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Cynthia Armistead (17 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
Debbiereadsbook (1487 KP) rated The White Room in Books
Jul 21, 2018
hot hot HOT!!!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Welcome to The White Room. 3 rules you need to know: you may only visit once every 6 weeks; you may not request a repeat with anyone, and what happens in the White Room, stays in the White Room. Or they WERE the rules. But circumstances changes, and so do the rules.
I really don't know what I was expecting from this book, really I didn't but I KNOW I wasn't expecting THIS!
I LOVED THIS BOOK!!!
It's basically wall to wall sex, and I makes no apologies for loving a book written as such. It lands itself firmly on 3 shelves: erotica; over 18, and fan yourself its a hot one! Cos ooooeeee is this a hot hot HOT one!
Dom is given a visit to the White Room as a birthday gift. Avaline uses the White Room when her husband becomes terminally ill. Lexie visits after her divorce. Asher visits to get his Mrs Robinson fantasy played out. Simon likes to get his desk signed underneath by those he had sex with on top. Austin wanted to be pampered but he couldn't leave his dominance at the door. Vironica is a widow, but still a woman. Arianna wasn't even supposed to KNOW about the White Room. Alec likes to play with his food. Callum can't be in a relationship, not with his job. Baron is a preacher, and a widower, but still a man. Adelaide had a 2 man fantasy.
And then we come full circle back to Dom and Avaline.
Each chapter is well told from a single point of view, the person whose chapter it is. Mostly male/female pairings but there are some FFM (contact between the females) and a MFM (NO contact between the males) pairings. There are repeat visits by most of these characters, is some way or other. We get each and every emotion about why they are using the White Room, and why they are so affected by this particular visit. And just why they are all so pleased with the changing rules.
I saw no spelling or editing errors, and each story flows well from one to the next, but pay attention, they use different names in the White Room! You should read all the stories in order.
I really REALLY loved it!
This is, as far as I can see, the first I've read of this author, I hope it isn't the last!
5 very sexy stars!
**same worded review will appear elsewhere**
Welcome to The White Room. 3 rules you need to know: you may only visit once every 6 weeks; you may not request a repeat with anyone, and what happens in the White Room, stays in the White Room. Or they WERE the rules. But circumstances changes, and so do the rules.
I really don't know what I was expecting from this book, really I didn't but I KNOW I wasn't expecting THIS!
I LOVED THIS BOOK!!!
It's basically wall to wall sex, and I makes no apologies for loving a book written as such. It lands itself firmly on 3 shelves: erotica; over 18, and fan yourself its a hot one! Cos ooooeeee is this a hot hot HOT one!
Dom is given a visit to the White Room as a birthday gift. Avaline uses the White Room when her husband becomes terminally ill. Lexie visits after her divorce. Asher visits to get his Mrs Robinson fantasy played out. Simon likes to get his desk signed underneath by those he had sex with on top. Austin wanted to be pampered but he couldn't leave his dominance at the door. Vironica is a widow, but still a woman. Arianna wasn't even supposed to KNOW about the White Room. Alec likes to play with his food. Callum can't be in a relationship, not with his job. Baron is a preacher, and a widower, but still a man. Adelaide had a 2 man fantasy.
And then we come full circle back to Dom and Avaline.
Each chapter is well told from a single point of view, the person whose chapter it is. Mostly male/female pairings but there are some FFM (contact between the females) and a MFM (NO contact between the males) pairings. There are repeat visits by most of these characters, is some way or other. We get each and every emotion about why they are using the White Room, and why they are so affected by this particular visit. And just why they are all so pleased with the changing rules.
I saw no spelling or editing errors, and each story flows well from one to the next, but pay attention, they use different names in the White Room! You should read all the stories in order.
I really REALLY loved it!
This is, as far as I can see, the first I've read of this author, I hope it isn't the last!
5 very sexy stars!
