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Debbiereadsbook (1444 KP) rated Stronger Than Passion (Chesapeake Days #2) by Katherine McIntyre in Books
Jun 20, 2022
Nico messes up so bad!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Chesapeake Days series, but it can totally be read as a stand alone to book 1. Linc and Nate do pop up, but you don't need their story for this one to make sense. BUT! It was a bloody good read, and Nico is Linc's best friend.
After a less then stella first meeting, Nico and Hudson are at loggerheads. But being forced to collaborate on an event that will benefit both their businesses AND the town, they actually get to know each other and those snipes and barbs become less sharp and more flirty. Nico doesn't want a boyfriend, but that's all Hudson wants.
This is a proper enemies to lovers book and I loved it!
In book 1, this two, whenever they meet, have nasty comments to make to each other, but what I loved about this is, as they got to know each other, the meaning behind the barbs changed, and they become flirty, and it isn't too long before they realise they could be good for each other.
But they both carry some baggage: Nico's fear of relationships and falling in love (but that makes sense, once you get his whole story) and Hudson dealing with his male parental unit (you'll see why I do not want to call him a father) and things spiral for both of them.
Hudson messes up more than Nico, which surprised me, though. But when Nick DOES mess up, tis a doozy!
It's smexy and steamy, emotional and funny, and everything in between!
Both Nico and Hudson have a say, so we get it all. We get just how much Nico loves it when Hudson teases him. We get just when Hudson starts to see when Nico is much more than the business man he portrays. And while we have to wait far too bloody long, we do get an I love you!! Far too long I had to wait and I wasn't sure whether I would! So well played for keeping me on my toes, Ms McIntyre, well played.
So Jer, Nico's friend, still needs a story, but now I see Taran, Nico's brother, needs one cos something happened here that set all sorts of alarms off for me!
But I'm really not too fussed who's next, cos I'll read it, regardless!
5 full and shiny stars
**same worded review will appear elsewhere
This is book 2 in the Chesapeake Days series, but it can totally be read as a stand alone to book 1. Linc and Nate do pop up, but you don't need their story for this one to make sense. BUT! It was a bloody good read, and Nico is Linc's best friend.
After a less then stella first meeting, Nico and Hudson are at loggerheads. But being forced to collaborate on an event that will benefit both their businesses AND the town, they actually get to know each other and those snipes and barbs become less sharp and more flirty. Nico doesn't want a boyfriend, but that's all Hudson wants.
This is a proper enemies to lovers book and I loved it!
In book 1, this two, whenever they meet, have nasty comments to make to each other, but what I loved about this is, as they got to know each other, the meaning behind the barbs changed, and they become flirty, and it isn't too long before they realise they could be good for each other.
But they both carry some baggage: Nico's fear of relationships and falling in love (but that makes sense, once you get his whole story) and Hudson dealing with his male parental unit (you'll see why I do not want to call him a father) and things spiral for both of them.
Hudson messes up more than Nico, which surprised me, though. But when Nick DOES mess up, tis a doozy!
It's smexy and steamy, emotional and funny, and everything in between!
Both Nico and Hudson have a say, so we get it all. We get just how much Nico loves it when Hudson teases him. We get just when Hudson starts to see when Nico is much more than the business man he portrays. And while we have to wait far too bloody long, we do get an I love you!! Far too long I had to wait and I wasn't sure whether I would! So well played for keeping me on my toes, Ms McIntyre, well played.
So Jer, Nico's friend, still needs a story, but now I see Taran, Nico's brother, needs one cos something happened here that set all sorts of alarms off for me!
But I'm really not too fussed who's next, cos I'll read it, regardless!
5 full and shiny stars
**same worded review will appear elsewhere

Bob Mann (459 KP) rated Miss Sloane (2016) in Movies
Sep 29, 2021
“I never know where the line is”.
In a roller-coaster year for political intrigue on both sides of the Atlantic, and with all hell breaking loose again between Trump and ‘The Hill’, here comes “Miss Sloane”.
