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Annie Chanse (15 KP) rated Fallout: Lois Lane in Books
May 25, 2018
I LOVE this book.
I absolutely loved this book. I read an uncorrected proof copy, so there were a few errors, but I am sure those will be fixed before actual publication. But the book was AMAZING. Lois Lane is and always has been one of my greatest heroes. And this book definitely did the teenage Lois justice. In fact, she is pretty perfect. I also love how the author incorporates Clark Kent into the story in such a way that he is important to the story, but he is still secondary to Lane's character. A lot of times, trying to write a story told from the point of view of another character from a story as popular as the Superman mythos, the central character being written about loses her voice in favor of the more well-known hero. Not the case in this novel. I loved it. It was perfect. I hope DESPERATELY that the author continues to write more Lois Lane books in this fashion.
David McK (3219 KP) rated Superman and Lois - Season 2 in TV
Sep 25, 2022
Season 2 of CWs 'Superman and Lois' (and family) show, that again pulls the rug from under the viewer in the early couple of episodes in who (or what) you would expect the 'big bad' of the season to be.
Hoechlin is fast becoming my favourite 'modern' incarnation of the character - nowhere near as dour and serious as Cavill in the DCEU - with Tulloch admirably holding her own as his now-wife Lois Lane living alongside Clark Kent in Smallville (now wife in that she has always been so since the show began, but - if you're anything like me - you most associate the character with their earlier years in Metropolis when she didn't know his secret)
Hoechlin is fast becoming my favourite 'modern' incarnation of the character - nowhere near as dour and serious as Cavill in the DCEU - with Tulloch admirably holding her own as his now-wife Lois Lane living alongside Clark Kent in Smallville (now wife in that she has always been so since the show began, but - if you're anything like me - you most associate the character with their earlier years in Metropolis when she didn't know his secret)
David McK (3219 KP) rated Superman and Lois in TV
Apr 10, 2022
I don't know about you, but when I think of Superman I tend to think of his Clark Kent early Daily Planet days, back when he was a reporter and when Lois didn't know his alter-ego.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
Erika (17788 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Aug 26, 2017
If I ever have to see Bruce Wayne's parents die on screen again, I'm never watching another Batman movie. It was so unnecessary. I didn't mind Ben Affleck as Batman (my unpopular opinion=Christian Bale was an awful Batman). Henry Cavill was the quiet, conflicted Superman, as he was in Man of Steel. No comment on Amy Adams as Lois Lane (because I have nothing nice to say). The shining moment: Wonder Woman. Though, if I didn't know who Wonder Woman was, I wouldn't have had any idea of who she was, because they never actually introduce the fact that she's Wonder Woman. Jesse Eisenberg as Mark Zuckerberg, I mean, Lex Luthor, was, well... interesting?
Hey, it was a better movie than Suicide Squad.
Hey, it was a better movie than Suicide Squad.
Eleanor Luhar (47 KP) rated Adventures of Superman Vol. 1 in Books
Jun 24, 2019
This is a collection of standalone comics featuring the Man of Steel. Lex Luthor stars in several, as well as Bizarro, Lois Lane and many other infamous characters.
One comic includes Metropolis in a bottle, while another requires Superman's help with a child that has been moved across the timeline. In one, Lex even reveals plans to run for US president.
There's a great undercurrent of humour in many of these, and several comics give an insight to the day-to-day lives of different characters. The final episode in this volume is possibly my favourite - featuring fans of Superman who require his assistance. I thought this story was so clever, and pretty emotional, too.
This is very nearly in my favourite books list. Each story is so interesting and unique. 4.5 stars.
One comic includes Metropolis in a bottle, while another requires Superman's help with a child that has been moved across the timeline. In one, Lex even reveals plans to run for US president.
There's a great undercurrent of humour in many of these, and several comics give an insight to the day-to-day lives of different characters. The final episode in this volume is possibly my favourite - featuring fans of Superman who require his assistance. I thought this story was so clever, and pretty emotional, too.
This is very nearly in my favourite books list. Each story is so interesting and unique. 4.5 stars.
David McK (3219 KP) rated Superman for All Seasons in Books
Jan 30, 2019
So, Superman For All Seasons.
