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James P. Sumner (65 KP) rated X-Men: Dark Phoenix (2019) in Movies
Jun 5, 2019
A poor end to a great series.
With the much-publicised sale of the Fox-owned Marvel properties to Disney, we knew going into this film it would be the last of its series. The three entries that came before breathed life into a tired franchise, and were all must-see blockbusters.
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Sadly, Dark Phoenix doesn't live up to the quality of its predecessors.
It reminded me in a lot of ways of Christopher Nolan's "Dark Knight Rises". It was the end of something special... we had been promised stakes that had never been higher... we expected sadness... we expected fireworks. We expected a big finish.
Unfortunately, Dark Phoenix failed where Dark Knight Rises succeeded, and that was the payoff. The film seemed to be over just as it was getting started. A strong beginning with tension and danger promised more of the same, but it never quite got there. Visually, yes, you could see the build-up, see what was at stake... but you couldn't feel it. I found myself not caring what happened to the characters, which was a real shame.
The film just didn't feel... big enough for what it was trying to do.
We know from the trailers that an early mission into space ends with Jean Grey absorbing a cosmic energy known in the comics as the Phoenix Force. This whole thing felt very watered down compared to the source material, probably because for the entire time, none of the X-Men actually knew what they were dealing with. Just that Jean was angry and, well, you wouldn't like her when she's angry.
The bulk of the story revolves around the heroes trying to save their friend, but even they don't know from what they're trying to save her from. The CGI is well done, and isn't over-used. Some of the character arcs are intriguing to a point, although they lack the depth they needed to really make you care.
Without spoilers, the ending is satisfactory. It's very Dark Knight Rises in some ways, actually. A fitting end to the film, but only because the film itself was below par. The X-Men series that began with First Class deserved so much more.
If you've seen the other three, there's an obligation to say goodbye to the current iteration of these characters. But if you're just after a typical popcorn movie, I'm sad to say you could do much, much better than this.
(Oh, and there's no mid- or post-credits scene, so no need to sit through them.)
Life is not going well for Harley Quinn (Margot Robbie). She has recently
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
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LeftSideCut (3778 KP) rated Iron Man 2 (2010) in Movies
Jul 10, 2020
Ever since Captain America: The Winter Soldier, Marvel Studios have pretty much been on a hot streak. It's easy to forget that this titan of a movie house still had to finds its feet once upon a time, and unfortunately they do have a handful of underwhelming titles in their arsenal.
Iron Man 2 is in of these titles, and whilst bit a far cry from a bad movie, the formula wasn't quite there yet.
It's main issues comes from the writing I think. The plot dates to tackle issues such as Tony Stark's trouble with alcohol, a result of slowly being poisoned by the very mechanism that's keeping him alive. He hits rock bottom, pisses off everyone he loves, creates a new element (in probably the most ridiculously convoluted and stupid scene in the MCU) and somewhere amongst all this, there's some big dumb superhero action.
As much as I admire this route, the balance is off, and a big chunk of the movie gets bigger down by these issues.
The side plot that involves a B list villain Whiplash is a nice touch, but it's ultimately wasted in yet another ending brawl that features the hero against an evil version of himself, the second Iron Man film to be released and the second Iron Man film to feature a final boss in a bigger Iron Man suit. It just doesn't feel over imaginative.
It's not all bad though - Iron Man 2 boasts an incredible cast of talent. Robert Downey Jr. and Gwyneth Paltrow of course return from the first movie. Mickey Rourke is the aforementioned Whiplash (I find it hard to dislike Mickey Rourke in general), Don Cheadle takes over the mantle of War Machine, and of course we get the first appearance for Scarlett Johansson as Black Widow.
And a big reason why Iron Man 2 is better than it should be is down to the always fantastic Sam Rockwell. He plays secondary villain Justin Hammer and he oozes charisma, and fits in effortlessly opposite Downey Jr.
Other than that, the effects still hold up for the most part, and the set pieces are fun - the racing track scene is a particular highlight, and its always a treat to see the wider MCU being established as the main plot chugs along.
Iron Man 2 isn't as good as it's predecessor, and is at the lower and of the MCU quality spectrum, but there's still a lot to enjoy if you switch off a bit.
Iron Man 2 is in of these titles, and whilst bit a far cry from a bad movie, the formula wasn't quite there yet.
It's main issues comes from the writing I think. The plot dates to tackle issues such as Tony Stark's trouble with alcohol, a result of slowly being poisoned by the very mechanism that's keeping him alive. He hits rock bottom, pisses off everyone he loves, creates a new element (in probably the most ridiculously convoluted and stupid scene in the MCU) and somewhere amongst all this, there's some big dumb superhero action.
As much as I admire this route, the balance is off, and a big chunk of the movie gets bigger down by these issues.
The side plot that involves a B list villain Whiplash is a nice touch, but it's ultimately wasted in yet another ending brawl that features the hero against an evil version of himself, the second Iron Man film to be released and the second Iron Man film to feature a final boss in a bigger Iron Man suit. It just doesn't feel over imaginative.
