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Love, Death & Robots
Love, Death & Robots
2019 | Action, Animation, Comedy
Unique And Visceral Experience
Love, Death, & Robots is an adult animated anthology tv series on Netflix. The series is produced by Joshua Donen, David Fincher, Jennifer Miller, and Tim Miller. Each of the 18 episodes released on the first season was animated by different crews from a range of countries. It's also a re-imagining of 1981 animated sci-fi film Heavy Metal. Starring Mary Elizabeth Winstead, Topher Grace, Gary Cole, Samira Wiley, and Stefan Kapicic.


Produced by different casts and crews, and consisting of 18 stand-alone episodes, each under 20 minutes, the title of the series refers to the recurring themes of love, death, and robots in each episode. Full of terrifying creatures, wicked surprises and dark comedy, it's a collection of animated short stories spanning several genres like horror, comedy, fantasy, and science fiction. Captivating stories come to life with world-class animation in a plethora of tales unlike anything else.


This series was wicked awesome. Reminded me of some of the other animated anthologies I've seen such as The Animatrix and Batman: Gotham Knight, except quite a bit more NSFW. This series also gave me a Twilight Zone vibe but bit darker. More blood and guts and highly sexual. Even though it's pretty graphic, I really liked a lot of the stories they told and the twists that most had in the end as well. Some are kind of hit or miss or just better than others but I think that there is definitely something for everyone despite the gore and nudity and language. I especially enjoyed the following episodes, 1. Sonnie's Edge, 8. Good Hunting, 10. Shape-Shifters, 13. Lucky 13, and 18. Secret War. The way they went about the story telling and world building in each episode was phenomenal. I really feel that some of these episodes deserve their own individual films or series to do them better justice. I mean some were just so good and less than 20 minutes felt like not enough or that they could have been even better. I give the entire series overall a 9/10.
  
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Ian Broudie recommended track Eye Know by De La Soul in Me Myself & I by De La Soul in Music (curated)

 
Me Myself & I by De La Soul
Me Myself & I by De La Soul
1989 | Rap
(0 Ratings)
Album Favorite

Eye Know by De La Soul

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Track

"The reason I chose “Temptation” was because it gave me the confidence to write a song called “Pure”. I’d made my first album and it was quite difficult, because I didn’t have a band and I’d recorded it all at home. I was lucky in that it had done quite well and “Pure” had been in the charts in America and stuff like that, but I felt like I didn’t quite know what to do. It didn’t feel right to just hire a load of musicians and have a band that wasn’t really a band. Then I heard “Eye Know” by De La Soul and it was the first time that I’d heard people sampling records and using beats, I loved it and listened to it a lot. I’d been producing The Fall at the time and I was very friendly with a guy called Simon Rogers, who was a really good musician and he had a sampler. With hip-hop, they tended to have the samples and sing over the samples to come up with something, but I wondered if you could use the samples in your songs, and if it would be possible to craft a song while using samples. I don’t know if anyone had actually done that yet - it was mainly people singing over samples, but not making the samples fit in their tunes - so on the next album Sense that’s what I tried to do. It worked out quite well on the tracks like “Sense” and “The Life of Riley” but it was quite hard on the others. Then I honed it down and got better at it and I did Jollification, which is pretty much all recorded like that, with bits of samples. Jollification isn’t really a band, but a record constructed in a similar way to how De La Soul might have constructed 3 Feet High and Rising but using songs and not singing along over the record. That album really shone a light on how to make a more vibey and serendipitous record than if I just sat there with a computer."

