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Secrets of Women: Gender, Generation, and the Origins of Human Dissection
Book
Toward the end of the Middle Ages, medical writers and philosophers began to devote increasing...
An Unlikely Union: The Love-Hate Story of New York's Irish and Italians
Book
They came from the poorest parts of Ireland and Italy and met as rivals on the sidewalks of New...
The Push is a dark, twisted and thoroughly disturbing look at motherhood - and I couldn’t put it down.
Blythe wants to be everything her own mother was not when she was a child, and we do see some of the ways her mother treated her in flashbacks. This is three generations of women (grandmother, mother and daughter)who have clearly not been ideal mothers or treated well as daughters. Blythe desperately wants to break the cycle, and goes in to motherhood with the best of intentions. Except her newborn is not an easy baby for her. She cries continuously, and Blythe really struggles. I did wonder throughout the book if a lot of Blythe’s problems derived from postnatal depression. Except when she goes to see a male doctor about it, he thinks she’s fine (insert the eye roll here! I really didn’t agree with him!). The same could possibly be said of Blythe’s mother and grandmother: if not PND, then some other mental health issue was surely at play here?
This is a brutal look at motherhood. It shows it for what it is for many women: a hard slog. I couldn’t help but empathise with Blythe. I felt that her needs and feelings were pushed aside by her husband and the doctor. In a time where motherhood is all about creating a perfect family, with perfect babies, children and husbands, Blythe doesn’t seem to stand a chance. It made for an intensely uncomfortable reading experience in places.
This is a book that’s going to stay with me for a long while - especially after THAT ending (see, you’ll have to read it now!). I’d highly recommend this - it’s already in my books of the year.
Many thanks to Penguin Michael Joseph for an e-copy of this book to read through NetGalley.
Blythe wants to be everything her own mother was not when she was a child, and we do see some of the ways her mother treated her in flashbacks. This is three generations of women (grandmother, mother and daughter)who have clearly not been ideal mothers or treated well as daughters. Blythe desperately wants to break the cycle, and goes in to motherhood with the best of intentions. Except her newborn is not an easy baby for her. She cries continuously, and Blythe really struggles. I did wonder throughout the book if a lot of Blythe’s problems derived from postnatal depression. Except when she goes to see a male doctor about it, he thinks she’s fine (insert the eye roll here! I really didn’t agree with him!). The same could possibly be said of Blythe’s mother and grandmother: if not PND, then some other mental health issue was surely at play here?
This is a brutal look at motherhood. It shows it for what it is for many women: a hard slog. I couldn’t help but empathise with Blythe. I felt that her needs and feelings were pushed aside by her husband and the doctor. In a time where motherhood is all about creating a perfect family, with perfect babies, children and husbands, Blythe doesn’t seem to stand a chance. It made for an intensely uncomfortable reading experience in places.
This is a book that’s going to stay with me for a long while - especially after THAT ending (see, you’ll have to read it now!). I’d highly recommend this - it’s already in my books of the year.
Many thanks to Penguin Michael Joseph for an e-copy of this book to read through NetGalley.
Jesters_folly (230 KP) rated Nobody (2021) in Movies
Jun 8, 2021
Contains spoilers, click to show
Nobody is what you get when you cross 'John Wick', 'Falling Down' and throw in a pinch of the British T.V. show 'The Prisoner'.
Hutch Mansell (Bob Odenkirk) is a seemingly normal family man who would let robbers take his money to make sure his son doesn't get shot, However, Hutch has a secret past which he has to turn to when events spiral out of control.
Bob Odenkirk plays Hutch well and manages an interesting take on the 'Past warrior/now family man' trope, most of the time the characters past is acknowledged/known by other characters and the viewer but Hutch comes across as a normal boring man whilst most of the other male characters seem to all be stronger than he is and the film slowly builds up to show us just how 'bad ass' he really is. And this leads to one of the problems with 'Nobody', it is obvious that Hutch's children know nothing of his past life but I was never sure of how much his wife, Becca, knew. From the beginning you assume she knows nothing, however as the film goes on Hutch and Becca refer to how things were before and some times it seems like she knew and even worked with Hutch whilst other times they could just be referring to earlier in there relationship and Becca's behaviour both seems to indicate that she does and doesn't know about Hutches past .
