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RəX Regent (349 KP) rated Godzilla (1954) in Movies
Feb 25, 2019
The beginning was inspired...
Contains spoilers, click to show
I was first introduced to Godzilla in cartoon form in the 1980′s as a child, but it wasn't until 1998, with Roland Emmerich's blockbuster reboot that I had seen the infamous beast on the pearl screen. I had also seem bits and bobs of the many original sequels as a child and they had made absolutely no impact on me what so ever! But I became aware of the significance of this, the original, only recently and it was due to this discovery that I hunted down the best copy available.
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
Gareth von Kallenbach (980 KP) rated Harry Potter and the Order of the Phoenix (2007) in Movies
Aug 14, 2019
Life for a teenager is never an easy thing. Between the constant insecurities about appearance, social standing, and other peer pressures,the teen years can be among the most traumatic in a persons life.
However when you are Harry Potter (Daniel Radcliffe), and you have recently survived a one on one confrontation with the evil wizard Voldemort (Ralph Fiennes),
typical teen angst would seem a blessing compared to what is to come.
In the new film, “Harry Potter and the Order of the Phoenix” the classic 5th book in the series by J.K. Rowling has been transfered to the screen by Director David Yates, who shows that he has an affinity for the subject matter, and is not afraid to helm Harry and his friends into the darker chapters of their life.
The film opens with Harry and his cousin Dudley arguing as Harry has taken exception to the taunting over his recent nightmares and his dead parents. When an unexpected attack from dark forces forces Harry to use magic outside of Hogwarts to save their lives. While Harry is successful in his defense, he is shocked to learn that he is to be expelled for the action.
Soon Harry finds his way to a secret locale and is reunited with his friends Ron (Rupert Grint), and Hermione (Emma Watson), as well as his uncle Sirius (Gary Oldman).
Any joy from the reunion is short-lived as Harry learns that the locale is actually a secret lair for the Order of the Phoenix, a secret society dedicated to fighting Lord Voldemort.
Harry has learned that Minister Fudge (Robert Hardy), is using the press to descredit Harry’s tale that Voldemort has returned. In time, Harry is allowed to return to school and returns to find things have changed drastically.
The school has a new defense against the dark arts teacher named Dolores Umbridge (Imelda Staunton), has instituted strict rules and changes at the school and backed by the Ministry, she soon becomes a tyrant to the students, especially Harry whom she punishes severly any time he brings up the fact that Voldemort is back.
As if this were not bad enough, it seems as if a large portion of the school is weary of Harry as they are weary of his claims about Voldemort, and are starting to believe the negative things that have been written about Harry by the Ministry.
Undaunted, Harry and his friends soon begin their own training as Harry instructs them on ways to protect themselves from the dark forces assembling. During this time, Harry also grows closer to fellow student Cho
Chang (Katie Leung), and experiences his first kiss as he transitions from school boy to young man, with the weight of the world upon him.
What follows is an intense adventure as Harry and his friends race against time to save the day from the ever closing darkness, with their very lives hanging in the balance.
This Potter is darker and more mature than previous films and the dark tone and mood of the film is evident from the early scenes.
While there is still some humor in the film, the tone is set by Harry who has become a darker and more torubled individual and the events surrounding him do not
lead to much charm and merriment that was present in the earlier films in the series.
The cast does a good job and the FX work is solid if not spectacular. My biggest issue with the film is that it dragged in many segments and that the finale was not as exciting as I had hoped for. Many times during the film and after, I got the impression that I was watching a two and a half hour commercial for the next film and final book, as there was little in the film for me that drove the story or the mythos forward.
That being said, there were many scenes that I enjoyed in the film, I just wish the pacing of the film could have been better.
The film like Harry transitions into more mature themes and experiences,it just stumbles a bit getting there.
However when you are Harry Potter (Daniel Radcliffe), and you have recently survived a one on one confrontation with the evil wizard Voldemort (Ralph Fiennes),
typical teen angst would seem a blessing compared to what is to come.
In the new film, “Harry Potter and the Order of the Phoenix” the classic 5th book in the series by J.K. Rowling has been transfered to the screen by Director David Yates, who shows that he has an affinity for the subject matter, and is not afraid to helm Harry and his friends into the darker chapters of their life.
