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Joe Goodhart (27 KP) rated X-Men: Second Coming in Books
Nov 30, 2020
This was a re-read for me, as I remember reading the actual issues when when came out in 2011. I can recall liking it overall. After this return to it, I have to rephrase my opinion.
The story is about Hope Summers, but it is also about Cable, and it is about sacrifice. It is also about taking responsibility for our actions, and the consequences of those actions. And, it is about the end of Christoper Yost's and Craig Kyle's X-Force run.
There was some top writers assigned to this x-over, but it just felt inconsistent. I love Matt Fraction's HAWKEYE run (still one of my favorite Marvel series runs EVER), but here, it just was missing something, like when someone gives you a recipe, you try re-creating it, and the end result is as far from the recipe as the tool in the White House posing as the President! Even Yost and Kyle, who I have a great deal of regard, felt like they were glad to be done and having nothing more to offering.
Then there is the art. There was really great pages in the beginning. The art by David Finch (he was the only reason I gave this book three Stars) in the first chapter is brilliant and totally suits the theme(s) of the story. However, after his issue, everything goes from derpy (re: Greg Land, "Mr. Lighbox" himself) to just not-as-good-as-I-remember (re: Terry Dodson). And don't even get me started on the inconsistency of which costume Wolverine would be wearing in the issues he would be appearing!
I thought that NECROSHA was as bad as it could get, but this one definitely took care of that bad taste!
Instead of reading SECOND COMING, there are slew of older X-books out there, with better art, better stories, and better direction. Save your money!
The story is about Hope Summers, but it is also about Cable, and it is about sacrifice. It is also about taking responsibility for our actions, and the consequences of those actions. And, it is about the end of Christoper Yost's and Craig Kyle's X-Force run.
There was some top writers assigned to this x-over, but it just felt inconsistent. I love Matt Fraction's HAWKEYE run (still one of my favorite Marvel series runs EVER), but here, it just was missing something, like when someone gives you a recipe, you try re-creating it, and the end result is as far from the recipe as the tool in the White House posing as the President! Even Yost and Kyle, who I have a great deal of regard, felt like they were glad to be done and having nothing more to offering.
Then there is the art. There was really great pages in the beginning. The art by David Finch (he was the only reason I gave this book three Stars) in the first chapter is brilliant and totally suits the theme(s) of the story. However, after his issue, everything goes from derpy (re: Greg Land, "Mr. Lighbox" himself) to just not-as-good-as-I-remember (re: Terry Dodson). And don't even get me started on the inconsistency of which costume Wolverine would be wearing in the issues he would be appearing!
I thought that NECROSHA was as bad as it could get, but this one definitely took care of that bad taste!
Instead of reading SECOND COMING, there are slew of older X-books out there, with better art, better stories, and better direction. Save your money!
Joe Goodhart (27 KP) rated New Mutants by Zeb Wells: The Complete Collection in Books
Nov 30, 2020
So, thanks to recent good deals on Comixology, as well as mandated COVID-19 stay-@-home in NC (it's the same elsewhere in the U.S., but I just felt like throwing out where I am in the mess), I have taken it upon myself to catch up with some classic Marvel mutant madness that I had missed first time around. For this week's excursion, I took on Zeb Wells' NEW MUTANTS run.
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.
First, let me say that I had never read anything Wells had written before this. That being said, I would agree with what I saw a number of people saying in their reviews: that Zeb Wells does a bang-up job of writing for X-youngins! The dialogue and characterization never felt off or just plain badly written. It felt like he had a genuine fondness for the characters, and it was reflected in the way he treated them in the stories.
The only thing that prevented me from giving it four Stars was the art. I felt the stories detailed were interesting and several towards the end were very tense and exciting to me. However, that art? Not so much.
It started out great in the beginning w/the art by Dio Neves during "Return of the Legion". However, it just became a sea of inconsistency, as just too many artists of varied styles made for a mess that kept it from being a four Star book!
Final conclusion.. The art, while severely conflicting with the differences in styles, was not a high point of the book. Zeb Wells' writing? So, so good! Made me remember that not all the X-books at that point in time were angst-y and full of internalized self-conflicts!
