Search
Search results
Heather Cranmer (2721 KP) rated On Wings of Silence: Mexico '68 in Books
May 6, 2019
A Well Written and Interesting Historical Fiction Novel
I'm a fan of books written in verse. There's just something special about them that calls out to me. When I first heard about On Wings of Silence: Mexico '68 by Dede Fox, the synopsis intrigued me. When I heard that it was written in verse, it was then that I knew I had to read this book. I ended up loving this book.
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
I will admit that I had never heard of the Tlatelolco Massacre before I read On Wings of Silence: Mexico '68. The plot does a fantastic job of explaining the massacre to those who know nothing about it. It was also interesting to read about Diana's time in Mexico as an American university student. Everything is told through Diana's perspective. This book made me want to research more about the Tlatelolco Massacre that the Mexican government tried to keep hushed up.
The prose in On Wings of Silence: Mexico '68 was done beautifully and perfectly. Every word elicited all kinds of feelings whilst reading this book. Because this novel was written in verse, it really drove those feelings home and made them feel more realistic. I think I experienced a total spectrum of feelings while reading On Wings of Silence: Mexico '68. Some readers may have a little trouble with some of the Spanish in this book, but there are enough context clues to figure out what is being said.
I really cared and felt for Diana, the main character in On Wings of Silence: Mexico '68. Diana was such an authentic and fleshed out character which can sometimes be a challenge in books written in verse. Dede Fox made character writing appear easy! My heart felt so full while Diana was falling in love with Guillermo. I felt as if I was falling in love at the same time. When Guillermo went missing while on the phone with Diana, I felt such panic. Her search for her boyfriend felt as if it was my search. I was worried for Guillermo as if he was a real person instead of a fictional character. (Sadly, as this book is based on an actual historical event, I imagine that feeling was all too real for many people.) I lived in hope Guillermo would turn up at some point. I'll just leave it at that because you'll have to read the book in order to find out Guillermo's fate. Diana was such a strong female character as well. I really admired her. Natalie and Melinda, Diana's roommates, were likable characters, but we don't get much of a backstory on them. I feel as if this was done on purpose so the reader could really focus more on Diana's story.
The pacing was done fantastically! I devoured this book in one sitting. I couldn't get enough. Each word flowed beautifully into the next, and I was left captivated and hungry for more of the story.
Trigger warnings for On Wings of Silence: Mexico '68 include attempted rape, sexual assault, violence (although not graphic), drinking, some minor profanities in English and Spanish, and political corruption.
Overall, On Wings of Silence: Mexico '68 is a beautifully written piece of literature that will leave its reader with a plethora of feelings as well as a history lesson. I would definitely recommend On Wings of Silence: Mexico '68 by Dede Fox to everyone 16+.
--
(Thanks to the Dede Fox for providing me with a paperback of On Wings of Silence: Mexico '68 in exchange for an honest and unbiased review.)
Heather Cranmer (2721 KP) rated Exposure (Twisted Lit #2) in Books
Jun 7, 2018
(This review will be available on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a> at the end of September).
First off, I just want to say that although this is the second book in the series, this book can be read as a standalone since it involves a whole new cast of characters, plot, and setting. Saying that, this book is a retelling of Shakespeare's Macbeth. To be honest, it's been about 11 or 12 years (maybe longer) since I read Macbeth, so I won't be comparing this to the original. Now that that's all said, I really enjoyed this book!
Skye's been in love with Craig forever. However, he's part of the popular crowd and Skye is not. There's also the problem of Craig's super mean girlfriend, Beth. When one of the popular boys die in what appears to be an accident, things start spiraling out of control.
I didn't really know what to expect with the title. However, after reading this book, it makes sense in more ways then just Skye being a photographer.
The cover is rather plain, but I actually like its plainness. I think anything else would've made this cover look too cluttered. I also think the cover is rather cute!
I enjoyed the world building, and I felt that it was written rather well. The only thing that bothered me was the outcome when it came to the ending. I can't really say to much, but it just didn't feel like it followed procedure. That's your only hint. I did enjoy the setting of Alaska though especially since I don't really read any books set in Alaska.
I loved the pacing! The prologue definitely caught my attention and kept it until the very end. If I would've had more time, I would've finished this book in one setting. It was paced that good!
