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Lilyn G - Sci-Fi & Scary (91 KP) rated Battleship (2012) in Movies
Feb 7, 2018
Pure cheesy, gooey fun
Battleship is a guilty pleasure of mine. It’s pure cheesy fun. It’s got a great cast of actors who over-act their butts off in it. Pretty much everything in the movie is delightfully overdone. It might not be the most intellectually stimulating film, but if you need an excuse for popcorn and beer it’s perfect. It has a bit of a Starship Troopers feel to it, what with the bad dialogue and the aliens that look like bugs. Hell, it’s even got the token slightly odd-looking red-headed guy being a mouth-off.
It’s pretty much the perfect B-movie, except we got lucky this time and had decent actors and enough money for good special effects. I loved watching the alien ships moving around and getting ready to fire at things. I’m always able to get completely into the film and nothing about the CGI throws me off at all. The dialogue might be horrible, but the action is perfectly paced. It takes me about 40 minutes longer than the movie actually is to finish watching it. Simply because I go back and re-wind and re-watch my favorite parts constantly. And yes, it does have some proper battleship game scenes that will make you grin with nostalgia if you used to love the game.
Liam Neeson’s role isn’t much, but he gives the appropriate note of seriousness to the film. He really just has a bit role though. Alexander Skarsgård does a good job as Stone Hopper (and what kind of name is that?!). He’s the serious older brother, and the true hero that does everything he can. Rhianna didn’t exactly do a bang up job, but she sold her emotions rather well at a few key parts. Taylor Kitsch certainly does a great job as coming across as an immature punk who needs some sense knocked into him.
It’s interesting to note, whatever your reasoning for it might be, that the aliens don’t really seem to be overly destructive in Battleship. Everything they do seems very tactical and deliberate. They have the firepower to lay waste to everything, but they seem to be more able disabling and containment. At one point, when one of the destroyers put away its weapons, the alien ship lowers its weapons too. People die, but not nearly as many as you would expect. Given other events in the movie, I feel like they were trying to take over with as little damage as possible. Maybe they needed humans for slave labor?
Cool Tidbits: The wounded warriors you see in the rehabilitation center scene in Battleship? Actual wounded warriors. The old vets referenced in regards to the USS Missouri are vets that served on that ship. And Mick – who is completely awesome – is also played by a vet. Props to the producers of this movie for making sure to include so many veterans in it. I totally cheered near the end of the movie when all the veterans do the slow hero walk and it’s clear they’re ready to help.
Overall, Battleship is just a fun popcorn movie that doesn’t deserve the razzing it gets. As long as you don’t go into it expecting something highly intellectual or some ground-breaking work, you’ll enjoy yourself.
It’s pretty much the perfect B-movie, except we got lucky this time and had decent actors and enough money for good special effects. I loved watching the alien ships moving around and getting ready to fire at things. I’m always able to get completely into the film and nothing about the CGI throws me off at all. The dialogue might be horrible, but the action is perfectly paced. It takes me about 40 minutes longer than the movie actually is to finish watching it. Simply because I go back and re-wind and re-watch my favorite parts constantly. And yes, it does have some proper battleship game scenes that will make you grin with nostalgia if you used to love the game.
Liam Neeson’s role isn’t much, but he gives the appropriate note of seriousness to the film. He really just has a bit role though. Alexander Skarsgård does a good job as Stone Hopper (and what kind of name is that?!). He’s the serious older brother, and the true hero that does everything he can. Rhianna didn’t exactly do a bang up job, but she sold her emotions rather well at a few key parts. Taylor Kitsch certainly does a great job as coming across as an immature punk who needs some sense knocked into him.
It’s interesting to note, whatever your reasoning for it might be, that the aliens don’t really seem to be overly destructive in Battleship. Everything they do seems very tactical and deliberate. They have the firepower to lay waste to everything, but they seem to be more able disabling and containment. At one point, when one of the destroyers put away its weapons, the alien ship lowers its weapons too. People die, but not nearly as many as you would expect. Given other events in the movie, I feel like they were trying to take over with as little damage as possible. Maybe they needed humans for slave labor?
Cool Tidbits: The wounded warriors you see in the rehabilitation center scene in Battleship? Actual wounded warriors. The old vets referenced in regards to the USS Missouri are vets that served on that ship. And Mick – who is completely awesome – is also played by a vet. Props to the producers of this movie for making sure to include so many veterans in it. I totally cheered near the end of the movie when all the veterans do the slow hero walk and it’s clear they’re ready to help.
Overall, Battleship is just a fun popcorn movie that doesn’t deserve the razzing it gets. As long as you don’t go into it expecting something highly intellectual or some ground-breaking work, you’ll enjoy yourself.