The film opens with Harry and his cousin Dudley arguing as Harry has taken exception to the taunting over his recent nightmares and his dead parents. When an unexpected attack from dark forces forces Harry to use magic outside of Hogwarts to save their lives. While Harry is successful in his defense, he is shocked to learn that he is to be expelled for the action.
Soon Harry finds his way to a secret locale and is reunited with his friends Ron (Rupert Grint), and Hermione (Emma Watson), as well as his uncle Sirius (Gary Oldman).
Any joy from the reunion is short-lived as Harry learns that the locale is actually a secret lair for the Order of the Phoenix, a secret society dedicated to fighting Lord Voldemort.
Harry has learned that Minister Fudge (Robert Hardy), is using the press to descredit Harry’s tale that Voldemort has returned. In time, Harry is allowed to return to school and returns to find things have changed drastically.
The school has a new defense against the dark arts teacher named Dolores Umbridge (Imelda Staunton), has instituted strict rules and changes at the school and backed by the Ministry, she soon becomes a tyrant to the students, especially Harry whom she punishes severly any time he brings up the fact that Voldemort is back.
As if this were not bad enough, it seems as if a large portion of the school is weary of Harry as they are weary of his claims about Voldemort, and are starting to believe the negative things that have been written about Harry by the Ministry.
Undaunted, Harry and his friends soon begin their own training as Harry instructs them on ways to protect themselves from the dark forces assembling. During this time, Harry also grows closer to fellow student Cho
Chang (Katie Leung), and experiences his first kiss as he transitions from school boy to young man, with the weight of the world upon him.
What follows is an intense adventure as Harry and his friends race against time to save the day from the ever closing darkness, with their very lives hanging in the balance.
This Potter is darker and more mature than previous films and the dark tone and mood of the film is evident from the early scenes.
While there is still some humor in the film, the tone is set by Harry who has become a darker and more torubled individual and the events surrounding him do not
lead to much charm and merriment that was present in the earlier films in the series.
The cast does a good job and the FX work is solid if not spectacular. My biggest issue with the film is that it dragged in many segments and that the finale was not as exciting as I had hoped for. Many times during the film and after, I got the impression that I was watching a two and a half hour commercial for the next film and final book, as there was little in the film for me that drove the story or the mythos forward.
That being said, there were many scenes that I enjoyed in the film, I just wish the pacing of the film could have been better.
The film like Harry transitions into more mature themes and experiences,it just stumbles a bit getting there.
Haley Mathiot (9 KP) rated A Christmas Carol in Books
Apr 27, 2018
We all, at one point or another, have heard the story of A Christmas Carol, whether we read the book in school, watched a movie with the family, or saw the Muppets version on youtube (which, by the way, is my favorite. I heartily recommend it.). But there is so much more to the story that we don’t grasp because of how our culture has changed. This is the way it is with every classic book. But A Christmas Carol is a story that needs to be understood in it’s full impact because of the story it tells and the lessons it teaches. Stephen Skelton has made it possible.
The Special Edition of A Christmas Carol is a small book, perfect to fit in a small handbag (or a stocking!) with a beautiful cover. The book itself is printed with Dickens’ story in the main section of the pages, and the notes, subtext, and annotations printed in the outer margins. After every “Chapter” (called a Stave in the text) there is a discussion section, perfect for any age group, either young children or mature Christians. The discussion features Bible verses and questions, and relates events, topics, and themes from A Christmas Carol to our everyday Christian walk with God. Extra verses and topics follow the end of every discussion section for those older individuals who wish to go further into studying the themes targeted in the book: Selfishness, Regret, Repentance, Salvation, and Rebirth. At the end of the book is a list of resources for further study.
The story of A Christmas Carol remains, to this day, a classic in literature because it is a wonderful story of sin and greed turned around to Christianity and charity through allegory and parable. It has proved itself a wonderful story to every reader, and will continue to do so forever. Hopefully, this will be the edition that becomes the standard.
Recommendation: All ages. Wonderful for family discussions or group Bible studies. Perfect Christmas gift or stocking stuffer!