Told over four seasons, with each season from the point of view of a different character, starting with Spring (Jonathan Kent) before moving onto Summer (Lois Lane), Autumn (Lex Luthor, here portrayed more as a business man than as a crime lord) and finally Winter (Lana Lang), this is really all about Clark Kent's early days as The Man of Steel.
Not long ago, I also read [b:All Star Superman|7719640|Absolute All-Star Superman|Grant Morrison|https://d.gr-assets.com/books/1374351837s/7719640.jpg|10465171], which (I believe) is also commonly considered one of the better Superman stories. Of the two, I have to say: I preferred this one. Less fantastical, with more of the background that all we (should) know, showing how Clark Kent came to be who he is (and with easier-to-follow art panels!)
Told over four seasons, with each season from the point of view of a different character, starting with Spring (Jonathan Kent) before moving onto Summer (Lois Lane), Autumn (Lex Luthor, here portrayed more as a business man than as a crime lord) and finally Winter (Lana Lang), this is really all about Clark Kent's early days as The Man of Steel.
Not long ago, I also read [b:All Star Superman|7719640|Absolute All-Star Superman|Grant Morrison|https://d.gr-assets.com/books/1374351837s/7719640.jpg|10465171], which (I believe) is also commonly considered one of the better Superman stories. Of the two, I have to say: I preferred this one. Less fantastical, with more of the background that all we (should) know, showing how Clark Kent came to be who he is (and with easier-to-follow art panels!)
David McK (3219 KP) rated Superman: Birthright in Books
Jan 30, 2019
It's funny, but while - like, I'm sure, most people out there - I may know (of) the origin of the Man of Steel, I've never actually seeing it written down anywhere.
Thinking about it, I think that knowledge comes from the Christopher Reeve Superman films, and the more recent TV series Smallville.
That TV series was still running when this graphic novel series was released.
This goes back to Superman's earliest days in Metropolis, with a brief flash-back to his high school Smallville days, to present a new take on the origin of the character - Jimmy Olsen? Check. Ma and Pa Kent? Check. Perry White? Check. Lois Lane? Check. Lex Luthor? Also check!
As such, I found this an interesting take on the character, with some dynamic action sequences and some stand-out visuals (Clark Kent soaring over a herd of stampeding Zebra's, for instance).
Thinking about it, I think that knowledge comes from the Christopher Reeve Superman films, and the more recent TV series Smallville.
That TV series was still running when this graphic novel series was released.
This goes back to Superman's earliest days in Metropolis, with a brief flash-back to his high school Smallville days, to present a new take on the origin of the character - Jimmy Olsen? Check. Ma and Pa Kent? Check. Perry White? Check. Lois Lane? Check. Lex Luthor? Also check!
As such, I found this an interesting take on the character, with some dynamic action sequences and some stand-out visuals (Clark Kent soaring over a herd of stampeding Zebra's, for instance).
David McK (3219 KP) rated Man of Steel (2013) in Movies
Sep 26, 2021
"KNEEL BEFORE ZOD!"
Oh, wait, wrong version of that character!
This is Zack Snyders reboot of the Superman story; basically an origin story for The Man of Steel and setting out is stall pretty early with the absolutely bonkers scene where Russell Crowe's Jor-El rides a dragon as the planet Krypton (a very different take on said planet than in the Christopher Reeve films) begins to die.
It also ends with the massive destruction in Metropolis - to be fair, a consequence of which is shown in the following DC film Batman Vs Superman - and with a shocking scene where this version of Superman commits an action it is almost impossible to imagine his Silver Age counterpoint to do.
Michael Shannon's Zod comes across as less campy than Terence Stamps, while - in this version, at least - the reason Lois Lane is a Pulitzer Prize winning journalist *is* actually shown.
Oh, wait, wrong version of that character!
This is Zack Snyders reboot of the Superman story; basically an origin story for The Man of Steel and setting out is stall pretty early with the absolutely bonkers scene where Russell Crowe's Jor-El rides a dragon as the planet Krypton (a very different take on said planet than in the Christopher Reeve films) begins to die.
It also ends with the massive destruction in Metropolis - to be fair, a consequence of which is shown in the following DC film Batman Vs Superman - and with a shocking scene where this version of Superman commits an action it is almost impossible to imagine his Silver Age counterpoint to do.
