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Connor Sheffield (293 KP) rated The Crow (1994) in Movies
Apr 19, 2017
Close to the source material (2 more)
Great Cast
A powerful and emotional film
A Powerful Classic
The Crow is one of my all time favourite films as well as one of my all time favourite graphic novels.
This Gothic, fantasy action film has a tragic story that's powerful to behold as we witness what the power of revenge can do to a person. However, this isn't your typical revenge plot, because SPOILERS!
Eric Draven, portrayed by the incredible Brandon Lee (son of Bruce Lee), is actual brought back from the dead as an avenging angel, after he and his fiance were murdered by a group of thugs on Devils Night (the night before Halloween).
If you've read the graphic novel you'll know just how great this film is, and the only downside to it is knowing it was Brandon Lee's last after an accident that happened on set.
However, the film sticks close to the source material, especially since James O'Barr, the creator of the characters and the graphic novel worked closely with the cast and crew of the film to ensure it was done correctly.
The tone of the film is, for obvious reasons, dark but there is still humour in it which lightens the mood and gives you a sense of Eric Draven's mind because let's face it, coming back from the dead with the ability to heal any wound, and the opportunity to get revenge on those who wronged you, it's enough to send a sensible man insane, and we see that shine through Brandon Lee performance with jokes and laughter, whilst still remaining eerily dark and twisted. When the bad guys realise he heals any wounds and can't die...You can see how much Eric enjoys seeing the fear grow in their faces, and as the strong unfolds we learn that the group of thugs who committed the crime, were just pawns to a bigger villain leading a crime syndicate in the city.
We see emotion as Eric tries to find out the truth of what really happened that night, and why he and his fiance lost their lives, and we see him trying to connect to his past through Sarah, a young girl that he and his fiance looked after and cared for. We also see the truth unfold through Officer Albrecht who was in charge of the investigation.
The characters are all brilliantly written, from Sarah's childhood innocence becoming a more mature sense of realising that the world can't always be a happy place, to Eric's lust for revenger and being sidetracked by emotions of his former life, trying to remain a good person whilst committing these acts of murder for revenge.
The music in the film really fits the scenes and the feel of the entire story with bands like The Cure, Pantera, Rage Against The Machine and Stone Temple Pilots among others, its soundtrack is brilliantly dark.
Also the main aspect that you have to love is Brandon Lee in the crow makeup and clothing. He looks menacing, he looks like he has a lust for revenge, most importantly he looks badass! One of the greatest comic book characters in film that I have ever seen, and whilst I was a little wary of the talks to remake this film in 2016/2017, I would be curious to see the character brought to life again and given a fresh look but I don't know if anyone can beat Brandon Lee in that portrayal because he looks incredible.
This film is dark, powerful, moving and poetic and will remain one of my top 5 films of all time. Maybe even top 3.
I highly recommend this film to anyone who enjoys a comic book movie, especially if you like movies with action and drama with a Gothic overtone.
R.I.P Brandon Lee (1965-1993)
This Gothic, fantasy action film has a tragic story that's powerful to behold as we witness what the power of revenge can do to a person. However, this isn't your typical revenge plot, because SPOILERS!
Eric Draven, portrayed by the incredible Brandon Lee (son of Bruce Lee), is actual brought back from the dead as an avenging angel, after he and his fiance were murdered by a group of thugs on Devils Night (the night before Halloween).
If you've read the graphic novel you'll know just how great this film is, and the only downside to it is knowing it was Brandon Lee's last after an accident that happened on set.
However, the film sticks close to the source material, especially since James O'Barr, the creator of the characters and the graphic novel worked closely with the cast and crew of the film to ensure it was done correctly.
The tone of the film is, for obvious reasons, dark but there is still humour in it which lightens the mood and gives you a sense of Eric Draven's mind because let's face it, coming back from the dead with the ability to heal any wound, and the opportunity to get revenge on those who wronged you, it's enough to send a sensible man insane, and we see that shine through Brandon Lee performance with jokes and laughter, whilst still remaining eerily dark and twisted. When the bad guys realise he heals any wounds and can't die...You can see how much Eric enjoys seeing the fear grow in their faces, and as the strong unfolds we learn that the group of thugs who committed the crime, were just pawns to a bigger villain leading a crime syndicate in the city.
