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Merissa (13786 KP) rated Oversight (The Community #2) in Books
Dec 17, 2018
Oversight is the second book in The Community series, and you do have to read book one to fully understand what is going on as events that happened in Insight are constantly referenced. The story this time focuses on Holden. He is the owner/manager of Evolution, the LGBT club that featured in book one. The fall out from those events are still going on, but Holden is doing his best with what he has. His father turns up (and caring and emotional are NOT words I would use to describe him!) and basically gives Holden to a babysitter. Six is someone Holden remembers from his youth, but it is hard to equate the two as Six has changed - or been changed - so much.
Once again, the story is full of mystery and suspense. I think I know who one of the mystery characters is, and now I just need to wait to see if I am correct! We also reacquainted ourselves with Trent and Nate, who continue to be favourites of mine. This story is excellently written, with major character development, especially in Holden. I didn't much like him in the first book, but saw a different side to him in this one. There were no editing or grammatical errors that disrupted my reading flow, so I would not hesitate to recommend this book.
One difference to book one though is no epilogue for our main characters Instead, it ends with things very much in the air, which will definitely leave you wanting more!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Once again, the story is full of mystery and suspense. I think I know who one of the mystery characters is, and now I just need to wait to see if I am correct! We also reacquainted ourselves with Trent and Nate, who continue to be favourites of mine. This story is excellently written, with major character development, especially in Holden. I didn't much like him in the first book, but saw a different side to him in this one. There were no editing or grammatical errors that disrupted my reading flow, so I would not hesitate to recommend this book.
One difference to book one though is no epilogue for our main characters Instead, it ends with things very much in the air, which will definitely leave you wanting more!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated The Neon Demon (2016) in Movies
Aug 6, 2019
A combination that looks like it may be a vapid display of glitz and garbage, the trailers for “Neon Demon” don’t dare give away just how far this film will take audiences.
Completely unique, the psychological thriller goes to dark places – necrophilia, cannibalism, and the solitary confines of the human mind.
The film stars Elle Fanning as Jesse, a sixteen year old girl from a small town who decided to go to LA to become a model. Without any parents, Jesse is completely on her own in a seedy wonderland.
She stays by herself in a dingy motel. Keanu Reeves plays the grubby motel manager, Hank. His role in the film is more of a supportive one, but he still plays a major part in the overall story and feel of the film.
Of course, Jesse meets all kinds of odd people as she dives into a world that is so shallow it could break her. Makeup artist Ruby (Jena Malone), and supermodels Gigi (Bella Heathcote) and Sarah (Abbey Lee) are characters the audience will love to hate. Malone, Heathcote, and Lee have done a great job becoming their characters. They incite visceral disdain, perhaps laced with admiration.
There may be a few moments where it feels like the plot is going nowhere fast, but I highly recommend resisting the urge to lose hope. The whole is greater than the sum of its parts in this case.
It’s not a stretch to say that Director Nicolas Winding Refn has created a piece of cinematic art.
The combination of finely selected camera technique, psychedelic lighting, and a cerebral soundtrack is like watching a beautiful nightmare.
Best described as “Clockwork Orange” meets “Top Model,”
Completely unique, the psychological thriller goes to dark places – necrophilia, cannibalism, and the solitary confines of the human mind.
The film stars Elle Fanning as Jesse, a sixteen year old girl from a small town who decided to go to LA to become a model. Without any parents, Jesse is completely on her own in a seedy wonderland.
She stays by herself in a dingy motel. Keanu Reeves plays the grubby motel manager, Hank. His role in the film is more of a supportive one, but he still plays a major part in the overall story and feel of the film.
Of course, Jesse meets all kinds of odd people as she dives into a world that is so shallow it could break her. Makeup artist Ruby (Jena Malone), and supermodels Gigi (Bella Heathcote) and Sarah (Abbey Lee) are characters the audience will love to hate. Malone, Heathcote, and Lee have done a great job becoming their characters. They incite visceral disdain, perhaps laced with admiration.
There may be a few moments where it feels like the plot is going nowhere fast, but I highly recommend resisting the urge to lose hope. The whole is greater than the sum of its parts in this case.
It’s not a stretch to say that Director Nicolas Winding Refn has created a piece of cinematic art.
The combination of finely selected camera technique, psychedelic lighting, and a cerebral soundtrack is like watching a beautiful nightmare.