It's not all bad though - Iron Man 2 boasts an incredible cast of talent. Robert Downey Jr. and Gwyneth Paltrow of course return from the first movie. Mickey Rourke is the aforementioned Whiplash (I find it hard to dislike Mickey Rourke in general), Don Cheadle takes over the mantle of War Machine, and of course we get the first appearance for Scarlett Johansson as Black Widow.
And a big reason why Iron Man 2 is better than it should be is down to the always fantastic Sam Rockwell. He plays secondary villain Justin Hammer and he oozes charisma, and fits in effortlessly opposite Downey Jr.
Other than that, the effects still hold up for the most part, and the set pieces are fun - the racing track scene is a particular highlight, and its always a treat to see the wider MCU being established as the main plot chugs along.
Iron Man 2 isn't as good as it's predecessor, and is at the lower and of the MCU quality spectrum, but there's still a lot to enjoy if you switch off a bit.
Joe Goodhart (27 KP) rated Justice League International, Vol. 1 in Books
Nov 30, 2020
I am a 50 year old comic reader. In this life, you should pick one hobby, stick with it, and make it your own. It's hard to do that when you have been reading "the funny pages" for pretty much most of your life. However, I am adapting, learning to leave the current Marvel and DC reboots and events be, as I am not the market they are aimed at. Instead, I have been content to re-read the old TPBs digitally, remembering what kept me interested in the comics.
I started re-reading JLI, as it was, and still is, one of my best memories of the late 80s-early 90s. The series was always sure to inspire me to laugh out loud, while reading what sort of crap Blue Beetle and Booster Gold would get themselves into. My strongest memories are of when then-unknown Adam Hughes took over the art, replacing Kevin Maguire. But, talking of that takes away from this particular Volume, where the magic, as it were, was to begin.
Let's jump into the art, since we were talking about that just a moment ago. Here, it is reminiscent of the 80s. Bright colors, fun attitude, new costumes. All of that was here, drawn perfectly by Kevin Maguire, with inks by Terry Austin (for issue 1) and Al Gordon thereafter. Everything about the series' art was a testament to the new direction the team was going, and it definitely worked!
The writing was okay. I remember the series as being funnier, but the first volume was necessary, as it was needed for the setting up, introducing the members and what their dynamic would be. The stories are not required reading, as I am just starting the third volume, and I feel you could skip this volume. Most notable, this was the first time we see Batman layout that misogynist of a GL, Guy Gardner. That alone is worth the price of admission indeed!
Look, there is nothing wrong with this Volume, other than the inside material overall was good, but not as great as I wanted to remember. Sure, the team was written in a fun way (something missing in the books today), but overall, I wanted to get to the bigger "Bwa-hahaha" that lay ahead.
So, final conclusion? It's up to you. I would say "Sure, give it a shot". There's a helluva lot worse graphic novels/TPBs you could be spending your hard earned cash on!
I started re-reading JLI, as it was, and still is, one of my best memories of the late 80s-early 90s. The series was always sure to inspire me to laugh out loud, while reading what sort of crap Blue Beetle and Booster Gold would get themselves into. My strongest memories are of when then-unknown Adam Hughes took over the art, replacing Kevin Maguire. But, talking of that takes away from this particular Volume, where the magic, as it were, was to begin.
Let's jump into the art, since we were talking about that just a moment ago. Here, it is reminiscent of the 80s. Bright colors, fun attitude, new costumes. All of that was here, drawn perfectly by Kevin Maguire, with inks by Terry Austin (for issue 1) and Al Gordon thereafter. Everything about the series' art was a testament to the new direction the team was going, and it definitely worked!
The writing was okay. I remember the series as being funnier, but the first volume was necessary, as it was needed for the setting up, introducing the members and what their dynamic would be. The stories are not required reading, as I am just starting the third volume, and I feel you could skip this volume. Most notable, this was the first time we see Batman layout that misogynist of a GL, Guy Gardner. That alone is worth the price of admission indeed!
Look, there is nothing wrong with this Volume, other than the inside material overall was good, but not as great as I wanted to remember. Sure, the team was written in a fun way (something missing in the books today), but overall, I wanted to get to the bigger "Bwa-hahaha" that lay ahead.
So, final conclusion? It's up to you. I would say "Sure, give it a shot". There's a helluva lot worse graphic novels/TPBs you could be spending your hard earned cash on!
Joe Goodhart (27 KP) rated X-Force, Vol. 2: Old Ghosts in Books
Nov 30, 2020
Wow, I can't believe I stopped reading this incarnation of X-FORCE around Issue 3! Mind you, I was going through personal issues, and a darker, edgier comic was more angst than I could handle at the time. However, now that I have it all in digital and I am in a better state - mentally, physically, spiritually - I couldn't have picked a better opportunity to dive back in from the beginning.
Volume Two is as good as, if not better than, the first Volume. The continuity throughout is seamless, not missing a beat, carefully tapping into old "big bads", with end-result being a high-tension, white-knuckle thrill-ride that manages to inject some humorous dialogue (Oh, Domino, you always says some snarkiest remarks sometimes, but ah, that timing! *grin*) every so often but never enough to break the mood.