We see emotion as Eric tries to find out the truth of what really happened that night, and why he and his fiance lost their lives, and we see him trying to connect to his past through Sarah, a young girl that he and his fiance looked after and cared for. We also see the truth unfold through Officer Albrecht who was in charge of the investigation.
The characters are all brilliantly written, from Sarah's childhood innocence becoming a more mature sense of realising that the world can't always be a happy place, to Eric's lust for revenger and being sidetracked by emotions of his former life, trying to remain a good person whilst committing these acts of murder for revenge.
The music in the film really fits the scenes and the feel of the entire story with bands like The Cure, Pantera, Rage Against The Machine and Stone Temple Pilots among others, its soundtrack is brilliantly dark.
Also the main aspect that you have to love is Brandon Lee in the crow makeup and clothing. He looks menacing, he looks like he has a lust for revenge, most importantly he looks badass! One of the greatest comic book characters in film that I have ever seen, and whilst I was a little wary of the talks to remake this film in 2016/2017, I would be curious to see the character brought to life again and given a fresh look but I don't know if anyone can beat Brandon Lee in that portrayal because he looks incredible.
This film is dark, powerful, moving and poetic and will remain one of my top 5 films of all time. Maybe even top 3.
I highly recommend this film to anyone who enjoys a comic book movie, especially if you like movies with action and drama with a Gothic overtone.
R.I.P Brandon Lee (1965-1993)
Factually Accurate
I received this book for free through Goodreads First Reads.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
Becs (244 KP) rated Garden of Ashes in Books
Apr 11, 2019
Overall - an amazing story (1 more)
Background was added
There were a few plot holes (1 more)
Something was lacking but I'm not sure what
Thrilling!
You can also find this review on my blog: bookingwayreads.wordpress.com
I received a copy of Garden of Ashes (book 2 of the Snow Spark series) to read and review for my honest opinion from The Parliament Press.
TRIGGER WARNINGS: Gore, Oppression, Violence, Discrimination
This little novel carried a good left hook. It picks up right where The Bone Roses left off and really delves into the background of a few characters. The story still is geared toward a mature audience, especially with Garden of Ashes so beware of more graphic scenes when reading.
Starting where we left off, Rags has been caught and is now on a train with Colton and Nigel to the Kingdom. More specifically, the Threshing Floor. This is not any place for a rustler, or really anybody for that matter. Just think cattle herding but with humans and loads of death. That's what you get when dealing with the Threshing Floor. The major problem with the non-bowing criminals who go in, they never come out and are never seen again.
Rags is given only two options - either bow to the Kingdom and Hyperion or face death. Using everything she has to survive, she is forced to play the twisted rigged game that the Kingdom has laid out. Luckily, she has the help of Henny and Colton, who both stand by her side helping shape her into the Kingdom's standards and also giving her opportunities to remain a rustler at heart.
The overall story had me reeled, but I also felt like something was lacking a tad bit. I have no idea what that bit that is missing is but you could just tell that the story was lacking in places. There was plot, as it continued on from book 1, and new characters were introduced with a small bit of background on them that eventually came to light later on down the road. Drama upon drama was interlaced into the story-line and really kept the reader engaged with the story as a whole.
Characters:
Rags - stubborn and yet sympathetic, able to get in and out of trouble, and very realistic.
Henny - the smol angry cinnamonroll we all thought was going to be the person to cause Rags' death has turned to be an ally. Maybe even a possible love interest to Rags?
Colton - still a sarcastic green-eyed red head as he was in book 1. He was there to help Rags stay out of trouble and seemed to become more friends with Rags then a possible love interest.
Hyperion - the complete a** of a king that wants everyone to worship him.
Sahrobi - Hyperion's sadistic murder loving daughter that honestly needs to be in a psych ward cause she got some problems!
Margo - Sahrobi's husband, as cruel and sadistic as Sahrobi also got some problems. Thank goodness he got his a** handed to him in the end.
Ethan and Ali - two slaves that Rags helps saves and cares for while in the Threshing Floor.
Rosemary - a slave that is in debt to the Kingdom, possible relation to Rags?
