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A Terrible Country
Book
When Andrei Kaplan’s older brother Dima insists that Andrei return to Moscow to care for their...
The Gaslight Effect: How to Spot and Survive the Hidden Manipulation Others Use to Control Your Life
Book
Are You Being Gaslighted? Check for these telltale signs: 1. You constantly second-guess...
Laws of Attraction (The Manx Cat Guardians #6)
8.0
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Book
Nick Riley, on the surface has it all. He’s grown up in a loving family, owns his own home, and...
MM Paranormal Romance Erotic
Capturing the Baron’s Heart (A Wildewardian Tale)
10.0
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She was the goddess of witches and rules, but rules are made to be broken. When a reckless...
Historical Paranormal Romance
Merissa (13159 KP) rated Courting Mr. Cutthroat (Campy Romances #3) in Books
Sep 21, 2021 (Updated Jul 14, 2023)
COURTING MR. CUTTHROAT is the third book in the Campy Romances series, although each book can be read as a standalone.
Cutter is the youngest of three brothers who all appear to have been born with a silver spoon in their mouths. However, although they had everything money could buy, they didn't have a mother or father that cared for them. Luckily, each of them had a nanny who stepped into the mother's role. The father though? Well, two were lucky, but Cutter wasn't. He got the reputation as the bad boy, the black sheep. Was it deserved? Possibly.
Luckily for him, Gemma was his stalwart friend, with him throughout everything. She even understands when he ups and leaves without saying goodbye. But things are different now. Cutter is a hotshot artist, back in town for a while. Gemma is a lawyer. Can they rekindle what they had? Or maybe the question is, should they?
This is an easy-to-read contemporary romance in a small town where memories are long and grudges are held onto. The heat is on between Cutter and Gemma, but it is not clear if Cutter will allow himself to fall. I loved reading more about their past relationship, and how Gemma is mature enough to call out his sh*t when he's acting stupidly.
I loved how this story unfolded, with all the snippets of what happens to various characters. The polar bear was sad though, simply because it's unfortunately too true. The relationship between the brothers grew and made me smile every time they were together.
A steamy, feel-good story that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 21, 2021
Cutter is the youngest of three brothers who all appear to have been born with a silver spoon in their mouths. However, although they had everything money could buy, they didn't have a mother or father that cared for them. Luckily, each of them had a nanny who stepped into the mother's role. The father though? Well, two were lucky, but Cutter wasn't. He got the reputation as the bad boy, the black sheep. Was it deserved? Possibly.
Luckily for him, Gemma was his stalwart friend, with him throughout everything. She even understands when he ups and leaves without saying goodbye. But things are different now. Cutter is a hotshot artist, back in town for a while. Gemma is a lawyer. Can they rekindle what they had? Or maybe the question is, should they?
This is an easy-to-read contemporary romance in a small town where memories are long and grudges are held onto. The heat is on between Cutter and Gemma, but it is not clear if Cutter will allow himself to fall. I loved reading more about their past relationship, and how Gemma is mature enough to call out his sh*t when he's acting stupidly.
I loved how this story unfolded, with all the snippets of what happens to various characters. The polar bear was sad though, simply because it's unfortunately too true. The relationship between the brothers grew and made me smile every time they were together.
A steamy, feel-good story that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 21, 2021
Merissa (13159 KP) rated Scorn of Secrets in Books
Jun 23, 2021 (Updated Jul 18, 2023)
SCORN OF SECRETS will tear your heart out and stomp on it - this I can promise you! It hooked me in from the start as Madison tries to cope with the death of her father, plus have a relationship with her oh-so-loving mother and older sister. Her whole world is upended when they move to a new state, but it's not all that bad... is it?
Told from Madison's perspective, you are with her as she meets the rich man her mother has latched onto, the new home, the new school, the new future step-siblings. She is the quiet one of the two, more introspective than the loud Tanya, and more likely to be on Goodreads than Instagram!