Maribeth is an overworked mother of four-year-old twins: busy dividing her time as an editor of a magazine, mothering her twins, and taking care of her household. But Maribeth is so busy she doesn't even realize she's had a heart attack. Once out of the hospital, Maribeth is shocked to realize that her mother and husband seem clueless when it comes to taking care of her (and in many ways, the household). Maribeth feels overwhelmed and frustrated. Angry at her husband, Jason, she packs a bag and flees her husband and the twins, basically starting her life over in another city. Once there, Maribeth makes new friends and starts a search for her own birth mother. But obviously she has left behind unresolved issues in New York, such as her husband and family. (Minor issue, right?)
Wow, this is quite a book, and honestly, I'm still processing some of my feelings about it. I've previously read two of Forman's YA novels (both of which I enjoyed), but this was my first time reading her foray into general fiction. For me, this book really hit home, considering I am an overworked mother of four-year-old twins, who juggles work and motherhood much like Maribeth. Lucky for me, my spouse isn't clueless like Maribeth's husband (in fact: she's lovely). I also don't have a mother who is basically totally worthless; I mean, seriously, how pathetic is Maribeth's mom? Can these people not help the woman mere weeks after she's had a freaking heart attack? The whole episode where Meredith's kids have lice and her spouse and mother flake on her had me completely stressed out.
In fact, there were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times?
My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave for her spouse to appreciate all she does? I am not totally sure I agree with the message.
Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 9/6.
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Wow, this is quite a book, and honestly, I'm still processing some of my feelings about it. I've previously read two of Forman's YA novels (both of which I enjoyed), but this was my first time reading her foray into general fiction. For me, this book really hit home, considering I am an overworked mother of four-year-old twins, who juggles work and motherhood much like Maribeth. Lucky for me, my spouse isn't clueless like Maribeth's husband (in fact: she's lovely). I also don't have a mother who is basically totally worthless; I mean, seriously, how pathetic is Maribeth's mom? Can these people not help the woman mere weeks after she's had a freaking heart attack? The whole episode where Meredith's kids have lice and her spouse and mother flake on her had me completely stressed out.
In fact, there were honestly times reading this book that I felt my own heart hurting, both from Forman's realistic description of Maribeth's cardiac attack, as well as from the stressful scenario she's in. Forman does an excellent job of conveying the pressure Maribeth is under and the frustration she feels in her life--overwhelmed, alone, trapped, desperate. What mother hasn't felt that way at some point, and truly, what mother hasn't wanted to run away at times?
My issue with this book is that Maribeth actually does run away. It's really hard to believe she'd actually leave her kids - not for a week or two - but for a good chunk of time (and taking a sizable chunk of her family's savings with her). But, while I really didn't agree with all of her choices (they didn't truly seem realistic), I have to admit, I found myself liking the book in spite of them. The life Maribeth creates for herself away from her family is unique and readable, and her world away is compelling. My only beef: should a woman really have to leave for her spouse to appreciate all she does? I am not totally sure I agree with the message.
Overall, this book is different. It's not your typical contemporary fiction, but it's certainly worth reading. 3.5 stars (and leaves you thinking).
I received a copy of this novel from the publisher and Edelweiss (thank you!); it is available everywhere as of 9/6.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://twitter.com/justacatandbook">Twitter</a>
Kristy H (1252 KP) rated Girl Last Seen in Books
Feb 13, 2018
Lainey was ten when she was taken. She spent three horrible years in her kidnapper's basement, enduring horrible things. Lainey is supposed to be "lucky," since she escaped, but it's hard for her to see it that way sometimes. Her entire life has been formed by that awful period in her life. And now, another girl has gone missing. Olivia Shaw, who looks exactly like Lainey did thirteen years ago. Lainey's kidnapper was never found: the police say because she could never give strong enough evidence to identify him. So Lainey has spent these years afraid, living in a haze of pills and booze, and waiting for something bad to happen. Well, something bad has happened. How exactly is Lainey involved, and is she ever going to be safe again?
I definitely have some mixed feelings about this one. <i>It certainly grabs you from the beginning and has some moments that make you go "what?!"</i> Parts of the story are very unique--I enjoyed the plot of two young women/girls aligned by a potential kidnapper--but the story was marred somewhat by the focus on Lainey's drinking and drugs. She's presented as an unreliable narrator, which I understand, and as a flawed heroine. Some of the scenes with her nearly make you cringe: you feel a mix of such sympathy and frustration, because she's such a stressful protagonist. The trend toward these frustrating, unreliable narrators lately has grown a bit old for me.
