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Hazel (1853 KP) rated The Ice-Cream Makers in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
Ross (3282 KP) rated The Court of Broken Knives in Books
Aug 7, 2018
Finally, well executed, gritty literary fantasy
I had skimmed some reviews of this book after seeing glowing recommendations of it in different facebook groups. I was warned the tone of the narrative was off-putting and very different to the genre. I have read a few authors who try and put a more literary, almost poetic slant on the narrative in fantasy books and I always found it a bit flowery and took me out of the story.
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!
Not so here. I'll admit the tone took me a couple of chapters to get to grips with, but I am so glad I stuck with it. The lyrical poetry contained within the narrative is so good that it adds to the story being told, it puts some emotion into the storytelling, something that is so sorely lacking from many books in third-person narrative.
Descriptions of people, places, feelings, events take on a whole new level of tangibility so rarely felt in fantasy fiction (without going down the Stephen King route of describing everything, and avoiding the Robert Jordan horse/riding dress description pratfalls).
The only place this becomes an issue is at times in the action scenes. On occasion I had to re-read a passage to work out what had actually happened - while I enjoyed the words I had struggled to pick up on what had occurred.
The story itself is not overly elaborate and unfolds before you with little warning. It felt like a natural, flowing journey than a series of events loosely tied together. We have the gritty mercenary company en route to unleash hell on the Empire, the great priestess of the God of living and dying (who has to sacrifice someone every few days to ensure life and death continue to operate properly) and we have the political manoeuvrings of the high lords within the Empirical council. This is all weaved together in the first third of the book to an excellent, surprising conclusion (in what many authors would have filled a whole book with ad nauseum), with the remainder of the book being a journey through wild country while everyone double-crosses everyone else.
This is of the grim-dark sub-genre, which basically means everyone is a bit of a shit, and bad things happen to nice people. There are no heroes here. There are characters you come to rout for (or despise) but you know it is wrong to do so as they are all so nasty and flawed in so many ways, like humanity itself.
Don't be expecting a happy ending!
Hazel (1853 KP) rated Hostage Three in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
<i>Hostage Three</i> is the second literary thriller by Carnegie Shortlisted Nick Lake. I must admit that I was a little apprehensive about reading this book after having read Lake’s first literary thriller, <i>In Darkness</i>, which, although well written, was rather hard going and, at times, boring. However I really enjoyed <i>Hostage Three</i>. Maybe it helped having a narrator I could relate to more, or maybe it was because the narrative was not shared between two major different time periods as <i>In Darkness</i> was. Whatever the reason, it was good.
The narrative jumps straight in to something happening in 2008 on the coast of Eyl, Puntland, Somalia. Seventeen-year-old Amy Fields is on a yacht, there are pirates; it appears someone is about to be killed. End of part one. What has happened? What is going to happen? Begin part two, three and a half months earlier. From this moment on Amy narrates what has happened in the lead up to the initial insight given and what happened afterwards. The reader learns more about Amy, her father and his wife, Sarah, who Amy constantly refers to as ‘the stepmother’, which gives an indication of their tense relationship. Throughout the book there are also flashbacks to what happened to Amy’s real mother, a sufferer of severe OCD, and the events that caused Amy to become the rebellious teenager she is portrayed as at the beginning of the novel.
Amy and her family end up travelling the world on a private yacht only to get taken hostage by pirates in the Indian Ocean. To begin with it is clear that the Fields family and yacht crew are the goodies and the pirates the baddies, however Amy begins to develop a complicated, secret relationship with one of the pirates, Farouz. The reader discovers the pirates’ motives, well at least Farouz’s motives, behind the hostage situation. Things begin to look less black and white, less good versus bad. And everything, of course, becomes more complex once romance is thrown into the mix.
<i>Hostage Three</i> is well worth a read. Lake writes really well and keeps the reader engaged. It is as if Amy is talking to the reader the entire time. Once you get used to the unconventional use of punctuation (no speech marks) it will become fast paced and you will be torn between wanting to read it all in one go and wanting to slow down to prevent it from ending too soon!
