Search
Search results
Hazel (1853 KP) rated The Hazel Wood in Books
Nov 12, 2017
MARVEL-ous, apparently
I received this ARC for free from the Penguin Platform Team.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine Marvel did fairy tales …” Well, I cannot because I have never seen a Marvel film but I understand the sentiment. The Hazel Wood by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote Tales From the Hinterland, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the Hinterland, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. The Hazel Wood, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
The Hazel Wood is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
Hazel (1853 KP) rated The Hazel Wood in Books
Dec 7, 2018
<i>I received this ARC for free from the Penguin Platform Team.</i>
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
“Imagine <i>Marvel</i> did fairy tales …” Well, I cannot because I have never seen a <i>Marvel</i> film but I understand the sentiment. <i>The Hazel Wood</i> by Melissa Albert is a book where fairy tales and reality collide. However, these are not stories full of glamour and grandeur, they are the sort originally told by the Jacob and Wilhelm Grimm during the 19th Century. What begins as a fairly realistic tale rapidly spirals into chaos when characters from a book start appearing in New York, something that should be impossible.
For seventeen years, Alice and her mother, Ella, have been travelling on the roads, barely stopping in places for more than a few months. It would be nice to have a home and settle down, however, they are always chased by bad luck, causing them to flee at any moment. Alice is not sure of the cause of their misfortune but suspects it may have something to do with her reclusive grandmother who lives alone on her estate titled the Hazel Wood. Alice’s grandmother wrote <i>Tales From the Hinterland</i>, a book of pitch-dark fairy tales, many years ago and it has become a rare piece of literature – a collector’s item; not even Alice has read it. But when her mother goes missing under suspicious circumstances, Alice wishes she had.
Homeless without her mother, Alice seeks help from a school acquaintance, Ellery Finch, whom she knows is a fan of her grandmother’s work. Yet, before they can formulate a plan to locate her mother, the cause of her bad luck reveals itself in the form of impossible, murderous fairy-tale characters. As Alice learns more about the <i>Hinterland</i>, she discovers that she has been receiving glimpses of the characters all her life.
Alice is in danger, as is Ellery, but she will stop at nothing to retrieve her mother, even venturing into the Hazel Wood – a place she has been forbidden to enter. With Ellery using his father’s wealth and connections, the two make a long journey to the place they believe her mother is being held, but what Alice finds there is more dangerous and shocking than she could ever imagine.
Retellings of fairy tales have become a popular genre in recent years, particularly amongst young adult literature. <i>The Hazel Wood</i>, however, is only loosely based upon ideas featuring in ancient folktales; the stories themselves have been thought up by Melissa Albert with unique characters such as Twice-Killed-Catherine and Three-Times-Alice. Although it is often fun to analyse the comparisons and differences between old tales and new, it is refreshing to come across brand new fairy tales.
Initially, the book comes across as a thriller and mystery set in the real world, however, fantasy elements quickly creep in. Two-thirds of the way into the story, the setting and genre change direction, introducing a fictional world where rules of nature have gone out of the window. At this point, it becomes slightly confusing to fully visualize the situation, and the storyline begins to get darker and darker.
Children’s fairy tales always have a happy-ever-after, however, the traditional ones rarely did, therefore, it is impossible to guess how The Hazel Wood will end. This, along with humour and enchanting action, hooks the reader and, according to other reviewers, has resulted in many hours slipping away without notice.
<i>The Hazel Wood</i> is a unique story on the cusp of young adult and adult fiction. It is not only a good work of fiction; it is clever and well thought out, too. Melissa Albert is certainly an author to look out for, especially if you like dark mysteries and thrillers.
To the farm!
Book and Education
App
* Nominated for the prestigious Cybils Awards 2012 in the Books category * Best10APPS said: "The...
The Facet LIS Textbook Collection
David Bawden, Alison Jane Pickard, Lyn Robinson and Karen Calhoun
Book
The Facet LIS Textbook Collection contains ten core textbooks for students studying library and...
Rachel King (13 KP) rated Halfway to the Grave (Night Huntress, #1) in Books
Feb 11, 2019
Well, I read this book in under twenty-four hours easily, and that is with two toddlers to keep me on my toes. With all of the positive reviews out there, I'm surprised it took me this long to get to this book, even despite the over-abundance of vampires in fiction literature.
Cat is like a Midwestern version of Buffy, with a healthy dose of vampire genetics to add to her coolness. Bones' style, looks, and British accent remind me of Spike, so he quickly became my favorite character in the book. These factors alone are enough to get me hooked on the series, but Frost's ability to write hot sex scenes without any of the cheesiness that is prevalent in the romance genre just adds to the appeal.
There were a few small things I did not like, such as the death of certain characters, but I can see how these events served to move the plot along. There were many unpredictable twists and turns in the plot that constantly had me guessing as to what would happen next - and reading to find out. The humor was very entertaining without becoming center-stage in the plot, and I especially loved the dynamics between Cat and Bones. I would have loved to read all two hours of dirty talk that Bones dished out to Cat as part of her training, his forthrightness with her regarding his feelings was intoxicating.
