"I think this is Lars von Trier’s strongest film visually, and I love the set-up; he’s so good with set-ups. A couple has lost their child, and the man is a psychoanalyst. He has decided to treat his wife himself, and his method is to put her in constant contact with the source of her neurosis. You can almost hear von Trier laugh when he’s telling the story. Quite often I feel that the set-ups that von Trier deals with are stronger than the films he’s making, but with Antichrist I think he goes the whole way. He’s just such a provocateur. With this film he’s getting to the core of what makes being a human being painful."

"The ultimate road movie, set along the stretch of 42nd Street known as “the Deuce.” I first saw this film way earlier than I should have and probably never recovered. New York City and Times Square in all their glorious (and now extinct) sleaze and seediness. As a time capsule and historical document it is fascinating, and as a story of exiles and outcasts finding love and friendship amid the rubble and rabble it is touching and powerful. Hoffman and Voight are as good as they will ever be, and Sylvia Miles, John McGiver, and Barnard Hughes add eccentricity and authenticity to John Schlesinger’s bold and brash filmmaking. Harry Nilsson sings the theme song and you will remember it forever."

"Shawshank, I guess, because of the quiet nature of the movie, the development of it. I’ve heard that it’s a movie that didn’t really catch the multitude of fanfare for a while. People didn’t catch on immediately. I got it immediately. I got the story, the narrative, and who can’t listen to Morgan Freeman narrate a movie all day long? Also, Tim Robbins killed it. Our very own William Sadler, of course, who has brought to us Tony Teresi, in terms of [Joseph Sikora’s] Tommy’s father in Power. Sadler was great in it. Clancy Brown, who was in The Guardian with me and Kevin Costner, one of my first castmates. The Guardian was probably my second big movie. So, I love Shawshank."

"It’s part of New York Stories, with Nick Nolte and Rosanna Arquette. Nolte plays Lional Dobie, this Jackson Pollack-like artist. I love the subject matter of Life Lessons, it’s just great. Scorsese completely captures the obsession with women, visually and in the storyline. And Nick Nolte is never better — his performance is just f**king unbelievable. He’s on top of his game stylistically, Scorsese, melding heavy style with story without it ever feeling like you’re just watching a director, you know, show off. I never felt that. I’d be curious to see what he thinks of that movie, or how much time he spent doing it, but to me it just felt like kind of an effortless exercise in his talent."