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Debbiereadsbook (1444 KP) rated Five Minutes Longer (Enhanced #1) in Books
Sep 18, 2018
different but brilliant
Independent reviewer for Divine Magazine, I was gifted the AUDIO file of this book.
Some 30 years ago, children began waking up with a mark on their faces and enhanced abilities: speed, strength, mental abilities. Talon, now given the job of setting up a human/enhanced task force within the FBI, was one of the first. He doesn't want to work with normals on his team, but this task force is his, and the other enhanced team members, last chance at becoming a useful member of society, not just a mark on his face. Finn wanted to join the FBI forever, and worked hard to get to apply, but he is not accepted. Instead he gets a cryptic phone and flies to Florida, and finds himself face to face with several huge enhanced, one of whom makes Finn want that boyfriend he never had. They have four weeks to make this team work, do or, quite possibly, die.
Oooooo-eeeee! Loved this! Different, very different and different is always good in my book!
The guys on the team really don't want Finn around, but know they gotta put up with him, at least for a little bit, but he grows on them, Talon especially but Talon fights that attraction all the bloody way, and when he finally gives up the fight?? Oh yes ma'am, that boy falls hard and he falls FAST! And when Finn gets caught in the cross fire at a bank robbery?? Talon goes all MAJOR Alpha-Male- Protect-What's-Mine!
I loved that not everything is fully revealed about the guys abilities, I think there is quite a bit more to come!
Nick J Russo narrates and he does a sterling job! He's a firm favourite of mine, and each and every time I listen to his work, it becomes my NEW favourite!
Russo's voices are clear and distinctive, even in multi person conversations. He reading voice is deep and even and I had no trouble, not at all, keeping up.
He gets cross all of Finn's emotions and his reactions to the guys, to Talon. His intense dislike of his brother and how his mum was with his dad. Russo gets across all of Talon's fighting, and that boy fights hard, his feelings for Finn, and you get just how much Finn means to him, when he thinks Finn is lost.
This is book one, there appears to be an underlying story arc running through these books, and I look forward to watching that unfold, and to watching these guys fall, like dominoes, one by one.
Off to listen to book 2, which is a continuation of Finn and Talon's story.
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
Some 30 years ago, children began waking up with a mark on their faces and enhanced abilities: speed, strength, mental abilities. Talon, now given the job of setting up a human/enhanced task force within the FBI, was one of the first. He doesn't want to work with normals on his team, but this task force is his, and the other enhanced team members, last chance at becoming a useful member of society, not just a mark on his face. Finn wanted to join the FBI forever, and worked hard to get to apply, but he is not accepted. Instead he gets a cryptic phone and flies to Florida, and finds himself face to face with several huge enhanced, one of whom makes Finn want that boyfriend he never had. They have four weeks to make this team work, do or, quite possibly, die.
Oooooo-eeeee! Loved this! Different, very different and different is always good in my book!
The guys on the team really don't want Finn around, but know they gotta put up with him, at least for a little bit, but he grows on them, Talon especially but Talon fights that attraction all the bloody way, and when he finally gives up the fight?? Oh yes ma'am, that boy falls hard and he falls FAST! And when Finn gets caught in the cross fire at a bank robbery?? Talon goes all MAJOR Alpha-Male- Protect-What's-Mine!
I loved that not everything is fully revealed about the guys abilities, I think there is quite a bit more to come!
Nick J Russo narrates and he does a sterling job! He's a firm favourite of mine, and each and every time I listen to his work, it becomes my NEW favourite!
Russo's voices are clear and distinctive, even in multi person conversations. He reading voice is deep and even and I had no trouble, not at all, keeping up.
He gets cross all of Finn's emotions and his reactions to the guys, to Talon. His intense dislike of his brother and how his mum was with his dad. Russo gets across all of Talon's fighting, and that boy fights hard, his feelings for Finn, and you get just how much Finn means to him, when he thinks Finn is lost.
This is book one, there appears to be an underlying story arc running through these books, and I look forward to watching that unfold, and to watching these guys fall, like dominoes, one by one.
Off to listen to book 2, which is a continuation of Finn and Talon's story.
5 stars for the book
5 stars for the narration
5 stars overall
**same worded review will appear elsewhere**
BookwormMama14 (18 KP) rated Undaunted Hope (Beacons of Hope, #3) in Books
Jan 2, 2019
When Tessa's hope and dreams are thwarted, she must face her deepest fears. Will she have the strength to overcome?
Tessa hopes to outrun her past by escaping to Eagle Harbor in the fall of 1871. There she becomes the new school teacher, even though the town requested a male teacher. Percival Updegraff runs the town like a king. No one dares to stand up to him for fear of what he will do. Tessa has vowed to never step foot into another lighthouse again. But then the local light keeper, Michael Bjorklund, and his assistant and brother, Alex, begin vying for her attention. Micheal's children long for a mother, and even though Alex would sacrifice anything for his brother, can he give up the woman he loves? As winter sets in and difficulties arise, will Tessa stay strong in the face of evil? Can she overcome her fears? Will she rely on God to direct her path and protect her and those she loves?