**Thank you to FSB Associates for providing my review copy!**
The Special Edition of A Christmas Carol is a small book, perfect to fit in a small handbag (or a stocking!) with a beautiful cover. The book itself is printed with Dickens’ story in the main section of the pages, and the notes, subtext, and annotations printed in the outer margins. After every “Chapter” (called a Stave in the text) there is a discussion section, perfect for any age group, either young children or mature Christians. The discussion features Bible verses and questions, and relates events, topics, and themes from A Christmas Carol to our everyday Christian walk with God. Extra verses and topics follow the end of every discussion section for those older individuals who wish to go further into studying the themes targeted in the book: Selfishness, Regret, Repentance, Salvation, and Rebirth. At the end of the book is a list of resources for further study.
The story of A Christmas Carol remains, to this day, a classic in literature because it is a wonderful story of sin and greed turned around to Christianity and charity through allegory and parable. It has proved itself a wonderful story to every reader, and will continue to do so forever. Hopefully, this will be the edition that becomes the standard.
Recommendation: All ages. Wonderful for family discussions or group Bible studies. Perfect Christmas gift or stocking stuffer!
**Thank you to FSB Associates for providing my review copy!**
Rachel King (13 KP) rated At Grave's End (Night Huntress, #3) in Books
Feb 11, 2019
I find it funny that with all of the vampire books I have read over the years, I still have not tired of the theme. In this third book in the Night Huntress series, Jeaniene Frost continues to make life interesting for Cat and Bones and friends by adding a little magic to the mix, specifically from the legendary Cleopatra's daughter-turned-vampire, Patra, who also happens to be Bones's grandsire-turned-partner, Mancheres's wife. Life as a vampire only becomes more convoluted for Cat as Bones gains a few new abilities, and Cat learns why vamps are not allowed to practice magic. When they learn that Patra has sent "the grave" after Bones, I had visions of horror movies dancing in my head - and I was not that far off in my guesses. Since I am not a fan of this particular fad in fantasy fiction, I was glad that Frost depicted these paranormal creatures so horrifically.
One of the elements that I also like about this series is the humor - which Frost delivers in the form of Cat's mother, who embraces the circumstances of Cat and friends' protection with surprising relish. Without spoiling this juicy tidbit, I will say I laughed out loud when I read about the change in Cat's mother.
On the flip side, when anguish hits Cat hard, I felt her pain more than I expected to, even though I harbored doubts about what had really occurred. The emotion that Frost conveys in this section of the plot feels as real as if I felt the same loss as Cat.
There are many other interesting tidbits in the book, such as what almost occurs with Tate - and the result, Juan's decision, as well as the truce that develops between Annette and Cat. This is why I love series - side characters get more plot time, subplots can continue to mature, and I don't have to leave the imagined world behind just because I closed the book! I can't wait for the next book, Destined for an Early Grave (Night Huntress, Book 4).
One of the elements that I also like about this series is the humor - which Frost delivers in the form of Cat's mother, who embraces the circumstances of Cat and friends' protection with surprising relish. Without spoiling this juicy tidbit, I will say I laughed out loud when I read about the change in Cat's mother.
On the flip side, when anguish hits Cat hard, I felt her pain more than I expected to, even though I harbored doubts about what had really occurred. The emotion that Frost conveys in this section of the plot feels as real as if I felt the same loss as Cat.
There are many other interesting tidbits in the book, such as what almost occurs with Tate - and the result, Juan's decision, as well as the truce that develops between Annette and Cat. This is why I love series - side characters get more plot time, subplots can continue to mature, and I don't have to leave the imagined world behind just because I closed the book! I can't wait for the next book, Destined for an Early Grave (Night Huntress, Book 4).
Rachel King (13 KP) rated Letters to Ethan: A Grandfather's Legacy of Life & Love in Books
Feb 11, 2019
Right from the beginning, I found the seriousness to which the author, Tom McQueen, approaches his role as a grandfather to his grandson, Ethan, as both endearing and worthy of my respect. What he is attempting to do with the letters found in this book is a commendable goal that not many grandparents may go through the trouble to achieve. Each "chapter" of the book is actually a four-to-six page letter and headed by a quotation that applies to the topic of the letter. Each of the letters address a specific topic, such as Heroism, Risk, Integrity, Love, and Imagination, to name a few. Some of the letters also include excerpts from other sources that McQueen finds wisdom in, such as poetry or short stories like the famous story "Footprints in the Sand." Many of the letters make references to sports and sports imagery, such as citing Wayne Gretsky's accomplishments, which is certainly appropriate for most boys. The letters are also peppered with poignant memories of McQueen's and bits of history, such as the story of George Washington Carver.