I enjoyed the plot! I don't remember Macbeth all that well as I said before, so I can't comment on how much the plot of this book was like that of Macbeth. There's not really any mystery I enjoyed the whole playing on conscience thing and what was done about it. I even enjoyed Skye's endless pursuit of Craig!
I enjoyed the characters more than anything! I loved how mature Skye was especially when it came to how mean Beth was to her at some points during the story. I loved how friendly she was and how vulnerable she could be. Even though Craig was a bit of a tool when it came to Beth, I still enjoyed how much of a friend he could be to Skye when he really wanted to be. However, at times he could be a little bit insensitive and selfish, but perhaps that's just a teenage thing (and even some adults)! My most favorite characters were Kaya, Cat, and Tess. I loved their sarcasm, wit, and humor they brought to the story. In fact, I wanted to be friends with those girls.
I enjoyed the dialogue very much, and I felt like it was set in high school, which it was. It was also very easy to understand, but it wasn't dumbed down or anything. My favorite dialogue was when it involved Kaya, Cat, and Tess. There are only a few swear words in this book.
Overall, Exposure is a book that is fun to read as well as having fantastic characters and great dialogue!
I'd recommend this book to those aged 15+ who would like some fun literature to read!
First off, I just want to say that although this is the second book in the series, this book can be read as a standalone since it involves a whole new cast of characters, plot, and setting. Saying that, this book is a retelling of Shakespeare's Macbeth. To be honest, it's been about 11 or 12 years (maybe longer) since I read Macbeth, so I won't be comparing this to the original. Now that that's all said, I really enjoyed this book!
Skye's been in love with Craig forever. However, he's part of the popular crowd and Skye is not. There's also the problem of Craig's super mean girlfriend, Beth. When one of the popular boys die in what appears to be an accident, things start spiraling out of control.
I didn't really know what to expect with the title. However, after reading this book, it makes sense in more ways then just Skye being a photographer.
The cover is rather plain, but I actually like its plainness. I think anything else would've made this cover look too cluttered. I also think the cover is rather cute!
I enjoyed the world building, and I felt that it was written rather well. The only thing that bothered me was the outcome when it came to the ending. I can't really say to much, but it just didn't feel like it followed procedure. That's your only hint. I did enjoy the setting of Alaska though especially since I don't really read any books set in Alaska.
I loved the pacing! The prologue definitely caught my attention and kept it until the very end. If I would've had more time, I would've finished this book in one setting. It was paced that good!
I enjoyed the plot! I don't remember Macbeth all that well as I said before, so I can't comment on how much the plot of this book was like that of Macbeth. There's not really any mystery I enjoyed the whole playing on conscience thing and what was done about it. I even enjoyed Skye's endless pursuit of Craig!
I enjoyed the characters more than anything! I loved how mature Skye was especially when it came to how mean Beth was to her at some points during the story. I loved how friendly she was and how vulnerable she could be. Even though Craig was a bit of a tool when it came to Beth, I still enjoyed how much of a friend he could be to Skye when he really wanted to be. However, at times he could be a little bit insensitive and selfish, but perhaps that's just a teenage thing (and even some adults)! My most favorite characters were Kaya, Cat, and Tess. I loved their sarcasm, wit, and humor they brought to the story. In fact, I wanted to be friends with those girls.
I enjoyed the dialogue very much, and I felt like it was set in high school, which it was. It was also very easy to understand, but it wasn't dumbed down or anything. My favorite dialogue was when it involved Kaya, Cat, and Tess. There are only a few swear words in this book.
Overall, Exposure is a book that is fun to read as well as having fantastic characters and great dialogue!
I'd recommend this book to those aged 15+ who would like some fun literature to read!
Hazel (1853 KP) rated Clover Moon in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
<i>Clover Moon</i> is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of <i>Clover Moon</i>, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, <i>Clover Moon</i> felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although <i>Clover Moon</i> did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, <i>Clover Moon</i> is a great place to start.
Although now in her seventies, the Nation’s favourite children’s author, Dame Jacqueline Wilson, is continuing to write after surpassing one hundred novels. Many children (mostly girls) grow up reading her stories, myself being amongst that number. Even my sister, who hated reading, purchased a number of her books. It has been well over a decade since I last read a Jacqueline Wilson, however after seeing her latest novel was available for review, I thought I would give it a go.