Reasons why I rated it 4 stars:
1. It was lacking something and I can't put my finger on it.
2. Grammar and spelling seemed to be great!
3. There were a few plot holes while reading, but that could be because I feel asleep during reading and lost where I was at.
4. There was background added to some of the characters, but there wasn't as much that really needed to be added.
5. The overall story was amazing and really added to the story that took place in The Bone Roses. I will defiantly be rereading!
"False hope is worse than no hope on a good day."
I received a copy of Garden of Ashes (book 2 of the Snow Spark series) to read and review for my honest opinion from The Parliament Press.
TRIGGER WARNINGS: Gore, Oppression, Violence, Discrimination
This little novel carried a good left hook. It picks up right where The Bone Roses left off and really delves into the background of a few characters. The story still is geared toward a mature audience, especially with Garden of Ashes so beware of more graphic scenes when reading.
Starting where we left off, Rags has been caught and is now on a train with Colton and Nigel to the Kingdom. More specifically, the Threshing Floor. This is not any place for a rustler, or really anybody for that matter. Just think cattle herding but with humans and loads of death. That's what you get when dealing with the Threshing Floor. The major problem with the non-bowing criminals who go in, they never come out and are never seen again.
Rags is given only two options - either bow to the Kingdom and Hyperion or face death. Using everything she has to survive, she is forced to play the twisted rigged game that the Kingdom has laid out. Luckily, she has the help of Henny and Colton, who both stand by her side helping shape her into the Kingdom's standards and also giving her opportunities to remain a rustler at heart.
The overall story had me reeled, but I also felt like something was lacking a tad bit. I have no idea what that bit that is missing is but you could just tell that the story was lacking in places. There was plot, as it continued on from book 1, and new characters were introduced with a small bit of background on them that eventually came to light later on down the road. Drama upon drama was interlaced into the story-line and really kept the reader engaged with the story as a whole.
Characters:
Rags - stubborn and yet sympathetic, able to get in and out of trouble, and very realistic.
Henny - the smol angry cinnamonroll we all thought was going to be the person to cause Rags' death has turned to be an ally. Maybe even a possible love interest to Rags?
Colton - still a sarcastic green-eyed red head as he was in book 1. He was there to help Rags stay out of trouble and seemed to become more friends with Rags then a possible love interest.
Hyperion - the complete a** of a king that wants everyone to worship him.
Sahrobi - Hyperion's sadistic murder loving daughter that honestly needs to be in a psych ward cause she got some problems!
Margo - Sahrobi's husband, as cruel and sadistic as Sahrobi also got some problems. Thank goodness he got his a** handed to him in the end.
Ethan and Ali - two slaves that Rags helps saves and cares for while in the Threshing Floor.
Rosemary - a slave that is in debt to the Kingdom, possible relation to Rags?
Reasons why I rated it 4 stars:
1. It was lacking something and I can't put my finger on it.
2. Grammar and spelling seemed to be great!
3. There were a few plot holes while reading, but that could be because I feel asleep during reading and lost where I was at.
4. There was background added to some of the characters, but there wasn't as much that really needed to be added.
5. The overall story was amazing and really added to the story that took place in The Bone Roses. I will defiantly be rereading!
"False hope is worse than no hope on a good day."
Heather Cranmer (2721 KP) rated Lucid in Books
Jun 7, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I first heard of Lucid by Adrienne Stoltz and Ron Bass, I knew it was one of those books that I definitely had to read. At first I thought I was going to be disappointed with this book, but it completely took me by surprise!
Lucid tells the story of two girls - Maggie and Sloane. They are as different as night and day except for one thing, they each dream of each other. As the story progresses, each girl falls in love and is afraid that maybe theirs is the world that is actually just a dream. The question is which girl is just a dream and which one is real?
Merriam-Webster defines the world lucid as "having full use of one's faculties: sane." I think the title of this book definitely suits it. Everyone around Maggie and Sloane think they may be going insane. Also, since this is a book about dreaming, Lucid works well.
I don't really like the cover besides the fact that it's shiny. Other than being shiny, the cover is a bit to boring and plain for my liking. I wish it was a bit more decorative instead of just a girl lying in a bed upside down.
The world building for Maggie and Sloane was fantastic! I love how the authors made each girl seem real and like their reality was the real one. It was difficult to tell who was real and who wasn't right up until the very end.