**same worded review will appear elsewhere**
Deborah (162 KP) rated Six Tudor Queens: Katherine of Aragon, the True Queen: Six Tudor Queens 1 in Books
Dec 19, 2018
Weir again goes from traditionalist historian to historical novelist, but she can't seem to leave the historian bit behind. Much as I dislike wholesale abandonment of historical accuracy and the flagrant sensationalism of Phillipa Gregory and her Ilk, I really found this book over long and tedious - I could quite cheerfully have done some poisoning myself just to get the book over and done with! It feels like Weir has looked up every single historical quote she could find from people in the period and tried to squeeze them into the book. I had read biographies of the period that are more enlightening that this and do more to bring the people and period to life.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
During the third quarter of the book, we get a lot of Henry coming in to visit Katherine, giving us a bit of plot exposition and then having a strop and stomping out like a child having a tantrum. After about the tenth occurrence this gets rather tedious and doesn't feel altogether likely.
I was slightly weirded by the implication that Katherine on arrival quite fancied the ten year old Henry and the bit in the Tower with the 'ghost lady' and the shivers down the spine in Peterborough cathedral seemed out of place and both only really play off if you have a knowledge of the period already, in which case you really don't need to be reading this.
Finally, for all the historical stuff Weir has stuffed in there, she really does need to pay better attention to her geography. I know Ampthill isn't that far from Dunstable, but I think I little effort would inform her that it's more like 14 miles and not the 4 she has in the book!
While the writing isn't awful, it's just not engaging and the book is far too long and becomes tedious. Does Weir really believe that Katherine believed that, after everything that he had done, Henry would meekly accept the Pope's vastly overdue ruling, put Anne and Elizabeth and the change of a male heir aside along with his leadership of the Church of England? hindsight is a wonderful thing, but I find it hard to beleive that Katherine was as stupid and naive as she comes across here. She says she still loves Henry and wouldn't do anything against him, yet writes to the Pope and the Emperor with a clear intention of inciting war! I think Weir means to make her sympathetic, but I just found her exasperating. I would recommend some good non-fiction book on the period ahead of this.
Gareth von Kallenbach (980 KP) rated The Hustle (2019) in Movies
Jul 2, 2019
The Hustle stars Anne Hathaway and Rebel Wilson as a pair of con artists who extract money from men using their feminine wiles. Hathaway and Wilson have a great chemistry on screen and some of the physical humor had me laughing so hard that my eyes were watering from laughter. Other times the jokes fell so flat I cringed, especially early on with the lampooning of male behavior so over the top that it seemed like an SNL bit rather than a part of a story they were trying to tell. It takes the movie a while to get its feet underneath it and really start running, but it does eventually get there.
What I didn’t realize going into this movie was that it is actually a reboot of the Steve Martin, Michael Caine and the late Glenne Headly classic, Dirty Rotten Scoundrels. As soon as you realize this you know exactly how the story will go down to the last punch line. That is a real bummer for fans of the original because you know one of the biggest end reveals about half way through the movie.
Knowing the twist at the end doesn’t ruin the movie, but it did take a lot of the fun out of it and I wish they changed the twist to outsmart the audience who knew they were following the Dirty Rotten Scoundrels playbook.
Rebel Wilson plays off Anne Hathaway really well, I’d actually like to see them do something original together in the future. The chemistry reminds me of David Spade and Chris Farley with Hathaway playing the straight man and Wilson playing the physical comedian. The best parts of this movie are when these two are facing off in a scene trying to outdo one another.
I can’t say this enough; I really wish they changed the twist at the end so that I could have enjoyed it more because I really wanted to like it. Those who have never seen Dirty Rotten Scoundrels may enjoy it more than I did. The lady behind me was so shocked with the twist reveal at the end that her gasp was audible across the theater, so obviously not everyone has seen the original.
Because of the big laughs I did have while watching this movie I can’t say I hated the movie, it was definitely good for some laughs. But the con of the movie is to get you into the theater without you realizing that it’s just a replica reboot of a classic.