My other issue was Lainey's strange dynamic with the detective investigating Olivia's disappearance, Sean: the same detective, coincidentally, who found Lainey thirteen years ago as she stumbled helplessly along the road after escaping her horrible fate in the basement. Their dynamic, frankly, is just odd, and I found it almost distracting from the main story. Romance? Just a side story? Is he involved? It was less a bit of intrigue though and, as I mentioned, a distraction. And honestly, a little confusing. After a while, I started to get a little bored with Lainey's helplessness, her interactions with Sean, and the overall lack of things moving forward.
That changed about 3/4 in, when things picked up and became interesting again. There are definitely some fascinating moments in the book, and I did find it engaging overall, despite some stumbles along the way. This is a first novel and I see room from improvement, for sure. I'm going for a 3-star rating -- this is based on a combination of 2.5 stars for some stilted/cheesy writing combined with 3.5 stars for some exciting plot twists, including one near the end that pretty much made it all worth it. I would certainly be intrigued to read Laurin's next book. Don't let my review scare you from this one: I read a lot of thrillers, so I get bit jaded reading some similar plot devices. There's still plenty of pieces to like here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 07/20/2017.
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I definitely have some mixed feelings about this one. <i>It certainly grabs you from the beginning and has some moments that make you go "what?!"</i> Parts of the story are very unique--I enjoyed the plot of two young women/girls aligned by a potential kidnapper--but the story was marred somewhat by the focus on Lainey's drinking and drugs. She's presented as an unreliable narrator, which I understand, and as a flawed heroine. Some of the scenes with her nearly make you cringe: you feel a mix of such sympathy and frustration, because she's such a stressful protagonist. The trend toward these frustrating, unreliable narrators lately has grown a bit old for me.
My other issue was Lainey's strange dynamic with the detective investigating Olivia's disappearance, Sean: the same detective, coincidentally, who found Lainey thirteen years ago as she stumbled helplessly along the road after escaping her horrible fate in the basement. Their dynamic, frankly, is just odd, and I found it almost distracting from the main story. Romance? Just a side story? Is he involved? It was less a bit of intrigue though and, as I mentioned, a distraction. And honestly, a little confusing. After a while, I started to get a little bored with Lainey's helplessness, her interactions with Sean, and the overall lack of things moving forward.
That changed about 3/4 in, when things picked up and became interesting again. There are definitely some fascinating moments in the book, and I did find it engaging overall, despite some stumbles along the way. This is a first novel and I see room from improvement, for sure. I'm going for a 3-star rating -- this is based on a combination of 2.5 stars for some stilted/cheesy writing combined with 3.5 stars for some exciting plot twists, including one near the end that pretty much made it all worth it. I would certainly be intrigued to read Laurin's next book. Don't let my review scare you from this one: I read a lot of thrillers, so I get bit jaded reading some similar plot devices. There's still plenty of pieces to like here.
I received a copy of this novel from the publisher and Netgalley (thank you!); it is available everywhere as of 07/20/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a> ~ <a href="https://twitter.com/mwcmoto">Twitter</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a> ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>
Heather Cranmer (2721 KP) rated Pitch Green (Dimensions in Death, #1) in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Those who know me know that YA horror is my favourite genre. I was lucky enough to be asked by Jolly Fish Press to review a book that fit that genre. The book was Pitch Green (Dimensions in Death #1) by The Brothers Washburn. I definitely wasn't disappointed with this book.
Camm and Cal have been best friends forever. They've pretty much gone through everything together including the disappearance of Camm's little brother seven years ago. As Camm and Cal dig deeper to solve Cal's little brother's disappearance, they discover that more children have gone missing in their little hometown starting back in 1941. They also discover that some sinister force is behind the disappearance. Will Camm and Cal lose their life in the process of uncovering this mystery or will they lose their sanity?
Okay, I don't really get the title of this book. I understand the whole "green" part of the title which I won't explain due to small spoilers, but I don't understand the "pitch" bit. It's definitely an unusual title, that's for sure. However, I don't like or dislike the title. It just leaves me perplexed.
I'm definitely a fan of this spooky looking cover! I love the spooky green font and the creepy looking grandfather clock with the hanging man pendulum which features quite frequently in the book. I do believe that the cover of this book gives its readers a glimpse into what to expect.
I enjoyed the world building. I could definitely picture the creepy mansion in my mind, and because I live by lots of plants (not the green kind), I could totally relate to the Trona plant mentioned throughout the book.
I enjoyed the pacing of this book although I must admit that there was a chapter or two when I thought that the pacing was going to be slow. However, it quickly picked up, and I was hooked. I finished Pitch Green sooner then I had anticipated...that's how great the pacing was!
The only problem I had with this book was the fact that Camm and Cal seemed a bit younger than 18. They came across, to me, as being about 12 or 13 years old due to their actions, dialogue, and thoughts. Other than that, they were quite enjoyable characters. I loved how much of a wise cracker Camm was.