It becomes apparent in the first letter that this book has a decidedly Roman Catholic slant, and many of the letters include Catholic doctrine teachings. If the reader does not prescribe to Roman Catholicism, this can be a major obstacle to enjoying this book. The other thing that bugs me throughout the text is that I can not figure out at what age the author intended his grandson to read these letters. Some of the topics are rather mature, and they would not be appropriate for a boy that is too young to receive the advice given in the letter, no matter how well-meaning it is. I also could not decipher if McQueen's grandson, Ethan, was supposed to read these letters while his grandfather was still alive or if they were meant for after he passed - again, this would make sense if the appropriate age were given for each letter.
If I ignore the obvious bias in the letters, I found much of the advice given to be relevant and useful wisdom for a young man - or woman - attaining to adulthood.
It becomes apparent in the first letter that this book has a decidedly Roman Catholic slant, and many of the letters include Catholic doctrine teachings. If the reader does not prescribe to Roman Catholicism, this can be a major obstacle to enjoying this book. The other thing that bugs me throughout the text is that I can not figure out at what age the author intended his grandson to read these letters. Some of the topics are rather mature, and they would not be appropriate for a boy that is too young to receive the advice given in the letter, no matter how well-meaning it is. I also could not decipher if McQueen's grandson, Ethan, was supposed to read these letters while his grandfather was still alive or if they were meant for after he passed - again, this would make sense if the appropriate age were given for each letter.
If I ignore the obvious bias in the letters, I found much of the advice given to be relevant and useful wisdom for a young man - or woman - attaining to adulthood.
graveyardgremlin (7194 KP) rated Death's Daughter (Calliope Reaper-Jones, #1) in Books
Feb 15, 2019
As soon as this book became available, I made sure to pick it up from the library. Since I'm a big Buffy the Vampire Slayer fan, of course Amber Benson was a big draw and I was curious about her writing ability. Not to mention this is the type of book I like to read regardless of who wrote it.
Ms. Benson is a capable writer, but she tends to over describe when it's really not necessary. The story matter and the whole world she created was very interesting, but throughout the book, I felt there was something missing. The main character, Callie, is okay - I didn't hate her, but I didn't love her either. I guess I'm just tiring of the same old twenty- and thirty-somethings in chick-lit-esque books that seem to pop up ad nauseum these days. I just don't understand or relate to "women" who are very ditzy, but still manage to save the day and/or end up with the guy, complain all the time, and lust after every cute guy that comes within a 50-foot radius of them. Not to mention, why are these protagonists always surrounded by pretty, perfect people that make them look even more inferior? That's not totally relatable. Maybe I'm getting older or more mature, or maybe it was just how I felt when I read it. Who knows for sure? Of all the characters, Kali was my favorite, she was pretty cool and brought some spice to the story.
Overall, the book was a fairly easy read and I do think I'll check out the second in the series to see how it progresses (and hope it shakes some of the first entry's jitters off and is more solid). I would recommend that if you're interested in reading this to get it at the library first, or else find it used.
Minor quibble: I don't know who picked the cover, but it's not how I picture Callie at all and it's rather sucky. Hopefully, the second book will improve not just in content. ;P
Ms. Benson is a capable writer, but she tends to over describe when it's really not necessary. The story matter and the whole world she created was very interesting, but throughout the book, I felt there was something missing. The main character, Callie, is okay - I didn't hate her, but I didn't love her either. I guess I'm just tiring of the same old twenty- and thirty-somethings in chick-lit-esque books that seem to pop up ad nauseum these days. I just don't understand or relate to "women" who are very ditzy, but still manage to save the day and/or end up with the guy, complain all the time, and lust after every cute guy that comes within a 50-foot radius of them. Not to mention, why are these protagonists always surrounded by pretty, perfect people that make them look even more inferior? That's not totally relatable. Maybe I'm getting older or more mature, or maybe it was just how I felt when I read it. Who knows for sure? Of all the characters, Kali was my favorite, she was pretty cool and brought some spice to the story.