Best described as “Clockwork Orange” meets “Top Model,”
Gareth von Kallenbach (980 KP) rated Draft Day (2014) in Movies
Aug 6, 2019
Draft Day wants to be the Moneyball of the National Football League. Probem is, Moneyball was based on a true story. Draft Day is pure fiction and it’s not particularly good fiction. Sure, there are realistic elements of what goes on behind the scenes on draft day, but the story that surrounds makes you wonder if this was really the best they could come up with to shine the spotlight on one of the biggest days of the year for football fans and NFL prospects.
Sonny Weaver (Kevin Costner) is a general manager of the Cleveland Browns. Now that’s a real team, although many people would question that fact. Weaver manages to acquire the number one draft pick on draft day and the movie is essentially about him trying to decide who to pick. Focusing on three potential players, Sonny has the heavy responsibility of making the right choice.
In addition to facing this daunting task of making the right decision for his team, Sonny is also wrestling with personal issues, such as a secret girlfriend and living up to his father’s legacy. There are plenty of cameos of stars of the NFL and Roger Goodell weighs in as the NFL commissioner. There were scenes that seemed meaningless in a sense but there’s a twist if you remain interested.
To the casual football fan this might be entertaining. To diehard fans, you probably know most of the goings on behind the scenes on draft day. It’s a backstage view in the day of the life of a GM trying to juggle his way through business and personal decisions on a big stage while facing a ticking clock. The movie does drags here and there but if you need a hit of the NFL drug while waiting for the next season, this might tide you over.
Sonny Weaver (Kevin Costner) is a general manager of the Cleveland Browns. Now that’s a real team, although many people would question that fact. Weaver manages to acquire the number one draft pick on draft day and the movie is essentially about him trying to decide who to pick. Focusing on three potential players, Sonny has the heavy responsibility of making the right choice.
In addition to facing this daunting task of making the right decision for his team, Sonny is also wrestling with personal issues, such as a secret girlfriend and living up to his father’s legacy. There are plenty of cameos of stars of the NFL and Roger Goodell weighs in as the NFL commissioner. There were scenes that seemed meaningless in a sense but there’s a twist if you remain interested.
To the casual football fan this might be entertaining. To diehard fans, you probably know most of the goings on behind the scenes on draft day. It’s a backstage view in the day of the life of a GM trying to juggle his way through business and personal decisions on a big stage while facing a ticking clock. The movie does drags here and there but if you need a hit of the NFL drug while waiting for the next season, this might tide you over.
Gareth von Kallenbach (980 KP) rated The Bag Man (2014) in Movies
Aug 6, 2019
Sometimes it sucks to be a delivery guy when you don’t know what you are
carrying in a tightly sealed leather bag. Anything can happen when too many
people are interested in what The Bag Man is carrying when it gets a
limited theatrical run starting Feb 28th.
When Jack (John Cusack) is a fixer/hitman under the employ of Dragna
(Robert De Niro), a crime lord — tasked to bring a leather bag to a seedy
hotel — the people he runs into are more shadier than he is. All he has to
do is to wait for the arrival of this gangster and not look at what’s
inside.
Both the movie and night is long while Jack fends for himself. His dealings
with the motel manager (beautifully played by Crispin Glover) is far more
interesting than the lady of the night, Rivka (Rebecca Da Costa), he meets.
Together what they end up in is a cat and mouse game of nearly everybody
from this sleepy hole-in-the-wall after them. Everyone is interested in
what the bag contains, and this Macguffin never strays far from the plot.
Even though the concept of what’s in the bag is hardly original, this
narrative device will keep some people — characters included — invested
in wondering what’s so important about it. When the contents are revealed,
will what’s revealed be King Midas’ gold or the evils from Pandora’s Box?
This loose thriller has its moments where viewers will be glued to the
suspense but ultimately, it’s this movie’s pacing that slows the action
down. Losing 10-15 minutes might help in keeping the tale tight.
That can help everyone, audience included, from not losing interest. Sooner
or later, the cat has to be let out of the bag.
carrying in a tightly sealed leather bag. Anything can happen when too many
people are interested in what The Bag Man is carrying when it gets a
limited theatrical run starting Feb 28th.
