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Rachel King (13 KP) rated Walking Dead (Walker Papers, #4) in Books
Feb 11, 2019
Normally I don't care for zombies in my fantasy literature - the ick factor is just too high for me. (I don't do horror movies, either.) This book is probably the first exception as Joanne disliked them as much as I do. I love that she now as a better sense of what she is doing with her shamanic abilities, and she has even studied a few things related to this so that she is better prepared for future needs. It seems to me that as Joanne better understands the mechanics of what she is doing, the better I, as the reader, can understand them, too.
At the beginning of the book Joanne is dating the mechanic she has nicknamed Thor. I really like the guy and how genuine and honest he is with her, but I feel sorry for him because I know that it is not him that Joanne really wants. She takes him for granted and does not give the relationship any real chance at surviving.
The mess with the cauldron is an interesting bit of folklore that ironically ties back to Ireland, where Joanne's mother comes from. I like also that it introduces some new characters, such as the medium Sonata, and brings back Suzanne Quinley from the first book. Suzanne has got some serious magic of her own, and the courage to use it wisely. This makes me wonder if the author couldn't give her a series of her own in the YA genre. My favorite part of the book is when Suzanne uses her future-seeing abilities and Joanne tunes in. Joanne gets to see all of her possible past, present, and future selves based on alternate choices she could have made throughout her life. This was absolutely fascinating for me because I am always wondering about the "what ifs" with the main characters of the books I read. How I wish more of the books I read would find a way to employ this tactic, heck I would not mind it in real life!
As for loose ends, there are two that really bug me. The first is the outcome of the annoying insurance adjuster, since he just seemed to fall of the radar at the end. The second is Captain Morrison and his ever-evolving relationship with Joanne. He plays a major part at the climax, but the reader does not get to see any sort of personal reaction on Morrison's behalf or his reaction to Joanne's new relationship status. I will just have to wait to see what happens in the next book, Demon Hunts (Walker Papers, Book 5).
At the beginning of the book Joanne is dating the mechanic she has nicknamed Thor. I really like the guy and how genuine and honest he is with her, but I feel sorry for him because I know that it is not him that Joanne really wants. She takes him for granted and does not give the relationship any real chance at surviving.
The mess with the cauldron is an interesting bit of folklore that ironically ties back to Ireland, where Joanne's mother comes from. I like also that it introduces some new characters, such as the medium Sonata, and brings back Suzanne Quinley from the first book. Suzanne has got some serious magic of her own, and the courage to use it wisely. This makes me wonder if the author couldn't give her a series of her own in the YA genre. My favorite part of the book is when Suzanne uses her future-seeing abilities and Joanne tunes in. Joanne gets to see all of her possible past, present, and future selves based on alternate choices she could have made throughout her life. This was absolutely fascinating for me because I am always wondering about the "what ifs" with the main characters of the books I read. How I wish more of the books I read would find a way to employ this tactic, heck I would not mind it in real life!
As for loose ends, there are two that really bug me. The first is the outcome of the annoying insurance adjuster, since he just seemed to fall of the radar at the end. The second is Captain Morrison and his ever-evolving relationship with Joanne. He plays a major part at the climax, but the reader does not get to see any sort of personal reaction on Morrison's behalf or his reaction to Joanne's new relationship status. I will just have to wait to see what happens in the next book, Demon Hunts (Walker Papers, Book 5).
Ande Thomas (69 KP) rated The Martian Chronicles in Books
May 30, 2019
I have some feelings about Ray Bradbury.
I understand why he is so well loved. I understand his importance in literature and in science fiction. I just don't like reading him. It's something I can't fully explain. I generally enjoy his stories and his ideas. He paints a beautiful portrait with his words, relying as much on the landscape as he does his characters, which I am normally really into. I like being able to peek into the social structure of the early days of science fiction to see how people envisioned the future and by extension, how they saw themselves. For some unknown reason though, I can never get myself settled and engrossed in a Bradbury story.
