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If You're in a Dogfight, Become a Cat!: Strategies for Long-Term Growth

Leonard Sherman

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Businesses often find themselves trapped in a competitive dogfight, scratching and clawing for...

THE KING OF FIGHTERS-i-

Games and Entertainment

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Details: The popular 2D Fighting Game Series “KOF” appears on the iPhone/iPod touch! With...

Critical Literacy for Information Professionals

Sarah McNicol

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This edited collection explores critical literacy theory and provides practical guidance to how it...

Sid Krofft recommended The Wizard of Oz (1939) in Movies (curated)

The Wizard of Oz (1939)

1939 | Fantasy, Musical

8.4

(117 Ratings)

Movie Favorite Watch

"I, on opening day, saw The Wizard of Oz — 1939, in Providence, Rhode Island. I even remember the theater, the Majestic Theater. Our dad [took us] and we slept in the street that night to wait for the first showing of it. And of course, just like everybody else on this planet, it’s made a lifetime impression on me. As a matter of fact, I think that H.R. Pufnstuft, which was our first television show, the whole feeling came from The Wizard of Oz. It wasn’t like it, but the story — with a boy instead of a girl, and all the characters and the trees and the witch — but we went in a whole other direction with ours. As a matter of fact, when the first Pufnstuft movie came out a year after we did the series, Time Magazine said it was “the next Wizard of Oz.” That was quite a statement. What else? Margaret Hamilton — as a matter of fact, I think the very last job that she had before she left us was in Sigmund and the Sea Monsters. She played the crazy lady next door who kept seeing the little monster and nobody believed her. She did two or three episodes for us. And the reason she wanted to do it? She wanted to meet Billie Hayes, who was Witchiepoo. She said Witchiepoo is the best witch; as a matter of fact, Billie Hayes met her at the airport and they became great friends. And the reason for being of Land of the Lost? In 1940 there was a movie called One Million B.C. Marty was just a couple of years old, and I was eleven. I had never seen a dinosaur moving; no one had. Only in our schoolbooks. I would take him to see One Million B.C. with Victor Mature… wow. That made a huge impression. It scared the hell out of me. Because, like I said, we had never seen a dinosaur moving before! And that idea gave us the idea to do Land of the Lost."

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Kudos

Becs (244 KP) rated Words That Kill in Books

Oct 2, 2019

Words That Kill

Vivid Vega | 2019 | Fiction & Poetry

7.0

(1 Ratings)

Book Rating

I’ve always had a thing for poetry and have loved every single poetry collection that I have gotten my hands on. My husband got me Words That Kill by Vivid Vega for this past Christmas. When I started to read it, I couldn’t put it down, it was just so good and so emotional. But I eventually had to take a break because it was starting to mess with me. There are not many poetry collections that touch on the mental health subject and I’m glad that there is now one available to the public.

Genre: Mental Health, Young Adult

Audience: Young Adult but also mature audiences as well

Reading level: Middle to High School

Interests: Depression, Mental Health, Anxiety, Suicide, Abuse, Hope, and Love.

Style: Light to hard – depending on the person.

Point of view: First person

Difficulty reading: Very easy to read but be warned, it does make you very emotional.

Promise: Words That Kill promises a poetry collection that talks about mental health and it delivers.

Quality: I believe everybody should read this even if they haven’t dealt with mental health.

Insights: Not taking the grammatical and spelling errors, the poems were a lot lighter to read compared to Rupi Kuar or even Shakespeare.

Ah-Ha Moment: There wasn’t really a moment where I went ‘Ah yea, that’s the turning point’. This is only because it wasn’t really a story, more of a poem that brings memories of the past back to life.

Favorite quote: “There is no need to hide in the shade, the light will come and your pain will fade.” – This is a great representation of how depression works. You have your good and your bad moments.

Aesthetics: The thing that drew me to the book in the first place, minus the topic of mental health of course, was the fact that the entire book is white words on an entirely black background. I’ve never seen a book have that aesthetically pleasing style and I love it!

“Like a flower, I will bloom again – depression.”

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Prayer App (Lite)

Lifestyle and Reference

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App

Prayer App is the most comprehensive Christian Prayer Journal App in the AppStore. It also comes...

THE KING OF FIGHTERS-i-.

Games and Entertainment

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App

Details: The popular 2D Fighting Game Series “KOF” appears on the iPhone/iPod touch! With...

Sleeping Dogs Definitive Edition

8.9 (7 Ratings) Rate It

Video Game

Sleeping Dogs is an open-world action game set on the exotic island of Hong Kong with brutal martial...

Lottie disney bookworm (1056 KP) rated Adele: The Forgotten Sister of Fred Astaire in Books

May 16, 2020

Thank you to Booksirens for sending me an advance review copy for free. I am leaving this review voluntarily.

I was intrigued by Adele when I first applied for an ARC: it isn't my usual kind of read but although I have heard of Fred Astaire (mainly from my grandma) I didn't know anything about his sister Adele, so I decided to give the book a go. Wow I am glad I did!

Nicola Cassidy brings the Astaires to life through her amazing writing. The majority of the novel is told from Adele's perspective: starting from when she is just a child. Cassidy, in turn, writes in a childish, conversationalist prose with this becoming steadily more mature along with our protagonist . By presenting Adele's life through her own eyes the reader feels her pain intensely: particularly towards the end of the novel. I'm not ashamed to say I was openly weeping at certain points.

Some critics may say that anyone can take a universally emotive topic and make you cry during a story. Well Cassidy goes one step further: through the character of Adele's father and the contrasting relationship she has with her mother and brother, the reader also witnesses the overwhelming feeling of absence- almost numbness towards the patriarchal figure. Similarly we also feel apprehension when we can recognise history repeating itself before Adele does: we can predict that this ending will not be an altogether happy one and it is this foresight and empathy that Nicola Cassidy creates which is unparalleled with any other book I have read recently.

Adele (the novel and the character) has glitz, glamour, heartache and inspiration. However, the novel has a steadying undertone with the changing effect of World War Two and the presence of several working class, dedicated women at the heart of the story.

Nowadays, it may be Fred Astaire who springs to mind but it was Adele who paved the way: it's about time she was given the chance to step out from her brother's shadow and regain the spotlight once again.