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Imogen SB (4507 KP) rated Avengers: Endgame (2019) in Movies
May 8, 2019
Predictable
Contains spoilers, click to show
I thought that the film itself was good. The thing I don't like is everyone else. This film was too hyped up from overly loving Marvel fans. The schtick of the film is to involve as many characters as humanly possible - even if completely unnecessary - just to appeal to as many fans as possible. The fans are then blinded by the plot holes and lack of imagination from their favorite character's 5-second cameo.
It's an alright film to watch if you're a bit bored, but you must watch every film and read alllllll the lore behind every inch of Marvel or this film will go over your head. So be ready to invest in over 22 films and every comic ever, for 3 hours.
One bit I did like, however, was the moment where all the women came together - that did make me a bit happy.
It's an alright film to watch if you're a bit bored, but you must watch every film and read alllllll the lore behind every inch of Marvel or this film will go over your head. So be ready to invest in over 22 films and every comic ever, for 3 hours.
One bit I did like, however, was the moment where all the women came together - that did make me a bit happy.
Dean (6925 KP) rated Spider-Man: Far From Home (2019) in Movies
Jul 2, 2019 (Updated Jul 2, 2019)
Great SFX (2 more)
Cool locations
Plenty of humour
An Amazing Spider-Man Film
I wasn't the biggest fan of Homecoming. It was a good film but lacked something to put it on the level of the best Marvel films. This however is definitely up there with the best of the them and one of the best Spider-man films. Coming so soon after Endgame and set a short while after those events it had a lot to live up to.
The action scenes are great as Spider-man leaves his neighbourhood and battles all over Europe. It still has plenty of funny lighthearted moments. It also deals with Spider-Man coming to terms of being a superhero and trying to have a normal teenage life. Overall another great Marvel film that's up with the best of them. Scenes after the animated credits and another after the final credits to wait for.
The action scenes are great as Spider-man leaves his neighbourhood and battles all over Europe. It still has plenty of funny lighthearted moments. It also deals with Spider-Man coming to terms of being a superhero and trying to have a normal teenage life. Overall another great Marvel film that's up with the best of them. Scenes after the animated credits and another after the final credits to wait for.
New Mutants: Dead Souls
6.0
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They aren't the X-Men-in-training anymore! The New Mutants are launching themselves headfirst into...
Excalibur Epic Collection: Girl's School from Heck
Scott Lobdell and Chris Claremont
9.0
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Weird War III and even stranger things! The British-based ex-X-Men face fearful far-out adventures,...
Gwenpool, The Unbelievable Vol. 4: Beyond The Fourth Wall
8.0
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Collects The Unbelievable Gwenpool #16-20. Gwen Poole is everyone's favorite character from the...
Loki: Agent of Asgard, Vol. 3: Last Days
8.0
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He's Loki's older, nastier, vastly more powerful future self. His machinations have cost Loki...
Thor: Ages of Thunder
8.0
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As the Mighty Thor reclaims his rightful spot in the Marvel Pantheon, we join Matt Fraction and...
Guardians of the Galaxy, Volume 2: Angela
Neil Gaiman and Brian Michael Bendis
9.0
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Spinning out of the dramatic conclusion of Age of Ultron, dimensions collide and Heaven's most...
LeftSideCut (3778 KP) rated Iron Man (2008) in Movies
Jan 27, 2020
Where it all began
After becoming essentially bankrupt in the mid 90s, Marvel Comics ended up selling off the film rights of their properties to various film studios, resulting in a decade of new superhero franchises varying in quality, from X-Men, to Dardevil, Spider-Man to Hulk, Blade to Ghost Rider, and so on.
As such, none of these films we ever close to being part of a connected universe.
Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.
Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.
Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!
Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.
Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
As such, none of these films we ever close to being part of a connected universe.
Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.
Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.
Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!
Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.
Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
Bob Mann (459 KP) rated Captain Marvel (2019) in Movies
Sep 28, 2021
Women: Be the Best Version of Yourselves!
So, after much brouhaha and trolling – probably mostly from woman-hating teenage nerds who can’t get laid – Brie Larson‘s hyper-hero barrels onto our cinema screens.
Stan Lee tribute.
First off, what a Marvel-lous idea to pay tribute to Stan Lee in the Marvel production logo for this film. Michael Giacchino‘s rousing Marvel anthem leads to a simple title card: “Thanks Stan”. Poignant and touching.
