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Die, Monster, Die! (1965)
Die, Monster, Die! (1965)
1965 | Horror, Sci-Fi
Rather annoyingly not-quite-there horror movie based on an H.P. Lovecraft short story ('based on' in the sense of 'almost entirely different from'). Guy goes to see his girl in the remote English countryside, discovers surly locals, finds her father has been up to experiments into Things Which Man Was Not Meant To Know. Includes the obligatory badly-done Lovecraftian squid-monsters.

Interesting cast, and you can tell Karloff in particular is doing his best with the material, but there's an awful lot of wandering about with not much happening, especially for a film only about an hour and a quarter long. Obviously done on the cheap, and too invested in its standard Gothic tropes - creepy old mansion, spooky domestics, cursed family heritage, etc - to make the most of the potential in the short story it's supposed to be based on. All in all, less interesting than it has any right to be in the circumstances.
  
Sherlock Holmes and the Shadwell Shadows (The Cthulhu Casebooks, #1)
Sherlock Holmes and the Shadwell Shadows (The Cthulhu Casebooks, #1)
James Lovegrove | 2016 | Horror, Science Fiction/Fantasy, Thriller
2
2.0 (1 Ratings)
Book Rating
Contains spoilers, click to show
I finished reading the book today, or perhaps I should say I skimmed the last 18% or so!

I found the book up until then to be a favorable Holmes-Lovecraft mashup. Lovegrove's characterizations felt spot on, especially his [Spoiler Alert] Moriarty. I was especially taken with his reworking of Holmes and Watson's first meeting.

However, as I alluded to in the beginning of my review, as I coasted into the last 18% of it on my Kindle Fire, I found myself beginning to feel sleepy, my eyelids slowly easing their way down. It was at that point that I found myself skimming to get myself to the end.

The ending did not feel as strong as the book started. It felt like it went on too long. By the last page, I was just, "Whew! Glad that's over!". I will most likely check out the other two books in THE CTHULHU CASEBOOKS trilogy, but no rush on that.
  
Welcome to Night Vale
Welcome to Night Vale
Comedy
9
8.7 (36 Ratings)
Podcast Rating
Welcome to the bizarre (3 more)
Great backstory to work through (also listed in the bad)
Cecil's incredibly soothing voice
The Weather (are we still waiting for the bus in the rain?)
Long, LONG backstory to slog through (also listed in the good) (1 more)
A bit of a format change, part way through (I preferred the original flavor)
Oh, where to begin? I loved this podcast from the first episode, it's weird in the best ways. Think of an banana split sundae; one scoop of Lovecraft, one scoop of Stephen King, on scoop of various mythologies, a banana of Dadaism, some sprinkles of your local independent music scene, generous dollops of LGBTQ+ acceptance and support, and a single, solitary maraschino cherry of optimism in the face of overwhelming anxiety and depression.

All of this, of course, coming together as the public local news station for a small town, somewhere int he desert.

It's fun. I recommend it. Just make sure the locals don't notice that you're an interloper.
  
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Awix (3310 KP) rated Annihilation (2018) in Movies

Mar 17, 2018 (Updated Mar 17, 2018)  
Annihilation (2018)
Annihilation (2018)
2018 | Horror, Mystery, Sci-Fi
Visually striking, cerebral SF-horror movie, notable for being released via Netflix rather than cinemas in most of the world. Ex-soldier-turned-biologist Natalie Portman joins a mission into a mysterious zone where the laws of reality seem to be breaking down.

You can kind of see why Paramount got cold feet and requested changes to the ending in particular, for it is weird and wilfully enigmatic (rather beautiful too, of course), but then the whole movie spurns the obvious elements of outlandish splatter the premise suggests in favour of a weird and unsettling atmosphere (the director has suggested it was inspired by H.P. Lovecraft as much as the stated source novel). Kind of derivative, but not necessarily in a bad way; probably a bit too chilly and intellectual for its own good. Obviously the work of the same director as Ex Machina; one day Garland will figure out how to make an SF movie that doesn't just play with ideas in a rather sterile way, and then he may produce something really exceptional.