What I didn’t realize going into this movie was that it is actually a reboot of the Steve Martin, Michael Caine and the late Glenne Headly classic, Dirty Rotten Scoundrels. As soon as you realize this you know exactly how the story will go down to the last punch line. That is a real bummer for fans of the original because you know one of the biggest end reveals about half way through the movie.
Knowing the twist at the end doesn’t ruin the movie, but it did take a lot of the fun out of it and I wish they changed the twist to outsmart the audience who knew they were following the Dirty Rotten Scoundrels playbook.
Rebel Wilson plays off Anne Hathaway really well, I’d actually like to see them do something original together in the future. The chemistry reminds me of David Spade and Chris Farley with Hathaway playing the straight man and Wilson playing the physical comedian. The best parts of this movie are when these two are facing off in a scene trying to outdo one another.
I can’t say this enough; I really wish they changed the twist at the end so that I could have enjoyed it more because I really wanted to like it. Those who have never seen Dirty Rotten Scoundrels may enjoy it more than I did. The lady behind me was so shocked with the twist reveal at the end that her gasp was audible across the theater, so obviously not everyone has seen the original.
Because of the big laughs I did have while watching this movie I can’t say I hated the movie, it was definitely good for some laughs. But the con of the movie is to get you into the theater without you realizing that it’s just a replica reboot of a classic.
Phil Leader (619 KP) rated Half the World in Books
Nov 14, 2019
Father Yarvi has a problem. He is minister for Gettland but the High King is determined to engineer a war to remove Gettland from the map. Yarvi needs allies but with half the world swearing allegiance to the High King they may be in short supply.
Brand has a problem. He wants to be a warrior and do good. But he finds that doing good does not always go down well with other people.
Thorn is a problem. She wants to be a warrior like her father, but in Gettland women don't fight and despite her abilities with a sword she is seen as an embarrassment. When an accident in training happens it seems like the perfect excuse to get rid of her once and for all.
This is the second book of a young adult trilogy set in the Shattered Sea. Told from the point of view of both Thorn and Brand as they journey across half the world with Father Yarvi in search of allies this is also a journey of discovery for the two of them as they find out who they really are and what they really stand for.
As would be expected from Abercrombie the journey they undertake is fairly brutal involving physical hardship, battles and meetings with dangerous and powerful rulers. The crew of the boat start off as a rough bunch of (mostly) strangers but bonds are forged between them. As usual characterisaton is excellent and the development of both Thorn and Brand in their different ways is very well done. Abercrombie really does have a magic touch in providing characters that do not fit into the usual rough and tough warrior mould. Each has their own story and their own personality. As usual the female characters are easily as strong as the male ones; Abercrombie is an equal opportunity employer of characters.
I was worried that the ending would use the oldest fantasy trope in the book but I needn't have been concerned. The author is an old hand at setting up expectations on standard epic fantasy lines and then suddenly twisting them a different way and he does that a number of times in this novel.
Sterling work, gritty and harsh as always with that wonderful touch of dark humour from the characters and with a story that drives along leaving the reader guessing all the way.
Rating: Lots of fight scenes, a couple of non-explicit sexual scenes and some scatalogical swearing from the the saltier characters but still suitable for a 'young adult' (or indeed adult) reader.
Brand has a problem. He wants to be a warrior and do good. But he finds that doing good does not always go down well with other people.
Thorn is a problem. She wants to be a warrior like her father, but in Gettland women don't fight and despite her abilities with a sword she is seen as an embarrassment. When an accident in training happens it seems like the perfect excuse to get rid of her once and for all.
This is the second book of a young adult trilogy set in the Shattered Sea. Told from the point of view of both Thorn and Brand as they journey across half the world with Father Yarvi in search of allies this is also a journey of discovery for the two of them as they find out who they really are and what they really stand for.