<i>Clover Moon</i> is set in poverty-stricken Victorian London, where eleven-year-old Clover, the eldest of six siblings, lives with her father and stepmother. Like many stepmother’s in children’s literature, Clover’s treats her like a slave – a position she is destined to stay in unless she gets a job in a factory. With no school to attend, Clover becomes a second mother to her younger brother’s and sisters, yet nothing can prepare her for the devastating impact a wave of Scarlet Fever brings. With only an old doll maker who cares about her, Clover is desperate to get out of her situation; so after a chance meeting with an artist who tells her about a home for destitute girls, Clover decides to seek out the help and life she deserves.
Although only eleven, Clover has the responsibilities of someone of a more mature age. It is hard to imagine sending a child out to work, or trusting them to look after a newborn baby. Children reading this book will learn the difference between their lives and the life of a child in the 1800s.
As always, Jacqueline Wilson gives her main character a happy ending – although in this instance it still remains a bit uncertain. Despite the horrible circumstances, Wilson manages to pump her story full of enthusiastic optimism, thus portraying Clover as a strong, determined heroine.
Most of Jacqueline Wilson’s earlier books were set in the present day; there were still unhappy situations, but the settings were based on ideas the reader would be familiar with. In the case of <i>Clover Moon</i>, unless children have been educated about the poor in Victorian England, it is unlikely that they will be able to fully comprehend Clover’s predicament. As a result, the book is more suitable for young teenagers than the usual target audience of eight to twelve year olds.
Comparing my memories of Jacqueline Wilson books I read as a child with her latest publication, <i>Clover Moon</i> felt like something different; a new direction. As I have not read any of her work between the early 2000s and now, I am not sure when this change occurred, but it feels as though Wilson is delving deeper into her main character’s thoughts and feelings, and creating a more insightful storyline. On the other hand, I may simply be more intuitive as an adult than I was a child.
Although <i>Clover Moon</i> did not turn out to be the style of writing I was expecting I thoroughly enjoyed it. In fact, this difference made it possible to distance myself from the author’s renown, and treat it as an individual story. Clover is an admirable character who, through her narration, provides both an entertaining story and brief historical education. Fans of Jacqueline Wilson will not be disappointed with this latest publication; and if you are a new reader, <i>Clover Moon</i> is a great place to start.
Hazel (1853 KP) rated The Last Dragonslayer (The Last Dragonslayer, #1) in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
The recent dramatisation on Sky1 over the Christmas period (which I have not watched) has prompted the release of a new edition of Jasper Fforde’s <i>The Last Dragonslayer</i>, which originally appeared in bookstores six years ago. Fforde is perhaps best known for his <i>Thursday Next</i> series, a comical science-fiction story, but he proves he can equally tackle fantasy with this tale about an intrepid, young dragonslayer.
In the slightly fictional Kingdom of Hereford, part of the Ununited Kingdom, is a home and employment agency for mystical artisans. Over the past decades, magic has begun to diminish, leaving soothsayers and sorcerers struggling to find jobs. Jennifer Strange, although only fifteen, is temporarily in charge of running the agency, Kazam, and looking after the building’s cantankerous inhabitants. Although competent with her position, Jennifer soon finds herself out of her depth when wizards begin having prescient visions of the death of the last living dragon.
Able to ignore the prophecy at first, Jennifer becomes deeply involved once it is revealed that she is the foretold dragonslayer. Being both helped and hindered by friends and obdurate sorcerers, Jennifer desperately tries to prevent the shocking prediction from coming true. However, as she quickly discovers, it is impossible to outrun your own fate, especially if Big Magic is involved.
<i>The Last Dragonslayer</i> is a fun book to read that, despite the slow build up to the promised dragon story, is humorous and engaging throughout. Jasper Fforde is a particularly witty writer who uses genuine, intelligent, and often subtle, puns rather than demeaning himself by resorting to crude jokes. Although some may dismiss dragons, magic and fantasy as fatuous nonsense, it is clear Fforde is writing for the more intellectual reader.
The way in which the story is executed, particularly the conclusion, borders on genius and deserves to be highly praised. Magic is a concept that has been written about thousands of times, and also mocked in parodies of well-known literature. <i>The Last Dragonslayer</i> successfully combines fantasy and humour in a way that avoids ridicule.
