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Cassie Osbourne (6 KP) rated Chains (Seeds of America, #1) in Books
Nov 9, 2018
When Isabel and Ruth's owner dies, they are sold to the loyalist Locktons and shipped to New York. 'Chains' tells the story of the American Revolution through the eyes of a thirteen-year-old slave, struggling to take care of her little sister and discover what real freedom is and how a person can gain it.
I first read this book in 2010 when I was thirteen while I was stuck at a grammar school open evening that my sister was at. I went to the library and started reading 'Chains' instead of having to traipse around hearing about how many geniuses of that school got into Oxford and Cambridge. I was so hooked that I felt that I couldn't leave without it so I stuck it up my jumper and nicked it. I have recently (and legally) got my hands on a copy of 'Ashes', the final book in the trilogy and so am rereading the first two books which I haven't done in years. I am pleased to say that it is still as good as it was when I read it eight years ago.
While I do like well rounded, complex characters and relationships, there is certainly something to be said for simplicity. None of the characters has too much of a character arc in this book except for the protagonist, who is the one telling the story so this may have something to do with her being an unreliable narrator (something that you learn so much about in English A-Level). Did the characters seem a bit stereotypical and cliched at times? Yes, definitely. Did I really care? No, not especially.
The atmosphere was great throughout, especially in the prison scenes and when Isabel has a fever. Everything felt very real and detailed, right down to the last black hair ribbon stashed in a draw. Every chapter, every page, every sentence felt so real and grounded in reality which is difficult to find in a book.
I really enjoyed the writing style, it all suited Isabel's voice down to the ground. Something that I noticed more reading it this time than I did when I was younger were the extracts at the beginnings of the chapters as it is a really nice and easy way to contextualise what is going on in the chapter in comparison to the date in with the chapter is set. It also gives the book a much more political feel which, again, I didn't quite see as much when I was younger.
The plot as a whole is very good and well written but there were definitely some sections that were just not needed or justified at all. However, that is a very minor thing.
The only real downfall of this book was some of the logic. Isabel gets way too lucky too many times, especially since she is a young black girl with a very distinctive scar on her face. A lot of people just seem too nice to her given that she is a slave and the level of racism back then as well. There is one particular instance at the end with some fireworks that I just pure and simply didn't buy.
This book, as well as 'Forge', has been sitting on my shelf for years just waiting to be picked up again and reread. I am so happy that so many years after I read it the first time it is still just as good.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 8/10
Plot: 8/10
Intrigue: 9/10
Logic: 7.5/10
Enjoyment: 10/10
I first read this book in 2010 when I was thirteen while I was stuck at a grammar school open evening that my sister was at. I went to the library and started reading 'Chains' instead of having to traipse around hearing about how many geniuses of that school got into Oxford and Cambridge. I was so hooked that I felt that I couldn't leave without it so I stuck it up my jumper and nicked it. I have recently (and legally) got my hands on a copy of 'Ashes', the final book in the trilogy and so am rereading the first two books which I haven't done in years. I am pleased to say that it is still as good as it was when I read it eight years ago.
While I do like well rounded, complex characters and relationships, there is certainly something to be said for simplicity. None of the characters has too much of a character arc in this book except for the protagonist, who is the one telling the story so this may have something to do with her being an unreliable narrator (something that you learn so much about in English A-Level). Did the characters seem a bit stereotypical and cliched at times? Yes, definitely. Did I really care? No, not especially.
The atmosphere was great throughout, especially in the prison scenes and when Isabel has a fever. Everything felt very real and detailed, right down to the last black hair ribbon stashed in a draw. Every chapter, every page, every sentence felt so real and grounded in reality which is difficult to find in a book.
I really enjoyed the writing style, it all suited Isabel's voice down to the ground. Something that I noticed more reading it this time than I did when I was younger were the extracts at the beginnings of the chapters as it is a really nice and easy way to contextualise what is going on in the chapter in comparison to the date in with the chapter is set. It also gives the book a much more political feel which, again, I didn't quite see as much when I was younger.