The Martian Chronicles has some highlights, to be sure. Favorites include <i>The Earth Men</i>, <i>Way in the Middle of the Air</i> and <i>Usher II</i> come immediately to mind. As simply a collection of short stories, I think I would like it more, but since he decided to thread them loosely together, it causes more trouble than it gains. Because of the nature of the narrative, we get a sort of dreamlike quality to the story. Rules that work in one story may not work in the next. The image of martian life that we are treated to seems a bit arbitrary and dependent on the tale that surrounds it at any given moment. And that's fine! It makes sense given that they were different stories published at different times. But there's nothing that really pulls them together into a cohesive unit.
The characters can at times, be a bit infuriating. The naivety and undisciplined behavior of many of the explorers irked me. <i>The Earth Men,</i> despite being one of my favorite stories, is the most egregious offender. An expedition to a new planet, especially one immediately after a failed one in which everyone died, is upset that none of the natives are thrilled with their presence? Their first and only concern is finding pats on the back? The redeeming factor in this story is the conclusion, which I find justified and well deserved. Maybe Mr. Xxx is right. (Which leads me to my frustration with Martian naming conventions throughout the various stories, but that's neither here nor there.)
Despite my grievances, I still appreciate the lofty ideas Bradbury puts forth and the perspective he brings. Maybe I'm too heavy into modern, harder SF to find solace in the whimsical worlds he presents here. I know it has it's place, that place just isn't with me.
I understand why he is so well loved. I understand his importance in literature and in science fiction. I just don't like reading him. It's something I can't fully explain. I generally enjoy his stories and his ideas. He paints a beautiful portrait with his words, relying as much on the landscape as he does his characters, which I am normally really into. I like being able to peek into the social structure of the early days of science fiction to see how people envisioned the future and by extension, how they saw themselves. For some unknown reason though, I can never get myself settled and engrossed in a Bradbury story.
The Martian Chronicles has some highlights, to be sure. Favorites include <i>The Earth Men</i>, <i>Way in the Middle of the Air</i> and <i>Usher II</i> come immediately to mind. As simply a collection of short stories, I think I would like it more, but since he decided to thread them loosely together, it causes more trouble than it gains. Because of the nature of the narrative, we get a sort of dreamlike quality to the story. Rules that work in one story may not work in the next. The image of martian life that we are treated to seems a bit arbitrary and dependent on the tale that surrounds it at any given moment. And that's fine! It makes sense given that they were different stories published at different times. But there's nothing that really pulls them together into a cohesive unit.
The characters can at times, be a bit infuriating. The naivety and undisciplined behavior of many of the explorers irked me. <i>The Earth Men,</i> despite being one of my favorite stories, is the most egregious offender. An expedition to a new planet, especially one immediately after a failed one in which everyone died, is upset that none of the natives are thrilled with their presence? Their first and only concern is finding pats on the back? The redeeming factor in this story is the conclusion, which I find justified and well deserved. Maybe Mr. Xxx is right. (Which leads me to my frustration with Martian naming conventions throughout the various stories, but that's neither here nor there.)
Despite my grievances, I still appreciate the lofty ideas Bradbury puts forth and the perspective he brings. Maybe I'm too heavy into modern, harder SF to find solace in the whimsical worlds he presents here. I know it has it's place, that place just isn't with me.
Kristy H (1252 KP) rated Storm Track (Deborah Knott Mysteries, #7) in Books
Feb 13, 2018
Hurricane Fran is barrelling down toward Judge Deborah Knott's Colleton County, but that isn't even the worst of it. A young woman is found murdered in town: Lynn Bullock was the wife of Jason Bullock, a lawyer in Colleton. It looks like Lynn's philandering has finally caught up with her. Deborah begins her own investigation -- mostly in attempt to make sure that her cousin, Reed, who was involved with Lynn, wasn't also a part of her murder. But as Deborah keeps digging, she finds that Lynn and Jason's story goes much deeper and links in with many of the townspeople of Colleton County. When someone else turns up dead, Deborah knows there is more to Lynn's death than meets the eye.