Some may argue that <i>The Last Dragonslayer</i> is a young adult novel due to the age of the protagonist and the less highfaluting content in comparison to Fforde’s other works. On the other hand, Jennifer Strange is a character that appears a lot older than she actually is, and is involved in events and satire that a younger audience may not be able to fully appreciate. Therefore, there is nothing to prevent readers of all ages from enjoying this book, and the rest of the series, of course.
I particularly enjoyed reading Jasper Fforde’s <i>The Last Dragonslayer</i>. I found it engaging and amusing, loved the characters, and was slightly disheartened when the book ended earlier than I expected – that is the downside of having sneak peak chapters at the rear of the paperback! Of all the Jasper Fforde books I have read (<i>The Eyre Affair</i>, 2001 and <i>Shades of Grey</i>, 2009) <i>The Last Dragonslayer</i> has been my favourite. Perhaps the potential younger target audience prevented me from getting lost, unlike in the complexity of the other stories. As long as you can forgive the author for his fish fetish and preoccupation with marzipan, you will absolutely love this book.
Hazel (1853 KP) rated The Chilbury Ladies' Choir in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, <i>The Chilbury Ladies’ Choir</i> explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, <i>The Chilbury Ladies’ Choir</i> reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, <i>The Chilbury Ladies’ Choir</i> is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
<i>The Chilbury Ladies’ Choir</i> is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, <i>The Chilbury Ladies’ Choir</i> is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
"Just because the men have gone to war, why do we have to close the choir? And precisely when we need it most!"
Set in the fictional village of Chilbury, Kent during the Second World War, <i>The Chilbury Ladies’ Choir</i> explores the lives of the women left behind whilst the men go off to fight. The remaining villagers are disappointed at the closing of the church choir, which, according to the vicar, cannot go on without any men to sing the tenor and bass parts. However, the arrival of bold, forthright Primrose Trent brings the birth of a new choir, a choir for women only.
Although a war is going on, the ladies of Chilbury have so many other things on their minds. Told through a conflation letters and diary entries, <i>The Chilbury Ladies’ Choir</i> reveals the everyday lives of a handful of characters. Mrs Tilling’s journal provides an overview of the general events, whilst 18-year-old Venetia’s letters divulge the wiles and charms she uses in the name of romance. Other characters, particularly the young teenager, Kitty, offer other insights to the goings on in the village.
From falling in love, to having babies, <i>The Chilbury Ladies’ Choir</i> is full of secrets, schemes and misunderstandings that almost let the villagers forget there is a war on. However, the effects of war do reach the little village, bringing with it terror and grief.
The individual stories that make up the book provide the reader with a number of scenarios that are full of emotion, but equally entertain. One moment the horror of war could leave readers in flood of tears, the next, Mrs B.’s pretentious personality and vaunting comments bring amusement and laughter.
All the while these events are playing out, the Chilbury Ladies’ Choir pulls the women together, providing them with a source of comfort to get them through the terrible times. No matter what disasters befall them, whether caused by war or their own actions, joining together in song gives them a purpose and opportunity to have a break from their fears and grief. War may destroy, but they will carry on singing.
Written in the manner of private letters and journals gives the novel a personal touch. The story is not merely narrated, it is expressed through the emotion and feelings of individual characters, making the scenarios seem more authentic. The downside to this method is the lack of distinction between each character’s voices. With no detectable dialect, the musings of a 13-year-old are composed in much the same manner as the much older Mrs Tilling.
<i>The Chilbury Ladies’ Choir</i> is an enjoyable piece of historical literature, which is bound to appeal to many people. Although set during World War II, its primary focus is on the people in the village, making it more attractive to readers who are fed up of reading about bombs and fighting. A mix of family issues, bribery and romance provide considerably more entertainment than a generic wartime novel. Being Jennifer Ryan’s debut novel, <i>The Chilbury Ladies’ Choir</i> is of a quality that suggests the author has so much more to deliver in the not-so-distant future.