"I choose to have hope. Will you?"
Jody Hedlund has quickly become one of my absolute favorite authors! When I pick up one of her books, I know that nothing will get done until I finish! Although, this week I did manage to make Cornish Pasties. All thanks to a little inspiration from the book. Pasties has long been a family favorite recipe! Now down to business. I think it is safe to day that Undaunted Hope is my favorite book of the Beacons of Hope series. Tessa must face her fears and her past. How many times have we made a vow out of fear? Is God calling us to face that fear and overcome it? Know that He is with you every step of the way. And that you will come through it stronger. I could relate to Tessa very well! She stands up for truth and justice. Her heart aches for the people to be treated fairly and with respect. She is a brave woman. It was a pure delight to watch her discover her strength and find her true identity in Christ. This is an excellent book and one that I know I will read again.
If you have not read the first two books, I recommend you start with Out of the Storm it is the prequel to Love Unexpected. Undaunted Hope brings the story around full circle. I was also pleasantly surprised to find out that book four, Forever Safe, will be releasing later this year as well!
I received a free digital copy of Undaunted Hope from Bethany House Publishers through NetGalley in exchange for my honest review. All opinions expressed are mine alone.
Tessa hopes to outrun her past by escaping to Eagle Harbor in the fall of 1871. There she becomes the new school teacher, even though the town requested a male teacher. Percival Updegraff runs the town like a king. No one dares to stand up to him for fear of what he will do. Tessa has vowed to never step foot into another lighthouse again. But then the local light keeper, Michael Bjorklund, and his assistant and brother, Alex, begin vying for her attention. Micheal's children long for a mother, and even though Alex would sacrifice anything for his brother, can he give up the woman he loves? As winter sets in and difficulties arise, will Tessa stay strong in the face of evil? Can she overcome her fears? Will she rely on God to direct her path and protect her and those she loves?
"I choose to have hope. Will you?"
Jody Hedlund has quickly become one of my absolute favorite authors! When I pick up one of her books, I know that nothing will get done until I finish! Although, this week I did manage to make Cornish Pasties. All thanks to a little inspiration from the book. Pasties has long been a family favorite recipe! Now down to business. I think it is safe to day that Undaunted Hope is my favorite book of the Beacons of Hope series. Tessa must face her fears and her past. How many times have we made a vow out of fear? Is God calling us to face that fear and overcome it? Know that He is with you every step of the way. And that you will come through it stronger. I could relate to Tessa very well! She stands up for truth and justice. Her heart aches for the people to be treated fairly and with respect. She is a brave woman. It was a pure delight to watch her discover her strength and find her true identity in Christ. This is an excellent book and one that I know I will read again.
If you have not read the first two books, I recommend you start with Out of the Storm it is the prequel to Love Unexpected. Undaunted Hope brings the story around full circle. I was also pleasantly surprised to find out that book four, Forever Safe, will be releasing later this year as well!
I received a free digital copy of Undaunted Hope from Bethany House Publishers through NetGalley in exchange for my honest review. All opinions expressed are mine alone.
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Goddess in the Stacks (553 KP) rated Autonomous: A Novel in Books
Dec 22, 2018
Autonomous is an interesting story that poses a lot of moral questions. It doesn't really take sides; both the pharmaceutical pirate and the agents tracking her down are painted in sympathetic ways, as if we're meant to like them all. We see why Jack is a pharmaceutical pirate; medicine is only available to those rich enough to pay for it, so the poor stay poor and sick and short-lived. She wants to change that. She reverse-engineers drugs, manufactures them, and distributes them to the needy through her associates.
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Meanwhile, Eliasz is a conflicted military agent who is sexually attracted to robots. Or at least to his partner, Paladin, though a flashback shows what might have been the start of his attraction to robots. Paladin is probably the single most interesting character in the entire book, as she muses on the nature of being indentured, and searches through her memories and the internet for information about her situation.
The book does have LGBT content - Jack is bisexual, and Eliasz is - robosexual? Is that a thing? Paladin could be called nonbinary or trans; she repeatedly mentions that gender isn't a thing to robots, but because she's a military robot, most people call her a he at the beginning of the book. She learns the brain inside her is female, and to make Eliasz more comfortable with his attraction, she decides to use female pronouns. Eliasz does use the F word to refer to himself being attracted to the robot at the beginning, when they were using male pronouns. This puzzles Paladin for a while, causing her to search the term and figure out what Eliasz meant by its use.
There's a lot of complex world-building in this book that is barely brushed past. From the corporations who own patents covering everything, to the system of indenture that covers humans as well as robots, to the bio-domes that cover cities (but it's livable outside the biodomes, so why are they needed?), to the new federations that cover continents that used to be divided into several countries - there's a LOT going on. And there's not just robots, but also some pretty advanced cybernetics implanted in humans as well as an everpresent network of data that can be tapped into with implants that everyone has.
