Search
Search results
BookInspector (124 KP) rated The Last Time I Lied in Books
Sep 24, 2020
Our protagonist in this novel is Emma, an artist, who can’t get away from the ghosts of the past. Years ago, three of her friends disappeared from the summer camp. Now she returns to the same camp, to try and figure out, where her childhood friends could’ve gone. But there are some things, which Emma lied about… And the wish to figure out what was the lie creates a tormenting suspense. I really liked the wide variety and very believable characters, which the author chose for this book. Even though I liked Emma, Vivian (one of the missing friends) was the one, who left me intrigued. So even though the story was told by Emma, this story was kind of about Vivian, a charismatic manipulator, who knew how to play with people and their feelings.
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
LoganCrews (2861 KP) rated JFK (1991) in Movies
Sep 20, 2020 (Updated Nov 26, 2020)
"𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘢𝘴 𝘭𝘰𝘯𝘨 𝘢𝘴 𝘺𝘰𝘶 𝘭𝘪𝘷𝘦 𝘸𝘪𝘭𝘭 𝘦𝘷𝘦𝘳 𝘣𝘦 𝘮𝘰𝘳𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵. 𝘐𝘵'𝘴 𝘶𝘱 𝘵𝘰 𝘺𝘰𝘶."
Jesus Christ. Back when conspiracy theories were good, now all it takes is a shitty, debunked, and obviously phony Facebook meme to get people to believe 5G causes coronavirus or whatever stupid shit Trump retweets from hate groups this week. On the other hand you have this seemingly never-ending and soul-stirring barrage of lies, cover-ups, threats, deaths/suicides/murders, extensively planned attacks, and general anguish which still plays more truthful and earnest than most things that come out of the CIA, White House, and/or FBI. Not a single word wasted, crams more exhilaration into a group of people talking at a dinner table than the vast majority of MCU 'action' scenes - and the meticulous, airtight extent of the writing is nothing less than utterly flooring. As a result of the beyond exceptional jam-packed conspiracy narrative I can't say any of these characters are that compelling in their own regard (even though the cast is an unforgettable all-timer of screen legends), but given the end result it's a fair tradeoff for the type of movie that bangs around in your head like a rubber bullet after watching it. Feverish, hot-blooded, commanding provocation - even made *my* ass paranoid. The final thirty minutes of - essentially - one long courtroom speech shouldn't work in theory; but not only is it thrilling as can be (and *that* moment just pierces your mortal soul), but it offers some of Costner's finest work throughout his entire career as an actor. Imagine this coming out and still getting shit like 𝘗𝘢𝘳𝘬𝘭𝘢𝘯𝘥, 𝘉𝘰𝘣𝘣𝘺, and 𝘒𝘪𝘭𝘭𝘪𝘯𝘨 𝘒𝘦𝘯𝘯𝘦𝘥𝘺 - would have loved to have been there for the ensuing shitstorm this caused back in its day, must have been legendary. So great that it *actually* caused a big deal change in government legislation immediately upon release.
Jesus Christ. Back when conspiracy theories were good, now all it takes is a shitty, debunked, and obviously phony Facebook meme to get people to believe 5G causes coronavirus or whatever stupid shit Trump retweets from hate groups this week. On the other hand you have this seemingly never-ending and soul-stirring barrage of lies, cover-ups, threats, deaths/suicides/murders, extensively planned attacks, and general anguish which still plays more truthful and earnest than most things that come out of the CIA, White House, and/or FBI. Not a single word wasted, crams more exhilaration into a group of people talking at a dinner table than the vast majority of MCU 'action' scenes - and the meticulous, airtight extent of the writing is nothing less than utterly flooring. As a result of the beyond exceptional jam-packed conspiracy narrative I can't say any of these characters are that compelling in their own regard (even though the cast is an unforgettable all-timer of screen legends), but given the end result it's a fair tradeoff for the type of movie that bangs around in your head like a rubber bullet after watching it. Feverish, hot-blooded, commanding provocation - even made *my* ass paranoid. The final thirty minutes of - essentially - one long courtroom speech shouldn't work in theory; but not only is it thrilling as can be (and *that* moment just pierces your mortal soul), but it offers some of Costner's finest work throughout his entire career as an actor. Imagine this coming out and still getting shit like 𝘗𝘢𝘳𝘬𝘭𝘢𝘯𝘥, 𝘉𝘰𝘣𝘣𝘺, and 𝘒𝘪𝘭𝘭𝘪𝘯𝘨 𝘒𝘦𝘯𝘯𝘦𝘥𝘺 - would have loved to have been there for the ensuing shitstorm this caused back in its day, must have been legendary. So great that it *actually* caused a big deal change in government legislation immediately upon release.
