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Darren (1599 KP) rated The Bromley Boys (2018) in Movies
Aug 6, 2019
Story: The Bromley Boys starts in 1969 three years after England won the World Cup, David Roberts (O’Connor) had wanted to support the popular teams of either West Ham or Tottenham, but his father Donald (Davies) has banned football in the house, leading to his mother Gertrude (McCutcheon) sneaking him a scarf of his local team Bromley.
This season is going to be David’s biggest as he learns about the corruption from the chairman Charlie McQueen (Foreman) and the potential sale of the club’s best player. David also meets Ruby (Baker) the daughter of the chairman that is the only girl that talks to him as he experiences love for the first time.
Thoughts on The Bromley Boys
Characters – David Roberts is a teenage boy that got dreams of being a footballer after seeing England win the World Cup in 1966, he is forced to support his local team, a small team with a tiny fanbase, he becomes a loyal fan and during the 1969 season he must figure out prove the chairman is out to ruin the club as they constantly struggle on the pitch. Ruby McQueen is the daughter of the chairman that starts dating David, she wants a normal relationship but often has to play second fiddle to his love of football. Charlie McQueen is the greedy chairman of Bromley, the fans and manager believe he is trying to put them out of business, which reflects on how David tries to expose his truth. Gertrude and Donald are David’s parents that are trying to give him the best future even if they don’t like him enjoy football.
Performances – Brenock O’Connor is delightful in the leading role showing us just how obsessed teenager can become when it comes to sports. Savannah Baker is great as the love interest who is looking for a future. Jamie Foreman looks all the part of a corrupt chairman through the film, with Alan Davies and Martine McCutcheon showing they have the star power from the English side.
Story – The story here follows a teenage football fan of his local team that starts to see things putting his beloved club in trouble after overhearing a conversation, he tries to fix things during the season just to make sure his team will be their next season. As a football fan this is one of the easiest films to relate to, seeing the ups, well downs more than often in this film, we can see how footballs can see their lives taken over by the season, it is even worse in modern day too, we do also have the important message about trying to support your local team instead of one of the more established teams that friends support. This is based on a trouble story which apart from the romantic angle does feel like it could have been real, but also the tales told from the tiny crowds to get buzz around their club. This is a story that is going to be one that the English market will enjoy the most.
Comedy – You will get plenty of laughs in this film, a lot comes from the love of football and seeing just how much it can change a life.
Settings – The film is set in and around the small town of Bromley, we spend plenty of time at the club, which helps us understand what this meant to David.
Scene of the Movie – The last game of the season.
That Moment That Annoyed Me – The teachers seem very harsh.
Final Thoughts – This is an enjoyable British comedy, one that the English will enjoy most and one we can understand the passion behind supporting the team.
Overall: Truly fun and feel good film.
This season is going to be David’s biggest as he learns about the corruption from the chairman Charlie McQueen (Foreman) and the potential sale of the club’s best player. David also meets Ruby (Baker) the daughter of the chairman that is the only girl that talks to him as he experiences love for the first time.
Thoughts on The Bromley Boys
Characters – David Roberts is a teenage boy that got dreams of being a footballer after seeing England win the World Cup in 1966, he is forced to support his local team, a small team with a tiny fanbase, he becomes a loyal fan and during the 1969 season he must figure out prove the chairman is out to ruin the club as they constantly struggle on the pitch. Ruby McQueen is the daughter of the chairman that starts dating David, she wants a normal relationship but often has to play second fiddle to his love of football. Charlie McQueen is the greedy chairman of Bromley, the fans and manager believe he is trying to put them out of business, which reflects on how David tries to expose his truth. Gertrude and Donald are David’s parents that are trying to give him the best future even if they don’t like him enjoy football.
Performances – Brenock O’Connor is delightful in the leading role showing us just how obsessed teenager can become when it comes to sports. Savannah Baker is great as the love interest who is looking for a future. Jamie Foreman looks all the part of a corrupt chairman through the film, with Alan Davies and Martine McCutcheon showing they have the star power from the English side.
Story – The story here follows a teenage football fan of his local team that starts to see things putting his beloved club in trouble after overhearing a conversation, he tries to fix things during the season just to make sure his team will be their next season. As a football fan this is one of the easiest films to relate to, seeing the ups, well downs more than often in this film, we can see how footballs can see their lives taken over by the season, it is even worse in modern day too, we do also have the important message about trying to support your local team instead of one of the more established teams that friends support. This is based on a trouble story which apart from the romantic angle does feel like it could have been real, but also the tales told from the tiny crowds to get buzz around their club. This is a story that is going to be one that the English market will enjoy the most.
Comedy – You will get plenty of laughs in this film, a lot comes from the love of football and seeing just how much it can change a life.
Settings – The film is set in and around the small town of Bromley, we spend plenty of time at the club, which helps us understand what this meant to David.
Scene of the Movie – The last game of the season.
That Moment That Annoyed Me – The teachers seem very harsh.
Final Thoughts – This is an enjoyable British comedy, one that the English will enjoy most and one we can understand the passion behind supporting the team.
Overall: Truly fun and feel good film.
Gareth von Kallenbach (980 KP) rated Miles Ahead (2016) in Movies
Aug 6, 2019
If you’ve ever found yourself in a coffee shop, bookstore, or perhaps even a jazz club in the 21st century you can’t NOT have heard either the name ‘Miles Davis’, his music, or perhaps both. If you’ve been living under a rock your whole life and by some miracle you have a smartphone, computer, or a radio find a jazz station and it’s almost a sure thing you’ll here his music within minutes. The man is no myth although the man and his music are so legendary there is almost a mythical presence to him. He is one of the greats. No question. No argument.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
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BankofMarquis (1832 KP) rated Wrath of Man (2021) in Movies
Jun 16, 2021
Surprising Depth of Character and GREAT action
I am always up for a good “B” action flick - something mindless that shows a macho hero (usually seeking revenge) taking out a boatload of faceless/nameless bad guys. So it was with much anticipation that I settled back into my chair to clear my head and catch Jason Statham doing what he does best.