Next on my list? I have the two volumes of Dan Abnett and Andy Lanning's run of NEW MUTANTS, which picks up after Wells' run. To coin a phrase from comedian John Mulaney's act, "This oughta be good!". See y'all when I am finished with that one.
LoganCrews (2861 KP) rated Disorder (Maryland) (2015) in Movies
Dec 7, 2020
"𝘐'𝘷𝘦 𝘣𝘦𝘦𝘯 𝘸𝘢𝘪𝘵𝘪𝘯𝘨 𝘧𝘰𝘳 𝘢 𝘨𝘶𝘪𝘥𝘦 𝘵𝘰 𝘤𝘰𝘮𝘦 𝘢𝘯𝘥 𝘵𝘢𝘬𝘦 𝘮𝘦 𝘣𝘺 𝘵𝘩𝘦 𝘩𝘢𝘯𝘥
𝘊𝘰𝘶𝘭𝘥 𝘵𝘩𝘦𝘴𝘦 𝘴𝘦𝘯𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘮𝘢𝘬𝘦 𝘮𝘦 𝘧𝘦𝘦𝘭 𝘵𝘩𝘦 𝘱𝘭𝘦𝘢𝘴𝘶𝘳𝘦𝘴 𝘰𝘧 𝘢 𝘯𝘰𝘳𝘮𝘢𝘭 𝘮𝘢𝘯?
𝘓𝘰𝘴𝘦 𝘴𝘦𝘯𝘴𝘢𝘵𝘪𝘰𝘯𝘴, 𝘴𝘱𝘢𝘳𝘦 𝘵𝘩𝘦 𝘪𝘯𝘴𝘶𝘭𝘵𝘴, 𝘭𝘦𝘢𝘷𝘦 𝘵𝘩𝘦𝘮 𝘧𝘰𝘳 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘥𝘢𝘺
𝘐'𝘷𝘦 𝘨𝘰𝘵 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵, 𝘭𝘰𝘴𝘦 𝘵𝘩𝘦 𝘧𝘦𝘦𝘭𝘪𝘯𝘨
𝘛𝘢𝘬𝘦 𝘵𝘩𝘦 𝘴𝘩𝘰𝘤𝘬 𝘢𝘸𝘢𝘺"
- "Disorder", Joy Division 1979
Sort of like if 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 existed in the same universe as 𝘋𝘳𝘪𝘷𝘦. Not too much you haven't seen before but a total technical marvel - very few times before has a camera been *this* intrinsically linked to a character's psyche: constantly shifting focus, shifting in and out of reality, overanalyzing every little minutia to the point of near blinding anxiety - if it isn't a threat yet it'll be hyperfocused on until it becomes one, real or not. The sort of moviemaking that makes you second guess everything you just saw right through to its bone-chilling ending. That being said it does strain in the home stretch but not only is this sort of stylish, synthy slow burn thriller inherently fun to me - but it says something interesting when the only time this settles down is during the kind of dangerous situation this character is scrambling to find, only in moments of repose do things become truly jangled - where "the calm before the storm" *is* the storm, and vice-versa. Schoenaerts is incredible in it, the type of towering, volatile performance that makes you break a sweat. Every time this guy moves suddenly it about makes my heart stop and when he finally cracks a genuine smile an hour+ in it's a momentous occasion. At first you may think (not so unjustifiably given Hollywood's history with PTSD) that the title is a reductive swipe at his affliction, but as the movie progresses you realize it signifies his commanding search for some semblance of order in his life. Far from flawless but for the most part precisely what I was hoping for out of it.
𝘊𝘰𝘶𝘭𝘥 𝘵𝘩𝘦𝘴𝘦 𝘴𝘦𝘯𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘮𝘢𝘬𝘦 𝘮𝘦 𝘧𝘦𝘦𝘭 𝘵𝘩𝘦 𝘱𝘭𝘦𝘢𝘴𝘶𝘳𝘦𝘴 𝘰𝘧 𝘢 𝘯𝘰𝘳𝘮𝘢𝘭 𝘮𝘢𝘯?