Jessica Chastain ( “The Martian“, “Interstellar“) plays the titular heroine (I use the term loosely): a pill-popping insomniac who is working herself into an early grave as a top-Washington lobbyist. The game of lobbying is, as she describes, staying one step of the competition and “playing your trump card just after your opponent has played theirs”. But all is not going well for Elizabeth Sloane. For the film opens with her being on trial for corruption in front of a congressional hearing, chaired by Senator Sperling (John Lithgow, “The Accountant“).
Through flashback we see how she got to that point, moving from one firm headed by George Dupont (Sam Waterston, “The Killing Fields”) to another headed by Rodolfo Schmidt (Mark Strong, “Kick Ass”, “Kingsman: The Secret Service“) against the backdrop of the high-stakes lobbying around a new gun-control bill. Her fanatical drive to ‘win at all costs’, and the trail of destruction, through her cutthroat work ethic, that she leaves behind her, digs her an ever-deeper hole as the political and legal net closes in around her.
Jessica Chastain has played strong and decisive women before, most notably in “Zero Dark Thirty”, but probably never to this extreme degree. Here she is like Miranda Priestly from “The Devil Wears Prada”, but not played for laughs. Miss Sloane is an emotionally and physically damaged woman, but a formidable one who takes charge both in the boardroom and in the bedroom, through the unashamed use of male escorts (in the well-muscled form of Jake Lacy, “Their Finest“). As such her character is not remotely likable, but one the I could certainly relate to from past business dealings I’ve had. (And no, I don’t mean as a male prostitute!)
I found Sloane to be one of the more fascinating characters in this year’s releases: I was never being sure whether her actions are being powered from a background of strong moral conviction (fuelled by a devastating childhood incident perhaps?) or through pure greed and lust for power. I thought Chastain excelled in the role, but for balance the illustrious Mrs Mann thought she rather overplayed her hand at times.
Outside of Chastain’s central performance though, this is a very strong ensemble cast. Mark Strong – not with an English accent for once and not playing a heavy – is great as the frustrated boss, as is the seldom-seen Sam Waterston (who, by the way, is the father of Katherine Waterston of current “Alien: Covenant” fame). Christine Baranski (so good in “The Good Wife” and now “The Good Fight”) pops up in a cameo as a flinty Senator. But the outstanding turn for me was Oxford-born Gugu Mbatha-Raw (“Belle”, “Beauty and the Beast” – and yes, I’m aware of the irony in this pairing!). Playing Sloane’s colleague Esme Manucharian – both a lady with a secret in her past as well as possessing a great name – Mbatha-Raw is just riveting and deserving of a Supporting Actress nomination in my book.
What binds the whole two hours together is an extraordinarily skillful script by debut writer Jonathan Perera, which has both a gripping and ever-twisting story as well as a host of quotable lines. Ladies and gentlemen, we may have a new Aaron Sorkin on the block! It’s a brave script, dealing as it does with 2nd amendment issues, since there seems to be nothing that stirs up American comment like gun-control. For those living in the UK (where gun deaths are over 50 times less per capita than in the US) the whole topic is both fascinating and perplexing and there were a lot of nodding heads during Sloane’s TV rant about it being an archaic ‘Wild West’ throwback that should no longer be set in stone. (But it’s not our country any more, so you Americans can do what you like!)
The marvelous Cinematography is by Sebastian Blenkov – the second time this gentleman has come to my attention within a month (the first time being “Their Finest“).
The director is Portsmouth-born Brit John Madden (“Shakespeare in Love”, “The Best Exotic Marigold Hotel”) and he does a great job in sustaining the tension and energy throughout the running time. This all makes it a great shame that the film has not done well at the US box office, perhaps because ( the film was released in December 2016) the public had more than their fill of politics after a bruising and divisive election. (I’m not sure the UK release date now – just before our own General Election – is wise either).
But for me, this was a memorable film, and come the end of the year it might well be up there in my top 10 for the year. I’m a sucker for a good political thriller with “All the President’s Men” and “Primary Colors” in my personal list as some of my favourite ever films. If you like those films, “House of Cards” or remember fondly TV series like “The West Wing” or (for those with even longer memories) “Washington Behind Closed Doors” then I would strongly recommend you get out and watch this.