The pacing started out so very slowly for the first half of the book. In fact, it was so slow, that I felt like I was torturing myself reading it, but I really hate not finishing a book. Plus, I was hoping it would get better. Luckily, it get way better. It was almost as if I was reading a whole different book with how suddenly the pacing changed! I found myself reading the second half of the book like there was no tomorrow. It was just so good!!
I enjoyed both the characters of Sloane and Maggie. Although, if I'm honest, I did like Sloane a bit better than Maggie. Sloane seemed to be more grounded whilst Maggie was just a bit too all over the place for my liking. Plus, I felt more like I could be friends with Sloane. There are a few points in the book where the characters come across as being older then they are judging by their language. Plus, Maggie's seven year old sister sounded more like she was Maggie's age. I've never known a seven year old to speak and act like her!
The dialogue was a bit boring at the beginning of the book, but like the pacing, it definitely gets better in the second half. As I stated in the previous paragraph, there were times when the characters appeared to be much older than they actually were. I think the authors seemed to forgot how teenagers talk (as well as seven year olds). There's some acting terminology that's not really explained like the word "flunky" which I still don't know really what that means. There's quite a bit of swearing in this book, so this is definitely more on the side of mature young adult.
Overall, I did really enjoy this book even if the first half was painfully slow. The ending of the book was quite good and unpredictable albeit a bit confusing. I'm still a bit confused about the ending, but maybe that's just me.
I'd recommend this book to everyone aged 16+ due to the language and themes.
When I first heard of Lucid by Adrienne Stoltz and Ron Bass, I knew it was one of those books that I definitely had to read. At first I thought I was going to be disappointed with this book, but it completely took me by surprise!
Lucid tells the story of two girls - Maggie and Sloane. They are as different as night and day except for one thing, they each dream of each other. As the story progresses, each girl falls in love and is afraid that maybe theirs is the world that is actually just a dream. The question is which girl is just a dream and which one is real?
Merriam-Webster defines the world lucid as "having full use of one's faculties: sane." I think the title of this book definitely suits it. Everyone around Maggie and Sloane think they may be going insane. Also, since this is a book about dreaming, Lucid works well.
I don't really like the cover besides the fact that it's shiny. Other than being shiny, the cover is a bit to boring and plain for my liking. I wish it was a bit more decorative instead of just a girl lying in a bed upside down.
The world building for Maggie and Sloane was fantastic! I love how the authors made each girl seem real and like their reality was the real one. It was difficult to tell who was real and who wasn't right up until the very end.
The pacing started out so very slowly for the first half of the book. In fact, it was so slow, that I felt like I was torturing myself reading it, but I really hate not finishing a book. Plus, I was hoping it would get better. Luckily, it get way better. It was almost as if I was reading a whole different book with how suddenly the pacing changed! I found myself reading the second half of the book like there was no tomorrow. It was just so good!!
I enjoyed both the characters of Sloane and Maggie. Although, if I'm honest, I did like Sloane a bit better than Maggie. Sloane seemed to be more grounded whilst Maggie was just a bit too all over the place for my liking. Plus, I felt more like I could be friends with Sloane. There are a few points in the book where the characters come across as being older then they are judging by their language. Plus, Maggie's seven year old sister sounded more like she was Maggie's age. I've never known a seven year old to speak and act like her!
The dialogue was a bit boring at the beginning of the book, but like the pacing, it definitely gets better in the second half. As I stated in the previous paragraph, there were times when the characters appeared to be much older than they actually were. I think the authors seemed to forgot how teenagers talk (as well as seven year olds). There's some acting terminology that's not really explained like the word "flunky" which I still don't know really what that means. There's quite a bit of swearing in this book, so this is definitely more on the side of mature young adult.
Overall, I did really enjoy this book even if the first half was painfully slow. The ending of the book was quite good and unpredictable albeit a bit confusing. I'm still a bit confused about the ending, but maybe that's just me.