Leanne Crabtree (480 KP) rated Threshold of Annihilation (The Firebird Chronicles, #3) in Books
Jan 12, 2021
Contains spoilers, click to show
So this one kicks off where the last finished once more with Kira leaving the Roake planet in her space ship thanks to a certain visitor - another secret come to light! Kira hadn't wanted to leave the planet but now that she has, she has other priorities like the stowaway on her ship who she decides to take home. Only the planet she lives on is holding an alien race forum and only registered inhabitants can land during that time causing for creative measures to get there.
Secrets and lies once more! I've been blindsided again with this one. Even more secrets come out of the woodwork including things about Elise. I have no idea how the author managed to find more things to surprise us with but they did.
I do love the relationship progressions in this series and not just between Kira and Graydon. Things between Kira and Raider have changed a lot over the last three books - they started off as hate and distrust on Raider's side, really, and are now more like the close friends they used to be (I loved the slap fight they had at one point!). Her relationship with Finn has evolved a lot, too. He's now a trusted friend and a kick-arse one at that. Most of Graydon's oshota have become embedded in Kira's hard shell. And then there's Graydon; thing's progressed more with him in this one. He's made it known that he wants her and will do anything to protect her.
I'm hoping the next book is going to be the last because thing's have been brewing for a while now with the Tsavitee and I'm not sure I can take much more of them causing fights on planets and then running off like cowards before doing it again. I want them to suffer and die out fir all the pain and suffering they've caused Kira and the Curs and everyone else.
I will be waiting impatiently for the next book to come out next year.
Secrets and lies once more! I've been blindsided again with this one. Even more secrets come out of the woodwork including things about Elise. I have no idea how the author managed to find more things to surprise us with but they did.
I do love the relationship progressions in this series and not just between Kira and Graydon. Things between Kira and Raider have changed a lot over the last three books - they started off as hate and distrust on Raider's side, really, and are now more like the close friends they used to be (I loved the slap fight they had at one point!). Her relationship with Finn has evolved a lot, too. He's now a trusted friend and a kick-arse one at that. Most of Graydon's oshota have become embedded in Kira's hard shell. And then there's Graydon; thing's progressed more with him in this one. He's made it known that he wants her and will do anything to protect her.
I'm hoping the next book is going to be the last because thing's have been brewing for a while now with the Tsavitee and I'm not sure I can take much more of them causing fights on planets and then running off like cowards before doing it again. I want them to suffer and die out fir all the pain and suffering they've caused Kira and the Curs and everyone else.
I will be waiting impatiently for the next book to come out next year.
LeftSideCut (3776 KP) rated Cube Zero (2004) in Movies
Jan 19, 2021
Somewhere between the competent tightness of Cube and the rancid excrement of Cube 2: Hypercube, lies the average but relatively entertaining Cube Zero. Cube.
I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.
It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.
Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.
I was honestly expecting some flaming garbage at this point, but this prequel to the series improves on Cube 2 in every way. Its characters are either more compelling or more schlocky, the design of the rooms and traps are much better and less bland, the godawful CGI has been switched out for a mostly practical effort, and it's gory again! Like the first one, the gore is fairly seldom, but it's pretty grim when it hits. The opening kill (again, like the first movie) is a doozy.
It doesn't just ape the first film however, as Cube Zero actually attempts to do something different with the narrative. Whilst a chunk of the plot follows a group of people once again stuck in the trap filled maze, trying to figure out how to leave, the other half takes place outside of the Cube, more specifically, in a place where engineers work, and monitor the test subjects progress. It holds back on telling us too much, which is a wise move, and changes up what has already become a stale formula. However, this is also a big negative as it's just a bit boring.... When the film kept cutting back to the people inside the Cube, I found myself engaged way more, before swiftly being back to watching some dude playing chess... It just drags.
The last third is a bit more interesting, and kind of links back to the first film (I think? The last scene was really confusing) and overall, doesn't over complicate things to the point of extreme boredom like the second film.