Overall, the book was a fairly easy read and I do think I'll check out the second in the series to see how it progresses (and hope it shakes some of the first entry's jitters off and is more solid). I would recommend that if you're interested in reading this to get it at the library first, or else find it used.
Minor quibble: I don't know who picked the cover, but it's not how I picture Callie at all and it's rather sucky. Hopefully, the second book will improve not just in content. ;P
Neon's Nerd Nexus (360 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 13, 2019
Catch it or run away?
#detectivepikachu is more Pokemeh than #Pokemon, sure the ideas are there but the execution isn't leaving us with a movie that's simply just ok. I was really #hyped for this movie, I loved the neon flair, underground, mature & almost seedy look it pitched us in the trailer & very much to its credit all that is still there VISUALLY but in almost every other aspect it sadly fails. Ok so this film is #gorgeous, pokemon feel like living breathing #creatures with tremendous cgi texture detail almost making some of the feel like practical effect rather than computer imagery. Pokemon also interact with not just the world/scenery but with the actors too flawlessly keeping the immersion grounded/realistic just like #bumblebee did. World wise it nails it the city #feels so alive & lived in by both humans & pokemon with the grimy smokey alleyways, radiant forest areas & the neon glows of street signs adding character & dimension as they glisten beautifully off the characters fur & concrete. Its all very #bladerunner/#ghostintheshell #inspired & overflows with human technological progression. Accompanying the visuals is a simply awesome soundtrack that invokes a sense of wonder & #fantasy esc dream states only adding to its world building. Here then lies my problem we have the perfect world & these incredible creatures that inhabit it so why dont we spend more time with them exploring not only the world but the #relationship/bond between us & pokemon & how we cope with sharing the world together. Instead we are forced to follow such a dull, bland, paint by numbers plot with a twist thats so frustratingly obvious within the first 15 minutes that I was annoyed it took so long to reveal it. Adding to its tedium & dullness are the human actors who (aside from #Kenwatanabe & #ryanreynolds who carry the film) are unlikable, soulless, emotionless drones that seem to only be there to explain/advance the mundane plot. Detective #pikachu is one extremely well marketed/over #hyped missed opportunity & I cant help but feel if they'd focused more on the things we were all there to see (the pokemon) it might of had a bit more #heart. #nintendo #pokeball #pokemongo #cute #anime #manga
Kristy H (1252 KP) rated Breathe, Annie, Breathe in Books
Feb 13, 2018
I was pleasantly surprised by this book. I picked it up on a total whim (having received an ARC) and really enjoyed it. First, I have to state that apparently this is part of Kenneally's "Hundred Oaks" YA series, which I didn't know. It definitely can stand alone, however.
Annie is finishing up high school and training for a marathon. She's never been a runner - in fact, she hates it. However, Annie is running in honor of her late boyfriend Kyle, who never had a chance to run the marathon for which he was training.
Annie is a very mature kid, which took a bit of getting used to. She was definitely in a very developed relationship early in life and she came across older than her years. However, we learn that she's been on her own a bit - her dad was never around and her Mom has been busy working multiple jobs to keep the family afloat. So her maturity works, overall.
Annie is struggling with guilt over Kyle's death. She starts to find relief in her marathon training. She also starts to find relief in Jeremiah, the brother of her training coach. Jeremiah is unlike anyone Annie has ever known.
This was a simple, YA love story. You pretty much know where it's going to go. But it was surprisingly sweet and touching and well-done. Annie is an extremely likable character. Her maturity lends her some credence not always found in YA characters. I also found myself quite swept up in Jeremiah (not unlike Annie), who was also different from the typical YA beau.
Finally, the running element was a fun add to the book. As someone training for a 5K (nowhere near a marathon, but I like to pretend, ha), it was enjoyable to watch Annie progress toward her goal.
Overall, this is probably really a 3.5 star novel, but I just enjoyed the story so much, I bumped it up to 4.
<i>(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)</i>
Annie is finishing up high school and training for a marathon. She's never been a runner - in fact, she hates it. However, Annie is running in honor of her late boyfriend Kyle, who never had a chance to run the marathon for which he was training.
Annie is a very mature kid, which took a bit of getting used to. She was definitely in a very developed relationship early in life and she came across older than her years. However, we learn that she's been on her own a bit - her dad was never around and her Mom has been busy working multiple jobs to keep the family afloat. So her maturity works, overall.