𝘓𝘰𝘴𝘦 𝘴𝘦𝘯𝘴𝘢𝘵𝘪𝘰𝘯𝘴, 𝘴𝘱𝘢𝘳𝘦 𝘵𝘩𝘦 𝘪𝘯𝘴𝘶𝘭𝘵𝘴, 𝘭𝘦𝘢𝘷𝘦 𝘵𝘩𝘦𝘮 𝘧𝘰𝘳 𝘢𝘯𝘰𝘵𝘩𝘦𝘳 𝘥𝘢𝘺
𝘐'𝘷𝘦 𝘨𝘰𝘵 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵, 𝘭𝘰𝘴𝘦 𝘵𝘩𝘦 𝘧𝘦𝘦𝘭𝘪𝘯𝘨
𝘛𝘢𝘬𝘦 𝘵𝘩𝘦 𝘴𝘩𝘰𝘤𝘬 𝘢𝘸𝘢𝘺"
- "Disorder", Joy Division 1979
Sort of like if 𝘛𝘩𝘦 𝘎𝘶𝘦𝘴𝘵 existed in the same universe as 𝘋𝘳𝘪𝘷𝘦. Not too much you haven't seen before but a total technical marvel - very few times before has a camera been *this* intrinsically linked to a character's psyche: constantly shifting focus, shifting in and out of reality, overanalyzing every little minutia to the point of near blinding anxiety - if it isn't a threat yet it'll be hyperfocused on until it becomes one, real or not. The sort of moviemaking that makes you second guess everything you just saw right through to its bone-chilling ending. That being said it does strain in the home stretch but not only is this sort of stylish, synthy slow burn thriller inherently fun to me - but it says something interesting when the only time this settles down is during the kind of dangerous situation this character is scrambling to find, only in moments of repose do things become truly jangled - where "the calm before the storm" *is* the storm, and vice-versa. Schoenaerts is incredible in it, the type of towering, volatile performance that makes you break a sweat. Every time this guy moves suddenly it about makes my heart stop and when he finally cracks a genuine smile an hour+ in it's a momentous occasion. At first you may think (not so unjustifiably given Hollywood's history with PTSD) that the title is a reductive swipe at his affliction, but as the movie progresses you realize it signifies his commanding search for some semblance of order in his life. Far from flawless but for the most part precisely what I was hoping for out of it.
LeftSideCut (3778 KP) rated Captain America: The Winter Soldier (2014) in Movies
Oct 15, 2020
This first sequel to Captain America: The First Avenger is everything a sequel should be. It has bigger and better set pieces, it has a bigger emotional centre, it brings in already established MCU characters and introduces new ones, and is arguably one of the best entries into the MCU to date.
Chris Evans does nothing more than tighten his grip around his most famous role. He joins Robert Downey Jr. in the category of irreplaceable actors for these characters.
Scarlett Johansson is once again great as Black Widow, and newcomer Anthony Mackie as Sam Wilson/Falcon provides Cap with a likeable new ally. The three of them as a sort of mini Avengers in this movie are fantastic.
Sebastian Stan plays The Winter Soldier with aplomb, and gives us a truly dangerous antagonist. The dude is fucking terrifying, yet his relationship with Steve Rogers gives us the heart of this movie. It's a tragic story which of course will be further explored in Civil War further down the line.
The cast is rounded off with Samuel L. Jackson returning as Nick Fury, Robert Redford as Alexander Pierce, Emily VanCamp as Agent 13, Frank Grillo as Brock Rumlow, and some smaller roles for Cobie Smulders and Hayley Atwell.
It's a really solid cast all in all, an area that Marvel Studios rarely missteps.
The set pieces are hugely high octane and thrilling. The opening scene on the barge is a highlight, as well as the teams fight with the Winter Soldier midway through. Even Nick Fury gets a banger of an action sequence. Also, this film boasts probably the biggest plot twist gut punch in the whole MCU with the SHIELD/Hydra reveal. It's an extremely well crafted, ballsy narrative that impacts the shape of the MCU going forward.
There's honestly nothing bad to say about this one. It's top tier comic book cinema.