Hazel (1853 KP) rated Timmy Failure: The Cat Stole My Pants in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
For fans of <i>Diary of a Wimpy Kid</i> (Kinney, 2004) is a juvenile series by American author, Stephan Pastis, about a young boy who believes he is the world’s greatest detective. A series that is continually growing, the sixth <i>Timmy Failure </i>story is now available for fans and new readers. Subtitled <i>The Cat Stole My Pants</i>, Timmy Failure embarks on an adventure of mystery and crime solving whilst getting himself into all sorts of mischief.
Emulating both real and fictional detectives, Timmy has established his own agency, Failure, Inc., of which he is the sole employee after the flight of his (imaginary) ex-business partner, Total the polar bear, who is currently seeking political asylum in Cuba. Unfortunately, Timmy has been forced to join his mother and Doorman Dave on their honeymoon in Key West, Florida, along with Doorman Dave’s nephew, Emilio.
“Crime doesn’t take a holiday. Neither does greatness.” Determined to continue solving crimes, Timmy hires Emilio as an unpaid intern and sets off searching for crimes, greatly over exaggerating every little piece of “evidence” he finds. However, it soon appears that someone is out to get Timmy and he, along with Emilio, is determined to find out whom.
Timmy is a melodramatic, unconventional child with a large ego and is constantly getting told off. From annoying adults to having his pants stolen by a polydactyl cat – or so he claims – there is no end to the hilarious situations he causes.
The cat that stole Timmy’s pants only makes a brief appearance in the book, therefore the subtitle is more to attract the attention of young readers with its silliness rather than be suggestive of a certain storyline.
Despite his grand claims, Timmy is not a very good detective and a lot of his unsolved crimes have been invented by his overactive imagination. This adds to the humour because, although he seems like an intelligent child, his ideas are completely silly.
Adorned with childish drawings and diagrams, Timmy Failure narrates the story from his subjective point of view, inflating his successes and blaming any failure on poor Emilio. No one takes Timmy seriously, which is something many of the target readers may appreciate, although they should also understand how futile Timmy’s attempts are at being a detective.
The storyline is not particularly clear until the final chapters of the book. Up until that moment, the book is full of disastrous, imaginary detective endeavours that prove Timmy to be nothing more than an annoying, inventive boy.
Some of the language may be above children’s reading capabilities, however, the humour is directly on their level. Whereas an adult may not find the idea of a cat stealing someone’s pants amusing, a child would find that hysterical.
There is no reason to read the <i>Timmy Failure</i> books in order, so if you, like me, read book six first, there is no problem. The stories are particularly aimed at young boys and will hopefully encourage the demographic to start reading more. Whilst it may not be a great feat of literature, it is a good enough introduction to the world of books.
Natari (73 KP) rated Christmas At The Palace in Books
Jul 19, 2019
This book takes a very ordinary romance between two people and places it in an extraordinary circumstance. Boy meets girl, girl and boy fall in love. Ordinary. But boy is a prince of England and girl is a doctor in love with her career and charity work. But that isn't the only conflicts in this romance. They don't fall out over "PUTTING THE DISHES IN THE VICINITY OF THE DISHWASHER IS NOT DOING THE DISHES" like ordinary couples, but there are many ups and downs in their whirlwind romance. That is what makes the story fun to read. Stories need conflict, and human relationships provide such novelties aplenty in various guises.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
But what makes this a great book is the sheer genuine interactions. It makes it pleasant, because you can believe the story. The couple are a little older, they aren't the rush of youth stumbling into a relationship, but wizened 30 year olds who are looking for more meaning in each other. It is very fast paced, and definitely a whirlwind romance spanning major milestones in the novel. However, the plot backs up the reasoning for this. You don't feel rushed. It's like a Sunday afternoon drive in bumper cars. Thrilling but relaxing.
The book is very obviously, and at times heavily, inspired by the Duke and Duchess of Sussex, Prince Harry and Meghan, with telling traits of other family members and situations. But it isn't a fictionalised version of their story. It is definitely Kumari's story, it is just set in our modern world.
