"It's such a tune! That's the main reason it's on this list, I want everyone to listen to it more. I love the vocal delivery – that crooning is my favourite – that really smooth, male, cheesy-sounding vocal: I love it. “I love the sentiment. I don't know exactly what it's about but I'm guessing it's about when you meet someone for the first time and you screw it up and you gotta start again. Or you meet someone and you're too awkward to be cool and you're like ""fuck! I just wish I could meet you all over again and be a cool, normal person.” I love the lyrics ""When I next saw you, my heart reached out for you! My hands stuck like glue to my sides."" It sounds like the feeling you have in a dream where you can't run. It's another one we listen to in the van all the time. It's just such a banger. “We always wanted to do a cover of it but we haven't quite got round to it yet. I really enjoy covers. It's really fun to take someone else's song and rip it up, pull it apart and add new music into it, whole new parts, or take lyrics out and put new lyrics in and just fuck it up. I love playing covers live and surprising people with them, because we can see it in their faces: they know we're playing something they know, but they can't work out where they know it from, because we're playing it so differently. “At the moment we're covering Bonnie Tyler's “Total Eclipse of the Heart” and it's just so bombastic: I didn't wanna totally change it. We used to play a cover of Madonna's “Beautiful Stranger” and that one was really different from the original. If we did ‘Rip It Up’ I'd definitely sing it in that crooning voice, because I love it so much. I'd get Celia to try and play that weird bubbly bass line with some cool pedal."

"I listened to that record non-stop, it was a record that was in my house when I was really small and I knew the whole thing back and forward by the time I was six years old, as that's one of the many times we moved. I remember listening to the song 'So Far Away' in our station wagon as it pulled away from my neighbourhood and waving goodbye to my best friend. Throughout my life I've had a different favourite song on that record for a different reason and it sort of stayed with me. When I was a karaoke host, one of the first songs I did was 'I Feel The Earth Move'. I think her story is so interesting, too, of starting out as a songwriter and not feeling confident and then deciding to put out her own songs with her own voice. That was a really empowering story when I finally learnt it. I just thought she was this cool, powerful '70s woman with her curly hair and swirly skirts. I found her fascinating as a person as well, like a role model. She played piano, sang and wrote the songs, and everyone knew that, it was really implicit at the time, that it was her album. A lot of singers, male and female, were singing songs written by other people and Carole King had been writing songs for those people, then this album was like, "I'm writing it for myself." I didn't know she wrote 'Will You Love Me Tomorrow?' until I heard her sing it and her version was so different than the popular version that I'd heard and I was like, "Wow!" It was a great album in the vein of Thriller – every song on that record could be a hit. And it was like she made it; I knew a woman made it from start to finish and I knew I could write songs. It was something that everybody had that was very popular that actually still holds water and it's really good."