Jessica Chastain ( “The Martian“, “Interstellar“) plays the titular heroine (I use the term loosely): a pill-popping insomniac who is working herself into an early grave as a top-Washington lobbyist. The game of lobbying is, as she describes, staying one step of the competition and “playing your trump card just after your opponent has played theirs”. But all is not going well for Elizabeth Sloane. For the film opens with her being on trial for corruption in front of a congressional hearing, chaired by Senator Sperling (John Lithgow, “The Accountant“).
Through flashback we see how she got to that point, moving from one firm headed by George Dupont (Sam Waterston, “The Killing Fields”) to another headed by Rodolfo Schmidt (Mark Strong, “Kick Ass”, “Kingsman: The Secret Service“) against the backdrop of the high-stakes lobbying around a new gun-control bill. Her fanatical drive to ‘win at all costs’, and the trail of destruction, through her cutthroat work ethic, that she leaves behind her, digs her an ever-deeper hole as the political and legal net closes in around her.
Jessica Chastain has played strong and decisive women before, most notably in “Zero Dark Thirty”, but probably never to this extreme degree. Here she is like Miranda Priestly from “The Devil Wears Prada”, but not played for laughs. Miss Sloane is an emotionally and physically damaged woman, but a formidable one who takes charge both in the boardroom and in the bedroom, through the unashamed use of male escorts (in the well-muscled form of Jake Lacy, “Their Finest“). As such her character is not remotely likable, but one the I could certainly relate to from past business dealings I’ve had. (And no, I don’t mean as a male prostitute!)
I found Sloane to be one of the more fascinating characters in this year’s releases: I was never being sure whether her actions are being powered from a background of strong moral conviction (fuelled by a devastating childhood incident perhaps?) or through pure greed and lust for power. I thought Chastain excelled in the role, but for balance the illustrious Mrs Mann thought she rather overplayed her hand at times.
Outside of Chastain’s central performance though, this is a very strong ensemble cast. Mark Strong – not with an English accent for once and not playing a heavy – is great as the frustrated boss, as is the seldom-seen Sam Waterston (who, by the way, is the father of Katherine Waterston of current “Alien: Covenant” fame). Christine Baranski (so good in “The Good Wife” and now “The Good Fight”) pops up in a cameo as a flinty Senator. But the outstanding turn for me was Oxford-born Gugu Mbatha-Raw (“Belle”, “Beauty and the Beast” – and yes, I’m aware of the irony in this pairing!). Playing Sloane’s colleague Esme Manucharian – both a lady with a secret in her past as well as possessing a great name – Mbatha-Raw is just riveting and deserving of a Supporting Actress nomination in my book.
What binds the whole two hours together is an extraordinarily skillful script by debut writer Jonathan Perera, which has both a gripping and ever-twisting story as well as a host of quotable lines. Ladies and gentlemen, we may have a new Aaron Sorkin on the block! It’s a brave script, dealing as it does with 2nd amendment issues, since there seems to be nothing that stirs up American comment like gun-control. For those living in the UK (where gun deaths are over 50 times less per capita than in the US) the whole topic is both fascinating and perplexing and there were a lot of nodding heads during Sloane’s TV rant about it being an archaic ‘Wild West’ throwback that should no longer be set in stone. (But it’s not our country any more, so you Americans can do what you like!)
The marvelous Cinematography is by Sebastian Blenkov – the second time this gentleman has come to my attention within a month (the first time being “Their Finest“).
The director is Portsmouth-born Brit John Madden (“Shakespeare in Love”, “The Best Exotic Marigold Hotel”) and he does a great job in sustaining the tension and energy throughout the running time. This all makes it a great shame that the film has not done well at the US box office, perhaps because ( the film was released in December 2016) the public had more than their fill of politics after a bruising and divisive election. (I’m not sure the UK release date now – just before our own General Election – is wise either).
But for me, this was a memorable film, and come the end of the year it might well be up there in my top 10 for the year. I’m a sucker for a good political thriller with “All the President’s Men” and “Primary Colors” in my personal list as some of my favourite ever films. If you like those films, “House of Cards” or remember fondly TV series like “The West Wing” or (for those with even longer memories) “Washington Behind Closed Doors” then I would strongly recommend you get out and watch this.