I'd recommend this book to everyone aged 16+ due to the language and themes.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Tomb Raider Definitive Edition in Video Games
Jun 19, 2019
I remember the days of Tomb Raider coming out on the PC in the irregular shaped packages and the outcry some people had over the outrageously curvaceous proportions of Lara Croft. As the series has unfolded to not only include two cinematic features as well as entry into the console market the mix of action, adventure, and puzzle solving has been a staple of the series. Square Enix has released Tomb Raider: Definitive Edition for next-generation consoles and I was very happy to experience the game on our PlayStation 4 system.
The game has been given updated graphics which really show off the amazing character facial animations of the series as well as the dynamic lighting and other graphical effects that are made possible with the new consoles.
This time out Lara is stranded on an island and must fight for survival against the dangerous people that occupy the island and will stop at nothing to protect its secret.
This is very dark and gritty game as its mature rating would suggest and with the power of the graphical engine you can see Lara in stunning detail down to the beads of sweat on her face, every stranded here, and of course the dirt and damage she takes in the course of fighting for her survival.
Being able to customize her weapons is but one of the many advantages to the series and there of course is puzzle solving which the series is famous for.
One early segment of the game had me moving through a dark cave in order to try to get an injured Lara safety but some very dangerous people in hot pursuit. These are not the typical serial adventure bad guys who shoot first with bad aim and hope to take the heroine hostage, rather these are bad guys intent on killing her and anyone else who gets in the way as brutally as they can.
The collection comes with bonus outfits and DLC and seeing the game in 1080 resolution running at 60 frames per second is truly eye-popping as to a casual observer it would be difficult to see what was gameplay and what were cut scenes. Upon seeing it for the first time, my wife was highly impressed the graphical abilities of the game and became interested in storyline and events unfolding as she sat down and offered me gameplay help and advice.
That is the beauty of the series as hard-core and casual, male and female, gamers are easily drawn to the character and her adventurous.
While I have spent a lot of attention on the graphics and look at the game is important that we focus on the game itself and I’m happy to say that both the solo and multiplayer aspects of the game offer plenty of entertainment. There’s a good mix of action and story to the game and the less linear nature of the game and open environments make it very enjoyable especially to somebody who’s used to the affirmation tombs of the original games. While there is puzzle solving to the game there is also the ability said a difficulty that is best suited to your level of gaming and like any game of this type players have to accept that they are going to have failed or along with their successes as that is the nature of an action adventure game.
I did not play the earlier versions the game as my time with the PS 4 version of the game is my most recent experience with the series in a while. That being said, the graphics and gameplay easily hooked me and reminded me why I became a fan of the original games and this imaginative and immersive new installment is the perfect mix for fans new and old alike looking to experience the game.
http://sknr.net/2014/04/01/tomb-raider-the-definitive-edition/
The game has been given updated graphics which really show off the amazing character facial animations of the series as well as the dynamic lighting and other graphical effects that are made possible with the new consoles.
This time out Lara is stranded on an island and must fight for survival against the dangerous people that occupy the island and will stop at nothing to protect its secret.
This is very dark and gritty game as its mature rating would suggest and with the power of the graphical engine you can see Lara in stunning detail down to the beads of sweat on her face, every stranded here, and of course the dirt and damage she takes in the course of fighting for her survival.
Being able to customize her weapons is but one of the many advantages to the series and there of course is puzzle solving which the series is famous for.
One early segment of the game had me moving through a dark cave in order to try to get an injured Lara safety but some very dangerous people in hot pursuit. These are not the typical serial adventure bad guys who shoot first with bad aim and hope to take the heroine hostage, rather these are bad guys intent on killing her and anyone else who gets in the way as brutally as they can.
The collection comes with bonus outfits and DLC and seeing the game in 1080 resolution running at 60 frames per second is truly eye-popping as to a casual observer it would be difficult to see what was gameplay and what were cut scenes. Upon seeing it for the first time, my wife was highly impressed the graphical abilities of the game and became interested in storyline and events unfolding as she sat down and offered me gameplay help and advice.
That is the beauty of the series as hard-core and casual, male and female, gamers are easily drawn to the character and her adventurous.
While I have spent a lot of attention on the graphics and look at the game is important that we focus on the game itself and I’m happy to say that both the solo and multiplayer aspects of the game offer plenty of entertainment. There’s a good mix of action and story to the game and the less linear nature of the game and open environments make it very enjoyable especially to somebody who’s used to the affirmation tombs of the original games. While there is puzzle solving to the game there is also the ability said a difficulty that is best suited to your level of gaming and like any game of this type players have to accept that they are going to have failed or along with their successes as that is the nature of an action adventure game.
