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The Sibley eGuide to the Birds of North America
Reference and Book
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Now on Sale!!! The most popular printed field guide to North American birds is now available in its...
1,800+ Human Voice Ringtones & Notifications (English Edition)
Music and Entertainment
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The perfect companion app to your mobile life! Tired of hearing beeps and bloops whenever you get a...
Speak & Translate Premium
Reference and Travel
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Speak & Translate Premium is an indispensable voice and text translator that allows you to...
Feierabend
Tabletop Game
Welcome to Feierabend, a.k.a. Finishing Time, the after-worker placement game for 1-6 players. In...
Girls Are Coming Out Of The Woods
8.0
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Book
'In Girls are Coming out of the Woods, Tishani Doshi combines artistic elegance with a visceral...
Kristy H (1252 KP) rated Heartbreak for Hire in Books
Aug 19, 2021
A wreck of a romance
Brinkley Saunders tells everyone she works as an administrative assistant. But she really works at
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
Heartbreak for Hire, an undercover operation that specializes in a variety of revenge schemes for jilted lovers, annoyed coworkers, and more. She dropped out of grad school in the aftermath of a disastrous relationship--much to the despair of her mother--but the job helps Brinkley save for her dream of opening her own art gallery. However, when her boss Margo announces she's hiring male Heartbreakers for the first time, Brinkley starts questioning her purpose, especially when one of the new hires is a target she was paid to take down. Markus Cavanaugh is an adjunct anthropology professor at University of Chicago. He doesn't seem like the backstabbing academic she was told to go after... and as she gets to know Markus more and continues to question her role as a Heartbreaker, Brinkley realizes a lot of things aren't what they seem.
"I had my career, my cat, control. The Three C's of avoiding that hopeless cycle of loving someone who didn't love me back."
I feel awful, but this book just did not work for me at all. I almost didn't finish it, but I really try to complete all my ARCs. Ironically I hated most of it except the end, which was actually pretty good. But most of this one had me cringing. Brinkley's job is terrible and makes no sense--I couldn't even see how Heartbreakers and the division of "Egos, Players, Cheaters, and Grifters" would even possibly translate to the real world. Her boss is absolutely awful.
"If we trained men to break women's hearts, what did that say about our mission? What did that say about us?"
The book is filled with ridiculous contrived fights and plot-lines, and I didn't buy the relationship between her and Markus at all. They like each other, hate each other, rinse and repeat, with a bunch of silly "twists" thrown in over and over to keep them apart. Do something and stop whining (this applies equally to them both). It was just boring and stupid, and I couldn't handle all the bad decisions. If there's going to be conflict, I want it to be realistic, and if there's going to be romance, I want to buy into the couple and feel a genuine affection toward them. But with everyone being so hateful to each other, an entire profession created toward tearing people down, and a bunch of random contrived obstacles thrown up to keep Markus and Brinkley apart... I just couldn't handle it.
A lot of other people enjoyed this one far more than me, so hopefully you will too.
I received a copy of this book from Gallery Books and Netgalley in return for an unbiased review.
BankofMarquis (1832 KP) rated Don't Worry Darling (2022) in Movies
Oct 1, 2022
Plays it Too Safe
The previews for the new thriller/mystery DON’T WORRY DARLING shows a housewife in a seemingly idyllic 1950’s paradise community - but something about this seemingly perfect paradise is off - an intriguing premise for a film and one that I am a sucker for. Clearly, it will have some sort of twist that explains the weird situation our heroine is in. Most of the time, I can glean what that twist is going to be, but I gotta give DON’T WORRY DARLING credit, I couldn’t guess this one.
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Starring Florence Pugh (BLACK WIDOW) and Harry Styles (of ONE DIMENSION fame), and Directed by Olvia Wilde (who also has a supporting role in this film), DON’T WORRY DARLING is a passable mystery/thriller with a plot twist that “plays fair” with the incongruities early in the film.
This is a safe film - and one that is safely paced - and that is the very definition of “damning with faint praise”. It doesn’t “lean into” the weirdness of the situation or the resultant take on the Male Dominated society of the 1950’s that marginalizes women into subordinate helpers.
Writer Katie Silberman (BOOKSMART) and Director Wilde just are too tame and cautious in their approach to this material and the film drags, slightly, in the first part of the film - a part of the film that could have used more injection of life into it by showing stronger instances of incongruity caused by “the twist” later on or stronger resistance by the Pugh character to break out of the background role her character is bound to, but they shy away from it.