Lee makes another cameo in this film. I wonder how many more of these they have in the can? Will they “do a Princess Leia” in future films and CGI in his cameos? I’m not a great fan of this, but he’s such a staple part of the show that – with his family’s permission of course – I would actually welcome having that happen in this specific case.
The Plot.
The movie opens on the Kree home world of Hala where Vers, a member of Starforce (“a race of noble warrior heroes”), is being put through her paces by her mentor Yon-Rogg (Jude Law). But she is one mixed up lady, having some exceptional powers but no memory of her past. As an example of this, when she communes with the ‘Supreme Intelligence’ (who looks different to everyone) she sees a woman (Annette Bening) who she clearly admires but she has no idea why.
The Kree are at war against the race of terrorist thugs known as the Skrulls. (Their name reminds me of a classic Mitchell and Webb Nazi SS sketch – “We have skulls on our caps…. does that mean we’re the baddies?”). After a Skrull ambush and some judicious brain-delving, Vers surfaces memories that leads her back to the Terran home world and a past that is set to redefine her future.
What’s good.
A lot. I really enjoyed this Marvel outing. With all the nay-sayers, I went in with low expectations, but the story actually built well and Brie Larson makes the role her own. It goes without saying that she looks gorgeous and fills out that costume very nicely! (The zero gravity ‘hair scene’ is spectacular). But she manages to convey with that style superhero grit with an essence of quirky humour running underneath it. In doing so she holds the whole film together.
Also spectacular were the ‘youngified’ Nick Fury (Samuel L Jackson) and Agent Coulson (Clark Gregg). The effect could have been ‘uncanny valley’ with knobs on, but is actually done so well I didn’t even notice. The chemistry between Jackson and Larson is great.
In the strong supporting cast Annette Bening is pure class, and a well-toned Jude Law seems to be having enormous fun. Elsewhere, Ben Mendelsohn (of “Rogue One” fame) is the leader of the Krulls and “Goose” is played by Reggie, Gonzo, Archie and Rizzo! (Flerkin hell!)
The Marvel/DC Laff-ometer.
A key characteristic of the Marvel/DC films is the humour injected (more it has to be said in Marvel than DC), and in terms of the Marvel/DC-laffometer, this film probably lies fairly in the middle of the range. It’s not the snort-fest of Ragnarok or GotG, but neither is it at the po-faced Man of Steel end. Much fun is made of the 1995 setting with gags from Arnie in “True Lies” to computer loading times being well-exploited.
There are also lots of great Marvel in-jokes, not least of which is the story behind Fury losing his eye: hilarious!
What’s not so good.
The problem I have with “Transformers” films is that there is little tension for me in seeing robots hitting ten-bells out of each other. I’ve similarly commented that many superhero movies have the same flaw that (Thanos aside, as things stand) they are pretty much indestructible and there is little threat implied. Captain Marvel however takes this to entirely different levels: the Hulk smash is a mere gnat-bite compared to what Carol Danvers can deliver; storming through planet-busting nuclear weapons and starships without a scratch. It’s so over-the-top that a showdown scene in the finale, although played for a laugh, also becomes laughable in the wrong way.
The film also ladles on female empowerment as if it was gravy in an Australian chip shop! (I bet Theresa May has the film on permanent loop in the Downing Street home cinema). Don’t get me wrong, I am a big supporter of #MeToo (and indeed #SheDo), but the film is a bit too heavy handed in its messaging in this area.
A troop of monkeys.
There are two extra scenes in the end titles (“monkeys“) and they are both corkers. The first bridges directly from “Infinity War” to “Endgame”, picking up (literally) that pager that Nick Fury was no longer able to hang onto; the second a nice sight gag featuring Goose that links the end of this film to the “monkey” at the end of Thor! Well worth waiting for!
Final Thoughts.
This was a Marvel film I really enjoyed, and which I would definitely re-watch. It’s been written and directed by ‘indie’ writing duo Anna Boden and Ryan Fleck (with Geneva Robertson-Dworet also contributing to the screenplay), and very well done it is in my view. Not everyone seems to have liked it: but I did!
On April 25th, the Danvers vs Thanos match is going to be a bout that will be worth buying tickets to see!
Stan Lee tribute.
First off, what a Marvel-lous idea to pay tribute to Stan Lee in the Marvel production logo for this film. Michael Giacchino‘s rousing Marvel anthem leads to a simple title card: “Thanks Stan”. Poignant and touching.