Chris Evans does nothing more than tighten his grip around his most famous role. He joins Robert Downey Jr. in the category of irreplaceable actors for these characters.
Scarlett Johansson is once again great as Black Widow, and newcomer Anthony Mackie as Sam Wilson/Falcon provides Cap with a likeable new ally. The three of them as a sort of mini Avengers in this movie are fantastic.
Sebastian Stan plays The Winter Soldier with aplomb, and gives us a truly dangerous antagonist. The dude is fucking terrifying, yet his relationship with Steve Rogers gives us the heart of this movie. It's a tragic story which of course will be further explored in Civil War further down the line.
The cast is rounded off with Samuel L. Jackson returning as Nick Fury, Robert Redford as Alexander Pierce, Emily VanCamp as Agent 13, Frank Grillo as Brock Rumlow, and some smaller roles for Cobie Smulders and Hayley Atwell.
It's a really solid cast all in all, an area that Marvel Studios rarely missteps.
The set pieces are hugely high octane and thrilling. The opening scene on the barge is a highlight, as well as the teams fight with the Winter Soldier midway through. Even Nick Fury gets a banger of an action sequence. Also, this film boasts probably the biggest plot twist gut punch in the whole MCU with the SHIELD/Hydra reveal. It's an extremely well crafted, ballsy narrative that impacts the shape of the MCU going forward.
There's honestly nothing bad to say about this one. It's top tier comic book cinema.
Sarah (7798 KP) rated The Umbrella Academy - Season 1 in TV
Aug 1, 2020
Deserving of the hype
The review is a copy of my review of the main series, as the first season is what I based it on!
I have to admit, I was pretty impressed with this show. It's not every day when you watch something that meets all of the hype surrounding it, and I was quite sceptical to begin with.
The show manages to brilliantly blend action, the supernatural and dark humour to form an intriguing and interesting adult plot, with just enough twists to keep you hooked without going too OTT (Lost style). It also has some brilliant fight scenes (with a decent amount of blood and gore) that are paired with a truly killer soundtrack. And it has fortunately gone down the adult route rather than making this suitable for kids like some of the Marvel type shows/films.
The characters too for the most part are witty, deep and well thought out, from the family members to the villains Hazel and Cha-Cha. My favourites are by far Five and Klaus. Robert Sheehan is a great actor, I've loved him since Misfits and he's really perfect for Klaus. And Aidan Gallagher is brilliant as the old man in a child's body Five, there's something very humorous seeing a thirteen year old outsmarting and killing people. He's a true delight whenever he's on screen. My only real issue with the characters is with Vanya. For me I found her very dull to begin with and I thought her entire storyline was a teeny bit predictable. She does pick up and get more interesting towards the end, it's just a shame she puts a downer on the earlier episodes. Luckily the rest of the show more than makes up for it.
I can't begin to say how devastated I was at the end of the final episode. I could've quite happily watched more, so I really hope they renew this for another season.
I have to admit, I was pretty impressed with this show. It's not every day when you watch something that meets all of the hype surrounding it, and I was quite sceptical to begin with.
The show manages to brilliantly blend action, the supernatural and dark humour to form an intriguing and interesting adult plot, with just enough twists to keep you hooked without going too OTT (Lost style). It also has some brilliant fight scenes (with a decent amount of blood and gore) that are paired with a truly killer soundtrack. And it has fortunately gone down the adult route rather than making this suitable for kids like some of the Marvel type shows/films.
The characters too for the most part are witty, deep and well thought out, from the family members to the villains Hazel and Cha-Cha. My favourites are by far Five and Klaus. Robert Sheehan is a great actor, I've loved him since Misfits and he's really perfect for Klaus. And Aidan Gallagher is brilliant as the old man in a child's body Five, there's something very humorous seeing a thirteen year old outsmarting and killing people. He's a true delight whenever he's on screen. My only real issue with the characters is with Vanya. For me I found her very dull to begin with and I thought her entire storyline was a teeny bit predictable. She does pick up and get more interesting towards the end, it's just a shame she puts a downer on the earlier episodes. Luckily the rest of the show more than makes up for it.