As I said before, the dialogue didn't match that of two 18 year olds. Don't get me wrong, the dialogue did make me laugh quite a bit, but it was off. The dialogue wasn't that bothersome after I got farther into the book and just imagined Camm and Cal to be two 14 year olds talking to each other. As for language, there is only one swear word.
I will definitely be buying the next book in the series. The ending of this book definitely left me wanting more despite the characters acting younger than their age.
I'd definitely recommend this book to everyone aged 13+ especially those who are fans of the horror genre.
(I was given a copy of this book from the publishers in exchange for a fair and honest review).
Those who know me know that YA horror is my favourite genre. I was lucky enough to be asked by Jolly Fish Press to review a book that fit that genre. The book was Pitch Green (Dimensions in Death #1) by The Brothers Washburn. I definitely wasn't disappointed with this book.
Camm and Cal have been best friends forever. They've pretty much gone through everything together including the disappearance of Camm's little brother seven years ago. As Camm and Cal dig deeper to solve Cal's little brother's disappearance, they discover that more children have gone missing in their little hometown starting back in 1941. They also discover that some sinister force is behind the disappearance. Will Camm and Cal lose their life in the process of uncovering this mystery or will they lose their sanity?
Okay, I don't really get the title of this book. I understand the whole "green" part of the title which I won't explain due to small spoilers, but I don't understand the "pitch" bit. It's definitely an unusual title, that's for sure. However, I don't like or dislike the title. It just leaves me perplexed.
I'm definitely a fan of this spooky looking cover! I love the spooky green font and the creepy looking grandfather clock with the hanging man pendulum which features quite frequently in the book. I do believe that the cover of this book gives its readers a glimpse into what to expect.
I enjoyed the world building. I could definitely picture the creepy mansion in my mind, and because I live by lots of plants (not the green kind), I could totally relate to the Trona plant mentioned throughout the book.
I enjoyed the pacing of this book although I must admit that there was a chapter or two when I thought that the pacing was going to be slow. However, it quickly picked up, and I was hooked. I finished Pitch Green sooner then I had anticipated...that's how great the pacing was!
The only problem I had with this book was the fact that Camm and Cal seemed a bit younger than 18. They came across, to me, as being about 12 or 13 years old due to their actions, dialogue, and thoughts. Other than that, they were quite enjoyable characters. I loved how much of a wise cracker Camm was.
As I said before, the dialogue didn't match that of two 18 year olds. Don't get me wrong, the dialogue did make me laugh quite a bit, but it was off. The dialogue wasn't that bothersome after I got farther into the book and just imagined Camm and Cal to be two 14 year olds talking to each other. As for language, there is only one swear word.
I will definitely be buying the next book in the series. The ending of this book definitely left me wanting more despite the characters acting younger than their age.
I'd definitely recommend this book to everyone aged 13+ especially those who are fans of the horror genre.
(I was given a copy of this book from the publishers in exchange for a fair and honest review).
Kayleigh (12 KP) rated Dead Letter Office in Books
Jan 2, 2019
Before I start, please note that this book was given to me free by the publisher in exchange for a review. What I have written is my honest opinion.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
This is the first 'Active Fiction' e-book I've read. It gives the reader an option of the direction they want the plot to take. The last time I read a book (let alone an e-book!) in any way similar to that was when I was about 10, reading an Enid Blyton <i>Famous Five</i> 'red herring' book. I was therefore really intrigued as to what to expect. Would there be red herrings? Would it make the book worse? Well, no and no, as it turns out. I'll get to that in a bit.
This is a brilliantly written story that centres around Celia, who has just lost her father and moved to New Orleans with her mum so she can get to know her father's side of the family. Celia soon has 3 friends (2 of which are potential love interests) and bounces well off the other characters. Snyder has included the obligatory 'popular crowd', but added unusual details to a few of the group's members that makes it interesting, and slightly more dangerous than your average 'death-by-gossip' group.
Starting from the beginning, this was one of those books I knew would capture my interest as soon as I read the first line:
<blockquote>"The dead man smiles at me."</blockquote>
The rest of this page draws me in further, and I went from there. An odd thing I liked (and noticed fairly early on) is that Celia doesn't ruin the first person narrative she's got going on by telling us what she looks like. It's good enough for me to know she's pretty enough to have a surfer dude boyfriend before she moves away, haha!
Coming back to the reader choices, I was a little startled when the first one came up, but that's just me not being used to it! I liked the sense of power I got from helping Celia make the 'right' choice. They were also placed really well within the story, at pivotal plot moments, so there wasn't too much or too little of them. There was only one (right at the end) that I thought was pointless, although having re-read the description on Goodreads, I now know that it's a vote the author wanted so as to establish reader preference on Celia's love interests. Lucky Cee!