The plot as a whole is very good and well written but there were definitely some sections that were just not needed or justified at all. However, that is a very minor thing.
The only real downfall of this book was some of the logic. Isabel gets way too lucky too many times, especially since she is a young black girl with a very distinctive scar on her face. A lot of people just seem too nice to her given that she is a slave and the level of racism back then as well. There is one particular instance at the end with some fireworks that I just pure and simply didn't buy.
This book, as well as 'Forge', has been sitting on my shelf for years just waiting to be picked up again and reread. I am so happy that so many years after I read it the first time it is still just as good.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 8/10
Plot: 8/10
Intrigue: 9/10
Logic: 7.5/10
Enjoyment: 10/10
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Cassie Osbourne (6 KP) rated The Toymaker in Books
Nov 9, 2018
As a kid who was into books with a dark, almost gothic feel to them when I picked this up at the age of thirteen I really loved it. What wasn't to like? Very creepy cover, exciting concepts, dark scenes and mortal peril - it had all of those boxes ticked. Yes, I can safely say that teenage me thought this book was excellent. So when I found this book under my bed a few weeks ago, I decided to give the book another read to see if it was as good as I remembered.
Sadly it wasn't. Don't get me wrong, this is still a good book (although three stars it is the higher end) but reading it eight years on there are particular aspects of this book that my adult brain has picked out more than my teen one.
The characters are alright; I suppose, but they are incredibly simplistic with very little character development. Katta (a joint protagonist with Mathias) is the only character who feels like she could be more interesting and have a little more about her than the rest, but I was still very unsure about whether I liked her or not (and the way she speaks really annoyed me). I would also have liked to see some more complex relationships - especially between Koenig and Stefan and Katta and Stefan (whose relationship was a very simplistic 'I hate you because of X' but nothing beyond that so got quite boring after a while). However, this is a kid's/young teen's book and didn't bother me too much when I first read it so I guess I can cut it a little slack.
The atmosphere was the thing that I most remembered this book for (there still being a couple of chapters fixed in my mind for how creepy they were), and I'm glad to say that this really held up. The book is dark most of the way through, and the sections/chapters where de Quidt really sees how dark he can be are the best and most memorable parts of the book. Any chapter with Marguerite is brilliant and I absolutely loved the carnival sections. Any bit where it's just Katta on her own away from the rest of the group is really dark (a little seedy perhaps) and just great. The one thing that is perhaps a little too far for me personally is the very vivid and graphic descriptions of the injuries/wounds (and there are a lot) and how they feel which, for someone like me who is a bit squeamish, can be a bit much. It was really nice that the thing that I most remembered the book for is still as great as when I first read it.
For the most part, the writing style is good. There are, however, occasional moments when the wording/phrasing and punctuation are a bit off or clunky. This makes it quite confusing at times and is a little distracting but I think this might be a translation (maybe) so I'll give it the benefit of the doubt. This is the only thing that I can really remember bugging me when I was thirteen.
The plot is pretty good for what it is (four people solving a mystery about a blank piece of paper while villains follow and try to stop them) but I felt like this was more a sort of vehicle for creating a creepy atmosphere, which is no bad thing really. I have to say that when I found the book after so many years, I honestly couldn't remember the plot and I daresay I'll have forgotten it again in a few months time.
The intrigue with which this book grips the reader is, in no small part, down to the atmosphere that is created. I am someone who gets distracted very quickly, especially when reading, but when I picked this book up, I would find myself not able to put it down unless I was called away from it or found that it was 1 am and I should probably get some sleep. This is an excellent sign in any book but especially one aimed at teenagers.
