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Bob Mann (459 KP) rated 47 Meters Down (2017) in Movies
Sep 29, 2021
Down Down, Deeper and Down.
It’s summer again; it’s a shark movie. Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun. Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago. After a mechanical failure the cage plummets down to the sea bed….. (Go on, how deep? Have a guess. Go on, go on, go on …)
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
BankofMarquis (1832 KP) rated Spiderhead (2022) in Movies
Jun 26, 2022
Weak Script Sinks This Flick
The history of cinema is littered with tales of the Mad Scientist who gets too caught up in their own experiments to the detriment of all. Once the human cost of the experiment is revealed to this seemingly sane inventor, he (it usually is a he) turns with a wild-eyed look and justifies the human expense in the name of science.
Such is the case with the Netflix Original movie SPIDERHEAD with Chris Hemsworth as the mad scientist in this scenario and Miles Teller and Jurnee Smollett as 2 of the prisoners who trade in their life sentences to be used as guinea pigs in his experiment.
It’s an interesting enough premise - one that is not new - so it is always the execution of this concept that makes (or breaks) this type of film.
Unfortunately for SPIDERHEAD, Writers Rhett Reese and Paul Wernick are unable to elevate the premise (based on a short story by George Saunders) into anything new, unique or interesting.
Director Joseph Kosinski (TOP GUN: MAVERICK) does a yeoman’s job trying to elevate this material to something better than it is. But…kind of like trying to get me to be a Prima Ballerina…Kosinski just cannot make something out of raw material that is fundamentally flawed. He uses a few interesting camera moves and draws out suspense in enough areas to catch the audience’s interests…but not much else.
He is helped by the casting of some top notch talent. Chris Hemsworth is engaging and charismatic (initially) as the Elon Musk/Steve Jobs-esque new age inventor who is trying out some new medical serums on prisoner/volunteers. The problem with Hemsworth - who I think is a pretty good actor - is that once you start seeing the cracks in his character’s façade (and those cracks appear early on), Hemsworth’s performance turns fairly one-dimensional and he becomes a caricature of the “crazed scientist”.
The surprises to me here are the performances of Miles Teller (TOP GUN: MAVERICK) and Jurnee Smollett (LOVECRAFT COUNTRY). These are 2 performers who I’ve always felt were good but not great, but they are intriguing to watch in this. They have strong chemistry with each other and they are 2 protagonists that are easy to root for against crazed antagonist Hemsworth.
In look and feel and tone, this film reminded my of the 2014 Alex Garland marvel EX MACHINA, but where that film easily was lifted by a tremendously strong script and ideas by Garland (check it out if you haven’t seen it - it is well worth your time), SPIDERHEAD, ultimately, sinks into the chasm of a weak script with no real strong ideas/themes behind it.
Letter Grade B+ (for the Direction of Kosinksi and the performances of Teller and Smollett)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with the Netflix Original movie SPIDERHEAD with Chris Hemsworth as the mad scientist in this scenario and Miles Teller and Jurnee Smollett as 2 of the prisoners who trade in their life sentences to be used as guinea pigs in his experiment.
It’s an interesting enough premise - one that is not new - so it is always the execution of this concept that makes (or breaks) this type of film.
Unfortunately for SPIDERHEAD, Writers Rhett Reese and Paul Wernick are unable to elevate the premise (based on a short story by George Saunders) into anything new, unique or interesting.
Director Joseph Kosinski (TOP GUN: MAVERICK) does a yeoman’s job trying to elevate this material to something better than it is. But…kind of like trying to get me to be a Prima Ballerina…Kosinski just cannot make something out of raw material that is fundamentally flawed. He uses a few interesting camera moves and draws out suspense in enough areas to catch the audience’s interests…but not much else.
He is helped by the casting of some top notch talent. Chris Hemsworth is engaging and charismatic (initially) as the Elon Musk/Steve Jobs-esque new age inventor who is trying out some new medical serums on prisoner/volunteers. The problem with Hemsworth - who I think is a pretty good actor - is that once you start seeing the cracks in his character’s façade (and those cracks appear early on), Hemsworth’s performance turns fairly one-dimensional and he becomes a caricature of the “crazed scientist”.