Goodreads tells me that I haven't picked up one of Margaret Maron's Deborah Knott mysteries since 2009, which is hard to believe, because reading one of these cozy mystery novels is always easy and familiar. My kids and I have been participating in our library's Summer Reads program, and this year the program gives away free books to adults, too! (How cool is that?) I chose a Maron book for June's prize and quickly realized how long it had been since I read a Deborah Knott mystery--and how many books I'd need to read to catch up with the one I picked up (#13, I think).
So here we are. I have a soft spot for Maron's mysteries due to my love of southern literature. She has a lovely and easy way of capturing her southern characters--their drawls, their southern ways, the complicated (yet simple) sprawling nature of Deborah's large extended family. This novel features a sweet young boy named Stan, who easily steals the show, as well as Deborah's typical interactions with her family and friends. While I always feel like trouble finds Deborah awfully easily (the murder rate in Colleton County is awfully high), these books are enjoyable, quick reads. Even after all these years, it was easy to pick back up again with Deborah and her clan. Deborah's sleuthing isn't particularly complicated--and the ending was fairly quick, with a twist that I had started to guess--but it was still a comfortable mystery. I always enjoy Deborah and will try to keep catching up with the series over the next few months. Oh who are we kidding... years. I still have a ways to go before I catch up and can read that free book from the library's program!
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Goodreads tells me that I haven't picked up one of Margaret Maron's Deborah Knott mysteries since 2009, which is hard to believe, because reading one of these cozy mystery novels is always easy and familiar. My kids and I have been participating in our library's Summer Reads program, and this year the program gives away free books to adults, too! (How cool is that?) I chose a Maron book for June's prize and quickly realized how long it had been since I read a Deborah Knott mystery--and how many books I'd need to read to catch up with the one I picked up (#13, I think).
So here we are. I have a soft spot for Maron's mysteries due to my love of southern literature. She has a lovely and easy way of capturing her southern characters--their drawls, their southern ways, the complicated (yet simple) sprawling nature of Deborah's large extended family. This novel features a sweet young boy named Stan, who easily steals the show, as well as Deborah's typical interactions with her family and friends. While I always feel like trouble finds Deborah awfully easily (the murder rate in Colleton County is awfully high), these books are enjoyable, quick reads. Even after all these years, it was easy to pick back up again with Deborah and her clan. Deborah's sleuthing isn't particularly complicated--and the ending was fairly quick, with a twist that I had started to guess--but it was still a comfortable mystery. I always enjoy Deborah and will try to keep catching up with the series over the next few months. Oh who are we kidding... years. I still have a ways to go before I catch up and can read that free book from the library's program!
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Kayleigh (12 KP) rated Changeling (Order of Darkness, #1) in Books
Jan 2, 2019
I knew I had to read this book after this <a href="http://busyteacher.wordpress.com/2013/02/16/changeling-by-philippa-gregory-book-review/">review</a>; alerted me to Philippa Gregory’s foray into YA literature. I’m definitely a fan of her writing, having read a couple of her books, the most impressive, in my opinion, being The Other Boleyn Girl. I am a complete history geek, and had really high hopes, as I’m usually kept transfixed.
For the most part, I enjoyed it. I liked the mysteries that seemed difficult to explain, and the sense of injustice felt at Isolde’s plight (a very plausible situation, back then) kept me interested throughout the book at what would become of her. It was also good when various characters (and not just Luca) were able to shed some light on the piece of the puzzle – it made it seem a little more realistic. I really liked the character of Freize, and how he reacts around pretty much everyone!
However, there was some sort of sparkle missing, especially given my expectations of the author. I couldn’t put my finger on what it was this morning, when I finished the book, but I think I’ve got the gist now. This may be my natural cynicism, but it seemed as though Luca and Isolde were both a little too perfect – they’re both great looking and have sexual chemistry, which, given that it’s supposed to be staying relatively historically accurate, doesn’t seem entirely appropriate, unless in later books they manage to resist each other.