Saving this film is the central performance of Pugh as housewife Alice who is slowly beginning to realize that something is wrong with this piece of heaven. Chris Pine is enigmatically mysterious as Frank, the boss of this experimental community while Wilde, Gemma Chan (THE ETERNALS) and Nick Kroll (WHAT WE DO IN THE SHADOWS) all provide solid - if unspectacular - supporting work.
Styles, on the other hand, works hard at his character and to hold his own in his scenes with Pugh, but he just isn’t on the same level of acting ability as Pugh, so his character falls short and seems thin in comparison to hers.
A film that could have been better if the Director and Writer had the courage of their commitments and pushed the envelope further AND if they could have found a counterpart performer to Pugh…but at least it does come up with an original and unique twist.
But, as it is, DON’T WORRY DARLING, falls squarely into “it’s fine, a good way to spend a few hours” category.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Rosalind: DNA's Invisible Woman
Book
Rosalind: DNA’s Invisible Woman tells the true story of the woman who discovered the structure of...
Historical Fiction Narrative Non Fiction
All the King's Men: The Beginning (All The King's Men #6)
8.0
Rate It
Book
NOTE: This book is a prequel. Reading the first five books of the series will greatly enhance your...
Paranormal Romance Vampires
Kyera (8 KP) rated A Court of Thorns and Roses in Books
Jan 31, 2018
After reading the Throne of Glass series, I didn't think that I could love SJM's next series as much. How could it compare? It doesn't, but not in a bad way. While it's also a book about the Fae, a Court of Thorns and Roses is set in an entirely different world with its own set of unique characters. It is also vaguely a retelling, or reimagining, of the Beauty and the Beast fairytale, which I loved. The human and Fae worlds are separated by an invisible wall and a Treaty that was crafted after a brutal war which took place 500 years earlier.
We are first introduced to Feyre, a girl who tries to take care of her family as best she can despite being the youngest. It is on one of her trip into the forest to feed her family when she stumbles across the path of a wolf whilst hunting a deer. After shooting and killing both animals, she skins the wolf and carries the deer home for food. Unfortunately for her, the wolf was actually a Fae male and her actions force her to make a choice. Either be killed or live forevermore in the Fae realm.
It is not much of a choice and Feyre chooses to go with Tamlin to his estate in Prythian, the land of the Fae. Tamlin, she later discovers is not only a High Fae, but the Lord of the Spring Court and much more powerful than she realized. He is joined by Lucien, another High Fae who is originally from the Autumn Court and not much else besides a few workers. The large estate seems empty and a little bit sad.
As one can expect from a Beauty and the Beast retelling, the girl must fall in love with the shapeshifting Fae beast to break a curse. the curse is not known to the reader or Feyre until the end of the book. She must fight to prove her love under the most harrowing of situations and trials.
A must read, especially if you wish to find out what happens. Highly recommended for teen/young adult readers who like fantasy, supernatural creatures and magic. The world building is amazing, the magic is awe inspiring and the lands are populated by a variety of characters from the heroes to the villains, the cowards, the friends and the just plain misunderstood.
Reread Feelings:
Slight spoiler warning for ACOTAR and ACOWAR.
A second read-through of a Court of Thornes and Roses let me to notice a lot more details that I had missed during my first introduction to the world. The inspiration that the novel drew from Beauty and the Beast was also more prevalent than I had realized. Her family life and desire to protect those she loves is directly pulled and inspired by the original novel. Tamlin’s beast form and temper are also reminiscent of the Beast in the story.
Knowing how the book ends and what happens in ACOMAF, you can more clearly see the actions and personality of Tamlin. He is very protective of Feyre and a little bit controlling, but without any direct threat to her life it is not as apparent. The events that occurred Under the Mountain pushed him over the edge and turned that protectiveness dark. It became corrupted and too strong to be overlooked. He also has an explosive temper and anger, but you see it less frequently as the book goes on. That doesn’t mean it goes away, so his personality in the second book is not as surprising as I thought it was my first time reading the series. It still like him in this series, but I don’t love him as much as I did during the first read through.
The incredible world of Prythian is just so packed with different faeries, Courts, and intense story that you can’t focus on everything the first time you read it. You discover more magic the second, or third, time you read through the book because you know the story and can now also focus on the read of the world building and character development. To me, that is fantastic writing when you can always discover something new hidden in a book you love.
