Smashbomb

Search

Search results

All (4147)

Content

Jesters_folly (230 KP) rated Mandy (2018) in Movies

Sep 25, 2019

Mandy (2018)

2018 | Action, Thriller

7.3

(25 Ratings)

Movie Rating

Contains spoilers, click to show

Red Miller (Nicholas Cage) is sent on a rampaging quest for vengeance when an evil cult abducts and kill his partner, Mandy Bloom.
The story is simple, Mandy and Red live alone in a forest. By chance Mandy is spotted by a cult leader who decided that he wants her to join him. Things don’t go to plan and Mandy ends up dead and Red starts on a quest for revenge. Simple and familiar, it’s not an uncommon plot, however Mandy is part film, part drug filled dream with snippets of animation thrown in, overlaid with a psychedelic, prog rock soundtrack. It has drugs, cults, demonic, slipknot esc bikers, (male) nudity, chainsaws and crossbows, religious parables and Jesus parallels. There is a metaphorical decent to hell and there is Nicholas Cage. All this is shot with constantly changing, coloured filters and distorted voices.
You can probably tell that Mandy isn’t for everyone, at times the film feels like an Italian horror, something like Suspiria or Deep Red and other time it seems like someone has brought a 70’s or 80’s rock/metal album cover to life. Throw in some animation that would be at home in ‘Heavy Metal’ Magazine, turn the crazy dial up to 11 and let Nicolas Cage (slowly) off the sanity leash and you have Mandy.
There are plot point that are not explained, for example Red suddenly has a friend who has a cross bow stored away for him and Red suddenly has a forge and knows how to use it. Is Mandy some kind of witch and, of course, is Red dead at the end.
I would say that there are some crazy scenes but the whole film is crazy but it does lead to some great scene’s like a chainsaw duel.
As I said, Mandy isn’t for everyone, it has a simple plot that has been turned in to a surreal nightmare so if you don’t like weird don’t watch this.
Mandy is also slow to get started as it builds up the atmosphere. I think that, if the film kept the atmosphere it starts with it could have been a similar tone to something like Midsommar however by the halfway point it has past that and, by the end the film just takes a head dive down the rabbit hole (almost literally).
Given all that I found it hard to rate, it has the feel of a 70’s horror and an 80’s grindhouse, some of the filters make it hard to understand some of the lines and the colour filters were disturbing and distracting although most of this was on purpose but over all I did enjoy it.

Kudos

Gareth von Kallenbach (980 KP) rated Wind River (2017) in Movies

Jul 11, 2019

Wind River (2017)

2017 | Action, Crime, Mystery

8.5

(33 Ratings)

Movie Rating

Between Sicario and Hell or High Water (both of which landed on my year-end best lists for 2015 and 2016 respectively), Taylor Sheridan has already proven to be an incredible talent at crafting slow-burning thrillers that also serve as in-depth character studies. His new film, third as a screenwriter and second as a director, may move at quite a faster pace than his previous two screenplays, but it is no less accomplished, either in plot or in character development. Though some may leave the theater feeling that they haven’t seen anything new, and they’d be right to as there isn’t anything particularly flashy or unique in the direction or cinematography, Wind River however finds its strength in its simplicity. It’s a simple story concerning the death of a young girl on a Wyoming reservation, of the tracker (Jeremy Renner) for whom the circumstance strikes too close to home, and of the presumably untested FBI agent (Elizabeth Olsen) forced to face the darker side of her chosen profession.

For Jeremy Renner, Wind River marks a career best. He displays restraint in a role that others would have played far too arrogantly and when he lets us in to share in his character’s painful past, the melodrama inherent in the dialogue is delivered with dignity and humility. Complimenting his performance beautifully is Gil Birmingham as Martin, the father of the murdered girl. Much like his work opposite Jeff Bridges in Hell or High Water, his scenes with Renner are the highlight of the film. Every line he delivers reverberates with truth and with the weight of losing of two children, one whose life is thrown away to drug use and one to an untimely, mysterious death. Veteran actor and longtime favorite of mine, Graham Greene is also on hand to give a competent turn as the local sheriff who in equal measures doles out tension-relieving humor as well as reminding us of the gravity of a bleak situation.

In amongst a predominately-male cast, Elizabeth Olsen shines. This film was an undoubtedly a tough task, as her character is given no soft options, and her performance gave me cause to reflect on a young Jodie Foster in The Silence of the Lambs. I don’t just draw this comparison because of the fact they both play young agents thrust into a situation beyond their level of experience, but because of the scenes in these films where they are called upon to confidently take command of a room full of men and to show great physicality in moments of unexpected violence. It’s another top mark in her filmography comparable to her breakout in Martha Marcy May Marlene and hopefully, in-between bouts of this bloated Marvel Cinematic Universe nonsense, we’ll continue to see her in roles of some substance.

Kudos

Kara Skinner (332 KP) rated Mine Forever in Books

Sep 10, 2019

What do you do when the love of your life is almost kidnapped by druggies? You do everything you can to convince her to come home with you, of course. Which is exactly what Simon does with Kara. But even with Kara reluctantly living with Simon again, things aren’t perfect. Kara won’t accept anything less than a relationship and Simon is still trying to figure out how to be in one. Can Simon put his past behind him so he can finally have happiness with Kara?

Like Mine for Tonight and Mine for Now, Mine Forever is a fantastic erotic romance. I like it even better than the second one because aside from getting Kara to move in with Simon again,the under-developed druggie plot has all but disappeared. and Kara is showing that she’s not willing to take any crap from Simon, even refusing sex until he opened up to her about his past. Don’t get me wrong, there are plenty of hot sex scenes that can make you blush, but Kara still needs Simon to open up.

And Simon, despite being an alpha male, is still awkward and endearing. 15479193670_d73f1ff314_mIt’s really obvious that he has no idea what to do in a relationship, to the point of absurdity. I mean, you have to be living under a rock not to know that flowers and chocolates are basic gifts for Valentine’s Day. As much as I like an awkward love interest, I really didn’t like how Simon handled Valentine’s Day. Getting help from his female employees is good and so is being nervous and wanting to make things right with Kara, but buying an entire carload of Valentine’s Day merchandise? That was a little to ridiculous for me. First of all, it’s unrealistic. Nervous binge-shopping and being a billionaire don’t go hand in hand. Binge-shopping leads to a broke hoarder real quick, I don’t care how high your salary is. Second of all, does he even know Kara? She’s hardly a material girl. Why would a large quantity of material goods make her happy? But Simon does express his love with gifts, so I guess that does fit.

We finally learn how Simon got his scars in this book. The suspense had actually been killing me to find out and the reason did not disappoint. Honestly, I’d have relationship problems too if I went through the same thing. And now that he’s opened up to Kara he can finally begin healing for real.

This book is one of my favorites of the series, right up there with the first one. You can’t find it by itself anymore. You’ll have to buy the entire Billionaire’s Obsession series. But if you like contemporary romance that flirts with the erotica genre, then you’ll like this series.