Michael Shannon's Zod comes across as less campy than Terence Stamps, while - in this version, at least - the reason Lois Lane is a Pulitzer Prize winning journalist *is* actually shown.
David McK (3219 KP) rated Superman Returns (2006) in Movies
Aug 26, 2019 (Updated Jul 16, 2023)
Edit: Brandon Routh finally got to return to the character in (TV) Arrow's 'Crisis on Infinite Earths', about 15 years later ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the Shar of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
The film that Bryan Singer left the X-Men franchise to make, this completely ignores anything after Superman II, setting itself up as a pseudo-sequel to that movie.
Starring a (pre-Arrowverse) Brandon Routh as a Superman/Clark Kent, this also recasts Margot Kidder's Lois Lane in that ape of Kate Bosworth, and Lex Luthor in the Shar of (the now-disgraced) Kevin Spacey. Unfortunately, there's seemingly a distinct lack of chemistry between Bosworth and Routh, perhaps covered up somewhat by a scenery-chewing Lex Luthor, who is back to his old criminal ways.
On the plus side, however, this Superman is a far more jovial and brighter version than the current Zak Snyder version, truly standing for 'Truth, Justice ... And all that other stuff', while the film still does contain some spectacle, such as Superman trying to stop a falling plane or even the final 'lifting-Kryptonian-infested landmass-into space' (although it then gets very heavily allegorical, with Superman even falling with his arms out in a cross shape).
I have to say, as well, that I was never a fan of its most controversial elements (no spoilers here) ...
Gareth von Kallenbach (971 KP) rated Superman Returns (2006) in Movies
Aug 14, 2019
It has been nearly twenty years since Superman graced the silver screen. This fact is outstanding when you consider that numerous attempts to revive the franchise and two successful television series have occurred in the nearly two decades since 1987’s “Superman IV: The Quest for Peace”.
Amidst much speculation and rumors of a soaring budget that is reported to be over $250 Million, Superman Returns has arrived.
Under the direction of Bryan Singer, who successfully launched the first two films in the “X-Men” series, Brandon Routh dons the tights and capes of the late Christopher Reeve, as the man of steel and his mild mannered alter ego Clark Kent.
As the films opens, it is explained that Superman has been gone five years as he has traveled to what astronomers believe are the remains of his home planet Krypton which was destroyed when he was an infant.
Soon after his return, Clark visits his adopted mother in his hometown of Smallville before returning to Metropolis and his job at the Daily Planet. His happy homecoming is short-lived when Clark realizes that his beloved Lois Lane (Kate Bosworth) is now a single mom with a fiancée named Richard (James Marsden).
As if this is not enough, Superman is shortly thereafter called into action to save Lois and the passengers of a plane and space shuttle encounter a deadly situation when a press conference goes awry.
In a spectacle of action and visual brilliance Superman not only saves the day, but makes a highly visible and triumphant return that signals to the world that he is back.
As happy as the majority of the world is to have their champion back, Lois is very conflicted about his return. She believes he abandoned humanity and left her without even saying goodbye. Such is the extent of Lois’s anger toward Superman; she has written a story entitled “Why the World Doesn’t Need Superman” for which she was awarded a Pulitzer Prize.
As upset as Lois is about the return of Superman, there is one individual who is seething mad over his return and that is Lex Luthor (Kevin Spacey) who plans to use his recently acquired wealth to hatch his latest plot and end the threat of Superman once and for all.
Lex plans to use the crystals and knowledge he has pilfered from Superman’s arctic Fortress of Solitude to craft a new landmass, where he will rule supreme. The fact that billions of innocents will be killed in the process is of no consequence to the power mad Luthor, setting the stage for several high tech action sequences and daring adventures as Superman sets out to save the day.
Despite numerous concerns I had over the film, I am happy to say that the series is in great hands, and the combination of Spacey, Bosworth, Routh, and Singer have not only produced the best film of Summer 2006, but have paved the way for what looks to be a series of films that, while true to the source materials, is not afraid to push the envelope to modernize Superman.