This book was so emotional, I swear I wanted to kill Tanya and Charlotte. Unfortunately, family can be too similar to the way the characters are described, so my heart broke for Madison and how they treated her. The confusion and trauma she goes through were made completely understandable and showed you how little choice she thought she had. Justin is a caring and mature young man who is swept away by Madison. He wants to be there for her in every way. He struggles to understand but, once the secret is out, he fully understands.
This is the first book and does have an open ending. I can't wait to read Book 2, Thorn of Secrets, and I really REALLY hope for a happy ending for Madison and Justin. These two, gah!!! Please let them be happy, they deserve it!
In case you hadn't figured it out, I highly recommend this book! Absolutely brilliant.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 23, 2021
Told from Madison's perspective, you are with her as she meets the rich man her mother has latched onto, the new home, the new school, the new future step-siblings. She is the quiet one of the two, more introspective than the loud Tanya, and more likely to be on Goodreads than Instagram!
This book was so emotional, I swear I wanted to kill Tanya and Charlotte. Unfortunately, family can be too similar to the way the characters are described, so my heart broke for Madison and how they treated her. The confusion and trauma she goes through were made completely understandable and showed you how little choice she thought she had. Justin is a caring and mature young man who is swept away by Madison. He wants to be there for her in every way. He struggles to understand but, once the secret is out, he fully understands.
This is the first book and does have an open ending. I can't wait to read Book 2, Thorn of Secrets, and I really REALLY hope for a happy ending for Madison and Justin. These two, gah!!! Please let them be happy, they deserve it!
In case you hadn't figured it out, I highly recommend this book! Absolutely brilliant.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 23, 2021
Merissa (13159 KP) rated Intelligence Check (Dungeons and Dating #3) in Books
May 17, 2022 (Updated Jun 19, 2023)
INTELLIGENCE CHECK is the third book in the Dungeons and Dating series, and it's time for Mase and Hunter. I was 'slightly' excited at the thought of this book and, let me tell you, I was not disappointed.
Mase is a perfect little ray of sunshine... on the outside. Inside, he is dealing with the loss of his twin sister, all the feelings that encompasses, plus normal things like trying to finish school and pay all his bills. Hunter, on the other hand, keeps himself to himself. He doesn't ask much of anyone, knowing all too well the feeling of being let down.
These two! Oh, my days. I love them so much. Two perfect-for-each-other puzzle pieces that slot together with ease. Well, not too much ease, because there's the whole 'issues from the past' to contend with, but you get my meaning. They do have their issues to deal with but they do the mature thing, in that they give each other space when needed, no matter how painful it may be, and communicate with each other.
It's a slow-burn romance in that Hunter isn't prepared to take advantage of Mason when he's drunk. Mason thinks he's been rejected by Hunter, and then Hunter thinks the same when Mason doesn't mention it again. Remember I said they communicated? Yeah, well, maybe not so much to begin with! 😆
This was a fantastic addition to the series that also let me catch up with Roxie and Mel, plus Cal and Julian. Now, I just need to know what's going on with Kelly! A brilliant book that I have no hesitation in highly recommending!!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 12, 2022
Mase is a perfect little ray of sunshine... on the outside. Inside, he is dealing with the loss of his twin sister, all the feelings that encompasses, plus normal things like trying to finish school and pay all his bills. Hunter, on the other hand, keeps himself to himself. He doesn't ask much of anyone, knowing all too well the feeling of being let down.
These two! Oh, my days. I love them so much. Two perfect-for-each-other puzzle pieces that slot together with ease. Well, not too much ease, because there's the whole 'issues from the past' to contend with, but you get my meaning. They do have their issues to deal with but they do the mature thing, in that they give each other space when needed, no matter how painful it may be, and communicate with each other.
It's a slow-burn romance in that Hunter isn't prepared to take advantage of Mason when he's drunk. Mason thinks he's been rejected by Hunter, and then Hunter thinks the same when Mason doesn't mention it again. Remember I said they communicated? Yeah, well, maybe not so much to begin with! 😆
This was a fantastic addition to the series that also let me catch up with Roxie and Mel, plus Cal and Julian. Now, I just need to know what's going on with Kelly! A brilliant book that I have no hesitation in highly recommending!!!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
May 12, 2022
Married to the Vampire King (Blood Bonded Mates #2)
10.0
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ETHAN The bad news is that the vampires and witches of this city are all going to kill each other....