The surprises to me here are the performances of Miles Teller (TOP GUN: MAVERICK) and Jurnee Smollett (LOVECRAFT COUNTRY). These are 2 performers who I’ve always felt were good but not great, but they are intriguing to watch in this. They have strong chemistry with each other and they are 2 protagonists that are easy to root for against crazed antagonist Hemsworth.
In look and feel and tone, this film reminded my of the 2014 Alex Garland marvel EX MACHINA, but where that film easily was lifted by a tremendously strong script and ideas by Garland (check it out if you haven’t seen it - it is well worth your time), SPIDERHEAD, ultimately, sinks into the chasm of a weak script with no real strong ideas/themes behind it.
Letter Grade B+ (for the Direction of Kosinksi and the performances of Teller and Smollett)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hazel (1853 KP) rated My Sister's Keeper in Books
Dec 7, 2018
“If you use one of your children to save the life of another, are you being a good mother or a very bad one?”
<i>My Sister’s Keeper </i>was the first Jodi Picoult novel I read. (I have since read all Picoult’s books to date) I was not expecting much when I first picked it up, especially as I was reading it for a medical ethics module at college. Yet this book rekindled my love of reading and suddenly, after only reading one story, I was asking for Jodi Picoult books for my birthday.
Many people may be familiar with the storyline, even if they have not read the book, as <i>My Sister’s Keeper</i> shot to fame when the film version hit the cinemas. Thirteen-year-old Anna Fitzgerald was Rhode Islands first genetically engineered baby, created with the purpose of providing her older sister Kate with the means to survive acute promyelocytic leukemia. However over the next few years Kate relapses resulting in Anna going under numerous procedures, such as bone marrow extraction, in order to save Kate’s life. Now things have got so bad that Kate will die unless Anna gives up one of her kidneys, yet unwilling to do this Anna hires a lawyer, Campbell Alexander, to sue her parents for the rights of her own body.
From reading a synopsis the reader can already see that <i>My Sister’s Keeper</i> is going to be an emotional story, but what was it that made me love the author so much?
The story was told from six points of view: Anna, Jesse (older brother), Sara (mother), Brian (father), Campbell and Julie (guardian ad litem). Notice that Kate was not one of the narrators, which leads us to speculate from the very start that Anna wins the case and Kate dies. Despite the six main characters there is no antagonist – unless you count cancer – and in all of them the reader can find something relatable.
In one of the chapters, Jesse pronounces that Kate is the martyr, Anna the peacekeeper and himself the lost cause. With Anna we can recognize the struggle to follow the decisions laid down for us by other people – a time when we have no choice of our own. Jesse represents the times when we have been ignored and forgotten because of bigger or more important events, thus resulting in attention seeking behaviour. Brian, the firefighter, the man who wants to save everyone, cannot put out the metaphorical fire that is his family. Sara, whose narrative starts in the past rather than present day, shows us how easy it is to get wrapped up in one problem (or daughter), ignoring everything (or everyone) else.
One thing that is great about all Picoult’s novels is that they are not focused on one storyline. Granted this book is focused on the trial and Kate’s illness, but the inclusion of Campbell and Julia’s voices provide an interesting subplot. Julia is not exactly thrilled to discover that she will be working alongside Campbell, a person she knew from school that she had a difficult past with. Since then Julia has found herself unlucky in love and blames Campbell for this. Campbell on the other hand has been having trouble of his own and now needs a service dog with him at all times. Yet he is self conscious about people knowing the true reason behind this and often comes up with creative lies to stop people from asking questions. “Maybe if God gives you a handicap, he makes sure you’ve got a few extra doses of humor to take the edge off.”
Another reason Picoult’s books are so great is that the reader learns something every time. <i>My Sister’s Keeper</i> is full of medical and legal jargon, which may go over some people’s heads, but it is also bursting with random bits of knowledge, for example the way a fire should be treated, facts about astronomy and many other interesting details that the characters use as metaphors to describe their experiences.
