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In the Event of Murder
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It’s the star-studded event of the season in Silvercrest, Colorado—but some of the guests might...
Billie Wichkan (118 KP) rated The Poet (The Poet Series) in Books
May 22, 2019
The only way out is through the blood.
When Rebecca Paige decides to vacation alone at an isolated resort in the woods, it's a welcome break from her position as the administrator of a psychiatric hospital. Little does she know, the poet is also visiting this peaceful hideaway, and his motivation is far more sinister in nature. On the last day of her trip, Rebecca has an unusual encounter with Jack Shelley, the man in the cabin next door. After he leaves, men with guns suddenly descend on the resort and take Rebecca and the other guests hostage. Rebecca is accustomed to dangerous situations at work, but can that help her escape multiple armed assailants? Who are these men? What do they want? How are they connected to the man next door? Who is the poet? Slightly twisted with a literary flair,
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
Decent start of a series with characters that have growth potential. Some surprises and a decent wrap up until the next installment.
I liked the character of the Poet but would have liked a bit more of some background on him. The flashbacks provided were chilling!
This is a fast action, hang on tight thriller.
Recommend reading!
Thank you to NetGalley, Gatekeeper Press and the author, Stephanie John Harris, for the opportunity to read a digital copy of The Poet in exchange for an honest review.
When Rebecca Paige decides to vacation alone at an isolated resort in the woods, it's a welcome break from her position as the administrator of a psychiatric hospital. Little does she know, the poet is also visiting this peaceful hideaway, and his motivation is far more sinister in nature. On the last day of her trip, Rebecca has an unusual encounter with Jack Shelley, the man in the cabin next door. After he leaves, men with guns suddenly descend on the resort and take Rebecca and the other guests hostage. Rebecca is accustomed to dangerous situations at work, but can that help her escape multiple armed assailants? Who are these men? What do they want? How are they connected to the man next door? Who is the poet? Slightly twisted with a literary flair,
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
The Poet is the first installment in the new and captivating The Poet Series that will have readers thinking about the dark and wondering if love, redemption, and forgiveness really do apply to everyone.
Decent start of a series with characters that have growth potential. Some surprises and a decent wrap up until the next installment.
I liked the character of the Poet but would have liked a bit more of some background on him. The flashbacks provided were chilling!
This is a fast action, hang on tight thriller.
Recommend reading!
Thank you to NetGalley, Gatekeeper Press and the author, Stephanie John Harris, for the opportunity to read a digital copy of The Poet in exchange for an honest review.
Kristy H (1252 KP) rated Everything I Never Told You in Books
Feb 8, 2018
I forget where I saw a recommendation for this book (who am I kidding, probably <i>People</i> or <i>Entertainment Weekly</i>, about the extent of my "literary" reading these days), but it wasn't quite what I expected. Less mystery surrounding a disappearance/death and more "human interest" about a-- truth be told-- rather unlikable family.
The novel chronicles the Lee family, who wakes up one day to find their eldest daughter/sister, Lydia, missing. Eventually Lydia's body is found in the local lake, and the family is turned upside down.
It goes without saying, but it's really a rather depressing book. Lydia's parents, Marilyn and James, are just awful, and not just because they are grieving. I found very little to like in them. Lydia's siblings, Nath and Hannah, aren't nearly as bad (Hannah is truly the redeeming one in the family), but still. It's hard to root for a family that you don't much care for. There are also some strange side plots involving the siblings that never really seem resolved.
As a parent, I found aspects of the book interesting -- the way Lydia's mom pushes her so much to attain a dream that really belonged to Marilyn. In addition, the family is still reeling from Marilyn's brief disappearance before Hannah was even born. Ng does do a good job of showing how much this impacts the family, especially the kids. It's a little frightening, really, as the sinking realization of how every little thing you do can follow your children, even 10 years later (though in Marilyn's case, she really does some damaging things).
Still, those redeeming moments couldn't salvage the whole book for me. I liked it well enough, but I was left at the end feeling a little depressed and annoyed and wishing more loose ends were tied up.