Lee makes another cameo in this film. I wonder how many more of these they have in the can? Will they “do a Princess Leia” in future films and CGI in his cameos? I’m not a great fan of this, but he’s such a staple part of the show that – with his family’s permission of course – I would actually welcome having that happen in this specific case.
The Plot.
The movie opens on the Kree home world of Hala where Vers, a member of Starforce (“a race of noble warrior heroes”), is being put through her paces by her mentor Yon-Rogg (Jude Law). But she is one mixed up lady, having some exceptional powers but no memory of her past. As an example of this, when she communes with the ‘Supreme Intelligence’ (who looks different to everyone) she sees a woman (Annette Bening) who she clearly admires but she has no idea why.
The Kree are at war against the race of terrorist thugs known as the Skrulls. (Their name reminds me of a classic Mitchell and Webb Nazi SS sketch – “We have skulls on our caps…. does that mean we’re the baddies?”). After a Skrull ambush and some judicious brain-delving, Vers surfaces memories that leads her back to the Terran home world and a past that is set to redefine her future.
What’s good.
A lot. I really enjoyed this Marvel outing. With all the nay-sayers, I went in with low expectations, but the story actually built well and Brie Larson makes the role her own. It goes without saying that she looks gorgeous and fills out that costume very nicely! (The zero gravity ‘hair scene’ is spectacular). But she manages to convey with that style superhero grit with an essence of quirky humour running underneath it. In doing so she holds the whole film together.
Also spectacular were the ‘youngified’ Nick Fury (Samuel L Jackson) and Agent Coulson (Clark Gregg). The effect could have been ‘uncanny valley’ with knobs on, but is actually done so well I didn’t even notice. The chemistry between Jackson and Larson is great.
In the strong supporting cast Annette Bening is pure class, and a well-toned Jude Law seems to be having enormous fun. Elsewhere, Ben Mendelsohn (of “Rogue One” fame) is the leader of the Krulls and “Goose” is played by Reggie, Gonzo, Archie and Rizzo! (Flerkin hell!)
The Marvel/DC Laff-ometer.
A key characteristic of the Marvel/DC films is the humour injected (more it has to be said in Marvel than DC), and in terms of the Marvel/DC-laffometer, this film probably lies fairly in the middle of the range. It’s not the snort-fest of Ragnarok or GotG, but neither is it at the po-faced Man of Steel end. Much fun is made of the 1995 setting with gags from Arnie in “True Lies” to computer loading times being well-exploited.
There are also lots of great Marvel in-jokes, not least of which is the story behind Fury losing his eye: hilarious!
What’s not so good.
The problem I have with “Transformers” films is that there is little tension for me in seeing robots hitting ten-bells out of each other. I’ve similarly commented that many superhero movies have the same flaw that (Thanos aside, as things stand) they are pretty much indestructible and there is little threat implied. Captain Marvel however takes this to entirely different levels: the Hulk smash is a mere gnat-bite compared to what Carol Danvers can deliver; storming through planet-busting nuclear weapons and starships without a scratch. It’s so over-the-top that a showdown scene in the finale, although played for a laugh, also becomes laughable in the wrong way.
The film also ladles on female empowerment as if it was gravy in an Australian chip shop! (I bet Theresa May has the film on permanent loop in the Downing Street home cinema). Don’t get me wrong, I am a big supporter of #MeToo (and indeed #SheDo), but the film is a bit too heavy handed in its messaging in this area.
A troop of monkeys.
There are two extra scenes in the end titles (“monkeys“) and they are both corkers. The first bridges directly from “Infinity War” to “Endgame”, picking up (literally) that pager that Nick Fury was no longer able to hang onto; the second a nice sight gag featuring Goose that links the end of this film to the “monkey” at the end of Thor! Well worth waiting for!
Final Thoughts.
This was a Marvel film I really enjoyed, and which I would definitely re-watch. It’s been written and directed by ‘indie’ writing duo Anna Boden and Ryan Fleck (with Geneva Robertson-Dworet also contributing to the screenplay), and very well done it is in my view. Not everyone seems to have liked it: but I did!
On April 25th, the Danvers vs Thanos match is going to be a bout that will be worth buying tickets to see!
Ross (3284 KP) May 8, 2019
Imogen SB (4507 KP) May 8, 2019