I did not play the earlier versions the game as my time with the PS 4 version of the game is my most recent experience with the series in a while. That being said, the graphics and gameplay easily hooked me and reminded me why I became a fan of the original games and this imaginative and immersive new installment is the perfect mix for fans new and old alike looking to experience the game.
http://sknr.net/2014/04/01/tomb-raider-the-definitive-edition/
Gareth von Kallenbach (980 KP) rated Sabotage (2014) in Movies
Jun 19, 2019
Action icon Arnold Schwarzenegger is back in “Sabotage”, with an ensemble film that is part thriller, part action, and part western. Schwarzenegger plays John Breacher, the leader of a top D.E.A. squad who take on the worst of the criminal underworld in the war on drugs.
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
Breacher has become a celebrity for his exploits as the numerous pictures of him with former Presidents attest to. It is learned that after bringing down a drug Kingpin, Breacher had his wife and son kidnapped in retaliation and he was forced to watch them tortured to death via video for refusing to turn himself over to the kidnappers for retaliation.
The brutal and drawn out nature of the crimes has haunted Breacher and as the film opens he is leading his team on a raid of a mansion filled with cash and bad guys.
His team is very efficient at what they do but have both physical and mental scars from their experiences. The raid goes almost as planned, but Breacher and his team are accused of taking ten million dollars from the crime scene after the raid as it was learned that the F.B.I. were also keeping tabs on the locale.
Six months pass and despite being an outcast, Breacher and his team are returned to active duty after the closure of the investigation against them. With most of his agency convinced someone on the team has taken the money, Breacher and company celebrate their return to active status.
Their celebration is short-lived when members of the team start being killed in brutal fashion. The fact that highly trained operatives are able to be killed in this manner has raised some red flags especially to local detective Brentwood (Olivia Williams), who thinks there may be more to the cases than first thought. The fact that the D.E.A. is not helping with her investigation and the fact that the bodies are starting to pile up lead her and Breacher into an uneasy alliance to find the killer(s).
What follows is a methodical, but at times action packed film that results in an ending that is disappointing compared to what it could have been.
After the final revelation was revealed, it seemed to me that the methods taken did not match up well with the timeline, opportunity, and motivations of the characters involved. The more I thought about the film the more I was convinced that there were easier ways for things to be accomplished or explained and that perhaps there were too many Red Herrings along the way.
The cast is the film is top notch from Terrance Howard, Sam Worthington, Joe Manganiello and Josh Holloway, and this is one of Schwarzenegger’s most mature and diverse roles in memory. I liked the ambiguity of his character as he was not the one man killing machine and unstoppable force of nature that he has portrayed countless times before.
Breacher is a haunted and troubled man who is highly capable at what he does and enjoys doing it even though it has cost him everything he holds dear. The film seemed to be unable to find an identity as it started out as a very gripping drama that had you guessing but took some turns that strained to be credible and became a conglomeration of action clichés and western nostalgia which is a shame as the cast and premise offered so much more as did the first part of the film.
Director David Ayer keeps things moving along and is to be praised for not letting the action overshadow the characters but sadly the final act of the film comes up short and undermines what could have been a classic mix of action and drama.
The film fails as an effective action film or drama which results in an at times enjoyable but largely forgettable effort.
http://sknr.net/2014/03/28/sabotage/
<i>I received this book for free through Goodreads First Reads.</i>
A spectacle of celebrity, talent and burning ambition, <i>Queen Bees</i> combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the <i>Victoria and Albert Museum, National Trust </i>and <i>Design Museum</i>, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in <i>Queen Bees</i> are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title <i>Queen Bees</i> suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. <i>Queen Bees</i> can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading <i>Queen Bees</i> – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, <i>Queen Bees </i>is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, <i>Queen Bees</i> combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the <i>Victoria and Albert Museum, National Trust </i>and <i>Design Museum</i>, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in <i>Queen Bees</i> are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title <i>Queen Bees</i> suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. <i>Queen Bees</i> can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading <i>Queen Bees</i> – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, <i>Queen Bees </i>is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.