Craig Kyle and Christopher Yost were the perfect choice for the writers of the series revision. They get in the characters' heads when the write, presenting us with the ones we knew rather than badly-plotted inconsistent shadows of their former selves.
Especially good, I remarked on this review of Volume One, is their treatment of X-23/Laura Kinney. She wants to be part of something, a "family" of sorts. It shows as her involvement in the team progresses. She watches out for them, tapping into techniques learned during her time in the Weapon X Project, working to ensure that everyone should remain alive, thus remaining a "family" of sorts.
Logan is still watching over from a distance, but close enough that if things get really bad, I imagine he's pull her. The way Yost and Kyle write it, I took it that Logan was still not comfortable with Cry-clops' decision for to be on the team, but as befits a father, he wants to give her the room to find herself
The only thing I didn't like about Laura/X-23 was the art. Facially? Nailed it, you seemed to be late 16, early-ish 17. However, her body was leaning towards objectification. From the noticeable breast enhancement to the bared mid-riff (Domino was not drawn as such) to the super-tight, two sizes too small uniform, I was, to say the least, disappointed that was how Marvel (and artist Mike Choi) chose to present her! X-23 illustration quibbles aside, the art overall was solid!
Again, I can't say enough good about the overall story, art, etc. If you are looking for a good X-read, look no further, for you have one right here! Enjoy.
Volume Two is as good as, if not better than, the first Volume. The continuity throughout is seamless, not missing a beat, carefully tapping into old "big bads", with end-result being a high-tension, white-knuckle thrill-ride that manages to inject some humorous dialogue (Oh, Domino, you always says some snarkiest remarks sometimes, but ah, that timing! *grin*) every so often but never enough to break the mood.
Craig Kyle and Christopher Yost were the perfect choice for the writers of the series revision. They get in the characters' heads when the write, presenting us with the ones we knew rather than badly-plotted inconsistent shadows of their former selves.
Especially good, I remarked on this review of Volume One, is their treatment of X-23/Laura Kinney. She wants to be part of something, a "family" of sorts. It shows as her involvement in the team progresses. She watches out for them, tapping into techniques learned during her time in the Weapon X Project, working to ensure that everyone should remain alive, thus remaining a "family" of sorts.
Logan is still watching over from a distance, but close enough that if things get really bad, I imagine he's pull her. The way Yost and Kyle write it, I took it that Logan was still not comfortable with Cry-clops' decision for to be on the team, but as befits a father, he wants to give her the room to find herself
The only thing I didn't like about Laura/X-23 was the art. Facially? Nailed it, you seemed to be late 16, early-ish 17. However, her body was leaning towards objectification. From the noticeable breast enhancement to the bared mid-riff (Domino was not drawn as such) to the super-tight, two sizes too small uniform, I was, to say the least, disappointed that was how Marvel (and artist Mike Choi) chose to present her! X-23 illustration quibbles aside, the art overall was solid!
Again, I can't say enough good about the overall story, art, etc. If you are looking for a good X-read, look no further, for you have one right here! Enjoy.
Emma @ The Movies (1786 KP) rated Spider-Man: Homecoming (2017) in Movies
Sep 25, 2019
And so to the latest incarnation in Spider-man Homecoming. After seeing Tom Holland in Civil War, well, let's just say that I was not convinced. Then the adverts where he's making the home movie of everything... yeah that began to grate a bit.
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!
There's no origin story with this one, or with his appearance in Civil War. I'm not sure how I feel about no Uncle Ben, or that they're regressing Aunt May every time she appears. But I do love Marisa Tomei, and she does get a fantastic last line.
Somewhere before this film went into production I reckon someone thought "We need something that's not quite a bad a Spider-man, but not quite as serious as The Amazing Spider-man." Someone else was walking by and overheard. "You should zhush it up with the Avengers treatment."... and so Homecoming was born.
The effects are of course way better than 2002, and everything is pretty bright and shiny since it was properly Marvelised. As much as I initially didn't like Tom Holland, I have to admit that he makes a good film. My only major issue is that it seems more concerned about bringing him into the Marvel Universe than leaving him out there developing his own film.
For a nerd, Peter has got game. We're on the third incarnation of films this side of 2000, and we're on the third (and potential fourth) love interest. I like that they're jumping that around a little, it does help make each lot feel slightly different, but it does get confusing... and obviously you can keep an eye out for other love interests who make appearances.
It seems unfair to compare all three films (which is a bit tricky as that was partly the idea of this whole post) because each of them have their own bit of the movie spectrum. The daft, the heart-wrenching and the blockbuster, all have their place in the collection. Gun against my head I'd probably still pick Andrew Garfield as my favourite, but Holland is right there too.
That being said, I still don't like Spider-man as a superhero...
*ducks under the table to avoid the barrage of abuse*
He's too chaotic, he's just too young (in this one) to really understand the full implications of what he's doing. I personally don't understand why he would be worthy of movie fame over other characters. It has been pointed out to me that as he's just a "regular Joe", that people can identify with him more over the other options of Gods or mutants... but hell... I'm mutant and proud!