"Citizen Kane: So many people would pick that and there isn’t much I could say about it. The photography is extremely good. He was using a lot of low angles, he was using covered sets; and at that time, and still, very few art directors will put a ceiling on a set because it makes it very difficult to light, but he gave it a great feeling of realism. Also, it was a brilliant script. It’s well directed, well acted — Welles himself is brilliant as Kane — and it really stems from the script."

"I had no clue who they were [at the time]. There was a band called Zero Seven and a few other bands around at that time that were in the same realm in that the artists aren't visible. I challenge a lot of people to recognise these artists! You could sit next to them in the cinema and you wouldn't know. But this was a great album to just have on. And to be doing something else to. Having them on in the kitchen or garden – they're really great records to have as the backdrop."

"Indiana Jones, that trilogy I just rewatched on a plane from a holiday I just took. I watched all three, and Temple of Doom just continues to win me over. I know; usually, people like The Last Crusade, and there’s a lot of love for Raiders, because it’s the original. But Temple of Doom is just, to me, so funny and entertaining and fun. And the kid from Goonies — Hot Shot? Short Round. He’s so funny, and I grew up with Goonies, but I prefer him in Indiana Jones."

"Talking Book blew me away when I was going through a dry period in my writing. I heard Stevie Wonder and thought that I couldn’t improve on what he’s done, he’s such a genius! I just fell in love with it, it was black soul music from that era, but sounds totally, totally now. One of things he developed was the protection of funk through the electronics of synthesiser, keyboard and singing. I think Sly had a lot to do with influencing Stevie at the time as well."