystopian lovers of all ages. Those who love this book will be eagerly awaiting the next in the series.
Andy K (10826 KP) rated Predestination (2015) in Movies
Nov 8, 2019
A story about a girl named Jane
It seems I've been watching a fair amount of Ethan Hawke lately, total coincidence. I have to say he is probably one of my favorite current actors as he always seems to select smart scripts. His recent film First Reformed was amazing as was another recent Hawke watch, Daybreakers. The directors of Daybreakers recast Hawke as a time traveling policeman of sorts trying to track down one last killer before hanging up his hat.
His current status as a lonely barkeep is interrupted when a stranger walks in, sits down and begins telling their story. Intrigued, Hawke sits down and listens to the tale of an unwanted orphan, a unique person misunderstood by society but maybe destined for great things. They try not to let the hardships of their life get them down, but disappointment lies around every turn. The interactions they have in their life may seem adrift and random, but maybe they have some deeper meaning about the meaning of life or at least their place in it.
Ok, this is kind of a vague description; however, if you take the time to watch this film (I sure wish you would) you will thank me for not saying too much
It is easy to get caught up in all the time paradox stuff when writing or watching a time travel film. What would happen if Marty McFly meets his future self or disrupts the meeting of his parents? Themes are a lot deeper here and the mystery continues to weave itself into a knot before slowly unraveling as the film reaches its end.
Hawke and Australian actress Sarah Snook are captivating together onscreen as their characters interact and their true feelings and motivations are revealed. Both are flawed in their own way, but also looking for redemption and validation that their time on Earth has meaning.
I was totally blown away by the smart, completely interesting story and hope I can convince others to view. Mesmerizing!
His current status as a lonely barkeep is interrupted when a stranger walks in, sits down and begins telling their story. Intrigued, Hawke sits down and listens to the tale of an unwanted orphan, a unique person misunderstood by society but maybe destined for great things. They try not to let the hardships of their life get them down, but disappointment lies around every turn. The interactions they have in their life may seem adrift and random, but maybe they have some deeper meaning about the meaning of life or at least their place in it.
Ok, this is kind of a vague description; however, if you take the time to watch this film (I sure wish you would) you will thank me for not saying too much
It is easy to get caught up in all the time paradox stuff when writing or watching a time travel film. What would happen if Marty McFly meets his future self or disrupts the meeting of his parents? Themes are a lot deeper here and the mystery continues to weave itself into a knot before slowly unraveling as the film reaches its end.
Hawke and Australian actress Sarah Snook are captivating together onscreen as their characters interact and their true feelings and motivations are revealed. Both are flawed in their own way, but also looking for redemption and validation that their time on Earth has meaning.
I was totally blown away by the smart, completely interesting story and hope I can convince others to view. Mesmerizing!
Sophia (Bookwyrming Thoughts) (530 KP) rated The Winner's Crime (The Winner's Trilogy, #2) in Books
Jan 23, 2020
Dear <i>The Winner's Crime</i>,
You remind me of <i>Revenge.</i> Just... more fun.
Lady Kestrel is like Emily and the emperor is like Victoria or Veronica or whats-her-face, and her words are so carefully plotted, her moves so masterfully calculated - I've pretty much decided to not make an attempt to predict you. I find that not predicting sometimes is more fun and more enjoyable.
You are like any other movie or TV show consisting of royalty - espionage, drama, tension, gossip, the like. But I like you, and I enjoyed reading you. Kestrel is clever, but so is the prince and Arin and almost all the other characters in this novel. Yet, I still enjoy it. I enjoy the lies and deception, the drama and tension in the palace as Kestrel's wedding day gets closer and closer.
Thus, I find you more a guilty pleasure read. I find you such a guilty pleasure, I don't want to rate you, because if I do, it'll be a high one for sure. I can't high-five you - you're on a hold shelf already and that's just a fatal flaw of libraries, but it's a great feeling because someone else can enjoy the fabulousness of what you are. Then you'll be placed on a shelf somewhere else, or on a hold shelf again, traveling to another reader and then another, and your older sibling will repeat the same process.
And when your younger sibling comes around, s/he will be doing the same thing. In fact, it'll be your fault - you left everyone at a cliffhanger and all of us are demanding to know how this story will unfold.
<div style="text-align: right;">Sincerely,</div>
<div style="text-align: right;">Sophia</div>
<a href="https://bookwyrmingthoughts.com/review-the-winners-crime-by-marie-rutkoski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
You remind me of <i>Revenge.</i> Just... more fun.
Lady Kestrel is like Emily and the emperor is like Victoria or Veronica or whats-her-face, and her words are so carefully plotted, her moves so masterfully calculated - I've pretty much decided to not make an attempt to predict you. I find that not predicting sometimes is more fun and more enjoyable.
You are like any other movie or TV show consisting of royalty - espionage, drama, tension, gossip, the like. But I like you, and I enjoyed reading you. Kestrel is clever, but so is the prince and Arin and almost all the other characters in this novel. Yet, I still enjoy it. I enjoy the lies and deception, the drama and tension in the palace as Kestrel's wedding day gets closer and closer.
Thus, I find you more a guilty pleasure read. I find you such a guilty pleasure, I don't want to rate you, because if I do, it'll be a high one for sure. I can't high-five you - you're on a hold shelf already and that's just a fatal flaw of libraries, but it's a great feeling because someone else can enjoy the fabulousness of what you are. Then you'll be placed on a shelf somewhere else, or on a hold shelf again, traveling to another reader and then another, and your older sibling will repeat the same process.
And when your younger sibling comes around, s/he will be doing the same thing. In fact, it'll be your fault - you left everyone at a cliffhanger and all of us are demanding to know how this story will unfold.
<div style="text-align: right;">Sincerely,</div>
<div style="text-align: right;">Sophia</div>
<a href="https://bookwyrmingthoughts.com/review-the-winners-crime-by-marie-rutkoski/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I have to admit, when I first started reading this book I did stop several times, look at the cover and the blurb and think “What the heck am I reading?”
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
This is the first Max Porter novel I have read. He has a very interesting way of laying out his prose which baffles the brain at first, but once you adapt to the flow you just float along with the story. The book is broken up into three parts, and each part is told in a different but distinctive way.
Lanny is a young boy with a gift, a very peculiar gift that his parents can’t quite figure out. So Lanny’s mother enlists the help of ‘Pete’ a local grizzled artist to teach the boy and harness some of his ‘eccentricities’. However, a mysterious event soon throws the lives of Lanny’s parents, Pete, and indeed the whole village in to utter chaos. Questions are asked, relationships are closely examined, but what really lies beneath all that goes on in this little village just outside of London.
One aspect of the book I admired was in part two, after the main turning point of the story. This part of the book is told in sporadic paragraphs of peoples thoughts and deeds during the event. It’s not always clear whose thought or deed you’re reading (and it’s not always necessary to know) but through this episodic storytelling you build up a picture not only of what is happening but how the people involved are feeling about it.
This was very cleverly written and the way that Porter plays with words builds up a very vivid image of the events happening in ‘Lanny’. What Porter has shown us is that in order to tell a good story you don’t necessarily have to write in a smooth and progressive way, sometimes you just have to throw words at the pages and see what sticks!
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