I can't begin to say how devastated I was at the end of the final episode. I could've quite happily watched more, so I really hope they renew this for another season.
Sam (228 KP) rated The Willoughbys (2020) in Movies
May 13, 2020
Character development (or not) (3 more)
Good messages
Cute music
Adorable storyline
Absolutely Adorable
This film takes hard and upsetting topics, addressing them in a light-er tones that can be understood by children. This film is a heartwarming tale about the trust meaning of family and what it really means to choose your family. At the end (no spoilers!) there is a single moment where I began to worry that it would be one of THOSE movies and trust me you'll know it when you see it. I'll give you a hint and say it involves es both the parents and kids but that's all I'm saying!
The reason I enjoyed this film so much definitely has to do with how they chose to address the topics of social services and what it means to put a child into the system. They also do this in such a way that a child can understand and clearly see that there's something not right with how they go about things. However, despite this, they do not make 'orphan services' as it's called in the film, the bad guy. Rather they add a slightly different tone, hinting that they care and that their coldness is a result of trying to be apart of the working system. They're not the 'problem' in the film but simply another aspect within the film pushing the real problem. The system is broken, a system set up to help and keep children safe (they even mention it in film), is instead breaking up families for no other reason than minimal circumstance and (not sure if people caught this one) NO EVIDENCE.
I fear I'm starting to hint around spoilers so I'll say no more but the film is worth a look. Even if you don't necessarily like kid films the ideas in this film on family and 'the system' is truly something to marvel.
The reason I enjoyed this film so much definitely has to do with how they chose to address the topics of social services and what it means to put a child into the system. They also do this in such a way that a child can understand and clearly see that there's something not right with how they go about things. However, despite this, they do not make 'orphan services' as it's called in the film, the bad guy. Rather they add a slightly different tone, hinting that they care and that their coldness is a result of trying to be apart of the working system. They're not the 'problem' in the film but simply another aspect within the film pushing the real problem. The system is broken, a system set up to help and keep children safe (they even mention it in film), is instead breaking up families for no other reason than minimal circumstance and (not sure if people caught this one) NO EVIDENCE.
I fear I'm starting to hint around spoilers so I'll say no more but the film is worth a look. Even if you don't necessarily like kid films the ideas in this film on family and 'the system' is truly something to marvel.
LoganCrews (2861 KP) rated Suicide Squad (2016) in Movies
Sep 29, 2020
Entirely crackbrained and nonsensical - I'm not even sure there's a single theme in either this nor the extended cut - but way better than 𝘛𝘩𝘦 𝘈𝘷𝘦𝘯𝘨𝘦𝘳𝘴 for the chief purposes that it doesn't look like pure ass and doesn't really try to act like it's anything more than religiously entertaining dirtpunk grit-fetish trash. It's just about as thinly-written as the former, but if you're going to make one-note characters and a bullshit plot I'd rather them sport this sort of wildly memorable, freakish cringe rather than the flat, market-tested cringe of most modern day Marvel. There's more meme-worthy, hilariously dumbass quotes in here than you can shake a stick at and the designwork on display is simply delicious imo - the lush, matted mess of CGI is actually quite stunning and the production is exquisite: the sickly makeup + vibrant costuming against the sets where you often see opulent golds and corporate lucre juxtaposed with a dank coat of dirt and graffiti - it's total eye candy. The image of Harley Quinn and Joker laughing in the chemical bath while Kehlani's "Gangster" blasts in the background and the colors from their clothes melt away is nothing less than a knockout piece of moving imagery. Smith is the weak link, not only horribly miscast but it also seems like he isn't even trying - otherwise everyone else does a bangup job from Jared Leto's "Pimp Daddy" chilling street tweaker Joker to Viola Davis' business-casual demon Waller to Cara Delevingne's gonzo, always sauntering, Meryl Streep-sounding Enchantress. Very dynamically idiotic in that random fun shit is just allowed to happen because it's clear this isn't at all concerned with making any sort of sense to begin with. All this and with a soundtrack that can only be described as epic, I truly believe this is a fascinating curio that got way too bad of a rap. As dumb as everyone says but also better than the last five MCU entries.
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