What I got was something much, much more.
Directed by Guy Ritchie (LOCK, STOCK AND TWO SMOKING BARRELS), WRATH OF MAN tells the tale of seemingly innocent, meek, quiet man who takes a job with an Armored Car Company. Of course, since this meek man is played with a steely-eyed gaze by Jason Statham, there is something more to him. In the course of this film, of course, we find out.
Ritchie is a seasoned veteran Director of these sorts of films (LOCK STOCK…, SNATCH and the recent THE GENTLEMEN being examples of his ability) and this film nicely showcases his skill. He sets up the characters and the action scenes deftly and he does something that I really love to see in a film - he shows the same action scene from 3 different character's’ perspectives, every time we view the same scene from a different point of view it adds some depth to the scene (and the characters). It is this aspect of the film - the depth of character - that I was not expecting to see.
Statham, of course, is perfectly cast as the mysterious “H”. He has a strength of character (as well as a physical strength) needed to drive this story forward. I believed his motivations as a character while eagerly anticipating his “turn on a dime” change from “meek and mild” to “action hero”. In lesser hands, it would have seemed corny, but with Statham (and the direction of Ritchie), it is not.
Ritchie, of course, fills this world with a “rogues gallery” of tough guys, henchmen, unlikely heroes and villians. Standouts of this group were veteran character actor Holt McCallany (a veritable “that guy” actor) who plays a fellow armored car driver, Jeffrey Donovan (TV’s BURN NOTICE) and Scott Eastwood (Clint’s son) as a couple of “bad guys” and Darrell D’Silva (a veteran of European films who was heretofore unknown to me) as one of Statham’s allies. Whenever D’Silva was on the screen, he would draw my attention (in a good way). I’ll be keeping an eye out for him in future films.
Also along for the fun are the great Eddie Marsan (as the Manager of the Armored Car Company) and a gravelly voiced Andy Garcia (as a shadowy person from Statham’s past). They both know exactly what type of film they are in and look like they are having fun with their roles. Oh…and there is also a Josh Hartnett sighting (the “it” actor of the early ‘2000’s). His character of another Armored Car Driver is the weakest written and least realized of the characters in this film - but it was fun to see him on screen again.
But…all of these fine qualities rise or fall on the Direction of the action sequences and in the capable hands of Guy Ritchie, these scenes succeed greatly. He sets up and choreographs the fights (both hand-to-hand and gun fights) in such a way that the audience is never confused about what is going on (unless it is a deliberate choice) and he eschews the quick-cut editing that (I feel) is a sign of a weakly conceived and choreographed fight.
I was pleasantly surprised by how much I enjoyed this film - not only for the action, but for the depth of character and quality that was put up on the screen.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
What I got was something much, much more.
Directed by Guy Ritchie (LOCK, STOCK AND TWO SMOKING BARRELS), WRATH OF MAN tells the tale of seemingly innocent, meek, quiet man who takes a job with an Armored Car Company. Of course, since this meek man is played with a steely-eyed gaze by Jason Statham, there is something more to him. In the course of this film, of course, we find out.
Ritchie is a seasoned veteran Director of these sorts of films (LOCK STOCK…, SNATCH and the recent THE GENTLEMEN being examples of his ability) and this film nicely showcases his skill. He sets up the characters and the action scenes deftly and he does something that I really love to see in a film - he shows the same action scene from 3 different character's’ perspectives, every time we view the same scene from a different point of view it adds some depth to the scene (and the characters). It is this aspect of the film - the depth of character - that I was not expecting to see.
Statham, of course, is perfectly cast as the mysterious “H”. He has a strength of character (as well as a physical strength) needed to drive this story forward. I believed his motivations as a character while eagerly anticipating his “turn on a dime” change from “meek and mild” to “action hero”. In lesser hands, it would have seemed corny, but with Statham (and the direction of Ritchie), it is not.
Ritchie, of course, fills this world with a “rogues gallery” of tough guys, henchmen, unlikely heroes and villians. Standouts of this group were veteran character actor Holt McCallany (a veritable “that guy” actor) who plays a fellow armored car driver, Jeffrey Donovan (TV’s BURN NOTICE) and Scott Eastwood (Clint’s son) as a couple of “bad guys” and Darrell D’Silva (a veteran of European films who was heretofore unknown to me) as one of Statham’s allies. Whenever D’Silva was on the screen, he would draw my attention (in a good way). I’ll be keeping an eye out for him in future films.
Also along for the fun are the great Eddie Marsan (as the Manager of the Armored Car Company) and a gravelly voiced Andy Garcia (as a shadowy person from Statham’s past). They both know exactly what type of film they are in and look like they are having fun with their roles. Oh…and there is also a Josh Hartnett sighting (the “it” actor of the early ‘2000’s). His character of another Armored Car Driver is the weakest written and least realized of the characters in this film - but it was fun to see him on screen again.
But…all of these fine qualities rise or fall on the Direction of the action sequences and in the capable hands of Guy Ritchie, these scenes succeed greatly. He sets up and choreographs the fights (both hand-to-hand and gun fights) in such a way that the audience is never confused about what is going on (unless it is a deliberate choice) and he eschews the quick-cut editing that (I feel) is a sign of a weakly conceived and choreographed fight.
I was pleasantly surprised by how much I enjoyed this film - not only for the action, but for the depth of character and quality that was put up on the screen.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)