Without taking into account Picoult’s novels and writing style as a whole, <i>My Sister’s Keeper</i> is a story that will stay in people’s hearts and minds for a long time. It is never revealed who the narrator of the prologue was, but we immediately assume that it is Anna and that she wants Kate to die. By the end, we are still unsure who the character was but if it was Anna we see it in a completely different light. This is not a book about whether it is ethical for Anna to be Kate’s donor; it is not a story about cancer. Instead it is a message about the right for each person to have choices in regards to their lives.
A warning to potential readers: this book could break your heart, shock you or leave you in tears. <i>My Sister’s Keeper</i> is full of irony. Some of that makes up part of the story line, for instance Jesse’s experimentation with arson – fires that are then put out by his father. But the biggest sense of irony, the biggest shock is the ending (FYI this is the complete opposite to the film ending). After everything that has been achieved, devastating circumstances result in the same conclusion that it would have had Anna sat back and done nothing. Yet this does not make it a pointless story, despite Anna’s actions almost tearing the family apart, it also wakes them from the stupor that Kate’s illness has put them in and makes them realise how precious everything else in their life is too.
I highly recommend this book to everyone, and if you have not read a Jodi Picoult novel before I strongly suggest you begin with this one. It is suitable for adult and adolescent readers, especially those who like to think about hypothetical, moral questions. <i>My Sister’s Keeper</i> definitely gets you questioning your own choices and actions within your own life and may even make you view the world slightly differently.
<i>My Sister’s Keeper </i>was the first Jodi Picoult novel I read. (I have since read all Picoult’s books to date) I was not expecting much when I first picked it up, especially as I was reading it for a medical ethics module at college. Yet this book rekindled my love of reading and suddenly, after only reading one story, I was asking for Jodi Picoult books for my birthday.
Many people may be familiar with the storyline, even if they have not read the book, as <i>My Sister’s Keeper</i> shot to fame when the film version hit the cinemas. Thirteen-year-old Anna Fitzgerald was Rhode Islands first genetically engineered baby, created with the purpose of providing her older sister Kate with the means to survive acute promyelocytic leukemia. However over the next few years Kate relapses resulting in Anna going under numerous procedures, such as bone marrow extraction, in order to save Kate’s life. Now things have got so bad that Kate will die unless Anna gives up one of her kidneys, yet unwilling to do this Anna hires a lawyer, Campbell Alexander, to sue her parents for the rights of her own body.
From reading a synopsis the reader can already see that <i>My Sister’s Keeper</i> is going to be an emotional story, but what was it that made me love the author so much?
The story was told from six points of view: Anna, Jesse (older brother), Sara (mother), Brian (father), Campbell and Julie (guardian ad litem). Notice that Kate was not one of the narrators, which leads us to speculate from the very start that Anna wins the case and Kate dies. Despite the six main characters there is no antagonist – unless you count cancer – and in all of them the reader can find something relatable.
In one of the chapters, Jesse pronounces that Kate is the martyr, Anna the peacekeeper and himself the lost cause. With Anna we can recognize the struggle to follow the decisions laid down for us by other people – a time when we have no choice of our own. Jesse represents the times when we have been ignored and forgotten because of bigger or more important events, thus resulting in attention seeking behaviour. Brian, the firefighter, the man who wants to save everyone, cannot put out the metaphorical fire that is his family. Sara, whose narrative starts in the past rather than present day, shows us how easy it is to get wrapped up in one problem (or daughter), ignoring everything (or everyone) else.
One thing that is great about all Picoult’s novels is that they are not focused on one storyline. Granted this book is focused on the trial and Kate’s illness, but the inclusion of Campbell and Julia’s voices provide an interesting subplot. Julia is not exactly thrilled to discover that she will be working alongside Campbell, a person she knew from school that she had a difficult past with. Since then Julia has found herself unlucky in love and blames Campbell for this. Campbell on the other hand has been having trouble of his own and now needs a service dog with him at all times. Yet he is self conscious about people knowing the true reason behind this and often comes up with creative lies to stop people from asking questions. “Maybe if God gives you a handicap, he makes sure you’ve got a few extra doses of humor to take the edge off.”
Another reason Picoult’s books are so great is that the reader learns something every time. <i>My Sister’s Keeper</i> is full of medical and legal jargon, which may go over some people’s heads, but it is also bursting with random bits of knowledge, for example the way a fire should be treated, facts about astronomy and many other interesting details that the characters use as metaphors to describe their experiences.