The ending was noble, but not what I would have preferred. Still, it sets up wonderfully for the next book, because I just know that Bones will be hunting Cat down like he promised. Plus, there is lots of untapped potential in Cat's abilities, and I have to wonder if she does not have the same abilities as other vamps with her green eyes. On to One Foot in the Grave (Night Huntress, Book 2)!
Cat is like a Midwestern version of Buffy, with a healthy dose of vampire genetics to add to her coolness. Bones' style, looks, and British accent remind me of Spike, so he quickly became my favorite character in the book. These factors alone are enough to get me hooked on the series, but Frost's ability to write hot sex scenes without any of the cheesiness that is prevalent in the romance genre just adds to the appeal.
There were a few small things I did not like, such as the death of certain characters, but I can see how these events served to move the plot along. There were many unpredictable twists and turns in the plot that constantly had me guessing as to what would happen next - and reading to find out. The humor was very entertaining without becoming center-stage in the plot, and I especially loved the dynamics between Cat and Bones. I would have loved to read all two hours of dirty talk that Bones dished out to Cat as part of her training, his forthrightness with her regarding his feelings was intoxicating.
The ending was noble, but not what I would have preferred. Still, it sets up wonderfully for the next book, because I just know that Bones will be hunting Cat down like he promised. Plus, there is lots of untapped potential in Cat's abilities, and I have to wonder if she does not have the same abilities as other vamps with her green eyes. On to One Foot in the Grave (Night Huntress, Book 2)!
Rachel King (13 KP) rated Glass Houses (The Morganville Vampires, #1) in Books
Feb 11, 2019
I found this book to be a nice change from the typical high school setting that so many Young Adult books take place in - with good reason, of course. So what if she's still only 16, she's in college! Unfortunately, she still has not outgrown the evil female clique syndrome that plague so many stories. Some elements of the story remind me of my own days in university, but the book takes them all to the extreme. On a side note, it's a good thing she's so dang smart, because from my experience, skipping classes like she does throughout the text should, in reality, result in failing grades. I guess that's the beauty of fantasy literature - you can skip all the drudgery and go straight for the exciting bits of life.
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
The part I did not really understand - and I am still waiting for an explanation after finishing the book - is how the psychotic Monica seems to get away with more than the resident vampires do. I mean, if the vamps both built and run the town of Morganville, it makes more sense that they would want to appear more nefarious than the lowly humans.
I also found it strangely refreshing that the vampires were wholely and completely the bad guys - no human-vampire romantic happenings, and no, Miranda the vision-plagued goth and her undead boyfriend Charles do not count. But I did find the head vampire Amelie very intriguing, since she seems less interested in bloody deaths and widespread property damage and more interested in maintaining power and protecting her assets, a trait that no other vampire in the novel seemed to exhibit.
I can not wait to get my hands on the next novel in the series, The Dead Girls' Dance, since Michael's state of ghost / not-ghost / Glass House incarnate has not been resolved enough for me at all!
Rachel King (13 KP) rated Spy Glass (Glass, #3) in Books
Feb 11, 2019
I finally got around to finishing this series, and I am glad I did. While the series sometimes seemed to drag on and on, and I often found Opal's character frustrating, she finally figures out her own purpose in life in the final book, as well as ties up all of the loose ends of her life.
Forgiveness seems to be a central theme in this series, but most especially in the final book with Opal's interactions with Devlen's character. While I am still conflicted over their relationship, I tend to take the position that if the main character is happy with it, I'm happy with it, too. Devlen's changes seem to pose the question: Do people really change? We like to believe they do in theory , but when it comes to those who perform the really evil crimes, few people are willing to accept that it's truly possible. Opal actually did finally believe this about Devlen, which makes her a rare individual.
Opal's character can be quite confusing at times - she can be very emotional and reactive, but at the same time she has endured unimaginable circumstances and has made herself into a battle-hardened warrior. How many females today can do what she can - even without the magic included? She has certainly earned the right to make her own decisions - and handle whatever consequences come along.
I loved the two children she picks up along the way, and how they help her to understand her own magical abilities. They bring out the maternal instincts in her, which I always appreciate in literature of this nature. The cult that these two were members of fits the stereotype very well, at times both disgusting me and making me want to jump in and rescue those poor people myself.
The coolest part of the book was when Valek taught Opal how to be a proper spy - it reminded me of the Study series by Maria V. Snyder that I loved so much. Valek is such an enigmatic character that he deserves his own trilogy!
Forgiveness seems to be a central theme in this series, but most especially in the final book with Opal's interactions with Devlen's character. While I am still conflicted over their relationship, I tend to take the position that if the main character is happy with it, I'm happy with it, too. Devlen's changes seem to pose the question: Do people really change? We like to believe they do in theory , but when it comes to those who perform the really evil crimes, few people are willing to accept that it's truly possible. Opal actually did finally believe this about Devlen, which makes her a rare individual.