The novel chronicles the Lee family, who wakes up one day to find their eldest daughter/sister, Lydia, missing. Eventually Lydia's body is found in the local lake, and the family is turned upside down.
It goes without saying, but it's really a rather depressing book. Lydia's parents, Marilyn and James, are just awful, and not just because they are grieving. I found very little to like in them. Lydia's siblings, Nath and Hannah, aren't nearly as bad (Hannah is truly the redeeming one in the family), but still. It's hard to root for a family that you don't much care for. There are also some strange side plots involving the siblings that never really seem resolved.
As a parent, I found aspects of the book interesting -- the way Lydia's mom pushes her so much to attain a dream that really belonged to Marilyn. In addition, the family is still reeling from Marilyn's brief disappearance before Hannah was even born. Ng does do a good job of showing how much this impacts the family, especially the kids. It's a little frightening, really, as the sinking realization of how every little thing you do can follow your children, even 10 years later (though in Marilyn's case, she really does some damaging things).
Still, those redeeming moments couldn't salvage the whole book for me. I liked it well enough, but I was left at the end feeling a little depressed and annoyed and wishing more loose ends were tied up.
Emma @ The Movies (1786 KP) rated Colette (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Colette has left me bemused. The performances are amazing, the costumes and sets are beautiful, the story is interesting and well told, and yet at 1 hour 51 minutes in length if felt too long. I wasn't bored at any point, I was just really surprised that I was still sitting there watching.
There was an amazing cast. Up until this point I've never particularly enjoyed Keira Knightley roles, after The Nutcracker And The Four Realms I was very close to giving up hope. As Colette she shone. It's absolutely the best piece of acting I've seen from her. Dominic West playing Willy her fame seeking husband was a great bit of casting too. The pair had such chemistry in everything from love to rage. It was also lovely to see Fiona Shaw pop up as Sido, a small role but by no means forgettable.
It's certainly an interesting story of gender norms in history and the literary world of Paris. But beyond the acting, costumes and sets it's not... Exciting? Moving? It's a very good film but just lacks that little something extra to push it to the top. It's difficult to say much more about the film really, I hardly took any notes during the screening. In fact, the only note I made that wasn't related to things I've already mentioned was this: "Four films this year, 50% lesbians."
What you should do
It's a well made film and certainly enjoyable to watch. If you fancy watching a period drama then it's well worth a trip to the cinema for.
Movie thing you wish you could take home
A beautiful second home in the country would be lovely.
There was an amazing cast. Up until this point I've never particularly enjoyed Keira Knightley roles, after The Nutcracker And The Four Realms I was very close to giving up hope. As Colette she shone. It's absolutely the best piece of acting I've seen from her. Dominic West playing Willy her fame seeking husband was a great bit of casting too. The pair had such chemistry in everything from love to rage. It was also lovely to see Fiona Shaw pop up as Sido, a small role but by no means forgettable.
It's certainly an interesting story of gender norms in history and the literary world of Paris. But beyond the acting, costumes and sets it's not... Exciting? Moving? It's a very good film but just lacks that little something extra to push it to the top. It's difficult to say much more about the film really, I hardly took any notes during the screening. In fact, the only note I made that wasn't related to things I've already mentioned was this: "Four films this year, 50% lesbians."
What you should do
It's a well made film and certainly enjoyable to watch. If you fancy watching a period drama then it's well worth a trip to the cinema for.
Movie thing you wish you could take home
A beautiful second home in the country would be lovely.
Gareth von Kallenbach (977 KP) rated Green Zone (2010) in Movies
Aug 8, 2019
Taking you into the depths of the controversial Iraq conflict is the new thriller “Green Zone”. Matt Damon, stars as chief warrant officer Roy Miller. Along side Damon are a number of well crafted characters such as the shady operations lead, Clark Poundstone, played by the ever snarky Greg Kinnear and the eager journalist, Lawrie Danye, played by Amy Ryan. However, the strongest support both within the plot and story telling came from the local informant “Freddy” played by Khalid Abdalla.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Based on the 2006 award winning book “Imperial Life in the Emerald City: Inside Iraq’s Green Zone” by Rajiv Chandrasekaran, the film focuses on the duality of war. The plot covers both the obtuse role of US military within Iraq and the multitude of complexities a soldier faces in the pursuit of what is right.