Without taking into account Picoult’s novels and writing style as a whole, <i>My Sister’s Keeper</i> is a story that will stay in people’s hearts and minds for a long time. It is never revealed who the narrator of the prologue was, but we immediately assume that it is Anna and that she wants Kate to die. By the end, we are still unsure who the character was but if it was Anna we see it in a completely different light. This is not a book about whether it is ethical for Anna to be Kate’s donor; it is not a story about cancer. Instead it is a message about the right for each person to have choices in regards to their lives.
A warning to potential readers: this book could break your heart, shock you or leave you in tears. <i>My Sister’s Keeper</i> is full of irony. Some of that makes up part of the story line, for instance Jesse’s experimentation with arson – fires that are then put out by his father. But the biggest sense of irony, the biggest shock is the ending (FYI this is the complete opposite to the film ending). After everything that has been achieved, devastating circumstances result in the same conclusion that it would have had Anna sat back and done nothing. Yet this does not make it a pointless story, despite Anna’s actions almost tearing the family apart, it also wakes them from the stupor that Kate’s illness has put them in and makes them realise how precious everything else in their life is too.
I highly recommend this book to everyone, and if you have not read a Jodi Picoult novel before I strongly suggest you begin with this one. It is suitable for adult and adolescent readers, especially those who like to think about hypothetical, moral questions. <i>My Sister’s Keeper</i> definitely gets you questioning your own choices and actions within your own life and may even make you view the world slightly differently.
Hazel (1853 KP) rated Welcome to Nowhere in Books
May 24, 2017
Contemporary War
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
The eximious children’s author, Elizabeth Laird, is continuing with her magnificent streak of prize-worthy novels. Her soon to be published book Welcome to Nowhere will be eagerly consumed by fans and new-readers alike. With a contemporary setting and shocking truths, young readers will become more aware of the events happening near and far.
Omar is only twelve, yet has a life style that will seem alien to the majority of readers. Living in Syria, Omar works to earn a wage as well as attends school, whilst also helping to care for his Cerebral-Palsy-suffering brother and three other siblings. Although Omar’s life is not easy, it is preferable to the events he is soon about to witness.
In March 2011, Syria broke out in civil war after the daring behaviour of a couple of schoolboys. After these vandals scrawled the phrase “the people want the regime to change” onto a wall, the government decided to fight back. With shootings regularly occurring in the streets, and bombs falling on houses, Omar and his family flee their city home to live with family in the countryside. However, they cannot stay there for long before danger finds them again. Running from the enemy, Omar and family find themselves on the streets with thousands of other refugees. But, where can they go when they have nowhere to call home?
Although Welcome to Nowhere is set before the development of the extreme Muslim group, ISIS, Elizabeth Laird provides an accurate description of the lives of Syrians and refugees at this present moment. Most young readers, and possibly many adults, may not understand what caused the current refugee crisis and may even regard them as the enemy. This book will open hearts and minds after revealing the terror and destruction thousands of people have faced, their experience of refugee camps and their desperation to be able to live in safety.
As well as revealing truths about the situation in the Middle East, Welcome to Nowhere educates the reader on the customs and beliefs of average Muslim families. Although slightly antiquated – men dominate over women – they are not all that different to the Western world. Omar wants to become a successful businessman, whilst his sister is desperate to go to school and university. Laird also writes of scenarios that are not unique to Syrian citizens, in particular medical conditions such as Cerebral Palsy and the way these people are attacked by social stigmas.
Whilst not labeling this book as ‘exciting’, Welcome to Nowhere is a story that will engage the readers’ attention. As a book with both entertainment and educational value, Elizabeth Laird’s latest book is worthy of significant praise. It is not often that a writer will dare to reveal the gritty truth about the current situation in the world, and thus Laird must be commended for persevering with such a difficult, challenging story. Although targeted at young adults (ages 12+), older readers will also enjoy and learn from this exceptional novel.