I must admit, I did read all the alternative versions, so I can say that there are no 'red herrings'. Some choices lead you to the answer faster than others, and sometimes there'll be a quirky scene that comes with one choice, but is barely mentioned in the other. Without wanting to spoil anything, something key to the background knowledge of Donovan and Peyton's relationship is only mentioned in one of the choices. I haven't quite decided if this is a good thing yet - that little piece of knowledge was good to know, I thought!
Overall, Kira Snyder has built a great sense of anticipation between the main characters, and has set the foundation for future crime/mystery-solving. It was a brilliant book and I'll definitely be reading the next in the series.
Heather Cranmer (2721 KP) rated The Girl Behind the Red Rope in Books
Oct 15, 2019
I'm a fan of dystopian novels, so when I heard about The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker, I knew it was a book that I just had to read sooner rather than later. Everything about the synopsis was calling out my name. Luckily, this book lived up to the hype.
As I stated previously, the synopsis of The Girl Behind the Red Rope definitely left me intrigued. Grace has seen what not following her religious community's strict rules can bring. However, when a young boy makes his way into their tight community, Grace begins to question everything she's been taught which puts her in extreme danger.
Everything flowed so smoothly including the pacing which never let me down. I was constantly finding excuses to finish reading The Girl Behind the Red Rope since I had to know what would happen next. While I felt the plot was predictable more often than not, I still really enjoyed this book. I felt like their were no cliff hangers, and all of my questions were answered by the ending.
As for the Christian aspect of this book, it didn't read like a Christian novel most of the way through. I'd say it was probably around the last quarter of the book where Christianity came into play. I didn't think it was overly preachy although I think that those who aren't very spiritual or who are agnostic or are atheist may feel it's a tad on the preachy side. I would say The Girl Behind the Red Rope is more anti-religion and pro-Christianity overall. That's what I took from it anyway. It does have a really good message regarding love though which I found really nice to read about.
I very much enjoyed how every character in The Girl Behind the Red Rope was written. I felt like I was actually part of their world, stuck in the same community with them. Grace is a very likable character. I loved how the characters made her feel like a real person by giving her the conflicting thoughts as to who was to be believed throughout the novel. I enjoyed Grace's thought process about everything throughout the book. While I knew who and what she should choose, it was easy to see why she was so torn. Bobbie and Sylous were both very intriguing characters. I never trusted Sylous from the start, but Bobbie was one character that I wasn't sure if she actually had Grace's best interest at heart or if she had ulterior motives. There were times I despised Rose, not because she wasn't written poorly, in fact, she was written perfectly, but because of how much trust she put into Sylous and how overly judgmental she could be sometimes. I know that Rose was only going on what she thought to be true, but there were just so many times I wanted Rose to disappear! My favorite character was Eli. I loved his innocence and how happy go lucky he was.
Trigger warnings for The Girl Behind the Red Rope include cult mentality, violence, and murder.
All in all, The Girl Behind the Red Rope is such a fantastic read with such a powerful message. The characters are written beautifully, and the plot is done superbly. I would definitely recommend The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker to those aged 15+. Christians will definitely enjoy this book, but I think even non-Christians will probably love it as well.
As I stated previously, the synopsis of The Girl Behind the Red Rope definitely left me intrigued. Grace has seen what not following her religious community's strict rules can bring. However, when a young boy makes his way into their tight community, Grace begins to question everything she's been taught which puts her in extreme danger.
Everything flowed so smoothly including the pacing which never let me down. I was constantly finding excuses to finish reading The Girl Behind the Red Rope since I had to know what would happen next. While I felt the plot was predictable more often than not, I still really enjoyed this book. I felt like their were no cliff hangers, and all of my questions were answered by the ending.
As for the Christian aspect of this book, it didn't read like a Christian novel most of the way through. I'd say it was probably around the last quarter of the book where Christianity came into play. I didn't think it was overly preachy although I think that those who aren't very spiritual or who are agnostic or are atheist may feel it's a tad on the preachy side. I would say The Girl Behind the Red Rope is more anti-religion and pro-Christianity overall. That's what I took from it anyway. It does have a really good message regarding love though which I found really nice to read about.
I very much enjoyed how every character in The Girl Behind the Red Rope was written. I felt like I was actually part of their world, stuck in the same community with them. Grace is a very likable character. I loved how the characters made her feel like a real person by giving her the conflicting thoughts as to who was to be believed throughout the novel. I enjoyed Grace's thought process about everything throughout the book. While I knew who and what she should choose, it was easy to see why she was so torn. Bobbie and Sylous were both very intriguing characters. I never trusted Sylous from the start, but Bobbie was one character that I wasn't sure if she actually had Grace's best interest at heart or if she had ulterior motives. There were times I despised Rose, not because she wasn't written poorly, in fact, she was written perfectly, but because of how much trust she put into Sylous and how overly judgmental she could be sometimes. I know that Rose was only going on what she thought to be true, but there were just so many times I wanted Rose to disappear! My favorite character was Eli. I loved his innocence and how happy go lucky he was.
