"This is a perfect record, It's heart on sleeve music, which is absolutely what I wanted to try to make on my album. Brazil is a very important place for me in terms of its music and culture; it's the first place I lived in where I felt I got pulled out of a bubble, and had to stand on my feet in a different culture to mine, and Jorge Ben is one of its greatest figures. He was so important in the bossa nova era, and a pivotal person in tropicalia – Caetano Veloso and Gilberto Gil looked up to him like a brother, as he was older. There's so much in that country's art that's about richness and magic, like the writing of Gabriel Garcia Marquez, as well. In many parts of England, you have to pretend to down nine pints to get into that frame of mind. That's probably why other cultures appeal to me."

"A thriller wrapped inside an enigma, this is my desert island disc, the one I’ve watched
 more than any other on this list. The psychology of the characters is revealed
 slowly and ambiguously. Each time I see the wheelchair (the husband’s fantasy) and hear the sound of the horse-and-carriage bells (the wife’s), and the way
 the two achieve harmony in the final scene, I’m reminded of Luis Buñuel’s ability to
 fuse reality and illusion in his characters and for the viewer. He performs this
 magic in plain view, like the best magicians. This is the film that illustrates that
 Catherine Deneuve is not only one of the world’s most beautiful women but a
 fine actress. Belle de jour is truly subversive in its satiric depiction of middle-
class society, the church, and our social mores. If a ratings board ever understood
 this film, it would receive an NC-17, though there is no sex and little violence."