<i>Hostage Three</i> is the second literary thriller by Carnegie Shortlisted Nick Lake. I must admit that I was a little apprehensive about reading this book after having read Lake’s first literary thriller, <i>In Darkness</i>, which, although well written, was rather hard going and, at times, boring. However I really enjoyed <i>Hostage Three</i>. Maybe it helped having a narrator I could relate to more, or maybe it was because the narrative was not shared between two major different time periods as <i>In Darkness</i> was. Whatever the reason, it was good.
The narrative jumps straight in to something happening in 2008 on the coast of Eyl, Puntland, Somalia. Seventeen-year-old Amy Fields is on a yacht, there are pirates; it appears someone is about to be killed. End of part one. What has happened? What is going to happen? Begin part two, three and a half months earlier. From this moment on Amy narrates what has happened in the lead up to the initial insight given and what happened afterwards. The reader learns more about Amy, her father and his wife, Sarah, who Amy constantly refers to as ‘the stepmother’, which gives an indication of their tense relationship. Throughout the book there are also flashbacks to what happened to Amy’s real mother, a sufferer of severe OCD, and the events that caused Amy to become the rebellious teenager she is portrayed as at the beginning of the novel.
Amy and her family end up travelling the world on a private yacht only to get taken hostage by pirates in the Indian Ocean. To begin with it is clear that the Fields family and yacht crew are the goodies and the pirates the baddies, however Amy begins to develop a complicated, secret relationship with one of the pirates, Farouz. The reader discovers the pirates’ motives, well at least Farouz’s motives, behind the hostage situation. Things begin to look less black and white, less good versus bad. And everything, of course, becomes more complex once romance is thrown into the mix.
<i>Hostage Three</i> is well worth a read. Lake writes really well and keeps the reader engaged. It is as if Amy is talking to the reader the entire time. Once you get used to the unconventional use of punctuation (no speech marks) it will become fast paced and you will be torn between wanting to read it all in one go and wanting to slow down to prevent it from ending too soon!
Suswatibasu (1701 KP) rated Churchill and Orwell: The Fight for Freedom in Books
Jan 2, 2018
Intriguing comparison between opposing men
Thomas E. Rick's fascinating account of the lives two of the most renowned British men seems an unlikely match, but nevertheless a good comparison. Literary leftist giant George Orwell and Conservative heavyweight Winston Churchill appear to be as far apart from one another, however, their visions of freedom actually divulge.
Ricks points out, both men's "dominant priority, a commitment to human freedom, gave them common cause", despite Orwell being an introvert and Churchill being a prominent orator - and it seems to be the common thread that ties them throughout.
The author's focus on Orwell felt far more interesting than Churchill's background, given that Orwell served in various armed forces around the world by choice, and usually fighting with the underdog. He was also poverty-stricken for a period of time, in which he wrote the classic memoir Down and Out in Paris and London. But Churchill's ability to change minds across the political sphere is legendary.
While certainly not exhaustive, this book provides an overview of the lives of both influential men, delving into each's careers as the themes of war, politics, and personal liberties are explored. It may be seen as a bit of a stretch given the two never actually met, however, it is still informative and entertaining.
Ricks points out, both men's "dominant priority, a commitment to human freedom, gave them common cause", despite Orwell being an introvert and Churchill being a prominent orator - and it seems to be the common thread that ties them throughout.
The author's focus on Orwell felt far more interesting than Churchill's background, given that Orwell served in various armed forces around the world by choice, and usually fighting with the underdog. He was also poverty-stricken for a period of time, in which he wrote the classic memoir Down and Out in Paris and London. But Churchill's ability to change minds across the political sphere is legendary.
While certainly not exhaustive, this book provides an overview of the lives of both influential men, delving into each's careers as the themes of war, politics, and personal liberties are explored. It may be seen as a bit of a stretch given the two never actually met, however, it is still informative and entertaining.