Annie is struggling with guilt over Kyle's death. She starts to find relief in her marathon training. She also starts to find relief in Jeremiah, the brother of her training coach. Jeremiah is unlike anyone Annie has ever known.
This was a simple, YA love story. You pretty much know where it's going to go. But it was surprisingly sweet and touching and well-done. Annie is an extremely likable character. Her maturity lends her some credence not always found in YA characters. I also found myself quite swept up in Jeremiah (not unlike Annie), who was also different from the typical YA beau.
Finally, the running element was a fun add to the book. As someone training for a 5K (nowhere near a marathon, but I like to pretend, ha), it was enjoyable to watch Annie progress toward her goal.
Overall, this is probably really a 3.5 star novel, but I just enjoyed the story so much, I bumped it up to 4.
<i>(Note: I received an advanced copy of this book via Netgalley in return for an unbiased review.)</i>
Hazel (1853 KP) rated The Storm (The Rain, #2) in Books
Dec 17, 2018
My rating: 3.5
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
This eBook was provided by the publisher via NetGalley in return for an honest review.
What would happen if water became fatally harmful to humans? This is what Virginia Bergin continues to explore in the second novel in the young adult, dystopian series, The Storm. Fifteen year old Ruby Morris has been trying to survive by herself only getting through each day by telling herself "everything is going to be OK." With the belief that her Dad is still alive, she sets off to find him whilst trying to dodge violent people, the British army, and, of course, the rain.
As the story develops it is revealed that Ruby may be a key character in ending the global apocalypse, however she does not trust the scientists involved in finding a solution.
Since the first book it appears that Ruby has matured a lot. She is able to take more responsibility and even help other people. Like in the first book, The Rain, Ruby is narrating her experiences to the reader as well as her deceased mother. As her mother disapproved of swearing Ruby blocks out certain words with a symbol. In some ways this makes the story suitable for early teen readers, however it is fairly easy to work out what the missing words are and therefore may not be appropriate for some readers.
The Storm was much more exciting to read than the previous novel. Ruby was less annoying and was much more mature. It is interesting to discover how the situation develops. There is a lot of action to keep the reader on their toes.
One issue with this book is how the ending is written. It almost feels like Bergin tried to end the story quickly. The whole story was carefully planned out and narrated however the end was rushed.
Overall, The Storm is a great continuation of an interesting concept. It is much better than the first part of the story and keeps the reader interested. Although intended for young adults, there is nothing to stop adult readers from enjoying it too.
Neon's Nerd Nexus (360 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 15, 2019
As real as a donut
once upon a timeinhollywood is slow paced, tight methodical, uplifting & intricately woven look into the life of a hollywood star in the late 60s. I have to say im not overly a big Tarantino fan (with Inglorious bastards & the hateful eight being my favourites of his) so I wasnt really that excited about seeing this but once I stopped being on edge waiting for something bad to happen & finally sat back letting the film pull me in I knew this wasnt the usual Tarantino movie & I found that strangely compelling. While slow 90% of the run time the film never drags or ever stops being interesting & fascinating. Characters just drip cool are all likeable well fleshed out & distinguishable with every performance absolutely killing it even people that arnt in it much. It just all feels very human, relatable, down to earth & real. Sets are crafted with such perfection & filled with so much painstaking detail that you would swear the film was actually shot in the 60s creating an atmosphere & believability like no other. Accompany that with a smooth soundtrack you have a movie that just pops with style constantly. While everyone does a fantastic job its brad pitt that owns the film, his character is so deep, inspirational & the true hero of the film. Overall I saw this film as a more chill ed out & about how every day life for us all most of the time is way more exciting, thrilling, full of drama & strange events day to day making our lives just as exciting & as watchable as going to the movies & if we all just stopped worrying/stressing for just a second about technology, love, being successful etc life would fall into place, be stress free, we would be healthier & happier. Masterfully filmed, inteligent, mature & well executed this is not only a true love letter to the art of film making but a tribute to movies & how inspiring they can be in general. So sit back enter the decade & relax it may all seem very anti violence at first but the violence does come with time & when it finally hits its shocking & nasty but it feels earned & perfectly timed.