“Green Zone” presents a compelling take on the Iraq conflict by pursuing a variety of perspectives and maintaining the intensity of a good thriller. It is a film that manages to enjoy the fruits of a novel basis while avoiding the boring dragging out that so often happens when films try to maintain literary accuracy.
In fact, the beginning was more like playing a good level of Call of Duty Modern Warfare (starring a main character who happens to have once been Jason Bourne) than an adaptation of a famous piece of literature. Partially due to Damon’s acting skills, “Green Zone” manages to walk far from the identity of Bourne and quickly catches viewers up in an entirely different character.
An interesting perspective on a conflict that is still fresh in the minds of US citizens, “Green Zone” proves to be thought-provoking while at the same time creating an enjoyable film-going experience.
Gareth von Kallenbach (977 KP) rated The Lovely Bones (2009) in Movies
Aug 8, 2019
Life is just beginning to blossom for Suzie Salmon (Saoirse Ronan) who has her first date with the boy she’s been dying to kiss, when she is unexpectedly murdered. Her mother can’t deal, her father becomes obsessed and her chain-smoking grandma becomes the most stable force in the family. But Suzie refuses to cross the border between heaven and earth with her killer still on the loose and distressingly interested in her younger sister.
“The Lovely Bones” is a prime example of a good film based on an acclaimed book that could have been great given thirty more minutes. The characters were engaging but less than ideally developed, case in point would be the mother whose sudden flee from her home only to appear picking oranges on a farm left the audience collectively confused.
Still the use of perspective and sound are undeniably captivating. From the graphically delightful and horrific imagery that is the world between heaven and our own to the use of color to establish the time period.
The heroine and villain are equally engrossing yet most of the film’s seasoned actors have performed better. The least developed characters were Suzie’s parents played by Mark Wahlberg and Rachael Weisz. But Susan Sarandon as Grandma Lynn left Wahlberg and Weisz in the dust creating a delightfully flawed character in her supporting role.
Both a drama and a thriller, there were moments during “The Lovely Bones” which captivated the entire theater making it a film that will provide great images for fans of the book. Yet while it will be a delight for those familiar with the book, the plot holes that “The Lovely Bones” leaves for the non-literary crowd are staggering.
In the end “The Lovely Bones” was a good enough film that attempted to stay true to the book but really could have been lovelier.
“The Lovely Bones” is a prime example of a good film based on an acclaimed book that could have been great given thirty more minutes. The characters were engaging but less than ideally developed, case in point would be the mother whose sudden flee from her home only to appear picking oranges on a farm left the audience collectively confused.
Still the use of perspective and sound are undeniably captivating. From the graphically delightful and horrific imagery that is the world between heaven and our own to the use of color to establish the time period.
The heroine and villain are equally engrossing yet most of the film’s seasoned actors have performed better. The least developed characters were Suzie’s parents played by Mark Wahlberg and Rachael Weisz. But Susan Sarandon as Grandma Lynn left Wahlberg and Weisz in the dust creating a delightfully flawed character in her supporting role.
Both a drama and a thriller, there were moments during “The Lovely Bones” which captivated the entire theater making it a film that will provide great images for fans of the book. Yet while it will be a delight for those familiar with the book, the plot holes that “The Lovely Bones” leaves for the non-literary crowd are staggering.
In the end “The Lovely Bones” was a good enough film that attempted to stay true to the book but really could have been lovelier.
Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books
Feb 3, 2020
Diverse collection of short stories all revisiting the Martian invasion of 1898 (as originally detailed by H.G. Wells). Most (but not all) of the stories are narrated by notables from the period, most (but not all) of these are famous writers: Henry James, Samuel Clemens, Rudyard Kipling, and so on. The collection kind of overlooks the implication that the Martians only actually invade southern England in Wells' novel, but then most adaptations do the same thing, and the stories here aren't even consistent with each other (the fate of Paris varies significantly in the Jules Verne and Pablo Picasso entries).
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
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