"We liked Free – very bluesy, with a lot of soul. There was a time when there was this thing called Freemania, when they were the biggest thing since sliced bread. They were a bit Led Zeppelinish – brilliant musicians, and Paul Rodgers was a white guy who sounded black. They were all great at what they did. This album didn’t influence me so much, but it influenced the band the other guys were in, Sob. They named the band after this album. They were a very bluesy outfit before Paul Quinn and I joined the band and it became Son of a Bitch, then Saxon – our old band, Coast, was more proggy. So this album became part of my listening cycle."

"My wife and I had moved back to Britain in 1992 and we were interested in every kind of electronic music. Before we left, we knew people that worked for R&S Records, and they brought around the first white label of Aphex Twin’s Digeridoo. We were just blown away by it. At the time, the space opened up for a lot of small labels like ours [Swim ~]. What was great about that world was that anybody could do it. You didn’t have to be British or American. That’s the great thing about the Boredom Is Deep and Mysterious compilation, which I was introduced to by a journalist. It was all Danish artists and it has the splendidly named Dub Tractor and Double Muffled Dolphin."