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An enjoyable Victorian mystery
Julia McAllister is a female photographer in 1895 who works for herself - which is a struggle in England at this time, as she would have had no legal rights. She pretends to her clients that she is working for a male photographer, but in reality he left her the business when he died. So, in order to make ends meet she finds work taking ‘French Style’ photos. These were risqué pornographic photos. Julia makes sure her models are comfortable with what they’re doing and that they’re well paid. She feels responsible for these young women.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
When three of them are found murdered, and Julia is visited by an Inspector Collingwood asking questions because her stamp is on the back of the photos found with these women, Julia is devastated. Devastated that she is in the frame, and devastated that she has lost women who she considers to be friends. So Julia sets out to find the killer herself, because she has secrets that she doesn’t want anyone finding out.
This book is pretty jam packed with dead bodies, if I’m honest. The dead models and two unconnected men. Julia is involved with finding the perpetrators of these deaths too. So if you don’t like dead bodies, you’re going to struggle with this one! Although it’s not graphic in any way. It’s not a salacious book - the photos aren’t really described in any great detail: the making of them is just a part of the story.
I liked Julia. She is a caring character who looks after her models, her neighbours, and she even gives a home to a street urchin. I found the photography descriptions (taking photos and developing them) really interesting, and I thought the setting was really well described: the sights and sounds of a busy urban Victorian England especially. This is a very enjoyable book, and one for those who enjoy an easy reading mystery.
Many thanks to Sapere Books for sending me my copy to read and honestly review.
Gareth von Kallenbach (977 KP) rated The Switch (2010) in Movies
Aug 8, 2019
I had one thought when I entered the movie theater to see “The Switch”: what a hodge-podge cast. Leading lady, Jennifer Aniston (Kassie Larson), why she was once the face of 1990’s television! Jeff Goldblum (Leonard), I still think of him each time I encounter the subject of Dinosaurs. And Juliette Lewis (Debbie), she was in that Roller Derby flick, “Whip It” with the girl from Juno. How was a cast like this, enhanced by Arrested Development’s Jason Bateman, as male lead Wally Mars, going to make a film about a woman deciding to have a baby on her own?
None of the characters are perfect and the clothes are less than dazzling but the content and execution of “The Switch” is so honestly human that it manages to be subtly touching. Moreover, “The Switch” provides a new film perspective on love in New York City avoiding the overdone glitz and glamour of say “Sex and the City”.
But what is important to emphasize here is laughter. I didn’t expect to laugh as much as I did. Keep in mind there have been a number of comedic films that have attempted to touch on the subject of single women who choose to have and raise children on their own. I assumed films such as “The Back-Up Plan” and “Baby Mama” had completely covered the topic’s comedic angles, but l was wrong. This film is funny.
Still there were some scenes that could have been cut. The action could have moved at a quicker pace and it takes the first fifteen minutes of the film for the audience to connect with these imperfect characters.
However, “The Switch” is a very layered film; both human and well written while at the same time sharply funny. Moreover, this film is the much-anticipated proof that Jason Bateman does have what it takes to captivate as a lead on the big screen, so long as he has a strange son figure by his side
None of the characters are perfect and the clothes are less than dazzling but the content and execution of “The Switch” is so honestly human that it manages to be subtly touching. Moreover, “The Switch” provides a new film perspective on love in New York City avoiding the overdone glitz and glamour of say “Sex and the City”.
But what is important to emphasize here is laughter. I didn’t expect to laugh as much as I did. Keep in mind there have been a number of comedic films that have attempted to touch on the subject of single women who choose to have and raise children on their own. I assumed films such as “The Back-Up Plan” and “Baby Mama” had completely covered the topic’s comedic angles, but l was wrong. This film is funny.
Still there were some scenes that could have been cut. The action could have moved at a quicker pace and it takes the first fifteen minutes of the film for the audience to connect with these imperfect characters.
However, “The Switch” is a very layered film; both human and well written while at the same time sharply funny. Moreover, this film is the much-anticipated proof that Jason Bateman does have what it takes to captivate as a lead on the big screen, so long as he has a strange son figure by his side
Amazing
This show has really opened my eyes on the struggles Autism can cause in every day life. It not only follows Sam and his journey to find love, and then his life changing as he moves on to University, but it also follows a small story line around his parents and his younger sister has her own, fairly prominent story line.
Sam has Autism and doesn't always understand things well. The show really brings into life a few of the problems he may face, and how he deals with them.
Its mostly light-hearted and has a few comical characters, while still being serious at times and helping people understand what is going on.
Casey, Sams sister, understands his autism but always treats Sam as if he doesn't, in a good way. She still treats him with love and affection, but also annoys him and gets on his nerves, just as any sister would do.