Sassy Brit (97 KP) rated Vendetta in Books
Jun 5, 2019
Vendetta by Iris Johansen brings back characters introduced in the Eve Duncan books. Although it is billed as an “Eve Duncan” she is only mentioned briefly. But, this does not take anything away from the plot and the main characters, Rachel Venable and Jude Brandon. The story centers on these two and their attempts to bring down Max Huber, the head of Red Star, a terrorist organization with immense power.
The story begins with the shooting of a top CIA official, Carl Venable. His dying breath to the operative, Jude Brandon, to save his daughter, Dr. Rachel Venable, and give her the choice of eliminating Huber to prevent him from wreaking further havoc on a global scale. Huber wants revenge on Rachel, believing that she killed his father by poisoning him. Enlisting the help of her good friend, CIA operative Catherine Ling and her on again, off again boyfriend, Richard Cameron, they work together to bring Huber down.
Johansen noted, “Every other chapter has a choice come into play. It is all about making choices. Rachel had to decide if she would go after the bad guys. Brandon whether he would involve himself emotionally with Rachel. Catherine made the choice not to hide from her desire for Cameron, as well as knowing she had to give Rachel space and control over her own destiny. The bad guy Huber is pure evil without redeeming qualities and his choice was to inflict as much collateral damage as possible. Even though I have a choice as a writer, I just wanted to kill Huber for doing terrible things to the people I love in my books.”
Both Rachel and Catherine had similar experiences of having to overcome rape. At the age of fifteen Rachel was captured by the Taliban in Afghanistan, watched them kill her mother and brother, and was brutally raped as well as tortured. What Johansen does wonderfully is to show how Rachel is determined to overcome her past experiences. One of the reasons she becomes a medical doctor is to heal people. Both Catherine and Rachel are intelligent, tough, strong, independent, and stubborn.
The book quote has Rachel determined to not be seen as a cripple. “I wrote that because I consider it the bravest thing she ever said. She went through a terrible event, but she fought and conquered it. Catherine also had a tough life, growing up on the Hong Kong waterfronts. She learned from it to become stronger. These two women are more similar than different. They had rough teenage years that they had to overcome. I think they are more sisters than friends and will always go to bat for each other. I think Catherine is more like the older sister because she has a son, which makes a big difference.”
Johansen writes female characters that are something other than constant damsels in distress. They find a way to survive and have come out even stronger. This story shows how a character’s past and the decisions made influence the present and future, sometimes to the point of getting revenge by pursuing a vendetta.
The story begins with the shooting of a top CIA official, Carl Venable. His dying breath to the operative, Jude Brandon, to save his daughter, Dr. Rachel Venable, and give her the choice of eliminating Huber to prevent him from wreaking further havoc on a global scale. Huber wants revenge on Rachel, believing that she killed his father by poisoning him. Enlisting the help of her good friend, CIA operative Catherine Ling and her on again, off again boyfriend, Richard Cameron, they work together to bring Huber down.
Johansen noted, “Every other chapter has a choice come into play. It is all about making choices. Rachel had to decide if she would go after the bad guys. Brandon whether he would involve himself emotionally with Rachel. Catherine made the choice not to hide from her desire for Cameron, as well as knowing she had to give Rachel space and control over her own destiny. The bad guy Huber is pure evil without redeeming qualities and his choice was to inflict as much collateral damage as possible. Even though I have a choice as a writer, I just wanted to kill Huber for doing terrible things to the people I love in my books.”
Both Rachel and Catherine had similar experiences of having to overcome rape. At the age of fifteen Rachel was captured by the Taliban in Afghanistan, watched them kill her mother and brother, and was brutally raped as well as tortured. What Johansen does wonderfully is to show how Rachel is determined to overcome her past experiences. One of the reasons she becomes a medical doctor is to heal people. Both Catherine and Rachel are intelligent, tough, strong, independent, and stubborn.
The book quote has Rachel determined to not be seen as a cripple. “I wrote that because I consider it the bravest thing she ever said. She went through a terrible event, but she fought and conquered it. Catherine also had a tough life, growing up on the Hong Kong waterfronts. She learned from it to become stronger. These two women are more similar than different. They had rough teenage years that they had to overcome. I think they are more sisters than friends and will always go to bat for each other. I think Catherine is more like the older sister because she has a son, which makes a big difference.”