Kaz (232 KP) rated Salem's Lot in Books
May 16, 2019
A Creepy Read
I was challenged to read ‘Salem’s Lot’ as part of a reading challenge last year’. Although, it wouldn’t have taken much persuading, for me to read this book. Stephen King has been one of my favourite authors, since I was about 15 and that is quite a few years now!
One of the things that drew me into this book, was the suspense that was created from the very first chapter. There was a sense of great foreboding in the small town of Jerusalem’s Lot.
Having read the majority of ‘The Dark Tower’ series, I already had an inkling as to what was going to happen, as one of the characters in ‘The Dark Tower’ series, featured in ‘Salem’s Lot’. However, you don’t necessarily have to have read any of ‘The Dark Tower’ series to enjoy this and vice versa. So when the mystery of the town was revealed, I wasn’t as surprised as I should have been.
I also like the play on the horror genre within this book. At one point during the story, one of the characters was going to do something very stupid and the character even jokes about it, to one of the other characters.
Two reasons I love Stephen King’s writing, are that he is a great story teller and he is able to create fully formed characters, without having to rely on large paragraphs of description. Whilst I think that ‘Salem’s Lot’ had a very good plot, I was disappointed at how indistinguishable, some of the main characters in ‘Salem’s Lot’ were.
A lot of the main characters were male and several times during the book, I had to go back to previous chapters to clarify who was who, before continuing the story. Whilst reading other King’s novels, I have never had to remind myself who each characters was, even when reading some of King’s lengthier stories. So it was a surprise to me, how similar some of the characters were in this book. There were also a lot of secondary characters within the story and sometimes, it was also difficult to keep up with them all.
Another problem I had with this novel, was that the suspense kept building in the novel and I was expecting a dramatic climax to this novel. Whilst I think that ‘Salem’s Lot’ has a reasonable ending, I felt it went a little flat at the end.
That being said, I really enjoyed ‘Salem’s Lot’. It was a fun read, with plenty of atmosphere. So if you enjoy a good scare, you may enjoy ‘Salem’s Lot’.
One of the things that drew me into this book, was the suspense that was created from the very first chapter. There was a sense of great foreboding in the small town of Jerusalem’s Lot.
Having read the majority of ‘The Dark Tower’ series, I already had an inkling as to what was going to happen, as one of the characters in ‘The Dark Tower’ series, featured in ‘Salem’s Lot’. However, you don’t necessarily have to have read any of ‘The Dark Tower’ series to enjoy this and vice versa. So when the mystery of the town was revealed, I wasn’t as surprised as I should have been.
I also like the play on the horror genre within this book. At one point during the story, one of the characters was going to do something very stupid and the character even jokes about it, to one of the other characters.
Two reasons I love Stephen King’s writing, are that he is a great story teller and he is able to create fully formed characters, without having to rely on large paragraphs of description. Whilst I think that ‘Salem’s Lot’ had a very good plot, I was disappointed at how indistinguishable, some of the main characters in ‘Salem’s Lot’ were.
A lot of the main characters were male and several times during the book, I had to go back to previous chapters to clarify who was who, before continuing the story. Whilst reading other King’s novels, I have never had to remind myself who each characters was, even when reading some of King’s lengthier stories. So it was a surprise to me, how similar some of the characters were in this book. There were also a lot of secondary characters within the story and sometimes, it was also difficult to keep up with them all.
Another problem I had with this novel, was that the suspense kept building in the novel and I was expecting a dramatic climax to this novel. Whilst I think that ‘Salem’s Lot’ has a reasonable ending, I felt it went a little flat at the end.
That being said, I really enjoyed ‘Salem’s Lot’. It was a fun read, with plenty of atmosphere. So if you enjoy a good scare, you may enjoy ‘Salem’s Lot’.

Bong Mines Entertainment (15 KP) rated Becky and the Birds by Becky and the Birds in Music
Jun 7, 2019
Becky and the Birds (Thea Gustafsson) is a talented R&B/Soul singer-producer out of Örebro, Sweden. Not too long ago, she released her wonderful self-titled debut EP.