Routh was solid, not only looked the part perfectly, but handled the dual roles of Clark and Superman with and easygoing charm and manner that is highly effective. His ability to portray Superman as a being with deep emotions as well as power is key to the film as the audience is given a chance to see more than just the man with the muscles. Bosworth is also to be commended for her portrayal of a strong and capable Lois who is anything but the stock damsel in distress. The chemistry between Routh and Bosworth is good which is vital, as this is much more than effects and action.
The humanity and compassion that drives the film is an unexpected bonus. Despite the amazing action sequences, this is a story with deep emotional and psychological themes that are rarely seen in films of this nature.
If I had to find fault in the film, it would be that Spacey was not allowed to really let Lex be truly evil. Sure he talks a good fight, and in a few sequences is not above getting his hands dirty. But, for a film as grand as this, the diabolic plot Luthor is trying to hatch just does not seem diabolic enough.
One could also say that at a running time of nearly two hours and forty minutes that perhaps 20 minutes or so could have been trimmed towards the end to help the pacing of the final segments of the film.
That being said, the impressive mix of action, humor, romance, and cast gives Superman Returns a highly winning formula.
Amidst much speculation and rumors of a soaring budget that is reported to be over $250 Million, Superman Returns has arrived.
Under the direction of Bryan Singer, who successfully launched the first two films in the “X-Men” series, Brandon Routh dons the tights and capes of the late Christopher Reeve, as the man of steel and his mild mannered alter ego Clark Kent.
As the films opens, it is explained that Superman has been gone five years as he has traveled to what astronomers believe are the remains of his home planet Krypton which was destroyed when he was an infant.
Soon after his return, Clark visits his adopted mother in his hometown of Smallville before returning to Metropolis and his job at the Daily Planet. His happy homecoming is short-lived when Clark realizes that his beloved Lois Lane (Kate Bosworth) is now a single mom with a fiancée named Richard (James Marsden).
As if this is not enough, Superman is shortly thereafter called into action to save Lois and the passengers of a plane and space shuttle encounter a deadly situation when a press conference goes awry.
In a spectacle of action and visual brilliance Superman not only saves the day, but makes a highly visible and triumphant return that signals to the world that he is back.
As happy as the majority of the world is to have their champion back, Lois is very conflicted about his return. She believes he abandoned humanity and left her without even saying goodbye. Such is the extent of Lois’s anger toward Superman; she has written a story entitled “Why the World Doesn’t Need Superman” for which she was awarded a Pulitzer Prize.
As upset as Lois is about the return of Superman, there is one individual who is seething mad over his return and that is Lex Luthor (Kevin Spacey) who plans to use his recently acquired wealth to hatch his latest plot and end the threat of Superman once and for all.
Lex plans to use the crystals and knowledge he has pilfered from Superman’s arctic Fortress of Solitude to craft a new landmass, where he will rule supreme. The fact that billions of innocents will be killed in the process is of no consequence to the power mad Luthor, setting the stage for several high tech action sequences and daring adventures as Superman sets out to save the day.
Despite numerous concerns I had over the film, I am happy to say that the series is in great hands, and the combination of Spacey, Bosworth, Routh, and Singer have not only produced the best film of Summer 2006, but have paved the way for what looks to be a series of films that, while true to the source materials, is not afraid to push the envelope to modernize Superman.
Routh was solid, not only looked the part perfectly, but handled the dual roles of Clark and Superman with and easygoing charm and manner that is highly effective. His ability to portray Superman as a being with deep emotions as well as power is key to the film as the audience is given a chance to see more than just the man with the muscles. Bosworth is also to be commended for her portrayal of a strong and capable Lois who is anything but the stock damsel in distress. The chemistry between Routh and Bosworth is good which is vital, as this is much more than effects and action.
The humanity and compassion that drives the film is an unexpected bonus. Despite the amazing action sequences, this is a story with deep emotional and psychological themes that are rarely seen in films of this nature.
If I had to find fault in the film, it would be that Spacey was not allowed to really let Lex be truly evil. Sure he talks a good fight, and in a few sequences is not above getting his hands dirty. But, for a film as grand as this, the diabolic plot Luthor is trying to hatch just does not seem diabolic enough.
One could also say that at a running time of nearly two hours and forty minutes that perhaps 20 minutes or so could have been trimmed towards the end to help the pacing of the final segments of the film.
That being said, the impressive mix of action, humor, romance, and cast gives Superman Returns a highly winning formula.