"I was so caught up in that book and when I got off the bus I was beside myself. The book just wrecked me. I was like twenty-four years old. All that stuff with the tiger. People have a lot of opinions about Conroy, but that book is very, very moving. I remember being incredibly upset and moved and I had to go to work in two hours. It screwed me up so bad. All I could think about was this damn book, and I had to play this impressionable kid who could really give a shit about reading books."

"The Warriors, only because it was such a brilliant… Well, actually, the reason why is because I did it as my first-ever stage play. We did a staged version of The Warriors, which is absurd, and it was, like, a lot of British kids running around hitting each other with polystyrene baseball bats. It was such a theatrical version of New York, of the gangs in New York, and it was visceral and sort of fun and energetic, and I loved it. I watched it when I was probably about 11, and kind of loved it."

"New York is where I go in my head a lot when I’m writing. I have deep imprints of the city in my backbone: sounds, smells, music, pizza parlors, Chelsea Hotel, TV, fire hydrants oozing, the Lower East Side, people everywhere living their lives inside-out, on top, and through each other… maybe there is something even more in the memories old New York in the ‘70s—unpolished, unclean, lived in. It’s all there in this coming of age story of a young Puerto Rican boy/man. I feel this story all around in my memory bank."