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/
But creating the 7-track project had obstacles. The 21-year-old vocalist experienced dark emotions and even battled depression.
Ultimately, she overcame her frustrations and obstacles and stitched together her EP. She perfumed it with her unique genre-spanning blend of lush sounds.
Becky’s desire to have everything in an arrangement can be attributed to her time spent at the prestigious Musikmakarna Songwriters Academy of Sweden, the place that kickstarted the careers of LÉON and Skott.
Even though the Becky didn’t fit into the school’s pop agenda, she learned a lot there. Later, she interned at an EDM/House label but didn’t fit in there either.
Not knowing where to turn, she went through a dark period. But there was light at the end of the tunnel, and she walked towards it. Once in the sunlight, she created her self-titled album.
BECKY
The EP begins with a voice recording of a person named Becky, a 26-year-old Capricorn. The individual has a muffled, male-sounding voice, lives alone in an apartment, and has two friends, one a bird.
MALAYSIA
Becky, the singer, sings a beautiful song over a dreamy electronic composition perfumed with soul and passion.
The singer yearns to go to Malaysia. To see the birds in the sky and feed the ones on the ground. Also, she visions herself sitting, watching them fly.
The song highlights the meaning behind Gustafsson’s stage name. Apparently, she has a deep connection with birds.
DIE WHILE YOU LOVE ME INTRO
The intro begins with a poem by Georgia Douglas Johnson, entitled, “I Want to Die While You Love Me”, recited by Maya Angelou.
DIE WHILE YOU LOVE ME
Becky, inspired by the legendary poem, takes the tempo up a couple of notches. Also, she packages the song with dreamy vocals and crisp production.
CONCEPT STORE
The song incorporates jazzy pianos with bass and elements of hip-hop. Also, Becky’s lush vocals soar through the track alongside samples she plucked straight out of nature.
HOLDING ON
The song is one of Becky’s acclaimed singles. It features lush electronics, a splash of trip-hop, and elements of ‘90s R&B music.
MY MAN
Becky ends the 7-track EP on a smooth note. She wants us to know that her man is holding her strong, mentality and physically.
CONCLUSION
Becky and the Birds’ self-titled EP is short and sweet. Also, it leaves a lasting impression, prompting listeners to want to hear more.
https://www.bongminesentertainment.com/becky-and-the-birds-ep/

Kyera (8 KP) rated Wires and Nerve, Volume 2: Gone Rogue in Books
Jan 31, 2018
As the second and final graphic novel (for now) chronicling Iko's adventures after the events of the Lunar Chronicles, Gone Rogue does a brilliant job catching us up on what all of our favourite characters have been up to in the last year. Despite the fact that Wires and Nerve continues the story in graphic novel form, rather than the original book - I never felt like I was missing anything.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.

Kristy H (1252 KP) rated My Sunshine Away in Books
Feb 13, 2018
One evening, on a quiet suburban street in Baton Rouge, fifteen-year-old Lindy Simpson is raped. Her rape changes the fabric of her neighborhood, as narrated by her fourteen-year-old male neighbor, who had a huge crush on the lovely Lindy, a popular track star. He takes the readers through the various suspects--all members of the neighborhood--and one of whom is himself. We meet the many members of this quiet block, where not everything is as perfect as it seems. What really happened to Lindy that night? And is our narrator truly to blame?
I really wanted to like this book, as I'd heard such good things, and was really excited to finally to read it. But honestly, I found it disappointing, tedious, and slow. It was a real let down after all the rave reviews. Our narrator does a good job, I suppose, of highlighting the self-centeredness of teenage boys, but oh my goodness. He talks and talks and talks - endless diatribes about this and that. Pontificates about everything while trying to tell us the meaning of life. I found my eyes glazing over as I skimmed paragraphs, just wanting to find out what happened to poor Lindy, who is basically forgotten in his story -- she's just an object of lust -- not a real person.
