"The first volume in the Neapolitan quartet, this one changes in the mind’s eye if you’re pulled, as I am, helplessly through the subsequent books, with its primal scenes from early childhood deepening throughout. Is there a better portrait of friendship in literature than the story of Elena Greco, the narrator, and her brilliant friend, Lila Cerullo? Elena escapes the old neighborhood, and the poverty of postwar Naples, through education, but Lila remains the incandescent figure. The tormented power of their relationship never flags, through “The Story of a New Name,” “Those Who Leave and Those Who Stay,” and the devastating “The Story of a Lost Child.” I hear the TV series is good. The books are a universe."

"As a kid in the middle of Illinois, it was really a culture vacuum. I mean, we had the Eagles on the radio and John Denver, which are fine in their own right, but you want a little more variety, especially if you’re going to end up being an underground hedonist like myself. When Mel Brooks movies came my way, it was just like, “Holy shit. These were made in heaven and sent straight to my VCR.” You know, come on, just Mongo. If you’re 12, all you care about is Mongo farting and punching out a horse. Literature does not become any more refined than that of the great Mel Brooks."