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Hawkeye, Volume 4: Rio Bravo
Hawkeye, Volume 4: Rio Bravo
Matt Fraction | 2015 | Comics & Graphic Novels
8
8.0 (2 Ratings)
Book Rating
So, this afternoon, I took it upon myself to nom-nom-nom on this nugget, instead of leaving it for my "pre-sleep time read". Let's just say that I have no regrets for this decision.

All four volumes of the Matt Fraction HAWKEYE run were a re-read for me. This volume, and the previous volume, Vol. 3: "L.A. Woman", were compiled slightly out of order. The issues in the Vol. 3 were all part of Kate Bishop's story, as she and Lucky went out to L.A. The issues in this final volume, while out of order, help continue the story, concluding with Kate's return for the series finale (not a spoiler, if you read Volume 3, which if you didn't, I am very disappointed in you. Tch!).

The volume, as a whole, flows like a well-crafted indie action-adventure flick. There is plenty of white-knuckle tense scenes, as well as some genuine "kick ya in the feels" moments. Heck, there's even a small amount of chuckles, too! All in all, a perfect ending to a perfect series!

In addition to Katie-Kate's return, it also brings back David Aja, whose art on the series' run, was nothing short of brilliant! Aja brought a pulp feel to the art, a style that suited Fraction's portrayal of Clint Barton.

All in all, the entire run is worth your time, not just this fourth, and final, volume of the series! In an era where Marvel thinks constantly rebooting series, as well as offering way too many meaningless crossover events, is how you put out quality material, it warms my nerdy comic lovin' heart to still return to good stuff like Matt Fraction's HAWKEYE run! Thank you, Matt, and thank you to all the excellent art choices you assembled for this run!
  
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Sarah (7800 KP) rated Onward (2020) in Movies

Oct 5, 2020 (Updated Oct 5, 2020)  
Onward (2020)
Onward (2020)
2020 | Adventure, Animation, Comedy
Heartwarmingly funny
For me Pixar films usually fall into one of two categories: very good (Cars, Brave, Coco) and brilliant (Up, Wall-E, Toy Story). However there is no such thing as a bad Pixar film, and Onward does not prove this wrong.

A Pixar film with a fantasy setting, what's not to like? It's a great take on elves, wizards and mythical creatures and also relevant to today's society with it's cultural references and technological advancements. And unicorns acting like stray cats? Genius. The plot itself is exactly the type of quest you'd expect in a fantasy, with your typical Disney/Pixar tropes (dead parent). However this story doesn't necessarily turn out the way you'd expect and I have to commend Pixar for not being predictable. Like Frozen before it, this plays out in a rather emotional and heartwarming yet fairly unexpected way. I'd be lying if I said I didn't get any "feels" watching this!

There's no real need to say that this film looks amazing. I think it'd be more surprising if a Pixar film didn't. It also has a great voice cast although my only real negative of this film is that I felt like the cast could've been given more to work with. It may have just been me not paying attention, but I struggled to even notice John Ratzenberger (which is like missing the late Stan Lee in a Marvel film).

Onward is an unusual Pixar film. For me it falls between the aforementioned categories. It's not "bad" enough to just be very good but it's not quite brilliant, although I did enjoy it very much and laughed a lot more than I was expecting.
  
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Kristy H (1252 KP) Oct 5, 2020

I found this one to be surprisingly enjoyable. Definitely laughed more than I thought I would too

Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
Birds of Prey (And the Fantabulous Emancipation of One Harley Quinn) (2020)
2020 | Action, Adventure, Crime
Exhibit no. 853928706 on why DC has been *crushing* Marvel these past four years. I do have my grievances: they pretty much skip all the actual Birds of Prey stuff (you know, what the movie is titled lmao) until the last twenty minutes, it takes a bit too much time at points, and not to mention this is a completely different character than what was presented in 𝘚𝘶𝘪𝘤𝘪𝘥𝘦 𝘚𝘲𝘶𝘢𝘥 (for better and for worse) which I confess I would have liked to have seen more psychotic. Otherwise though this is pretty much exactly what movies were made for - a candy-coated live action cartoon sprinkled heavily with orgasmically choreographed savage violence, plentiful vulgarity, and the cheerfully dark edge that the aforementioned 𝘚𝘲𝘶𝘢𝘥 (which I still defend for at least being a good time) desperately craved. Robbie, Messina, and McGregor knock it out of the park and it's just great seeing Rosie Perez punch people in the face with brass knuckles. Furthermore this is one of the precious few recent studio 'girl power' movies where I actually bought that it gave a shit about the girls beyond superficial, insincere, and reductive woke points. At its core lies a legitimately poignant story about these women being chastised, abused, undermined, and taken advantage of for having the same traits (in a world that would already jump at the opportunity to eat them alive even if they didn't have them) that men get a pass and/or are even encouraged for having - so they respond by beating the ever-loving, merciless fuck out of them and it's deeply satisfying. No wonder usual superhero audiences who are used to female characters with zero personality or dynamism let this flop. Though I'm probably the only person on the planet who though that Leto's cracked-out Joker would have made a perfect addition to this.
  
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Ta’alo’s Tribe: Project Armageddon (The Marvel-ous Mates of Artaxa prime 1)
By Remy Cavilich
⭐️⭐️

When the UGH taps Dr. Celeste Ballatine to run a space junk retrieval mission with a higher-than-normal commission and very few restrictions, she doesn't hesitate, and neither do her crewmates, Jax and Yuri. There's just one problem--there weren't supposed to be survivors on Artaxa Prime, but there are. The only hope for survival is to make contact with the natives and hope for the best.

Celeste stumbles across a tribe of primitive alien hybrids with the strange ability to understand her, but they want something in exchange for their help, something she's not sure she's willing to give.

They want her to take an alien mate.

With their literal lives on the line, Celeste must make the ultimate sacrifice--herself--to save the guys. As if things weren't bad enough, her crewmates are rather attached to her, and the idea of adding a fourth to their balanced triangle doesn't sit well with them.

The longer she stays on this planet, the more her collection of mates will grow. Turns out there are many alien races on the planet, and all of them will want to stake their claim on the new human female.

I don’t know how I stuck with it at first the 2 “human males” at the beginning really put me off and I’m not sure of it was meant to make us think that human men are all leaches maybe? But I stuck with it and I actually liked the idea of these alien lions. It was definitely ropey in places but I’m intrigued to see where it goes.