The show also follows her story line, of starting in a new school and her track running. The show has some awesome characters, who show full understanding and love and care for Sam. One of the best being Sam's best friend,Zahid. Zahid is a funny and relatable, for the most part, character. He brings humour to the show in new ways, while always looking out for Sam. In ways, he shows Sam how to be 'Normal' though he's rather weird himself.
Zahid is not only Sam's best friend, but also the person he looks up to the most. The two characters have some very moving moments in the show. The show also combats toxic masculinity, with male characters seen crying, expressing feelings and hugging each other and expressing love for each other.
Overall, it is a brilliant show, that is enlightening and full of brilliant characters from all walks of life. It shows some real life problems and how a family deals with them, while taking care of each other. I would tell anyone to watch this and I imagine it would be enjoyed by all.
Sam has Autism and doesn't always understand things well. The show really brings into life a few of the problems he may face, and how he deals with them.
Its mostly light-hearted and has a few comical characters, while still being serious at times and helping people understand what is going on.
Casey, Sams sister, understands his autism but always treats Sam as if he doesn't, in a good way. She still treats him with love and affection, but also annoys him and gets on his nerves, just as any sister would do.
The show also follows her story line, of starting in a new school and her track running. The show has some awesome characters, who show full understanding and love and care for Sam. One of the best being Sam's best friend,Zahid. Zahid is a funny and relatable, for the most part, character. He brings humour to the show in new ways, while always looking out for Sam. In ways, he shows Sam how to be 'Normal' though he's rather weird himself.
Zahid is not only Sam's best friend, but also the person he looks up to the most. The two characters have some very moving moments in the show. The show also combats toxic masculinity, with male characters seen crying, expressing feelings and hugging each other and expressing love for each other.
Overall, it is a brilliant show, that is enlightening and full of brilliant characters from all walks of life. It shows some real life problems and how a family deals with them, while taking care of each other. I would tell anyone to watch this and I imagine it would be enjoyed by all.
Dreamland is set in 1911, the year of a heatwave in New York. Peggy Batternberg, a wealthy heiress, is forced to spend the summer at the exclusive Oriental Hotel on Coney Island. She would rather work at the Moonrise Bookstore and keep her distance from her controlling family. Even though she’s not allowed to go to the fairgrounds on Coney Island on her own, she does go there with her brother and male cousins. After an argument, they become separated, and Peggy is able to explore Dreamland (the fairground) alone. She meets a poor artist, Stefan, and falls in love with him and his art.
But when dead women start turning up and Stefan is under suspicion, Peggy realises that the culprit may be closer than she realises (and not Stefan!). She decides that she has to be the one to find out who has murdered these women. In doing so, she discovers the dark side of her family.
I really enjoyed this - the descriptions were so good, and really illustrated the vast difference between the exclusive, luxurious hotels and the fairgrounds, the wealth of Peggy’s family and the poverty of the fairground workers.
Henry Taul, Peggy’s sisters fiancé and her ex-boyfriend, really is an unpleasant piece of work, and his mother is awful - a great example of ‘new money’ and how they clearly don’t know how to conduct themselves (ok, I’m saying this with a little ‘tongue in cheek’). Unlike the more staid (on the surface) Batternbergs!
The descriptions of Coney Island so evocative, that I could have been there, and the photos that the author had taken and posted on The Pigeonhole really added to this.
I must have changed my mind about the identity of the murderer at least half a dozen times , and it really did take me until the end and the big reveal to be sure!
A thoroughly enjoyable serialisation by The Pigeonhole, made even better by the authors participation.
But when dead women start turning up and Stefan is under suspicion, Peggy realises that the culprit may be closer than she realises (and not Stefan!). She decides that she has to be the one to find out who has murdered these women. In doing so, she discovers the dark side of her family.
I really enjoyed this - the descriptions were so good, and really illustrated the vast difference between the exclusive, luxurious hotels and the fairgrounds, the wealth of Peggy’s family and the poverty of the fairground workers.
Henry Taul, Peggy’s sisters fiancé and her ex-boyfriend, really is an unpleasant piece of work, and his mother is awful - a great example of ‘new money’ and how they clearly don’t know how to conduct themselves (ok, I’m saying this with a little ‘tongue in cheek’). Unlike the more staid (on the surface) Batternbergs!
The descriptions of Coney Island so evocative, that I could have been there, and the photos that the author had taken and posted on The Pigeonhole really added to this.
I must have changed my mind about the identity of the murderer at least half a dozen times , and it really did take me until the end and the big reveal to be sure!
A thoroughly enjoyable serialisation by The Pigeonhole, made even better by the authors participation.
JT (287 KP) rated American Hustle (2013) in Movies
Mar 10, 2020
There’s a lot of love for American Hustle and with a cast such as this it is easy to see why. It’s a film that oozes glitz and glamour and has a slick sense of stability with shades Scorsese as an attempt at a crime caper.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
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