This book had the potential of being a love story in many ways -- that of the love between a son and his mother, between teenagers, etc., but it just seemed to flounder. Moments of brilliance poked through, but most of the time, I found myself frustrated and wondering what the point was. Instead, it seemed to be a treatise on how boys and men should *not* treat girls and women. It is at it's best when looked at as a story of neighborhood - the sad side story of a neighborhood family will hurt your heart in many ways - but it gets lost in the narrator's endless rants and discussions. At one point, we get a whole chapter on the effects of Hurricane Katrina on Baton Rouge. All well and good, I suppose, except the majority of this book takes place in the late 80s/early 90s. Why are we hearing about something take place decades later?
Overall, I wanted to like this one, and I spotted moments of good peeking out, but I was mostly just frustrated and waiting for it to end. Definitely a disappointment.
I received a copy of this book from Netgalley (thank you!); it is available for purchase everywhere. You can read this review and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>.
I really wanted to like this book, as I'd heard such good things, and was really excited to finally to read it. But honestly, I found it disappointing, tedious, and slow. It was a real let down after all the rave reviews. Our narrator does a good job, I suppose, of highlighting the self-centeredness of teenage boys, but oh my goodness. He talks and talks and talks - endless diatribes about this and that. Pontificates about everything while trying to tell us the meaning of life. I found my eyes glazing over as I skimmed paragraphs, just wanting to find out what happened to poor Lindy, who is basically forgotten in his story -- she's just an object of lust -- not a real person.
This book had the potential of being a love story in many ways -- that of the love between a son and his mother, between teenagers, etc., but it just seemed to flounder. Moments of brilliance poked through, but most of the time, I found myself frustrated and wondering what the point was. Instead, it seemed to be a treatise on how boys and men should *not* treat girls and women. It is at it's best when looked at as a story of neighborhood - the sad side story of a neighborhood family will hurt your heart in many ways - but it gets lost in the narrator's endless rants and discussions. At one point, we get a whole chapter on the effects of Hurricane Katrina on Baton Rouge. All well and good, I suppose, except the majority of this book takes place in the late 80s/early 90s. Why are we hearing about something take place decades later?
Overall, I wanted to like this one, and I spotted moments of good peeking out, but I was mostly just frustrated and waiting for it to end. Definitely a disappointment.
I received a copy of this book from Netgalley (thank you!); it is available for purchase everywhere. You can read this review and many more at my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>.

Becca Major (96 KP) rated Black in TV
May 26, 2018
Premise (3 more)
Story
Mystery
Interesting world-building
THAT TERRIBLE ENDING (1 more)
Manipulative asshat hero
"Black" is just weird, okay?
"Black" is a very weird show because it is a steaming pile of questions. What Black is actually about is a detective who kinda befriends a psychic woman right before getting shot, and the Grim Reaper that possesses his dead body for his own purposes. Oh, and the psychic and the reaper develop feelings for each other, because of course they do.
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]
The Characters
The main female character is Kang Ha-ram, an unfortunate woman who is able to see black smokey clouds on the backs of people who are about to die. Then, if she touches them, she can see exactly how they die. She lives alone, has trouble keeping a job, and has a terrible relationship with her family. Out of all the characters in this show, she is the most relatable. It’s also nice to see a headstrong female character who is also compassionate and damaged.
The main male character, however, is the Grim Reaper. His designated number is 444, but he chooses to call himself Black pretty early on (as an homage to "Meet Joe Black" though I can't say anything about it because I haven't actually seen the movie). He's... interesting. On one hand, I hate him. I hate that he manipulates Ha-ram. I hate that he lies to her about everything, and still has the audacity to jerk her around. I hate that he is prejudiced and egotistical. On the other hand, after he's been on Earth for a little while, he starts to pick up on the nuances of human interaction, so I can't hate him too much.
The Story
The story caught my attention early on. It is first and foremost a mystery and a cold-case mystery at that. Shortly after Black takes over the life of detective Han Mu-gang, he is roped into a case of teenage prostitution, murder, and political cover-ups. It's very good and keeps you guessing. Plus there's the romance between Ha-ram and Black to worry about. Unfortunately, the entire final episode is terrible. It literally feels like they threw darts at a board to figure out how to finish the show.
Final Thoughts
It's a good show that could use a much better finale. It has strong characters and a hella good story. The effects are good, and the acting is great. If you like mysteries or need a change of pace, then give it a shot.