As would be expected from Abercrombie the journey they undertake is fairly brutal involving physical hardship, battles and meetings with dangerous and powerful rulers. The crew of the boat start off as a rough bunch of (mostly) strangers but bonds are forged between them. As usual characterisaton is excellent and the development of both Thorn and Brand in their different ways is very well done. Abercrombie really does have a magic touch in providing characters that do not fit into the usual rough and tough warrior mould. Each has their own story and their own personality. As usual the female characters are easily as strong as the male ones; Abercrombie is an equal opportunity employer of characters.
I was worried that the ending would use the oldest fantasy trope in the book but I needn't have been concerned. The author is an old hand at setting up expectations on standard epic fantasy lines and then suddenly twisting them a different way and he does that a number of times in this novel.
Sterling work, gritty and harsh as always with that wonderful touch of dark humour from the characters and with a story that drives along leaving the reader guessing all the way.
Rating: Lots of fight scenes, a couple of non-explicit sexual scenes and some scatalogical swearing from the the saltier characters but still suitable for a 'young adult' (or indeed adult) reader.
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Dianne Robbins (1738 KP) rated Zoey's Extraordinary Playlist in TV
Apr 22, 2021 (Updated Apr 22, 2021)
The first season (4 more)
Song choices
Incorporation of songs into emotional scenes
Singing
Choreography
The First Season broke my heart.
Contains spoilers, click to show
The premise of the show is intriguing. Zoey goes to the hospital for an MRI of her brain and is given a pair of headphones to wear during the test since it is a bit noisy. The MRI technician says they have practically every song known to man downloaded on their system so she can play whatever music she wants. There is a power outage followed by a power surge and all the music that had been downloaded on the hospital's MRI machine gets transferred to her brain. The next morning, she awakens to music in her brain that she just can't shut off. She discovers that she can hear the songs people are singing inside their heads and hearts, hereafter known as heart songs, even though they aren't singing out loud and have no idea that anyone can hear them (or know what they're thinking by what song they've chosen.) Her newfound superpower causes complications in some ways but also helps her interpersonal relationships in other ways. Getting to know what's in people's hearts benefits her greatly with her father who is suffering from a rare neurological disorder that has rendered him speechless and unable to move or communicate. The superpower is her curse and her gift.
I love this show. It's sweet, heartfelt, exciting, funny, and evocative. It will make you laugh, it will make you cry, and it will make you sing along. Mary Steenburgen singing The Bee-Gee's How Can You Mend a Broken Heart will break your heart. Peter Gallagher's performance is understated and beautiful and believable. The relationship between him and Jane Levy's Zoey character is warm and loving. I'm at a time in my life where the health and mortality of my parents are at the forefront of my mind so the relationship between Zoey and her parents is what I focus on most. However, Zoey, being a single young lady in her late twenties is in the dating world and working in the male-dominated tech world, and those play a large part in the show, as well.
Had the show ended at season one, I would have been all right with that decision as that arc ended so beautifully.
With the second season comes more complications, conflicts, miscommunications, fun, drama, sweetness, and love. I'm still going to watch it but I think the first season was the highlight.
I love this show. It's sweet, heartfelt, exciting, funny, and evocative. It will make you laugh, it will make you cry, and it will make you sing along. Mary Steenburgen singing The Bee-Gee's How Can You Mend a Broken Heart will break your heart. Peter Gallagher's performance is understated and beautiful and believable. The relationship between him and Jane Levy's Zoey character is warm and loving. I'm at a time in my life where the health and mortality of my parents are at the forefront of my mind so the relationship between Zoey and her parents is what I focus on most. However, Zoey, being a single young lady in her late twenties is in the dating world and working in the male-dominated tech world, and those play a large part in the show, as well.
Had the show ended at season one, I would have been all right with that decision as that arc ended so beautifully.
With the second season comes more complications, conflicts, miscommunications, fun, drama, sweetness, and love. I'm still going to watch it but I think the first season was the highlight.