Then, there are some moments that are only half-arsedly explained. <spoiler>Firstly, it is suggested that Freize did not, as he said, release them from the dungeon, but no reason is given for this. Then, the werewolf is given as a little boy lost years before. All well and good, but can a wild child really be mistaken for an animal? I must admit, it stretched my imagination a little far!</spoiler>
Despite my criticism though, it wasn’t a bad book, and I probably would read the other books in the series. The Changeling aspect was barely touched upon, which is odd considering it’s the title of the book! The plot was good, and if the character development gets a little better, I will probably be rating them higher than this one!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>;. If you liked it, please check it out!
For the most part, I enjoyed it. I liked the mysteries that seemed difficult to explain, and the sense of injustice felt at Isolde’s plight (a very plausible situation, back then) kept me interested throughout the book at what would become of her. It was also good when various characters (and not just Luca) were able to shed some light on the piece of the puzzle – it made it seem a little more realistic. I really liked the character of Freize, and how he reacts around pretty much everyone!
However, there was some sort of sparkle missing, especially given my expectations of the author. I couldn’t put my finger on what it was this morning, when I finished the book, but I think I’ve got the gist now. This may be my natural cynicism, but it seemed as though Luca and Isolde were both a little too perfect – they’re both great looking and have sexual chemistry, which, given that it’s supposed to be staying relatively historically accurate, doesn’t seem entirely appropriate, unless in later books they manage to resist each other.
Then, there are some moments that are only half-arsedly explained. <spoiler>Firstly, it is suggested that Freize did not, as he said, release them from the dungeon, but no reason is given for this. Then, the werewolf is given as a little boy lost years before. All well and good, but can a wild child really be mistaken for an animal? I must admit, it stretched my imagination a little far!</spoiler>
Despite my criticism though, it wasn’t a bad book, and I probably would read the other books in the series. The Changeling aspect was barely touched upon, which is odd considering it’s the title of the book! The plot was good, and if the character development gets a little better, I will probably be rating them higher than this one!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>;. If you liked it, please check it out!
Hazel (1853 KP) rated But Then I Came Back in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Estelle Laure’s second Young Adult novel is due for publication with promises of a unique storyline. <i>But Then I Came Back</i> is about life after a near death experience, and the ways it alters your view of the world. Eden was lucky to wake up from a month long coma after being involved in a terrible accident. However, life cannot immediately go back to the way things were. With a mountain of therapy sessions ahead of her to relearn how to swallow and walk, Eden feels her ballet career is over before it even had a chance to start. And, graduating from high school does not seem likely either.
In the hospital, there is another girl in a coma who has not been as lucky as Eden. Not knowing whether she will ever wake up, Eden becomes obsessed with Jasmine, especially as she is certain she saw her in a dream-like state whilst she was unconscious. Eden also becomes fascinated with Jasmine’s only visitor, Joe, and for his sake is desperate to help wake Jasmine up.
Bordering on paranormal, Eden and Joe experiment with ways of reaching Jasmine, wherever she may be. As their relationship blossoms, Jasmine deteriorates, and soon Joe must make a decision: let Jasmine go, or keep trying, knowing she will not be the same person if she wakes.
Eden’s personality will resonate with book lovers as she is forever quoting from literature. On the other hand, her behaviour is initially antagonistic, which makes it hard for the reader to give her any sympathy. As a result, it takes some time to get into the story.
When Eden wakes up, she is obviously confused and unwell, which affects the way she behaves. I did not like her as a person, and therefore was not that interested in the book. It was also difficult to pin point the key theme of the novel. Was the paranormal theme the main concept, or Eden’s recovery and relationship with Joe? Neither of these was explored deeply. There was scope for so much more, especially the prospect of an in between – a limbo between life and death.
<i>But Then I Came Back</i> is a little disappointing; the blurb promises something special, but all we are given is a teen romance, and not a very interesting one. Estelle Laure is a good writer; nevertheless her storyline was underdeveloped.
Gareth von Kallenbach (980 KP) rated Gone Girl (2014) in Movies
Aug 6, 2019
Let me start by saying that the novel Gone Girl is a fantastic piece of literature. Author Gillian Flynn writes a wickedly deceptive story through the use of characterization and voice that is not only a rousing read, but also a gripping one that allows the reader to understand just exactly who the players are in this thrilling story.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
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