When Jack (John Cusack) is a fixer/hitman under the employ of Dragna
(Robert De Niro), a crime lord — tasked to bring a leather bag to a seedy
hotel — the people he runs into are more shadier than he is. All he has to
do is to wait for the arrival of this gangster and not look at what’s
inside.
Both the movie and night is long while Jack fends for himself. His dealings
with the motel manager (beautifully played by Crispin Glover) is far more
interesting than the lady of the night, Rivka (Rebecca Da Costa), he meets.
Together what they end up in is a cat and mouse game of nearly everybody
from this sleepy hole-in-the-wall after them. Everyone is interested in
what the bag contains, and this Macguffin never strays far from the plot.
Even though the concept of what’s in the bag is hardly original, this
narrative device will keep some people — characters included — invested
in wondering what’s so important about it. When the contents are revealed,
will what’s revealed be King Midas’ gold or the evils from Pandora’s Box?
This loose thriller has its moments where viewers will be glued to the
suspense but ultimately, it’s this movie’s pacing that slows the action
down. Losing 10-15 minutes might help in keeping the tale tight.
That can help everyone, audience included, from not losing interest. Sooner
or later, the cat has to be let out of the bag.
Gareth von Kallenbach (980 KP) rated The Campaign (2012) in Movies
Aug 7, 2019
When a pug owning, sweater-wearing simpleton, Marty Huggins (Zach Galifianakis), unexpectedly becomes the congressional candidate of choice for two wealthy businessmen, he finds himself in a wild race against the walking political stereotype incumbent, Cam Brady (Will Ferrell).
Galifianakis fans will be excited to see the star playing a new role; the slightly sweet bumpkin, Marty, is a far cry from Galifianakis’ breakout character in “The Hangover”. And his co-star, Will Ferrell once again steps out of the shadow of Frank the Tank to remind the public just how funny he can be. And the film is well rounded with the noteworthy side characters, from the unstoppably serious campaign manager played by Dylan McDermott to the sharply focused politician’s wife played by Katherine LaNasa
Offering viewers an unending stream of chuckles, “The Campaign” is not gut-bustingly-hilarious. Instead the film is a stream of small jokes about the American political system, focusing on the lying and issue-skirting that the politics are famed for. Dotted with the occasional crazed political strategy and creative mud-slinging, “The Campaign” avoids trying too hard through simple comedy.
However, the film is not without fault. The movie is slow at times and there are a number of unnecessarily forced scenes, such as the already rumor-riddled CGI baby punch. Moreover, the disappointing portrayal of Cam’s advisor, Mitch, by the usually hilarious Jason Sudeikis, added no value to the picture.
Even with these small flubs, the film succeeds due to the comedic partnership of Galifianakis and Ferrell. The duo knows no bounds when it comes to delivering ridiculous funny lines.
A pleasant way to kick-off the political season, “The Campaign” manages to avoid all-too-common political comedy errors by focusing on the funny facets of the political process and avoiding the actual issues.
Galifianakis fans will be excited to see the star playing a new role; the slightly sweet bumpkin, Marty, is a far cry from Galifianakis’ breakout character in “The Hangover”. And his co-star, Will Ferrell once again steps out of the shadow of Frank the Tank to remind the public just how funny he can be. And the film is well rounded with the noteworthy side characters, from the unstoppably serious campaign manager played by Dylan McDermott to the sharply focused politician’s wife played by Katherine LaNasa
Offering viewers an unending stream of chuckles, “The Campaign” is not gut-bustingly-hilarious. Instead the film is a stream of small jokes about the American political system, focusing on the lying and issue-skirting that the politics are famed for. Dotted with the occasional crazed political strategy and creative mud-slinging, “The Campaign” avoids trying too hard through simple comedy.
However, the film is not without fault. The movie is slow at times and there are a number of unnecessarily forced scenes, such as the already rumor-riddled CGI baby punch. Moreover, the disappointing portrayal of Cam’s advisor, Mitch, by the usually hilarious Jason Sudeikis, added no value to the picture.
Even with these small flubs, the film succeeds due to the comedic partnership of Galifianakis and Ferrell. The duo knows no bounds when it comes to delivering ridiculous funny lines.
A pleasant way to kick-off the political season, “The Campaign” manages to avoid all-too-common political comedy errors by focusing on the funny facets of the political process and avoiding the actual issues.
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