Overall, Cube Zero is a perfectly watchable bit of fluff. Its never going to set anyone's world on fire but it's serviceable in what it does, and is entertaining enough to warrant one last dip into this series before an inevitable remake surfaces at somepoint.
Bong Mines Entertainment (15 KP) rated You're the One - Single by Big Gigantic in Music
Jun 25, 2019
Big Gigantic is an electronic outfit based in Boulder, Colorado. Not too long ago, they released a melodic electronic tune, entitled, “You’re the One”, featuring topline sensation Nevve.
“‘You’re the One’ is about reminding yourself that you’re unique and special in your own way and that the path to something greater lies within you. Loving one another is important, but it all begins with loving yourself. It’s not always easy, but it’s always worth it. We are so inspired by each and every one of you and the stories of resilience, grace, and strength you have shared with us are truly moving. You are ALL the ones.” – Big Gigantic
‘You’re the One’ tells an interesting tale of a young guy who is on a mission to succeed. In the dead of the night, he gets a feeling inside telling him that he’s the one.
‘You’re the One’ contains a relatable storyline, ear-welcoming vocals, and horn-filled instrumentation flavored with a positive vibe.
“We’re so excited to start this next phase of Big Gigantic. We’re starting the process of looking directly inward with our song ‘You’re The One’. The theme of the song is loving yourself, which in this day is something we could all do more of. We put so much pressure on ourselves to succeed, do the best we can, be the best we can, and keep up with others around us. That pressure can easily turn from something positive and motivating, into something negative and uninspiring. It can lead to some dark places so it’s important to take a step back and remember to take time to love yourself.” – Big Gigantic
Big Gigantic consists of Dominic Lalli (saxophonist, producer) and Jeremy Salken (drummer).
They are known for their epic live show, which has been showcased at major festivals such as Coachella, Lollapalooza, Bonnaroo, ACL, Ultra, Outside Lands, Hangout, HARD, Governors Ball, Electric Forest and more.
Also, they’ve sold out their own headlining festival, Rowdytown, at Red Rocks Amphitheatre, with (10k+ tickets) every year since 2012.
“‘You’re the One’ is about reminding yourself that you’re unique and special in your own way and that the path to something greater lies within you. Loving one another is important, but it all begins with loving yourself. It’s not always easy, but it’s always worth it. We are so inspired by each and every one of you and the stories of resilience, grace, and strength you have shared with us are truly moving. You are ALL the ones.” – Big Gigantic
‘You’re the One’ tells an interesting tale of a young guy who is on a mission to succeed. In the dead of the night, he gets a feeling inside telling him that he’s the one.
‘You’re the One’ contains a relatable storyline, ear-welcoming vocals, and horn-filled instrumentation flavored with a positive vibe.
“We’re so excited to start this next phase of Big Gigantic. We’re starting the process of looking directly inward with our song ‘You’re The One’. The theme of the song is loving yourself, which in this day is something we could all do more of. We put so much pressure on ourselves to succeed, do the best we can, be the best we can, and keep up with others around us. That pressure can easily turn from something positive and motivating, into something negative and uninspiring. It can lead to some dark places so it’s important to take a step back and remember to take time to love yourself.” – Big Gigantic
Big Gigantic consists of Dominic Lalli (saxophonist, producer) and Jeremy Salken (drummer).
They are known for their epic live show, which has been showcased at major festivals such as Coachella, Lollapalooza, Bonnaroo, ACL, Ultra, Outside Lands, Hangout, HARD, Governors Ball, Electric Forest and more.
Also, they’ve sold out their own headlining festival, Rowdytown, at Red Rocks Amphitheatre, with (10k+ tickets) every year since 2012.
Mountain Sniper Missions - 3D New Shooting Games
Games and Entertainment
App
You are just landed into killer enemy’s territory and you entered the furious shooting battlefield...
The Euro and the Battle of Ideas
Markus Brunnermeier, Harold James and Jean-Pierre Landau
Book
Why is Europe's great monetary endeavor, the Euro, in trouble? A string of economic difficulties in...
Politics International Affairs Economics
Two Orb Reel by Robert Aiki Aubrey Lowe
Album Watch
The modular maestro mounts his most varied solo release to date with the sci-fi knots and whorls of...
dance electronic
The Vanishing Half
9.0
Rate It
Book
'The Vanishing Half is an utterly mesmerising novel. It seduces with its literary flair, surprises...