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S.T.A.G.S (S.T.A.G.S, #1)
S.T.A.G.S (S.T.A.G.S, #1)
M.A. Bennett | 2017 | Mystery, Thriller, Young Adult (YA)
10
10.0 (1 Ratings)
Book Rating
I’ve heard a lot of good things about this book, and it really didn’t disappoint.
It starts off with us finding out that the narrator, Greer, is just starting at a new and extremely prestigious school called St Aidan the Great School or S.T.A.G.S. for short. We find out that Greer was lucky enough to win a scholarship for the school and took it so that her dad (a wildlife cameraman) could go to Chile to film in bat caves instead of turning the job down as he had been doing previously. Things aren’t plain sailing for Greer though, as she finds that the other students (including her roommate) aren’t the most welcoming or friendly, and as a result of this spends the first term quite lonely and keeping herself to herself. That is until she gets an invitation pushed under her door, and it’s an invitation that will change her life forever. The invitation comes from the most popular group in the school, who also happen to be the prefects or the “Medievals”. Pleased to finally have a chance at friendship, and with her roommates persuasion that it means she will become a Medieval next year, Greer takes up the invitation to spend three days at the country house of one of the most popular boys at school.
When Greer arrives, she is surprised to find two other people have also been invited and is surprised since she thought the Medievals disliked them as much as she’d thought they disliked her. What then follows is three days of hunting, shooting and fishing. And also three days of “accidents” and the three “unpopular” students teaming up against the six Medievals.
This book was thrilling from start to finish, and one of those books that you really don’t want to end because you are enjoying it so much. I enjoyed that Greer referenced movies so much, as the two main passions in my own life are books and films. With each film she referenced, it solidified the picture in my mind of the scene that was going on around her.
A definite 5 stars from me! And I cannot wait to read the sequels!
  
Mine to Keep (Mine, #2)
Mine to Keep (Mine, #2)
10
10.0 (1 Ratings)
Book Rating
I received this ARC in exchange for an honest review.

This follows the events of the last one with Skye and Trace on an island as Trace tries to help Skye get over the terrible ordeal she suffered at the hands of her ex. Soon after they arrive back in Chicago, they are met by an old colleague of Trace’s who warns them that someone is coming after them. Then the intrigue begins…

This one focuses more on Trace and things that happened in his past that he wishes he could forget. I was intrigued to find out what he’d done that was so bad that someone was trying to get to him and Skye. To get to him through Skye. And I’ll tell you now I wasn’t quite expecting it to be that.

We see bits from the POV of the person after Trace and it’s slightly creepy how cold the person is at the thought of killing anyone who stood in his way.

Once again the books feature some really intense sex scenes between the two main characters and shows how they struggle to keep their relationship afloat as lies come out of the woodwork that have been buried for years.

I’m lucky that the author goes over a lot of the things that happened in the previous book because I will admit I read a lot of books and it’s sometimes hard to remember what happened in certain ones.

It all came back to me within the first 15% or so and then I could get on with my detective work of trying to figure out who was behind it all. It kept me guessing throughout, just like in the first one and I found myself going “Ooooooh!” as new information was uncovered. I was most definitely intrigued by this. Well done to the author for such brilliant writing!

I really enjoyed this, believe it or not it got better the more I read. That last 15% or so made it 5 star worthy for me!

If you plan on reading this, then read Mine to Take first as this is a continuation. If you enjoyed the first then you should definitely read this one too.
  
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Beth Ditto recommended Singles Going Steady by Buzzcocks in Music (curated)

 
Singles Going Steady by Buzzcocks
Singles Going Steady by Buzzcocks
1979 | Punk
8.5 (2 Ratings)
Album Favorite

"Look, I'm a hits only person. When I go see a show, I don't want filler. Unless you're Sonic Youth or Tori Amos, I don't want your B-sides. Hits only. It's so self-indulgent. I picked Buzzcocks Singles Going Steady because I like that it's a little campy and gay. And the harmonies are good. It's that simple. I think with music sometimes it is that simple. It was pop punk, not pop punk as it is now, but it was poppy. I got into punk late because what I thought punk was did not appeal to me at all. I was like I couldn't care less about [whispers conspiratorially] Sex Pistols. But Buzzcocks, Gang Of Four, Wire, that's my jam. Melodic and smart and put together and catchy and the rest of it? I don't care. It's self-indulgent, like you say you don't care what we think of you but, yes you do. Singles Going Steady doesn't take itself too seriously, and it's gay. It's so gay. I think it's cool to think about being gay in the punk scene, I don't think it could have been too easy but to me that's ultimately not giving a fuck. It must be easy to be some straight, white dude and be anti-establishment. Well you're part of the problem, get out of here. You're anti what? What are you talking about? We were so lucky to come along in the 90s, because it was really a turning point for pop culture. Look at Riot Grrl, it made punk a safer place for women, and then Queercore came along and made it a safer place for queers. I think, there is a refuge in punk rock now, but that's the thing why I think the Buzzcocks was more punk than punk, because I don't necessarily think there was a refuge then. I think it probably felt pretty lonely, because you weren't disco, you weren't pop, that's where queer culture, or the gay scene really was, and to be a punk then? I don't think you could seek refuge in that. "

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