Ultimately, for as complex as the world is, and cohesive as the plot is, I'm left wondering who, if anyone, was in the right in this story. I'm not sure if we're supposed to be happy with the ending or not. I've seen other reviews saying Neuromancer was a way better book in a similar vein, and I actually have copy of that waiting to be read. So we'll see.
You can find all my reviews at http://goddessinthestacks.com
Goddess in the Stacks (553 KP) rated Gender Outlaw: On Men, Women and the Rest of Us in Books
Jul 23, 2019
This book has one of the best forewords I've ever seen. Bornstein explains that since 1994, when the book was first published, language has changed a lot, and terms that were used regularly then, like transsexual, are highly offensive now. So she has heavily rewritten the book to change the language, but she goes on to say that language is an always-changing thing, and in five or six years this edition, too, might be offensive in the language used. Then she apologizes for that. My favorite lines are one of the last paragraphs of the foreword:
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Ocean’s 8 (2018) in Movies
Jul 8, 2019
For the last five plus years all Debbie Ocean (Sandra Bullock) has had to think about was how to steal a $150 million dollar necklace of the neck of a mark during the Met Gala. Why she had all that time to think about was because she was incarcerated. The plan is flawless on paper but it would have to be to pull off this caper at one of the most high profile events of the year. Meticulously thought out and every eventuality covered. Now all she needs is a crew to make it happen. She gets her right hand girl Lou (Cate Blanchett) and they set out to plan the heist. The start with getting down on her luck designer Rose Weil (Helena Bonham Carter), who must persuade the mark, socialite actress Daphne Kluger (Anne Hathaway), to wear her dress and the diamonds to the even. Then let add a fence, Tammy (Sarah Paulson), a pick-pocket, Constance (Awkwafina), diamond expert, Amita (Mindy Kaling), and a hacker, Nine Ball (Rihanna), everyone they need to make this plan happen. The plan is made, the crew is assembled and the Met Ball is days away and all they have to do is rob a highly protected necklace in a museum filled with people and more cameras than you can count.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
David Ross (Pleasantville, Seabiscuit) wrote and directed the most recent film in the Ocean’s storyline. It definitely is in the same mold of the male dominated Ocean’s trilogy of films. There are even cameos from the old crew and the direct link of the main character being the sister of the protagonist of those films really ties them together. There are several nods to the original films and even the music and cinematography match up pretty well. At times I would say that it tries too hard to be like those films.
The cast does a great job. The character development is really good and if successful could definitely lead to follow up films. Awkwafina, who I had not heard of before going into this film, was a real bright spot and stood out in the scenes she was in. James Corden, as insurance investigator John Frazier, was also fun. The flow and pace of the film really went along well. There were definitely fun moments, also some moments that were a little cheesy, which are to be expected. Also to be expected in heist movie are some twist and turns, which this film delivers on. It keeps you guessing until the end.
Overall this was a fun movie going experience but maybe on I would be more likely to rent than see on the big screen.
JT (287 KP) rated The Grey (2012) in Movies
Mar 10, 2020
Director Joe Carnahan has a popular back catalogue. One that is considered his best to date is Narc. Of course he helmed the bat shit crazy, guns-a-blazing Smokin Aces and who could forget for a minute the over the top and some what bonkers reboot of The A-Team.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
Here, Carnahan teams up with Liam Neeson once again, although it was very nearly Bradley Cooper, but we’re glad that Neeson got the gig! Neeson plays Ottway, a crack shot with a rifle whose job it is is to keep the many oil drilling workers off the menu from the local four legged carnivores.
When the plane transporting the crew back from the end of season crashes in Alaskan no man’s land, Neeson must battle the elements and inhospitable terrain to find safety – while at the same time avoiding a rather pissed off pack of hungry wolves. If there is anyone you’d want by your side in this type of situation (Bear Grylls not present) it’s Nesson. With a few choice words for his new found friends “nobody’s going to find us….and if we don’t move we’re all fucked!” They abandon what little is left of the plane and set out into the wilderness.
This is clearly not the best idea, and it’s not long before the group are picked off one by one as the race to safety intensifies. With the Alpha male calling the shots wolf side, it’s Neeson doing the same for the humans, as he battles with his own issues as well as those around him. A few nights opening up round the fire and you realise that these men have a significant reason to want to get home alive.
Neeson is level headed and cool, but then put into a situation like this you have to be. The film, lacking in any visual landscape must use the survivors to really build the story, and Carnahan delivers enough tension to the audience to keep them on a knife edge.
The action is integrated well into the emotional side of the plot and that makes the film all the more enjoyable, as by the end you feel for each and everyone of those guys. The scenes are a little more believable, no tanks shooting down planes here. Although we do wonder if Carnahan took inspiration from Cliffhanger for one particular scene.
The Grey packs an intense punch all the way through and it will play on the heart strings as well. Neeson is the stand-out but has a solid supporting cast who don’t let him carry the burden all the way through till the end.
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