Trigger warnings for The Girl Behind the Red Rope include cult mentality, violence, and murder.
All in all, The Girl Behind the Red Rope is such a fantastic read with such a powerful message. The characters are written beautifully, and the plot is done superbly. I would definitely recommend The Girl Behind the Red Rope by Ted Dekker and Rachelle Dekker to those aged 15+. Christians will definitely enjoy this book, but I think even non-Christians will probably love it as well.
365Flicks (235 KP) rated Talking Earth (2017) in Movies
Nov 20, 2019
There is definitely a lot to be said about the Independent market right now (its bloody exciting). Every now and then you will come across an absolute gem of a movie and other times you will come across an absolute turdfest. I have been pretty lucky as of late that most of my picks are falling into the former. Now, this could be my ex Video Store clerk elitist personality shining through or maybe that clover my daughter shoved in my face along with a handful of grass really did have four leafs.
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
Emma @ The Movies (1786 KP) rated Last Christmas (2019) in Movies
Dec 8, 2019
I ummed and erred about how to start this review, should I burst into song? Should I be writing it while adorned with fairy lights? None of that is needed though, and I'll tell you why in a moment.
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Kate the Christmas elf has lost her Christmas spirit, life just hasn't felt the same recently and it's affecting her friends and family as well as everything in her life. Tensions run high as she takes advantage of her close friends and slowly burns almost all of her bridges.
Then she meets Tom, he's happy-go-lucky and all about something more to life. Where she's single-minded and oblivious he's caring and mindful of everyone, the pair couldn't be more different while still being the perfect match.
So... a Christmas film using the music of George Michael. Christmas probably appears in 95% of the shots and yet at no point did I feel very Christmassy. As for the music, if I hadn't been told they use his tracks in there I would have just said they just used Last Christmas because they thought they should match the title.
A fair bit of the film takes place at night which does allow for some beautiful illuminated shots of London. The settings are all very well suited for this, I always think that Covent Garden looks like the perfect place for a Christmas paradise when it's made up properly... and that Christmas shop! I died and went to heaven!
I've had no real previous experience with Emilia Clarke as an actress, I've never knowingly seen her in anything (yes, I've never watched Game Of Thrones), but I was impressed with her portrayal of Kate. It all felt very natural, there was a lot of sass but she also managed to keep it together during the serious moments. I don't think I'll be going back to watch GoT after this but I may well give some of her other films a go.
Henry Golding plays the perfect gentleman, that might be his niche. There's nothing to object to in his performance at all, I might have some issues with the way he's written in the script but Golding brought Tom to life perfectly on screen.
The best support performance for me was definitely Santa, played by Michelle Yeoh. Santa and Kate playing off against each other was wonderful to see, no matter whether it eas a dramatic moment or a comedy one they bounced back and forth incredibly well. Seeing Yeoh listed for this was a little dubious but it was delightful to see.
Emma Thompson's portrayal was enjoyable, though the accent did change the feel of the humour. I do question why Kate's family needed to be of Croatian descent. I'm not one to say "this was trying to make a statement" but there wasn't anything of any major consequence in the film that required it to be that way. It didn't feel like the film gained anything from this apart from an opportunity to shoehorn in Brexit.
Despite my quibbling, which you know I love to do, Last Christmas was a thoroughly enjoyable film. It is much more drama than it is Christmas film, Christmas honestly feels incidental even though Emilia Clarke is dressed as an elf most of the time. Sure its message might be a little "hidden agenda" and overly sweet but it's a great bit of entertainment. Just remember, don't be the arsehole who spoils it for someone.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/11/last-christmas-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated Brazen (Gilded, #3) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I love <i><a title="Gilded review" href="http://www.bookwyrmingthoughts.com/review-gilded-by-christina-farley" target="_blank" rel="noopener tag">Gilded</a></i> and all (<i>Silvern</i> is my least favorite), but <i>Brazen</i> is either a tie or my favorite of the entire series.
The third and final book in the <i>Gilded</i> series takes off shortly after <i>Silvern</i> when Jae Hwa signs a contract with Kud, Lord of Darkness and Chaos, to leave behind her family and past life in exchange to save Marc's life. Under Kud's control, Jae Hwa finds ways to save Korea and possibly the world from Kud's potential rule.