Characters are well rounded and deep. I like the Goofball prince. He isn't your typical prince charming, he's quite blokey but loveable. Kumari is fantastic. I love her character and her rebellious resolve. She's mature and can be quite reserved, which helps her cope better with the extreme situation the book demands. I liked how her cultural attributes were used in the book. Not in the sense of the "scandal" that that led the plot, but in the natural fit of words like amma and thatha (Sri Lankan words for mother and father). Never explained, just in use. These things are so easily taken for granted in 'white person' literature. As the white girl dating a British guy whose parents migrated from abroad, I'm fortunate to understand the story from Prince Ben's point of view. Or rather, unfortunate, as the toxicity of Brexit campaigns are polluting the UK right now and we have to watch our loved ones bear the force of idiots. I hope more books with British heros of non-white backgrounds litter our library shelves and top reads at supermarkets more quickly. I very much want people to understand that people are people. And Christmas at the Palace makes this point so beautifully. It isn't being preached, it's just telling it like it is, for better or for worse.
My favourite character is Ophelia, whose story has been set up for a sequel. She's loud but polite and acts as if she is brash, but is terrifyingly calculating. She's wonderful.
All in all, the book was an easy, enjoyable read. Normally I read non-stop but life and work happened and I had to take frequent breaks. It was easy to do with Christmas at the Palace because there are sections that separate the major points of the story. If you don't always have a lot of time to read, this is a good recommendation as you can pick it up and continue and not be missing out or having to re-read passages.
Jake (52 KP) rated Honor's Price (Fury of a Rising Dragon, #2) in Books
Jul 25, 2019
Let me preface my review by saying that this book has very defined themes that really hit home for me. Things like: Friendship, trial, sacrifice, perseverance, study and reward, defined magic rules, war / training themes, rich history, and how love and grit will get you through tough times. Some of those themes are prevalent in books like Harry Potter, Lord of the Rings, or even things like Mistborn, etc. If you enjoyed those series, you may enjoy this series as well. For me, those themes really resonate with me, and this book is no exception.
Id like to recommend that you read Arcane The Arinthian Line Series (Books 1 -5) first. Really, so much is set up before this book that you cant just jump in blindly now. If you read those books and loved them, then KEEP READING: it just keeps getting more and more awesome. I love these books, and this book in the series just continues to help solidify my feeling that this has got to be one of the best book series I have ever read.
There are many ups and downs in this book. The author does a great job of making you feel like there is no hope, that all is lost, and that theres no way they can ever get out of what theyre up against. I cant say too much other than this: the few wins that there are do really hit hard on you: you just FEEL so much for the characters vindication and justice that everything was worth it.
There were definitely some slow scenes and definitely some exciting scenes. There was rich history woven in a tapestry of friendship and growth and pain. Although the story might slow here and there, I felt it was very cohesive and realistic, and couldnt find any gaps or issues with it. I felt that the characters development (emotionally and otherwise) was so satisfying and raw. I love the villains and I love the heroes and everyone in between.
Honestly its been awhile since the last book, and since the first 5 books in the series, so I kinda forgot a few of the side characters, but I quickly was able to jump back in, and nothing weird about any side characters ever was enough of an issue to keep me from being engaged in the story.
Sever, keep up the good work. To me, this book and this whole series is the most under-rated gem of the 21st century. (Insert meme of me at a table with a sign that says just that, and underneath says change my mind. But then those words Change my mind are crossed out as youll never be able to do so!)
I hope that there is only 1 more book in this particular series as I think that would be a great way to end things, but realistically I plan on reading ANY book that Sever puts out at this point. Its just so great that these books, while good for teens, can also hit home for adults as well. Also, as one who is mindful of content, this book is generally between PG & PG-13 rated, mainly due to fighting, and so Im glad to be able to enjoy quality literature thats NOT R-rated. From the bottom of my heart, thank you Sever.
I received this book for free in exchange for an honest review, and I recommend buying this book for an honest-to-goodness great experience.
Id like to recommend that you read Arcane The Arinthian Line Series (Books 1 -5) first. Really, so much is set up before this book that you cant just jump in blindly now. If you read those books and loved them, then KEEP READING: it just keeps getting more and more awesome. I love these books, and this book in the series just continues to help solidify my feeling that this has got to be one of the best book series I have ever read.
There are many ups and downs in this book. The author does a great job of making you feel like there is no hope, that all is lost, and that theres no way they can ever get out of what theyre up against. I cant say too much other than this: the few wins that there are do really hit hard on you: you just FEEL so much for the characters vindication and justice that everything was worth it.
