"One of the things I like about Scorsese so much is – and we had a little bit of that in I, Tonya – I love the sweeping shots. I love the way he shoots. The way the camera gets pushed in, zoomed in. I think visually is how I respond to him a lot. And he’s also a very musically-oriented guy. But the thing about Taxi Driver is, everything is done from Travis’s point of view. It’s all shot through these windows, these sort of glossy, dirty taxi windows. Everything is meant to highlight his isolation and how lonely he is."

"Medium Cool. I’m crazy about that film. To me, there are a lot of great films from that era because I was seeing them in our movie house when I was a kid [Luhrmann’s dad ran a theater for a period], but what I love about Medium Cool is that it preempts the idea of taking a real historical event and weaving a drama around it. So that’s great about it. Robert Forster is great in that picture. Not to mention — and I’ll be a bit flippant here — the clothes are fantastic. It’s just a great pop cultural picture."

"That’s another great sprawling big epic that follows various episodes in the life of Andrei Rublev, who was an icon painter in probably the 15th or 16th century — I’m not sure — and just various episodes in his life. I mean, he hardly features in many of them. He’s just an observer of a lot of this, but it’s magnificent. You really, really get a feel for what it might have been like to live in medieval Russia. It’s much more approachable than some of [Andrei] Tarkovsky‘s work. I absolutely adore it and watch it again and again."

"This film made me cry real tears! It’s about the 1976 Soweto Uprising and the injustice experienced by many Black people due to corrupt police and the flawed South African governmental system. I think it’s worth listening to Miriam Makeba and Hugh Masekela whilst looking at the momentous history of apartheid, and the fact many writers and musicians had to go to into exile in fear of prosecution. Also, in Come Back, Africa (1959) by Lionel Rogosin​, Makeba makes a cameo and sings two songs in a bar. One I cherish a lot is a lullaby called “Lakutshon, Ilanga”."

"I’m a huge Mike Leigh fan and would love to work with him. His approach to filming sounds fascinating and exciting. I understand that he doesn’t give his actors a script but instead hands them scenes and encourages improvisation. I’m not sure if this is indeed his process, but the result is nothing short of beautiful intimate moments. And this film is full of them! At times it feels so intimate it’s almost voyeuristic. To me, that’s what makes a performance really exciting…when you’re almost embarrassed to be peeking into peoples’ lives. And that happens a lot in this perfect emotional drama."

"I saw this with my parents as a very young child in the seventies, on television, and I never forgot it. I went back to it over the years on VHS and DVD, but this Criterion edition is quite a rediscovery. It’s an unusual VistaVision beach western with unstable and elusive racial narrative elements. It’s also the product of star power and a studio willing to go along, with reportedly messy results, but I see nothing wrong with this film. I like it a lot. Brando is wonderful in it, both as a director and as a star."

"For me, 'Soul Love' is an amazing love song without being too sugary. It isn't boy-meets-girl, jealousy, betrayal, sort of thing - it wasn't normal. It was a spiritual kind of love song, so I have a lot of respect for how he kept it in that kind of a concept. I didn't really know what it was about, but the concept is about a love of a person and a love of the spiritual side of man, which is my personal take on it. Might not be what he meant, but that's how I have always felt about it."

"Another recent album that I love, and will probably always love. Again, this dude just has a sound that I’m like, ‘This guy knows exactly who he is.’ For 12 or 13 tracks or however many it is, he has a consistency where you recognize that it’s definitely a Twin Shadow song. A lot of albums could have 10 songs where they all kind of sound the same. But these all sound different. They all sound to me like fucking radio hits but he hasn’t really popped yet. But I recommend his album Forget to anybody."

"I would say five would probably have to go The Color Purple, Steven Spielberg’s film, which obviously deals with racism but also deals with a lot of human emotions. Everything from abuse, controlling husbands, abusive parents to family life. Just so much emotion. The music is incredible — Quincy Jones did an incredible job on the soundtrack. The vocalists on the soundtrack were staggering. And the performances by Whoopi Goldberg, Oprah Winfrey and Danny Glover, I mean just some of the best performances ever put on screen. Eloquently and beautifully directed by Steven Spielberg — I think, actually, his best work."

"I was so caught up in that book and when I got off the bus I was beside myself. The book just wrecked me. I was like twenty-four years old. All that stuff with the tiger. People have a lot of opinions about Conroy, but that book is very, very moving. I remember being incredibly upset and moved and I had to go to work in two hours. It screwed me up so bad. All I could think about was this damn book, and I had to play this impressionable kid who could really give a shit about reading books."