Opal's character can be quite confusing at times - she can be very emotional and reactive, but at the same time she has endured unimaginable circumstances and has made herself into a battle-hardened warrior. How many females today can do what she can - even without the magic included? She has certainly earned the right to make her own decisions - and handle whatever consequences come along.
I loved the two children she picks up along the way, and how they help her to understand her own magical abilities. They bring out the maternal instincts in her, which I always appreciate in literature of this nature. The cult that these two were members of fits the stereotype very well, at times both disgusting me and making me want to jump in and rescue those poor people myself.
The coolest part of the book was when Valek taught Opal how to be a proper spy - it reminded me of the Study series by Maria V. Snyder that I loved so much. Valek is such an enigmatic character that he deserves his own trilogy!
Sean Farrell (9 KP) rated The Bone Clocks in Books
Mar 15, 2018
David Mitchell is one of the best authors working today, and his latest novel only serves to solidify that opinion. Much like his previous work, "Cloud Atlas", "The Bone Clocks" is structured as a series of unique, but interconnected novellas. Unlike "Cloud Atlas" however, this book functions much more as a logical, complete story. In the first section we meet British teenager Holly Sykes, who runs away from home after a fight with her mother and a bad breakup with her first boyfriend. Each section after that is from a different person's perspective, and is written in their unique voices, with Holly appearing in each to varying degrees of importance. As things move along, it also becomes gradually more and more apparent that something fantastical in nature is occurring and that all the characters so far are somehow involved, before the 5th section, when the book goes into all out fantasy mode. Some don't like the very bleak, sci-fi 6th section that wraps things up, but I personally loved it, and felt it provided just the right amount of closure without being cloyingly sweet. The characters in this novel are all wonderful, and there are bits of brilliant dialogue scattered heavily throughout. The overarching plot is engaging and wraps up very nicely. So many little things that happen in the beginning come back to matter at the end, it is mind-boggling just how much effort Mr. Mitchell must have to put into plotting his novels out. And the very, very end is so satisfying, it qualifies as one of the best individual "moments" in literature this year, possibly this decade. Everything that came before adds together to one perfectly planned out moment, when the ultimate message becomes clear: That everything we do matters, and all of our lives have a purpose. Honestly, I would love to know what happens next.
Hazel (1853 KP) rated My True Love Gave to Me: Twelve Winter Romances in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
With 25th December fast approaching, what better book to read than one full of Christmas stories? <i>My True Love Gave To Me </i>is a selection of twelve winter romances (twelve stories, twelve days of Christmas…) by a handful of well-known authors of young adult literature. Stephanie Perkins, author of <i>Anna and the French Kiss</i>, is the editor of this festive volume and also includes her own short story along with Holly Black, Ally Carter, Gayle Forman and Rainbow Rowell, to name a few.
Aimed at teenaged girls or young adults, the stories focus on characters between the ages of 15 and 19, usually in a contemporary setting. Some are written as romances that just so happen to occur at Christmas time, whereas others use Christmas as a main focal point. Naturally there are a couple of tales that are pure fantasy with magic, Santa and elves, but they all involve romance.
What is great about incorporating twelve authors into one book is the various ideas about what Christmas means to different people. For some it is about family whereas other’s it is about the birth of Jesus. Authors also explore the difficulties some people face as well as what people who do not celebrate do. The stories are diverse including characters from all types of background – race, religion and sexuality.
My favourite story from this selection was by David Levithan. Unlike most of the others, it was not a story about falling in love. The main character already had a boyfriend who he (yes, HE) loved. The tale focused on what people do for love as well as keeping the magic of Christmas alive for others.
For those wanting to read something festive, this is the book for you. Its short stories let you dip in and out during this busy period meaning you can enjoy both reading and celebrating at the same time.
With 25th December fast approaching, what better book to read than one full of Christmas stories? <i>My True Love Gave To Me </i>is a selection of twelve winter romances (twelve stories, twelve days of Christmas…) by a handful of well-known authors of young adult literature. Stephanie Perkins, author of <i>Anna and the French Kiss</i>, is the editor of this festive volume and also includes her own short story along with Holly Black, Ally Carter, Gayle Forman and Rainbow Rowell, to name a few.
Aimed at teenaged girls or young adults, the stories focus on characters between the ages of 15 and 19, usually in a contemporary setting. Some are written as romances that just so happen to occur at Christmas time, whereas others use Christmas as a main focal point. Naturally there are a couple of tales that are pure fantasy with magic, Santa and elves, but they all involve romance.
What is great about incorporating twelve authors into one book is the various ideas about what Christmas means to different people. For some it is about family whereas other’s it is about the birth of Jesus. Authors also explore the difficulties some people face as well as what people who do not celebrate do. The stories are diverse including characters from all types of background – race, religion and sexuality.
My favourite story from this selection was by David Levithan. Unlike most of the others, it was not a story about falling in love. The main character already had a boyfriend who he (yes, HE) loved. The tale focused on what people do for love as well as keeping the magic of Christmas alive for others.
For those wanting to read something festive, this is the book for you. Its short stories let you dip in and out during this busy period meaning you can enjoy both reading and celebrating at the same time.