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Jimmy Ray Davis (0 KP) created a post

Mar 4, 2018  
My official review of...

HELLRAISER: JUDGMENT (2018)

HJ is not a good movie. It is a flimsy slapped together hodgepodge of crazy almost inane visuals and the notion that Pinhead, the Cenobites and the auditor lounge about in a crumbling house luring folks off the street to analyze and then swallow their souls. What the hell happened to Clive Barker's wild, extreme vision of hell and the broad layering of Pinhead and his cohorts? The movie begins almost laughable as a lumbering creep is lured to the house by, get this, a NOTE slipped under his door. What are we in third grade again? Like a moron, he heeds the written summons and winds up at the house. When he disappears in the door, we hear what sounds like him getting jumped and his ass kicked. I almost laughed out loud for real, is this what Pinhead is reduced to? Paul T. Taylor plays the second replacement Pinhead and while he is better than Stephen Smith Collins he pales compared to the original, Doug Bradley. Pinhead has very little screen time and has just as little to do with the film. Throw in a trio of detectives that could have been lifted from the Saw formula of Arrogant guy, smart chick, timid guy and a storyline that seems so brief and abrupt it makes one wonder why it was even made.

HJ is not a bad movie. Sure it strangles Barker's creation and bastardizes everything we love from the early franchise but man oh man is this a visual feast of bizarro over the top crazy Clive Barker goodness. You have the jury made up of three nearly naked women with skinned faces, the cleaners three more naked women who apply their cleaning skills in a very offputting way, The disgusting assessor who pores childrens tears over paper confessionals and devours them only to puke their contents into a pipe system, The Surgeon, a latex masked monstrosity and a hulking baby-masked butcher who seals the deal. While some of the proceedings repulsed, I could not look away and the balsy output was a welcomed if reckless change. Two noteworthy cameos include the 80's scream queen, Heather Langenkamp in a painfully short scene as a sleazy landlord and Horror director John Guluger as the giggling, gnarly assessor. I also loved the twist at the end which turns the series on its ear and begs for another sequel.

All in all there is little to like if you go into this thinking you are getting a film that does justice to Clive Barker but if you go in as I did without expectations that it would be a homage to Pinhead and some kind of really good commentary on the universe of the characters. Go in low and strap yourself in. So bad it's good? Maybe but either way you will watch in morbid fascination, guaranteed!

2.5 of 5 stars
     
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Moby recommended Bryter Layter by Nick Drake in Music (curated)

 
Bryter Layter by Nick Drake
Bryter Layter by Nick Drake
1970 | Folk
7.7 (3 Ratings)
Album Favorite

"I mentioned Johnny's record store, and as well as Suicide, which is ironic considering he killed himself, he got me to listen to Nick Drake. This is such a perfect record, the songs are perfect, the singing's perfect, the instrumentation (even though Phil Collins plays on the songs) is perfect. It was one of those records that didn't need any explaining. I walked in, it was playing, and I asked 'what's this?', I thought it maybe was a Cat Stevens b-side. He told me it was Nick Drake and that I should buy it and he gave me a discount on the record because he was such an evangelist for it, and thought it was one of the best records ever made and that people needed to learn about Nick Drake. I took it home and fell in love with it. It's been a constant for me ever since. I can't imagine a month of my life that's gone by that I've not listened to it. The funniest experience was the first real tour I did, in 1991, with the band The Shamen. It was the first electronic music rave tour of the States, and at the time I didn't drink, I didn't do drugs, I was a very naive little kid and I was on tour with the Shamen, who were all really partying quite hard. I think we liked and respected each other, but we didn't really have anything in common apart from a shared love of electronic music. One day I was in the back of the lounge listening to Nick Drake's Bryter Layter and the singer came back and you could see his face lit up, and you could see he was a huge Nick Drake fan. We bonded over that. The next tour I did was with the Prodigy and Richie Hawtin, and the one after that was with Orbital and the Aphex Twin. During these tours there was a rave scene in the early 90s, but compared to the UK it was much smaller. It certainly existed. One of the reasons why the rave scene in the States is how it is, is because a lot of the people involved do way too many drugs. You get these DJs and performers who get really into the rave scene and then do more drugs in one night than most human beings should in a lifetime, so the burn-out rate is pretty high. In 1996 I was dating this raver girl, and she had gone out and did three hits of ecstasy, three hits of ketamine, some acid and crystal meth and I just remember thinking 'how can your body handle that?' But I guess if you're 19 years old it can handle it for a little while. Definitely that type of drug use led to a lot of people burning out"

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