The action scenes are good with Hutch being a 'John Wick light' or a 'MacGyver', using guns and traps more than improvised weapons but still being able to make the fights entertaining.
Over all 'Nobody' is a good, entertaining film and well worth a watch and, lets face it, anything with Christopher Lloyd in it can't be all bad.
Hutch Mansell (Bob Odenkirk) is a seemingly normal family man who would let robbers take his money to make sure his son doesn't get shot, However, Hutch has a secret past which he has to turn to when events spiral out of control.
Bob Odenkirk plays Hutch well and manages an interesting take on the 'Past warrior/now family man' trope, most of the time the characters past is acknowledged/known by other characters and the viewer but Hutch comes across as a normal boring man whilst most of the other male characters seem to all be stronger than he is and the film slowly builds up to show us just how 'bad ass' he really is. And this leads to one of the problems with 'Nobody', it is obvious that Hutch's children know nothing of his past life but I was never sure of how much his wife, Becca, knew. From the beginning you assume she knows nothing, however as the film goes on Hutch and Becca refer to how things were before and some times it seems like she knew and even worked with Hutch whilst other times they could just be referring to earlier in there relationship and Becca's behaviour both seems to indicate that she does and doesn't know about Hutches past .
The action scenes are good with Hutch being a 'John Wick light' or a 'MacGyver', using guns and traps more than improvised weapons but still being able to make the fights entertaining.
Over all 'Nobody' is a good, entertaining film and well worth a watch and, lets face it, anything with Christopher Lloyd in it can't be all bad.
LeftSideCut (3778 KP) rated Horror Noire: A History of Black Horror (2019) in Movies
Sep 21, 2020
I found Horror Noire, a documentary that focuses on the role and impact of black creators and actors within horror cinema, to be an incredibly insightful watch.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
It's covers a wide range of media, from 40s originals like I Walked with a Zombie, all the way up to present day entries like Us, and everything in between. My only criticism stems from this actually - with so many movies to cover, the pacing moves quite quickly, and results in a fairly short feature - I could have happily watched a few more hours!
The documentary features interviews with some genre icons such as Tony Todd, Keith David, Ernest R. Dickerson, Jordan Peele, Rachel True, Tananarive Due, just to name a few!
Listening to them talk about this subject which such fondness is wholesome, but not always comfortable - whereas Horror Noire is of course a celebration of black horror, none of the cast shy away from talking about the difficulties faced by the black community in film, including how they are portrayed, especially in earlier decades.
In 2020, these issues ring truer than ever.
As a white male, the biggest thing I've learned through recent events is that it's not enough to be not racist, - it's important and essential to be actively anti-racist. As a fan of horror for a lot of my life, I, perhaps ignorantly, haven't really attributed these issues to the genre before, so it's refreshing for me to learn about these kind of things and take them on board.
Horror Noire is a truly interesting watch, and has given me some films to add to my watchlist (Ganja & Hess is one I'll be checking out pretty soon). It's eye opening, and certainly deserves attention.
Mothergamer (1536 KP) rated the PlayStation 4 version of Assassin's Creed Valhalla in Video Games
Dec 14, 2020
I like the AC series a lot and while there are some that I like better than others like Origins, I do enjoy playing each one. I was excited for Valhalla and getting to play Eivor as either female or male was really cool to me. I liked the premise of the story and the setting. I thought the differences with the skill system and armor sets was refreshing. The combat is a lot of fun and I enjoyed the various side quests and mini games. However, I do feel that the story was not as strong as Origins and Odyssey. It was a darker story sure, but given the events in the 9th century that makes sense. However, I felt it was missing a little something. While I liked Eivor there were side characters that were part of the story I came to like and care about more. The ending felt a bit unfinished and I felt a little disappointed. There's also the issue with constant bugs where quests wouldn't load properly, Eivor would get stuck on things, or weird clipping issues in the game. There are also far too many game crashes. I learned to save my game often because I never knew if there would be a game crash around the corner. It feels like perhaps they should not have released the game yet until they got these issues sorted. It's disappointing because I feel the game could have been great instead of just good, but the tech issues really hindered it. You can read the full Mothergamer review here: http://lorrie28-mothergamer.blogspot.com/2020/12/assassins-creed-valhalla-good-viking.html
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