[I wrote a little bit more about this on my personal blog, and I plan to do a few more posts about Black on it. Check it out if you are interested. https://rebecca-major.com/2018/05/24/black-a-spoiler-free-k-drama-review/]

BankofMarquis (1832 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 18, 2018
A fun, family friendly action comedy
JUMANJI was a fun film from the middle 1990's, starring the late, great ROBIN WILLIAMS. And, when I heard that they were making a sequel to this film 22 years later and starring Dwayne "The Rock" Johnson, I thought "no thanks" and even skipped seeking it out at movie theaters over the winter, even after I heard that it was "pretty fun".
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis
I finally caught up to it on a recent flight and I have to admit - I was wrong for skipping this film JUMANJI: WELCOME TO THE JUNGLE is a fun romp with The Rock ably filling the lead role, aided by a strong supporting cast.
JUMANJI was about a board came come to life. JUMANJI: WELCOME TO THE JUNGLE has the same board game that morphs itself into a video game and when 4 High Schoolers stumble across it while serving detention, well...comedy - and adventure - ensue.
The four high schoolers are typical THE BREAKFAST CLUB stereotypes. The nerdy boy, the hot girl, the jock boy and the dorky girl. When these four are transported into the game they take on the outward appearance - and skills - of their video game characters - the nerdy body becomes the dashing hero (Dwayne "The Rock" Johnson). The hot girl becomes the dumpy (male!) professor (Jack Black). The jock becomes the un-athletic short kid (Kevin Hart) and the dorky girl becomes the kick-ass girl (Karen Gillan). It is the 4 actors playing their high school counterparts in their bodies that is the core of this film - and the center of the charm and fun of this film. All 4 shine. Johnson and Hart (back together after CENTRAL INTELLIGENCE) show that the chemistry they showed with each other in the previous film is no fluke. Gillan (Nebula in the GUARDIANS OF THE GALAXY films) shows that she can do kick-ass well - and with a wink in her eye. But it is the performance of Black that steals things. Someone said to me that Black was made to play a "hot high school girl" and I would have to agree. He almost steals the movie.
Director Jake Kasdan (the TV series NEW GIRL) understands what kind of film that he is making, so keeps the fun and action going at a superficial, almost cartoon level, never really stopping to breathe (or to think). He keeps things light - and family friendly - with just enough "almost" dirty jokes to keep young and old alike interested. It earns - but never crosses the line - of it's PG-13 rating. There is talk of a sequel, and I, for one, am looking forward to it.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis

Louise (64 KP) rated Our Chemical Hearts in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
So this is another book that was on my #Beatthebacklist TBR for 2017 and I don’t really know how I feel about this book!
Henry Page has always seen his friends fall in out of relationships so many times but that has never appealed to him before, he is more interested in his studies and becoming editor for the school newspaper. This all changes when Grace Town starts at Henry’s school and is offered co-editor. Grace is not like normal girls, she wears boys clothes, walks with a limp and her eyes constantly look pained. Whilst Henry gets to know Grace, he discovers the dark truths and how broken Grace Town really is.
My feelings on this book can be summed up in one word….MEH! I wasn’t blown away but I didn’t hate it either. I liked that this was told from a male perspective although written by a female author. I loved that there were references to fandom in the book.
At times this book was frustrating to read just because Henry knew that Grace was a broken soul and she had been telling him that and he just kept going back for more and get hurt over and over again. The problem is he see’s a picture of Grace on Facebook before all her troubles began and he wanted her to be like she was and he felt like he saw glimpses of that person break through when he was with her sometimes,however she was never going to be the same again and Henry just didn’t seem to realise this.
The characters were a bit hit and miss with this book, I really didn’t like his best friends. One was just portrayed as a stereotypical Australian with bad jokes and Lola just didn’t seem realistic. Henry was frustrating and a bit stalkerish. Grace was actually the only character that I thought felt genuine, she had flaws, she was grieving and very secretive about her past and she was a really fleshed out, three-dimensional character.
This is a short review as I don’t really know what to say. This book deals with grief, self harm and first loves. This has been compared as a hybrid between John Green and Rainbow Rowell. I can tell you now that the characters in this book are not as pretentious as the ones in TFIOS(sorry fans of John Green), but the book doesn’t have the same emotion and connection as Rainbow Rowell’s books.