There is never a dull moment in <i>Brazen</i> the book is more action-packed and exciting than the first two books combined (those were exciting in and of themselves, but <i>Brazen</i> is so much more). Jae Hwa's seriously kick butt side also appears as Jae Hwa runs against time to find the Black Turtle orb and returning it to the Heavenly Chest before she loses her humanity or Kud finds the orb for himself. With the contract between Kud branded on her arm, Jae Hwa basically has no one on her side the Guardians want her head on a platter, Marc is cold and indifferent towards her as expected from the Guardians, and Kud holds the constant threat of harming her loved ones on her head.
But even though almost everyone is against her, Jae Hwa is slowly losing her humanity, and Kud seems to be onto her act sometimes, Jae Hwa still manages to evade revealing her true intentions to the lord of Darkness.
Farley also introduces readers to a little bit of Chinese mythology and history on Jae Hwa's search for the final orb, with plenty of life-threatening trials and obstacles that consist of mercury, tombs, and skeletons (plus, drowning). It also promptly demanded me to suggest that Christina pull a Rick Riordan and collide Chinese and Korean mythology together in a spin-off series (I just read the Percy Jackson/Kane Chronicles crossover at the time...). Fangirl me squealed when Christina said she loved the idea. (Now I'm really going to start counting my lucky book stars for that to happen.)
In reality, the idea is partially for a selfish reason and I honestly don't want to be done with the entire series. Even though I had a few bumpy occurrences with the characters a few times in Gilded and <i><a title="Silvern review" href="http://www.bookwyrmingthoughts.com/arc-review-silvern-by-christina-farley" target="_blank" rel="noopener tag">Silvern</a></i>, I've actually grown to like Jae Hwa and company. All of them have grown so much in the three books that it's really hard to let them all go and carry on with their happily fictional lives.
I also envy anyone who hasn't reached the final book yet. >_< (But I wouldn't have been able to "shove" the book in a friend's face if I didn't get introduced to the series.)
<a href="https://bookwyrmingthoughts.com/arc-review-brazen-by-christina-farley/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I love <i><a title="Gilded review" href="http://www.bookwyrmingthoughts.com/review-gilded-by-christina-farley" target="_blank" rel="noopener tag">Gilded</a></i> and all (<i>Silvern</i> is my least favorite), but <i>Brazen</i> is either a tie or my favorite of the entire series.
The third and final book in the <i>Gilded</i> series takes off shortly after <i>Silvern</i> when Jae Hwa signs a contract with Kud, Lord of Darkness and Chaos, to leave behind her family and past life in exchange to save Marc's life. Under Kud's control, Jae Hwa finds ways to save Korea and possibly the world from Kud's potential rule.
There is never a dull moment in <i>Brazen</i> the book is more action-packed and exciting than the first two books combined (those were exciting in and of themselves, but <i>Brazen</i> is so much more). Jae Hwa's seriously kick butt side also appears as Jae Hwa runs against time to find the Black Turtle orb and returning it to the Heavenly Chest before she loses her humanity or Kud finds the orb for himself. With the contract between Kud branded on her arm, Jae Hwa basically has no one on her side the Guardians want her head on a platter, Marc is cold and indifferent towards her as expected from the Guardians, and Kud holds the constant threat of harming her loved ones on her head.
But even though almost everyone is against her, Jae Hwa is slowly losing her humanity, and Kud seems to be onto her act sometimes, Jae Hwa still manages to evade revealing her true intentions to the lord of Darkness.
Farley also introduces readers to a little bit of Chinese mythology and history on Jae Hwa's search for the final orb, with plenty of life-threatening trials and obstacles that consist of mercury, tombs, and skeletons (plus, drowning). It also promptly demanded me to suggest that Christina pull a Rick Riordan and collide Chinese and Korean mythology together in a spin-off series (I just read the Percy Jackson/Kane Chronicles crossover at the time...). Fangirl me squealed when Christina said she loved the idea. (Now I'm really going to start counting my lucky book stars for that to happen.)
In reality, the idea is partially for a selfish reason and I honestly don't want to be done with the entire series. Even though I had a few bumpy occurrences with the characters a few times in Gilded and <i><a title="Silvern review" href="http://www.bookwyrmingthoughts.com/arc-review-silvern-by-christina-farley" target="_blank" rel="noopener tag">Silvern</a></i>, I've actually grown to like Jae Hwa and company. All of them have grown so much in the three books that it's really hard to let them all go and carry on with their happily fictional lives.
I also envy anyone who hasn't reached the final book yet. >_< (But I wouldn't have been able to "shove" the book in a friend's face if I didn't get introduced to the series.)