MM Paranormal Romance Series Vampires
The Sterling Acquisition (Manufactured Mates #1)
8.0
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He came to steal a patent. He stole a person instead. In the Incorporated States of New America,...
Omegaverse Dystopian Science Fiction Dark MM Romance
RəX Regent (349 KP) rated Godzilla (1954) in Movies
Feb 25, 2019
The beginning was inspired...
Contains spoilers, click to show
I was first introduced to Godzilla in cartoon form in the 1980′s as a child, but it wasn't until 1998, with Roland Emmerich's blockbuster reboot that I had seen the infamous beast on the pearl screen. I had also seem bits and bobs of the many original sequels as a child and they had made absolutely no impact on me what so ever! But I became aware of the significance of this, the original, only recently and it was due to this discovery that I hunted down the best copy available.
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!
I ended up with the 2005 Region 1 release, which also includes the U.S. reworking from 1956, Godzilla: King Of The Monsters!. I could not have imagined that a the 1954 version of Godzilla, or more literally, Gojira, could have been so mature, so sombre, or so tempered with its sledgehammer philosophising. Produced just nine years after the devastating nuclear bombings of Hiroshima and Nagasaki, which effectively ended the Second World War, Gojira takes up the mantle on doing what Science Fiction does best, and created the cypher in the form of Godzilla, to represent the devastation left over from the nuking of these cities.
Godzilla is a nuclear beast, affected by U.S. nuclear tests and is now toxically radioactive and upon landfall on Tokyo, rains down, literally, nuclear destruction up on the city, in a manner not dissimilar too that levied upon either of the cities, Hiroshima or Nagasaki. But its not just about that. It about the creation of the next WMD which would ultimately be used against Godzilla but poses and moral dilemma that Robert Oppenheimer himself would appreciate, as to whether such a creation should be allowed to be developed. It also looks quite seriously into establishing the potential evolution of a creature such as Godzilla and uses plausible palaeontological arguments to justify his existence.
The pacing was good and though Godzilla strikes from almost the opening frame, there is a sense of an ongoing crisis rather than an impending apocalypse, with news outlets reporting throughout as plans, both military and civilian are sited.
All in all, this is not just the birth of the massive and largely corny and cheap Godzilla series, it is a striking, intelligent, moving and incredibly well judged masterpiece of 50′s cinema. But I should have known. Most rubbish franchises began with an inspired first movie, something to break the mould and this does the job perfectly.
But it isn't without its flaws. The special effects, though not all bad, are below par even for the time, but effective as for telling the story, some were very good with ALL being well conceived and ambitious. Some were very poor though, such as the model ships, which were unnecessarily below the standards and look like bath toys. But the cinematography was wonderful, with Honda shooting this in a classically manner. Tension was built brilliantly and the action rose to several crescendos and the excellent score by Akira Ifukube was not overused but brought to perfect effect when needed.
The acting was first-rate as well, proving Japanese cinemas reputation. But this was my first real foray into Japanese cinema, and what a treat it was. Many would look at this and see a cheap old film and others will see a film that whist let down by some less that brilliant visual effects and the fact that a lot of people, certainly in the U.K. find subtitles difficult, as a masterpiece not only of Eastern cinema but of cinema full stop. Truly realising its narrative and spirit, its cause and message. This was about a county in mourning not only for the hundreds of thousands lost by Fat Man and Little Boy, but for the war full stop. The 1950′s were a time of great political fear and reconstruction after WW2, and this is a film which taps into the brewing Cold War and fear of annihilation from human behemoths which once released can never be returned.
HIGHLY recommended but not for children as they will bore, miss the point, get put off by the subtitles, black and white and quite frankly its a mature and bleak film and not the 1998 remake. And thank God or Godzilla for that!