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Bookapotamus (289 KP) rated All We Ever Wanted in Books
May 29, 2018
Wow. Just wow. This book is SO relevant right now with the #metoo movement and #timesup. It breaks my heart to realize how often stories like this happen, to anyone, of any age or social/financial status - there is no discrimination, and sadly there just isn't enough conversation about these topics. I applaud Emily Giffin for writing this book.
I had no idea in detail what this story was about when I requested it from NetGalley. I like to be surprised with Emily's books, and I've never read one I didn't like. And I sure was surprised by this one! It's almost like, "If you could walk in someone's shoes" - I felt like i was dropped into this book, as if I was in on a secret, and I just sat back and watched the secrets unravel and unfold.
Something happened to Lyla. Something not good at all. It started with a bunch of elite private high school kids (and some not-so-privileged) at a party, with a lot of alcohol... and you can just imagine it from there. Something happens. Accusations fly, lies are told, people unravel, secrets come out, and trusts are broken.
This books tells the story from several angles and I found myself so attached to them all. They are so well written I honestly felt as if I was in a mother's head, a father's mind and in the thoughts of a 16 year old girl.
I sailed through this, as I do most of Emily's books because I love her writing style and how easily I can just jump into her stories. I wanted to find out more, I wanted justice, and I craved a neat and tidy resolution, but we all know these types things are never neat and tidy.
This book is important. I wish everyone would read this. Although every #metoo story is different, this casts a glimpse into how each and every incident causes so, so much pain, to so many people - and ultimately how getting these types of stories out in the world, can hopefully ease some of that pain by helping and educating others.
Thank you to NetGalley and Ballantine Books for the opportunity to review this amazing book.
I had no idea in detail what this story was about when I requested it from NetGalley. I like to be surprised with Emily's books, and I've never read one I didn't like. And I sure was surprised by this one! It's almost like, "If you could walk in someone's shoes" - I felt like i was dropped into this book, as if I was in on a secret, and I just sat back and watched the secrets unravel and unfold.
Something happened to Lyla. Something not good at all. It started with a bunch of elite private high school kids (and some not-so-privileged) at a party, with a lot of alcohol... and you can just imagine it from there. Something happens. Accusations fly, lies are told, people unravel, secrets come out, and trusts are broken.
This books tells the story from several angles and I found myself so attached to them all. They are so well written I honestly felt as if I was in a mother's head, a father's mind and in the thoughts of a 16 year old girl.
I sailed through this, as I do most of Emily's books because I love her writing style and how easily I can just jump into her stories. I wanted to find out more, I wanted justice, and I craved a neat and tidy resolution, but we all know these types things are never neat and tidy.
This book is important. I wish everyone would read this. Although every #metoo story is different, this casts a glimpse into how each and every incident causes so, so much pain, to so many people - and ultimately how getting these types of stories out in the world, can hopefully ease some of that pain by helping and educating others.
Thank you to NetGalley and Ballantine Books for the opportunity to review this amazing book.
Lee (2222 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 16, 2018 (Updated Oct 16, 2018)
Nice mystery thriller
The El Royale is a bi-state establishment. A painted red line runs straight through the centre of the car park and right through the centre of reception, leading to a jukebox. One half of this hotel lies in Nevada, the other half in California. The rooms on the California side are a little more expensive because.... well, because it's California!
A number of guests arrive in reception - Jon Hamm is a vacuum cleaner salesmen, keen to stay in the honeymoon suite, Jeff Bridges is a priest and Cynthia Erivo a singer. They chat a while as they wait for somebody to return to the reception desk so that they can check in. And then another woman arrives, played by Dakota Fanning. She's not so chatty.
They all head off to their rooms and begin behaving in very different and mysterious ways. One is taking the room apart, removing microphones and phone taps, another is lifting up floorboards, another is singing into the mirror while another is bringing in a body from the boot of a car.
There's not a lot else that can be said without giving things away but much of the movie is spent exploring each of these characters and what they're all up to. We go back in time days, even years, exploring their past a little and discovering what brought them all to the El Royale. Stories within the hotel overlap and affect each other, with twists and turns revealing different motives for various people. It's all very mysterious, very well executed and very enjoyable.
Where I felt the movie falters is in the latter third, with the introduction of Chris Hemsworth. I didn't really buy into his character at all and that's when the pacing, the mystery and the enjoyment fell apart somewhat for me. It picks up with a couple more twists and surprises towards the but at 141 minutes, I feel the movie could have easily benefited from losing 20-30 minutes from its run time. Overall though, this was an enjoyable bit of fun.