I rated this book 2 out of 5 stars
So this is another book that was on my #Beatthebacklist TBR for 2017 and I don’t really know how I feel about this book!
Henry Page has always seen his friends fall in out of relationships so many times but that has never appealed to him before, he is more interested in his studies and becoming editor for the school newspaper. This all changes when Grace Town starts at Henry’s school and is offered co-editor. Grace is not like normal girls, she wears boys clothes, walks with a limp and her eyes constantly look pained. Whilst Henry gets to know Grace, he discovers the dark truths and how broken Grace Town really is.
My feelings on this book can be summed up in one word….MEH! I wasn’t blown away but I didn’t hate it either. I liked that this was told from a male perspective although written by a female author. I loved that there were references to fandom in the book.
At times this book was frustrating to read just because Henry knew that Grace was a broken soul and she had been telling him that and he just kept going back for more and get hurt over and over again. The problem is he see’s a picture of Grace on Facebook before all her troubles began and he wanted her to be like she was and he felt like he saw glimpses of that person break through when he was with her sometimes,however she was never going to be the same again and Henry just didn’t seem to realise this.
The characters were a bit hit and miss with this book, I really didn’t like his best friends. One was just portrayed as a stereotypical Australian with bad jokes and Lola just didn’t seem realistic. Henry was frustrating and a bit stalkerish. Grace was actually the only character that I thought felt genuine, she had flaws, she was grieving and very secretive about her past and she was a really fleshed out, three-dimensional character.
This is a short review as I don’t really know what to say. This book deals with grief, self harm and first loves. This has been compared as a hybrid between John Green and Rainbow Rowell. I can tell you now that the characters in this book are not as pretentious as the ones in TFIOS(sorry fans of John Green), but the book doesn’t have the same emotion and connection as Rainbow Rowell’s books.
I rated this book 2 out of 5 stars

BookblogbyCari (345 KP) rated Law of Attraction in Books
Aug 14, 2018
Book Review by Cari Mayhew.
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com
I listened to this as an audiobook, and I feel this added to the feel of the story and improved my experience of the book. The narrator spoke in a stunning female American accent but would change voices for the male dialogue parts.
I was enticed by the book's description – a romantic drama between two high-flying Lawyers. I was expecting witty dialogue and real tension between the characters. This book is part of a two-book series and is intended for readers over the age of eighteen.
The central character is criminal defense lawyer Gabrielle, who has crushed on prosecutor Braden in their altercations in the Courtroom for several months. Braden, however, is quite the cad, and is known not have had any serious relationships in quite some time.
One evening the two of them meet in the local bar and a serious flirting session ensues. Despite how much characters lust after each other, Gabrielle has no intention of becoming a mere one night stand, and a succession of dates are negotiated.
Their first date is one to remember. Soon after they boyfriend-girlfriend are meeting each other’s family. But, there are some odd complications, and all does not run smoothly. Braden has a narcissistic ex-girlfriend Marla, who still can’t accept that they’ve broken up. More intriguingly, an old crush of Gabrielle’s, Cam, who took Gabrielle’s virginity, comes back into her life shadowing her law firm, and it turns out he’s Braden’s cousin, who is also the man that another ex of Braden’s once cheated with. Then Gabrielle receives threatening notes telling her to stay away from Braden.
Gabrielle and her friends start plotting to find out who is leaving the notes. They aim to get handwriting samples from the 3 people they suspect, and by some strange coincidence, all 3 are at the same secret underground fantasy party which gets raided, providing handwriting samples in the form of written statements.
Then the first book in the series comes to an end before the note writer is identified. Rather than it being one of the people Gabrielle suspects, I suspect the author aims to provide surprise by making it someone closer to home.
One saucy scene was on a par with Fifty Shades of Grey, but this book is not going to take off like Fifty Shades of Grey did. There was nothing unusual in these scenes other than perhaps the locations.
Whilst the book never bored me, I just didn’t care enough about the characters or plot to want to read the second book in the series.
For more of my reviews, check out www.bookblogbycari.com