There were definitely some slow scenes and definitely some exciting scenes. There was rich history woven in a tapestry of friendship and growth and pain. Although the story might slow here and there, I felt it was very cohesive and realistic, and couldnt find any gaps or issues with it. I felt that the characters development (emotionally and otherwise) was so satisfying and raw. I love the villains and I love the heroes and everyone in between.
Honestly its been awhile since the last book, and since the first 5 books in the series, so I kinda forgot a few of the side characters, but I quickly was able to jump back in, and nothing weird about any side characters ever was enough of an issue to keep me from being engaged in the story.
Sever, keep up the good work. To me, this book and this whole series is the most under-rated gem of the 21st century. (Insert meme of me at a table with a sign that says just that, and underneath says change my mind. But then those words Change my mind are crossed out as youll never be able to do so!)
I hope that there is only 1 more book in this particular series as I think that would be a great way to end things, but realistically I plan on reading ANY book that Sever puts out at this point. Its just so great that these books, while good for teens, can also hit home for adults as well. Also, as one who is mindful of content, this book is generally between PG & PG-13 rated, mainly due to fighting, and so Im glad to be able to enjoy quality literature thats NOT R-rated. From the bottom of my heart, thank you Sever.
I received this book for free in exchange for an honest review, and I recommend buying this book for an honest-to-goodness great experience.
Sophia (Bookwyrming Thoughts) (530 KP) rated Marie Antoinette, Serial Killer in Books
Jan 23, 2020
I only picked up <i>Marie Antoinette, Serial Killer</i> for two reasons: 1) Marie Antoinette is a serial killer. I <i>had</i> to see it. 2) I'm in need of a book that's less of a romance. Oh, and I need a break from all of the books out there that do before I blow a gasket. Really, it's for everyone's benefit.
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
This book is a fantastic break for me – it's <b>not a fluffy book set in Paris with a Paris romance</b> (though there <i>is</i> a sort-of Paris romance I'm totally peachy with), despite the fact Alender starts things off with a gruesome murder involving a head being chopped off by a ghost.
No, I did not actually enjoy reading a person getting her head chopped off by a flying broken mirror shard caused by a ghost. I might be a ninja and secretly evil, but I don't actually enjoy those kinds of things.
France's history in the late 18th century is quite intriguing – from helping the US with the American Revolution against the British and then entering their own Revolution against the monarchy a little over a decade later. Alender's book is <b>full of rich details involving French history and culture circulating the Revolution</b> (despite the fact some facts were liberated by Alender to fit the overall plot of the story) as Colette tours France with her classmates, questions her roots and her friendship with Hannah, and tries to figure out why she's seeing a Marie Antoinette lookalike everywhere.
<b>The amount of French the author uses throughout the book isn't overwhelming</b> – it's enough to keep the intrigue, but not enough where it'll be overly confusing and categorizing the book as a piece of French literature. Then again, it's probably helpful when 1) the main character isn't entirely proficient at French, and 2) the romance languages are so similar, I pretty much understand the basis of the conversations with my sliver understanding of Spanish and Italian.
On the overall basis of the book being well written, I had mixed feelings for Colette for awhile – she's both likable and not likable at the same time. She's not likable because <b>she just seems to have a very snobby attitude of sorts, tries too hard to fit in with the rich and wealthy at her private school, and spends her time being a doormat in the beginning of the book for fear of facing Hannah's wrath</b>. As the book goes on and everyone makes Colette questions her friendship with Hannah, Colette slowly becomes likable – someone who isn't snobby after all, and her ending with Hannah is quite fantastic. Of course, it does become a little obvious there's some sort of gap between their friendship (and growing) since Colette secretly rebels at times without Hannah's knowledge.
All in all, <i>Marie Antoinette, Serial Killer</i> is <b>a book about deception, loyalty, and how even the dead can come back for revenge to complete unfinished business before they can finally rest in peace.</b>
<a href="https://bookwyrmingthoughts.com/review-marie-antoinette-serial-killer-by-katie-alender/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Emma @ The Movies (1786 KP) rated The Personal History of David Copperfield (2019) in Movies
Mar 2, 2020
More classic literature retold for the modern audience, this time with a very distinctive and chaotic style.
Young David Copperfield is sent off into the world by his step-father. Unaware of the real woes of the world he must keep his spirits up as his surroundings changes to a much harsher nature. As he grows he's still a creative and happy-go-lucky young man but has he found himself in the place he truly wants to be?