A number of guests arrive in reception - Jon Hamm is a vacuum cleaner salesmen, keen to stay in the honeymoon suite, Jeff Bridges is a priest and Cynthia Erivo a singer. They chat a while as they wait for somebody to return to the reception desk so that they can check in. And then another woman arrives, played by Dakota Fanning. She's not so chatty.
They all head off to their rooms and begin behaving in very different and mysterious ways. One is taking the room apart, removing microphones and phone taps, another is lifting up floorboards, another is singing into the mirror while another is bringing in a body from the boot of a car.
There's not a lot else that can be said without giving things away but much of the movie is spent exploring each of these characters and what they're all up to. We go back in time days, even years, exploring their past a little and discovering what brought them all to the El Royale. Stories within the hotel overlap and affect each other, with twists and turns revealing different motives for various people. It's all very mysterious, very well executed and very enjoyable.
Where I felt the movie falters is in the latter third, with the introduction of Chris Hemsworth. I didn't really buy into his character at all and that's when the pacing, the mystery and the enjoyment fell apart somewhat for me. It picks up with a couple more twists and surprises towards the but at 141 minutes, I feel the movie could have easily benefited from losing 20-30 minutes from its run time. Overall though, this was an enjoyable bit of fun.
Sam Hill (23 KP) rated Super Dungeon Explore: Forgotten King in Tabletop Games
Jun 21, 2019
Super Dungeon Explore: Forgotten King is the follow up to the hugely successful Super Dungeon Explore (spoiler alert; I wasnt the base games biggest fan). Forgotten Kings has slipped a little more under the radar, possibly due to the hugely controversial kickstarter for the base game, and Soda Pops split from the publisher who helped launch their (and a number of successful KS campaigns), but also likely due to the fact that since the base set came out miniature based board games have gone from being a rarity, to a more mainstream product.
Its here that Forgotten Kings falls to pieces. When SDE launched it was a top end board game, and was excitingly innovative, playing like a fusion of Warhammer-a-likes, Euro board games, and an rpg. With no direct comparison it shone out as something special, but Forgotten Kings has launched into a market surrounded by superior games more tailored to specific gamers.
Want a quick fun mini based game; here's Zombicide, want a complex deep and strategic mini based board game; here's Dark Souls.
And therein lies the issue, Gorgotten King is a mesh of simple things and randomness, and a level of complexity in set up phases that makes you read the rules three times.
The one thing Forgotten Kongs nails perfectly is the miniatures. The models are detailed, cute and fun to paint. If you can pick up a decently priced copy and have a use for then it is almost worth picking up a copy just for them.
Forgotten Kings also has one feature to lift it above the original version; the introduction of Arcade mode. Whilst the normal rules requires one player to sit in a dungeon master style role in Arcade Mode an AI system has been introduced to allow you to solo play, or all play on the same side.
Like the original Forgotten Kings still feels very much like an 8-bit experience on a board, but, like its video game counterparts, the competition has moved on to better things.
Its here that Forgotten Kings falls to pieces. When SDE launched it was a top end board game, and was excitingly innovative, playing like a fusion of Warhammer-a-likes, Euro board games, and an rpg. With no direct comparison it shone out as something special, but Forgotten Kings has launched into a market surrounded by superior games more tailored to specific gamers.
Want a quick fun mini based game; here's Zombicide, want a complex deep and strategic mini based board game; here's Dark Souls.
And therein lies the issue, Gorgotten King is a mesh of simple things and randomness, and a level of complexity in set up phases that makes you read the rules three times.
The one thing Forgotten Kongs nails perfectly is the miniatures. The models are detailed, cute and fun to paint. If you can pick up a decently priced copy and have a use for then it is almost worth picking up a copy just for them.
Forgotten Kings also has one feature to lift it above the original version; the introduction of Arcade mode. Whilst the normal rules requires one player to sit in a dungeon master style role in Arcade Mode an AI system has been introduced to allow you to solo play, or all play on the same side.
Like the original Forgotten Kings still feels very much like an 8-bit experience on a board, but, like its video game counterparts, the competition has moved on to better things.
