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You and Me on Vacation
You and Me on Vacation
Emily Henry | 2021 | Fiction & Poetry, Humor & Comedy
10
10.0 (1 Ratings)
Book Rating
Thanks to NetGalley and Penguin General UK for the advanced copy of this book

I read Beach Read last year and I did enjoy it but it didn't blow me away, this one, however... WOW! That's all I can say. A book about travel was always going to be right up my street but a slowburn friends to lovers story about travel. I was positively OBSESSED! The relationship between these two characters was so raw and honest and you were truly rooting for them from the very beginning. I related so hard to the character of Poppy too, like way too hard, there were moments when I genuinely thought that Emily Henry had been spying on me with how accurate some of these seemingly random character traits were to my life and I loved exploring the world through her eyes. I also think Alex Nilsen may be the new literary love of my life. I'm just so so so in love with this story and I probably shouldn't be typing this at midnight but that's when you get my most honest thoughts. I just have so much love for this book and I can already see it being one of my favourites of the year!
  
Apocalypse Now (1979)
Apocalypse Now (1979)
1979 | Action, Drama, War

"It’s so epic and so well-acted, it’s got a literary lineage, and it’s just amazing. I was a fan of all the music, and it’s so well-used in the picture. I was always intrigued and fascinated by the Vietnam war and this made me feel like I was there. I was surprised by so many things about the reality of war. When Martin Sheen’s character is going up the river and he goes to this one place where they’re blowing up a bridge everyday and he says, “Where’s your CO,” and he says, “Ain’t you him?” and I was just like, “Oh shit.” And the other thing that still stays with me today, the way the character acted — the helicopter pilot that’s going down — he says “Mayday Mayday, we’re going down.” He doesn’t overdo it; he gives information that’s necessary for other people to hear, and so for me that was a big acting lesson. I didn’t know it at the time. Any other actor — he may have been a real pilot — any other actor would have chewed that up, screaming, “Mayday,” but a real pilot has to convey information to the tower. He goes, “I’m in trouble, I’m in trouble,” and that’s it."

Source
  
Proof (2005)
Proof (2005)
2005 | Drama
𝘋𝘶𝘮𝘣 𝘞𝘪𝘭𝘭 𝘏𝘶𝘯𝘵𝘪𝘯𝘨, a movie about advanced mathematics that couldn't possibly be more stupid. A quote on the back of the DVD case advertised this sappy drivel as "The kind of movie that's made for Oscar" - and I have to say, I couldn't agree more: in that it's overdramatized into ruin, sickeningly melodramatic to the point of near offense, talks a great deal but says nothing (has lengthy asides about conditioners and pointless math puns to pad out this pathetic non-story), everyone overacts, and it reeks of a pretentious stage production poorly translated to the screen with minimal effort. Overly literary for no reason whatsoever, despite the fact that it's nothing more than unnecessary, surface-level jargon which actively refuses to show even a hint of depth. What I'm sure would be at least *ever so slightly* more compelling on the stage absolutely falls apart on screen with no sense of what this should have kept/added/omitted/etc. to make it work. The only proof to come out of this is that John Madden remains one of the reigning kings of bad, intolerable Oscar bait. Glad he gave up this shit for worlds better stuff like 𝘔𝘪𝘴𝘴 𝘚𝘭𝘰𝘢𝘯𝘦. Lowpoint cringe cinema.
  
The Living Daylights (1987)
The Living Daylights (1987)
1987 | Action
Fifteenth Bond movie is obviously trying to toughen the franchise up a bit after the knockabout fun of the last couple of Roger Moore films: Dalton's 007 is a hardened assassin who is repeatedly despatched on missions to execute people. Nevertheless, the producers hedge their bets by still including a few sight gags and comedy bits here and there. The plot is one of the franchise's knottiest, which isn't necessarily a bonus: possibly as a result of this, it's quite hard to work out who the evil mastermind is - Joe Don Baker gets the big confrontation and death scene, but Jeroen Krabbe has a lot more screen time.

Still, all the globetrotting, fights and chases and so on you would expect from a Bond film in the classic style, and Dalton brings enough of the literary Bond to the screen to make this satisfying for people who like the franchise in slightly grittier mode. Has a certain value as a historical oddity, given it concludes with Bond teaming up with (essentially) the Taliban to attack an airbase in Afghanistan. Dalton arguably never got a proper crack of the whip as Bond; in this film he shows enough promise to make that a real cause for regret.