<a href="https://bookwyrmingthoughts.com/arc-review-brazen-by-christina-farley/" target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Emma @ The Movies (1786 KP) rated Spies in Disguise (2019) in Movies
Jan 11, 2020
As my last cinema visit of 2019 I was just hoping for something passable to watch, animation his year has had a few hard knocks so I wasn't optimistic.
Lance is the world's greatest spy, catlike reflexes, excellent deduction skills as well as suave and sophisticated... all the things you'd expect. He's the golden boy of the agency and is ready for another pat on the back and some admiration. But it isn't his lucky day, the device he retrieved is missing from the case and now he's under investigation. He knows that he's innocent but there's damning evidence against him, his only hope is to clear his name, and the only way to do that is to escape the agency and track the real culprit down. His next problem, who can he trust?
This really is Bond for kids, everything is fantastically reminiscent of it, from his slightly too cocky demeanour to the brilliant opening credits. It's a pretty solid film, there's nothing much to dislike. It's essentially Bond mixed with Cloudy With A Chance Of Meatballs... what's not to love about that?!
I have to wonder about opening kids films this way, it seems to be very common at the moment. The lead needs to have a tragedy to get through the movie and have their moment of realisation. Playmobil did it in a much less subtle way, as did Wonder Park to some extent.
There aren't any real issues with the voice acting, though I do wonder about the choice of Ben Mendelsohn paired with his animated character, the two don't really match as well as the others. But that's not a deal-breaker.
The animation style is very clean and easy to watch. There are before and after shots of some scenes that show what the lighting guy does, it's really interesting to see. After having brought this topic up after seeing Klaus it was nice to see some of the "hidden" parts of animated films. The effort is immense.
Music is used well in parts of the film, and my favourite has to be the "romantic" portion towards the end, very amusingly set up and clearly well thought out.
Walter, our inventor, really does have the sort of imagination that would get him hired by Chester V. My favourite invention was probably the glitter distraction, I believe this may already exist though as it appears to have been deployed in my home over Christmas. This may be the only major continuity note... once Lance brushes the glitter off we don't see any little specks again, completely unrealistic!
There are a lot of great sequences during the film and the action moves it along quickly, add in the humour from the pigeons and all the gadgets and you get something really fun. I will definitely watch this again when it hits streaming. My score may seem a little off considering I didn't hate anything, the reason for this is that it's essentially a lot of other films mixed together. As I said, we've got Bond and Cloudy With A Chance Of Meatballs with an assortment of action movies and Home Alone 2 thrown in for good measure, which made it enjoyable but not instantly rewatchable.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/spies-in-disguise-movie-review.html
Lance is the world's greatest spy, catlike reflexes, excellent deduction skills as well as suave and sophisticated... all the things you'd expect. He's the golden boy of the agency and is ready for another pat on the back and some admiration. But it isn't his lucky day, the device he retrieved is missing from the case and now he's under investigation. He knows that he's innocent but there's damning evidence against him, his only hope is to clear his name, and the only way to do that is to escape the agency and track the real culprit down. His next problem, who can he trust?
This really is Bond for kids, everything is fantastically reminiscent of it, from his slightly too cocky demeanour to the brilliant opening credits. It's a pretty solid film, there's nothing much to dislike. It's essentially Bond mixed with Cloudy With A Chance Of Meatballs... what's not to love about that?!
I have to wonder about opening kids films this way, it seems to be very common at the moment. The lead needs to have a tragedy to get through the movie and have their moment of realisation. Playmobil did it in a much less subtle way, as did Wonder Park to some extent.
There aren't any real issues with the voice acting, though I do wonder about the choice of Ben Mendelsohn paired with his animated character, the two don't really match as well as the others. But that's not a deal-breaker.
The animation style is very clean and easy to watch. There are before and after shots of some scenes that show what the lighting guy does, it's really interesting to see. After having brought this topic up after seeing Klaus it was nice to see some of the "hidden" parts of animated films. The effort is immense.
Music is used well in parts of the film, and my favourite has to be the "romantic" portion towards the end, very amusingly set up and clearly well thought out.
Walter, our inventor, really does have the sort of imagination that would get him hired by Chester V. My favourite invention was probably the glitter distraction, I believe this may already exist though as it appears to have been deployed in my home over Christmas. This may be the only major continuity note... once Lance brushes the glitter off we don't see any little specks again, completely unrealistic!
There are a lot of great sequences during the film and the action moves it along quickly, add in the humour from the pigeons and all the gadgets and you get something really fun. I will definitely watch this again when it hits streaming. My score may seem a little off considering I didn't hate anything, the reason for this is that it's essentially a lot of other films mixed together. As I said, we've got Bond and Cloudy With A Chance Of Meatballs with an assortment of action movies and Home Alone 2 thrown in for good measure, which made it enjoyable but not instantly rewatchable.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/spies-in-disguise-movie-review.html