Gareth von Kallenbach (980 KP) rated The Kid Who Would Be King (2019) in Movies
Jul 2, 2019
Alex Elliott (Louis Ashbourne Serkis), is a 12 year old boy that isn’t afraid to stand up to bullies and defend his friends. As noble as his deeds are, he ends up becoming the school bullies Lance (Tom Taylor) and Kaye’s (Rhianna Dorris) target. They chase him to an abandoned construction site where he falls off a ledge and encounters the notorious sword in the stone. As many are aware of King Arthur’s sword in the stone story, the person that pulls the sword from the stone shall become King of England. To his and his best friend Bedders’s (Dean Chaumoo) surprise, Alex draws the sword (aka Excalibur) from the stone and moments later Merlin appears (Angus Imrie) and warns Alex and Bedders of the danger that lies ahead. Morgana (Rebecca Ferguson), King Arthur’s half-sister, and her army of fire burning dead soldiers are on a mission to get Excalibur and take over Earth. Merlin encourages Alex, Bedders and the two bullies, they must put their differences aside to beat Morgana and save the world.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.
Gareth von Kallenbach (980 KP) rated A Simple Favor (2018) in Movies
Jul 2, 2019
When you look at the directorial line up from Paul Feig, with hilariously funny movies such as Ghostbusters, Bridesmaids, and The Heat under his belt, it’s a bit of a surprise to see him take on a suspense thriller. Don’t worry Feig fans, there’s plenty of outlandish, laugh out loud moments.
A Simple Favor centers around the perky Stephanie Smothers (Anna Kendrick), a widowed stay at home mommy vlogger whose life revolves around her son. She struggles with making friends due to her overly ambitious attempts at being the best at everything she does—think Stepford wife without the husband. Enter Emily (Blake Lively)—a brash, confident, mysterious woman whose son just happens to be best friend’s with Stephanie’s little boy. To both mom’s dismay, they are forced to hang out afterschool because their boys want to have a playdate. Stephanie thinks Emily has everything—the perfect marriage, the amazing career, and the gorgeous designer house. To the surprise of all the parents at school, the two moms spark an unlikely friendship. Until one day, Emily calls Stephanie and asks her for a simple favor. Little did Stephanie know this simple favor ends up uncovering a slew of secrets of deceit and lies.
Feig’s propensity for comedy still lingers even in the blackest of moments throughout the movie. He knew exactly which moments to take it up a notch and add in some witty humor to let his leading ladies shine. Lively exudes a callous charisma that makes her perfect to take on the role of Emily. I’d like to think Anna Kendrick’s acting chops are just that good, because she does such a great job at playing an insufferable perfectionist.
It’s hard to pick sides in this film. Everyone is so twisted, you find yourself rooting for one person in part of the movie, and then their skeleton’s come out, and you want to root for the other. This is a true testament to the screenwriters—they make you want to be both women. Doesn’t apologize for its sick and twisted manic storyline. It’s upscale garbage at its finest! Can’t help but love seeing the downfall of perfection.
A Simple Favor centers around the perky Stephanie Smothers (Anna Kendrick), a widowed stay at home mommy vlogger whose life revolves around her son. She struggles with making friends due to her overly ambitious attempts at being the best at everything she does—think Stepford wife without the husband. Enter Emily (Blake Lively)—a brash, confident, mysterious woman whose son just happens to be best friend’s with Stephanie’s little boy. To both mom’s dismay, they are forced to hang out afterschool because their boys want to have a playdate. Stephanie thinks Emily has everything—the perfect marriage, the amazing career, and the gorgeous designer house. To the surprise of all the parents at school, the two moms spark an unlikely friendship. Until one day, Emily calls Stephanie and asks her for a simple favor. Little did Stephanie know this simple favor ends up uncovering a slew of secrets of deceit and lies.
Feig’s propensity for comedy still lingers even in the blackest of moments throughout the movie. He knew exactly which moments to take it up a notch and add in some witty humor to let his leading ladies shine. Lively exudes a callous charisma that makes her perfect to take on the role of Emily. I’d like to think Anna Kendrick’s acting chops are just that good, because she does such a great job at playing an insufferable perfectionist.
It’s hard to pick sides in this film. Everyone is so twisted, you find yourself rooting for one person in part of the movie, and then their skeleton’s come out, and you want to root for the other. This is a true testament to the screenwriters—they make you want to be both women. Doesn’t apologize for its sick and twisted manic storyline. It’s upscale garbage at its finest! Can’t help but love seeing the downfall of perfection.
Karla Bergado (17 KP) rated In the Tall Grass (2019) in Movies
Nov 6, 2019
In the Tall Grass Review: Is the Stephen King horror worth a watch? (Spoilers ahead)
Contains spoilers, click to show
Netflix has really been stepping up their game with the number of horror shows being released this year.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
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