Sam (74 KP) rated A Thousand Perfect Notes in Books
Mar 27, 2019
I was so excited to start this. To begin with, I liked Beck and I loved August and I really felt for both of the characters.
But overall, the book just didn’t feel right. The language used was very poetic, almost as if C.G. Drews was just trying to make Instagram-worthy quotes. The language seemed really forced and really out of context. I can’t understand how a story about an abused teen would use very romanticised and literary language.
In any other context, I think I would quite like her writing style, but I feel that it really didn’t fit in at all here.
And then there’s the way that every few pages the lines
are
like
this
For absolutely no reason at all, and then for about fifty pages you see no use of this writing style almost as if the author has forgotten that she was trying to use this as a feature.
I get that this is a debut, but it just seemed really amateurish and didn’t flow at all. I started off liking the characters, and I finished hating them.
The only reason that this is two stars instead of one is that I did actually manage to finish it.
But overall, the book just didn’t feel right. The language used was very poetic, almost as if C.G. Drews was just trying to make Instagram-worthy quotes. The language seemed really forced and really out of context. I can’t understand how a story about an abused teen would use very romanticised and literary language.
In any other context, I think I would quite like her writing style, but I feel that it really didn’t fit in at all here.
And then there’s the way that every few pages the lines
are
like
this
For absolutely no reason at all, and then for about fifty pages you see no use of this writing style almost as if the author has forgotten that she was trying to use this as a feature.
I get that this is a debut, but it just seemed really amateurish and didn’t flow at all. I started off liking the characters, and I finished hating them.
The only reason that this is two stars instead of one is that I did actually manage to finish it.
David McK (3248 KP) rated Casino Royale Vintage 007 in Books
Jan 30, 2019
The very first James Bond (now a cultural phenomenon) book, and I'm sorry, but - much like the most recent Bond film of the same name - it's very hard to make high stakes gambling interesting or exciting (without being personally involved).
And that's the crux of this book: British (not-so) secret Agent James Bond is chosen to go undercover to bankrupt Le Chiffre in gambling at the Casino Royale of the title.
THis Bond is also quite 'hard', more akin to the Bond of the Dalton or Craig era of the films than to that of (say) the Moore era or - my favourite - the Brosnan era. As the first novel in the series, this also highlights to Bond just how cold the spy game an be, with the inclusion of Vesper Lynd: one of only two female's in his (literary) life who have such an impact on him.
While the prose does flow well enough, and the novel is short enough not to out-stay it's welcome, it none-the-less failed to ignite any desire in me to hunt down any other of Ian Fleming's Bond novels: I'm not going to avoid them (or say no if I come across them), but neither I am going to actively hunt them out.
And that's the crux of this book: British (not-so) secret Agent James Bond is chosen to go undercover to bankrupt Le Chiffre in gambling at the Casino Royale of the title.
THis Bond is also quite 'hard', more akin to the Bond of the Dalton or Craig era of the films than to that of (say) the Moore era or - my favourite - the Brosnan era. As the first novel in the series, this also highlights to Bond just how cold the spy game an be, with the inclusion of Vesper Lynd: one of only two female's in his (literary) life who have such an impact on him.
While the prose does flow well enough, and the novel is short enough not to out-stay it's welcome, it none-the-less failed to ignite any desire in me to hunt down any other of Ian Fleming's Bond novels: I'm not going to avoid them (or say no if I come across them), but neither I am going to actively hunt them out.
Sarah (7798 KP) rated Happiness for Humans in Books
Jan 17, 2019
Bonkers, but hugely entertaining
My manager gave me this book to read, and I’m not entirely sure if she was trying to tell me something, or just trying to cheer me up. The situation the main character Jen finds herself in right at the start of this book is so similar to my own experience (right down to the name of her ex), that I couldn’t help but connect with this book. Admittedly I don’t have an AI named Aiden trying to sort out my romantic life, but maybe one day...