I had to keep reminding myself that the film we were watching was being told to us by David himself, the chaotic nature throughout would have been, in part, down to his natural chaotic energy. It did become overwhelming at times though and starting the film with so many transitions was quite off putting.
I don't remember the last time I saw a cast this diverse, and that's a great thing but the cynical side of me did briefly wonder if it was diversity for the sake of that bit of recognition. Ugh, I hate thinking that, and it's in no way a reflection on the cast as they're all excellent actors, but I didn't feel like some of the character dynamics worked together. That may also have something to do with the frantic nature of everything else going on though.
There's definite theatre in this, each scene feels like it takes place in a confined space, like that of a stage, until it opens up at the end to its infinite future and possibilities.
Everything in this period drama feels wrong for a traditional period drama. The cities would normally be drab and dank but everything has a surprisingly light and airy nature to it, a quirk of David's optimism maybe? Each location was stunning though and designed perfectly for its needs. The Micawber's home being accessible from almost every angle to allow for the tussles with the creditors, and Mr Dick's room as a reflection of the chaos in his head. There was much to marvel at but so little time to see it as it fought for attention with the constantly moving script.
Dev Patel feels like the perfect choice for the role of Copperfield, the excitement and optimism in it is not that far off his portrayal of Sonny Kapoor in The Best Exotic Marigold Hotel. He brought the energy needed to keep up with the pace and it made for an entertaining lead.
Was this just too much though? So much story crammed into just 2 hours of screen time. Too many great actors never really getting a chance to make an impact [a very similar feeling to the Knives Out's roster]. A pace that was akin to a 2 hour version of Clue's multiple endings. Too much, I was exhausted after seeing it.
Having only seen Iannucci's directing before in Death Of Stalin I'm unsure as to whether this pacing issue is something common to him, I genuinely don't remember that being quite this chaotic, but that alone was enough to put me off. The experience felt rushed and that's never how I want to feel when I watch a film.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-personal-history-of-david.html
Young David Copperfield is sent off into the world by his step-father. Unaware of the real woes of the world he must keep his spirits up as his surroundings changes to a much harsher nature. As he grows he's still a creative and happy-go-lucky young man but has he found himself in the place he truly wants to be?
I had to keep reminding myself that the film we were watching was being told to us by David himself, the chaotic nature throughout would have been, in part, down to his natural chaotic energy. It did become overwhelming at times though and starting the film with so many transitions was quite off putting.
I don't remember the last time I saw a cast this diverse, and that's a great thing but the cynical side of me did briefly wonder if it was diversity for the sake of that bit of recognition. Ugh, I hate thinking that, and it's in no way a reflection on the cast as they're all excellent actors, but I didn't feel like some of the character dynamics worked together. That may also have something to do with the frantic nature of everything else going on though.
There's definite theatre in this, each scene feels like it takes place in a confined space, like that of a stage, until it opens up at the end to its infinite future and possibilities.
Everything in this period drama feels wrong for a traditional period drama. The cities would normally be drab and dank but everything has a surprisingly light and airy nature to it, a quirk of David's optimism maybe? Each location was stunning though and designed perfectly for its needs. The Micawber's home being accessible from almost every angle to allow for the tussles with the creditors, and Mr Dick's room as a reflection of the chaos in his head. There was much to marvel at but so little time to see it as it fought for attention with the constantly moving script.
Dev Patel feels like the perfect choice for the role of Copperfield, the excitement and optimism in it is not that far off his portrayal of Sonny Kapoor in The Best Exotic Marigold Hotel. He brought the energy needed to keep up with the pace and it made for an entertaining lead.
Was this just too much though? So much story crammed into just 2 hours of screen time. Too many great actors never really getting a chance to make an impact [a very similar feeling to the Knives Out's roster]. A pace that was akin to a 2 hour version of Clue's multiple endings. Too much, I was exhausted after seeing it.
Having only seen Iannucci's directing before in Death Of Stalin I'm unsure as to whether this pacing issue is something common to him, I genuinely don't remember that being quite this chaotic, but that alone was enough to put me off. The experience felt rushed and that's never how I want to feel when I watch a film.
Originally posted on: http://emmaatthemovies.blogspot.com/2020/03/the-personal-history-of-david.html