"This is about an East German singer who has a botched sex-change operation and is left with an “angry inch” of flesh between her legs. Moving to the US, she gets involved with another singer, who steals her songs and becomes famous, while Hedwig, played by the director John Cameron Mitchell, ends up playing in a chain of seafood restaurants called Bilgewater’s. It’s a beautiful film that touches on Greek mythology and the origins of love, as well as gender identity. It’s a lot of fun too – a comedy with a serious message. And the songs are great."

"Bitter Sweet Symphony' is an absolutely gorgeous song. I love 'Sonnet'. 'The Drugs Don't Work' is a beautiful, beautiful song, as is 'Lucky Man'. I love the whole album – it has some classics on it. The production is amazing, it doesn't try too hard to hit you over the head. It's got these beautiful soft layers underneath Richard Ashcroft's singing and I think a lot of that is from Nick McCabe, who adds all these layers with his guitar playing. The album is beautiful and to me it sounds like it'll stand the test of time."

"That’s just a jam. Always, whenever I DJ, this goes on. Devendra Banhart played this for me and turned me onto it. It’s sort of disco… but not quite in the prime of disco; his era was the late 70s and early 80s. Sylvester’s not around anymore, sadly he died of complications from HIV/AIDS in 1988. He left a lot of great records – most famously You Make Me Feel (Mighty Real) – but there’s only a few of his songs I really love. This is his best in my opinion. It’s really funky, super dance-y, nice n’ long, and it just grooves."

"Well, that's just a great radio station. Very adventurous. We used to play 'Wild Honey Pie' live - it's just two words! Once again, a clever song, to me it's like a "fuck you" song - "We'll just use two words man, y'know". Lot of good tunes, obviously, I always liked 'Dear Prudence' and 'Glass Onion'. I played it to my son when he was like six years old and I like what he said: "Daddy" - I think I played 'Dear Prudence', maybe 'Julia', and he goes - "this is a sad song, but I like it!" And that's so cool - you're my son!"

"I saw Pan’s Labyrinth when it played at the New York Film Festival, and it was a euphoric experience. That movie was just the best. I watched it four or five times in the theater. One time I was in Mexico with my family and I was wandering around the streets and saw that it was playing at a theater and I went in. I don’t speak very good Spanish, but the movie worked so well without me knowing what anybody was saying because the visual storytelling is so incredible. We watched it a lot as a reference on We the Animals."

"One more. Let me say Persona, one of my favorite movies of all time. That’s another one that I saw later. I saw it in my twenties, like 20 to 21 or something. It feels like it wasn’t made by a human being, because what it does is like magic. I could never imagine making something of that level. It’s just a beautiful thing of its own, and it blew me away. I don’t know how to talk about it. I love a lot of his stuff, but that one – man – it’s one of the greatest movies of all time."