The logic in 'The Toymaker' is hit and miss at best. The characters are wounded for what seems like forever but they don't really succumb to them apart from getting a little paler and being in pain most of the time. There are also lots of things that are not explained or just flat out make no sense. Yes, there is a bit of magic in the story but there still has to be some kind of logic or explanation for it rather than it being used as a kind of jarring deus ex machina to quickly (and a bit clumsily and lazily) move the story along. I can't really say whether or not this bothered me when I read it eight years ago because it's all tied up with the plot and, like I said earlier, I didn't really remember much of it.
Overall, I did enjoy this book. I enjoyed delving back into Jeremy de Quidt's dark and creepy world and it was great revisiting, what I call, a nostalgia read but I think that now it is time to give my copy to a charity shop so another younger teenager can find and enjoy it while it's space on my bookshelf can be given to a book that I will enjoy as an adult.
Characters: 5.5/10
Atmosphere: 9/10
Writing Style: 7/10
Plot: 6/10
Intrigue: 8/10
Logic: 4.5/10
Enjoyment: 7/10
Sadly it wasn't. Don't get me wrong, this is still a good book (although three stars it is the higher end) but reading it eight years on there are particular aspects of this book that my adult brain has picked out more than my teen one.
The characters are alright; I suppose, but they are incredibly simplistic with very little character development. Katta (a joint protagonist with Mathias) is the only character who feels like she could be more interesting and have a little more about her than the rest, but I was still very unsure about whether I liked her or not (and the way she speaks really annoyed me). I would also have liked to see some more complex relationships - especially between Koenig and Stefan and Katta and Stefan (whose relationship was a very simplistic 'I hate you because of X' but nothing beyond that so got quite boring after a while). However, this is a kid's/young teen's book and didn't bother me too much when I first read it so I guess I can cut it a little slack.
The atmosphere was the thing that I most remembered this book for (there still being a couple of chapters fixed in my mind for how creepy they were), and I'm glad to say that this really held up. The book is dark most of the way through, and the sections/chapters where de Quidt really sees how dark he can be are the best and most memorable parts of the book. Any chapter with Marguerite is brilliant and I absolutely loved the carnival sections. Any bit where it's just Katta on her own away from the rest of the group is really dark (a little seedy perhaps) and just great. The one thing that is perhaps a little too far for me personally is the very vivid and graphic descriptions of the injuries/wounds (and there are a lot) and how they feel which, for someone like me who is a bit squeamish, can be a bit much. It was really nice that the thing that I most remembered the book for is still as great as when I first read it.
For the most part, the writing style is good. There are, however, occasional moments when the wording/phrasing and punctuation are a bit off or clunky. This makes it quite confusing at times and is a little distracting but I think this might be a translation (maybe) so I'll give it the benefit of the doubt. This is the only thing that I can really remember bugging me when I was thirteen.
The plot is pretty good for what it is (four people solving a mystery about a blank piece of paper while villains follow and try to stop them) but I felt like this was more a sort of vehicle for creating a creepy atmosphere, which is no bad thing really. I have to say that when I found the book after so many years, I honestly couldn't remember the plot and I daresay I'll have forgotten it again in a few months time.
The intrigue with which this book grips the reader is, in no small part, down to the atmosphere that is created. I am someone who gets distracted very quickly, especially when reading, but when I picked this book up, I would find myself not able to put it down unless I was called away from it or found that it was 1 am and I should probably get some sleep. This is an excellent sign in any book but especially one aimed at teenagers.
The logic in 'The Toymaker' is hit and miss at best. The characters are wounded for what seems like forever but they don't really succumb to them apart from getting a little paler and being in pain most of the time. There are also lots of things that are not explained or just flat out make no sense. Yes, there is a bit of magic in the story but there still has to be some kind of logic or explanation for it rather than it being used as a kind of jarring deus ex machina to quickly (and a bit clumsily and lazily) move the story along. I can't really say whether or not this bothered me when I read it eight years ago because it's all tied up with the plot and, like I said earlier, I didn't really remember much of it.