I fell in love with the series even more on the second read-through, especially Rhysand. You truly appreciate just how much he did for Feyre, not just healing her arm when she was on death’s door but mentally and emotionally supporting her when she was ready to give up. He puts on a dark front, but his every action belies his true feelings. Rhys lies to Amarantha about the identity of Tamlin’s human love, even though it could mean his end and his people’s if she discovers the truth. On multiple occasions, he plays the bad guy to maintain a façade but secretly does good. I appreciated and recognized his acts a lot more the second time reading, and it made me fall in love with his character even more.
Even though I know what happens in the book, the emotions are still so prevalent. You ride the story’s highs and lows, feel yourself filling with light when there is goodness, and fear for the dark. I can’t even describe my feelings. I was walking around my room reading the final pages as Feyre is being hurt – and someone calls out her name. I just sort of collapsed to the ground, with my hand on my heart and my feelings bursting from my chest about that particular Fae male. You could almost hear the pain and horror in his voice as he cried out for her, and it destroyed me. The final moments of the book were so beautiful and made me a little teary.
We are first introduced to Feyre, a girl who tries to take care of her family as best she can despite being the youngest. It is on one of her trip into the forest to feed her family when she stumbles across the path of a wolf whilst hunting a deer. After shooting and killing both animals, she skins the wolf and carries the deer home for food. Unfortunately for her, the wolf was actually a Fae male and her actions force her to make a choice. Either be killed or live forevermore in the Fae realm.
It is not much of a choice and Feyre chooses to go with Tamlin to his estate in Prythian, the land of the Fae. Tamlin, she later discovers is not only a High Fae, but the Lord of the Spring Court and much more powerful than she realized. He is joined by Lucien, another High Fae who is originally from the Autumn Court and not much else besides a few workers. The large estate seems empty and a little bit sad.
As one can expect from a Beauty and the Beast retelling, the girl must fall in love with the shapeshifting Fae beast to break a curse. the curse is not known to the reader or Feyre until the end of the book. She must fight to prove her love under the most harrowing of situations and trials.
A must read, especially if you wish to find out what happens. Highly recommended for teen/young adult readers who like fantasy, supernatural creatures and magic. The world building is amazing, the magic is awe inspiring and the lands are populated by a variety of characters from the heroes to the villains, the cowards, the friends and the just plain misunderstood.
Reread Feelings:
Slight spoiler warning for ACOTAR and ACOWAR.
A second read-through of a Court of Thornes and Roses let me to notice a lot more details that I had missed during my first introduction to the world. The inspiration that the novel drew from Beauty and the Beast was also more prevalent than I had realized. Her family life and desire to protect those she loves is directly pulled and inspired by the original novel. Tamlin’s beast form and temper are also reminiscent of the Beast in the story.
Knowing how the book ends and what happens in ACOMAF, you can more clearly see the actions and personality of Tamlin. He is very protective of Feyre and a little bit controlling, but without any direct threat to her life it is not as apparent. The events that occurred Under the Mountain pushed him over the edge and turned that protectiveness dark. It became corrupted and too strong to be overlooked. He also has an explosive temper and anger, but you see it less frequently as the book goes on. That doesn’t mean it goes away, so his personality in the second book is not as surprising as I thought it was my first time reading the series. It still like him in this series, but I don’t love him as much as I did during the first read through.
The incredible world of Prythian is just so packed with different faeries, Courts, and intense story that you can’t focus on everything the first time you read it. You discover more magic the second, or third, time you read through the book because you know the story and can now also focus on the read of the world building and character development. To me, that is fantastic writing when you can always discover something new hidden in a book you love.
I fell in love with the series even more on the second read-through, especially Rhysand. You truly appreciate just how much he did for Feyre, not just healing her arm when she was on death’s door but mentally and emotionally supporting her when she was ready to give up. He puts on a dark front, but his every action belies his true feelings. Rhys lies to Amarantha about the identity of Tamlin’s human love, even though it could mean his end and his people’s if she discovers the truth. On multiple occasions, he plays the bad guy to maintain a façade but secretly does good. I appreciated and recognized his acts a lot more the second time reading, and it made me fall in love with his character even more.
Even though I know what happens in the book, the emotions are still so prevalent. You ride the story’s highs and lows, feel yourself filling with light when there is goodness, and fear for the dark. I can’t even describe my feelings. I was walking around my room reading the final pages as Feyre is being hurt – and someone calls out her name. I just sort of collapsed to the ground, with my hand on my heart and my feelings bursting from my chest about that particular Fae male. You could almost hear the pain and horror in his voice as he cried out for her, and it destroyed me. The final moments of the book were so beautiful and made me a little teary.