"This epic saga sweeping through four generations of life among Kenya’s Kikuyu tribe is a novel of Steinbeckian stature neglected by literary connoisseurs. Huxley leads us into the Kikuyu world so that, when the British arrive, they seem as alien as invading Martians. Her descriptive powers rival Steinbeck’s, but her imagery is drawn from the Kikuyu mind. A felled tree ‘tottered like a drunken elder.'

"Despite its grand place in the literary canon, “Middlemarch” is really a rich, gossipy boxed set of a novel. I first read this as a teenager in short bursts nightly with a torch after lights-out, and it gripped me like a soap opera. The foolishness of the human condition, the urgency of its whims and fancies, and the often blinding need to find meaning are unsparingly chronicled in this feast of a book."

"This is the unedited and unadulterated version of the stories that made up Isherwood’s books Goodbye To Berlin and Mr Norris Changes Trains, which were the source material for the play I Am A Camera and later the musical Cabaret. I find it fascinating that Isherwood still writes about himself in the third person. An interesting literary device, yet it feels like a smokescreen and leaves you wondering how much more there is to tell."

"This has been a cult novel in Sweden ever since it was published in 1980, and has to some degree been discovered in Norway, too. It steals from both the classics and pulp fiction and has this couldn’t-care-less-attitude combined with literary talent that reminds me of Jim Carrol's “Basketball Diaries.” Both have this special sense of time and place that makes you want to move to Stockholm or New York."