Overall, I did enjoy this book. I enjoyed delving back into Jeremy de Quidt's dark and creepy world and it was great revisiting, what I call, a nostalgia read but I think that now it is time to give my copy to a charity shop so another younger teenager can find and enjoy it while it's space on my bookshelf can be given to a book that I will enjoy as an adult.
Characters: 5.5/10
Atmosphere: 9/10
Writing Style: 7/10
Plot: 6/10
Intrigue: 8/10
Logic: 4.5/10
Enjoyment: 7/10
Kelly (279 KP) rated 221B Baker Street: The Master Detective Game in Tabletop Games
Jan 2, 2019
Challenging clues (1 more)
Red Herrings
For those who find Cluedo too easy
We purchased this game for my 14 year old son for Christmas, as he is a huge fan of Cluedo. The game was recommended as the skills base that is needed is very similar, you go around the board searching for clues in order to solve a crime, whilst using logic to rule out possible suspects e.t.c.
Unlike Cluedo, however, the game relies upon written clues, some being simple statements, some riddles and some designed to throw the player completely off course. The game itself is significantly more challenging than Cluedo and requires a lot more thought into solving the case- I use the word case, as each murder requires different information to be found, for example the first case requires the murderer, weapon and motive, later cases require more information than this.
At the beginning of play, the case is read out, players have access to the case throughout play and can read it whenever they like - this is particularly useful, and I found myself reading over many times to familiarise with the clues and characters. As individuals or small teams, you go around the board to different places to collect clues (which are stored in the clue book that comes with the game). It is up to the player as to where they go first to seek out clues, although strategically it makes sense to visit a location connected to the case. Players are provided with a sheet to record thoughts and findings, before going back to 221b Baker Street to declare their theory. The creators of the game have deliberately placed red herrings into the clues, designed to mislead and throw us off course.
An element of logical thinking is required in order to solve the mystery, which I found particularly enjoyable. I found that this game certainly requires a good hour or more to complete, and was not a game that could be completed quickly, however did get us together as a family spending quality time together.
Unlike Cluedo, however, the game relies upon written clues, some being simple statements, some riddles and some designed to throw the player completely off course. The game itself is significantly more challenging than Cluedo and requires a lot more thought into solving the case- I use the word case, as each murder requires different information to be found, for example the first case requires the murderer, weapon and motive, later cases require more information than this.
At the beginning of play, the case is read out, players have access to the case throughout play and can read it whenever they like - this is particularly useful, and I found myself reading over many times to familiarise with the clues and characters. As individuals or small teams, you go around the board to different places to collect clues (which are stored in the clue book that comes with the game). It is up to the player as to where they go first to seek out clues, although strategically it makes sense to visit a location connected to the case. Players are provided with a sheet to record thoughts and findings, before going back to 221b Baker Street to declare their theory. The creators of the game have deliberately placed red herrings into the clues, designed to mislead and throw us off course.
An element of logical thinking is required in order to solve the mystery, which I found particularly enjoyable. I found that this game certainly requires a good hour or more to complete, and was not a game that could be completed quickly, however did get us together as a family spending quality time together.
Gareth von Kallenbach (980 KP) rated Straw Dogs (2011) in Movies
Aug 7, 2019
Successful actress Amy Sumner (Kate Bosworth) is returning from her big city life to her southern hometown of Blackwater. Along with Amy is her well-educated and wealthy husband, David Sumner (James Marsdon). David quickly finds this vacation is filled with tension, particularly when it comes to Amy’s ex-boyfriend, Charlie (Alexander Skarsgård), who is not ready to be out of her life. So it is up to the weakling Harvard hero to protect his relationship, home, and way of life in a town he doesn’t quite understand.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
Gareth von Kallenbach (980 KP) rated Red Riding Hood (2011) in Movies
Aug 7, 2019
In a small village a wolf has been killing villagers who wander out alone. Yet for rule-breaking Valerie the desire to venture out and spend time with her true love overpowers all logic. However, drama sets in when Valerie finds she has been betrothed to a wealthy villager around the same time that that the big bad wolf returns.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
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