It’s not everyday you’d read a romantic comedy novel about AIs, but I’m pleased to say this is a highly entertaining read. It’s funny and has some great endearing and humanly flawed characters (even the AIs). The plot is bonkers, and gets even crazier towards the end, and you do have to suspend your disbelief at times. I did prefer the first half of the story, when it was mainly AI matchmaking rather than the darker (and crazier) side, but it was still all very enjoyable. Not one that’s going to win any literary prices, but still well written and very entertaining. I’m holding out now for my own personal matchmaker AI.
It’s not everyday you’d read a romantic comedy novel about AIs, but I’m pleased to say this is a highly entertaining read. It’s funny and has some great endearing and humanly flawed characters (even the AIs). The plot is bonkers, and gets even crazier towards the end, and you do have to suspend your disbelief at times. I did prefer the first half of the story, when it was mainly AI matchmaking rather than the darker (and crazier) side, but it was still all very enjoyable. Not one that’s going to win any literary prices, but still well written and very entertaining. I’m holding out now for my own personal matchmaker AI.
Alice (117 KP) rated You and Me on Vacation in Books
Mar 3, 2021
Thanks to NetGalley and Penguin General UK for the advanced copy of this book
I read Beach Read last year and I did enjoy it but it didn't blow me away, this one, however... WOW! That's all I can say. A book about travel was always going to be right up my street but a slowburn friends to lovers story about travel. I was positively OBSESSED! The relationship between these two characters was so raw and honest and you were truly rooting for them from the very beginning. I related so hard to the character of Poppy too, like way too hard, there were moments when I genuinely thought that Emily Henry had been spying on me with how accurate some of these seemingly random character traits were to my life and I loved exploring the world through her eyes. I also think Alex Nilsen may be the new literary love of my life. I'm just so so so in love with this story and I probably shouldn't be typing this at midnight but that's when you get my most honest thoughts. I just have so much love for this book and I can already see it being one of my favourites of the year!
I read Beach Read last year and I did enjoy it but it didn't blow me away, this one, however... WOW! That's all I can say. A book about travel was always going to be right up my street but a slowburn friends to lovers story about travel. I was positively OBSESSED! The relationship between these two characters was so raw and honest and you were truly rooting for them from the very beginning. I related so hard to the character of Poppy too, like way too hard, there were moments when I genuinely thought that Emily Henry had been spying on me with how accurate some of these seemingly random character traits were to my life and I loved exploring the world through her eyes. I also think Alex Nilsen may be the new literary love of my life. I'm just so so so in love with this story and I probably shouldn't be typing this at midnight but that's when you get my most honest thoughts. I just have so much love for this book and I can already see it being one of my favourites of the year!
David Koechner recommended Apocalypse Now (1979) in Movies (curated)
LoganCrews (2861 KP) rated Proof (2005) in Movies
Sep 21, 2020
𝘋𝘶𝘮𝘣 𝘞𝘪𝘭𝘭 𝘏𝘶𝘯𝘵𝘪𝘯𝘨, a movie about advanced mathematics that couldn't possibly be more stupid. A quote on the back of the DVD case advertised this sappy drivel as "The kind of movie that's made for Oscar" - and I have to say, I couldn't agree more: in that it's overdramatized into ruin, sickeningly melodramatic to the point of near offense, talks a great deal but says nothing (has lengthy asides about conditioners and pointless math puns to pad out this pathetic non-story), everyone overacts, and it reeks of a pretentious stage production poorly translated to the screen with minimal effort. Overly literary for no reason whatsoever, despite the fact that it's nothing more than unnecessary, surface-level jargon which actively refuses to show even a hint of depth. What I'm sure would be at least *ever so slightly* more compelling on the stage absolutely falls apart on screen with no sense of what this should have kept/added/omitted/etc. to make it work. The only proof to come out of this is that John Madden remains one of the reigning kings of bad, intolerable Oscar bait. Glad he gave up this shit for worlds better stuff like 𝘔𝘪𝘴𝘴 𝘚𝘭𝘰𝘢𝘯𝘦. Lowpoint cringe cinema.