Johansen writes female characters that are something other than constant damsels in distress. They find a way to survive and have come out even stronger. This story shows how a character’s past and the decisions made influence the present and future, sometimes to the point of getting revenge by pursuing a vendetta.
Brea Lowther (26 KP) rated Everything, Everything in Books
Feb 5, 2018
Pleasantly Surprised
Contains spoilers, click to show
I read quite a bit. Young Adult is a genre that is really hit or miss with me. I wasn't expecting to have a very strong feeling for this book, but I was wrong, and pleasantly surprised. I initially read this, because I'm very much a "must read the book before watching the movie" person. I picked it up because it had been sitting on my "too read" shelf for far too long. I breezed through it because it wasn't a tough read, and it kept me hooked throughout.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
The big shock came to me in it's unpredictable predictability. That sounds insane, so let me explain. As soon as you meet Madeline, you learn that she's been locked in her controlled environment most of her life because she has a rare disease called SCID. She gives the basic layout of her diagnosis, life of isolation, and the cute boy next door. She soon begins to question everything.
This is the point of the book, very early on, where I begin to think "Mom probably has Munchausen by Proxy," which is the mental disorder where, for lack of fancy medical knowledge and terms, your make your child or other person close to you sick on purpose to gain sympathy, or because you honestly convince yourself they are sick.
As I read a little more, and Maddy meets, and subsequently falls in love with Olly, I start to realize that I may be jumping to conclusions too soon. After all, this is a young adult novel, not a Gillian Flynn mystery.
When we come to the part of the great escape, Madeline's awakening, her most dangerous adventure, out of the controlled world she knows, I am not surprised to see her get very sick, and have to go to the hospital where she comes close to death.
She hits a period of depression, realizes that she can't see Olly anymore, and breaks his, and her own heart. BUT WAIT! She receives a letter from her doctor in Hawaii who tells her she doesn't have SCID, and her world comes crashing down.
She has to confront her mother, and decide what steps to take to finally start a life that was stolen from her.
I was pleasantly surprised to be tricked out of thinking I guessed the plot, and then thrown for a curve when I was right all along. Aside from that gem, this book did a great job of displaying an outsider's view on domestic violence, and her influencing Olly to have his mom leave. It wasn't your run of the mill teen love story. It showed the bitter betrayal that sometimes happens at the hands of the people who are supposed to love and protect you the most. It showed different mental conditions in different lights. It could've gone into more detail, but just shedding some light in a world where having a sick brain is so taboo is a tremendous feat.
This book was executed simply, and done very well. I am glad I finally read it, and would recommend it to anyone looking for a quick, yet emotional read.
Kristy H (1252 KP) rated Under Rose-Tainted Skies in Books
Feb 13, 2018
Norah is a mentally ill teen struggling with agoraphobia and OCD. She lives with her mom and hasn't attended school in over four years -- in fact, she really hasn't had what society would deem a "normal" outing in that time. Her interactions are with her mom, her therapist, and the online world: watching her former friends live their lives via social media. When a new boy moves in next door, Norah doesn't expect much to change. But when Luke catches Norah trying to fish in groceries left outside on her porch, he helps her. The two slowly begin to interact, and a friendship blossoms. Still, despite the movie "dates" they have at Norah's house and their many chats, Norah is trapped in her own insecurities and fears: Luke deserves a "normal" girl, who can go outside to parties, and who isn't too scared of germs to kiss. What does the future hold in store for Norah and Luke?
This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.
Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.
The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think [b:Everything, Everything|18692431|Everything, Everything|Nicola Yoon|https://images.gr-assets.com/books/1450515891s/18692431.jpg|26540216] is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.
This was a lyrical novel offering a rather unflinching portrait of mental illness. (I must point out up front that there's a self-harm/cutting trigger.) The writing is beautiful, almost falling over the line of too flowery at times. Norah is an engaging heroine: a real person living her life with mental illness. The novel truly tries to portray her OCD and agoraphobia in a real (yet humorous at times - it's not just as if you're reading a medical manual) manner. There are some incredibly important passages in this book about how, while Norah may not look sick or mentally ill, she is. I enjoyed her character immensely.
Unfortunately, some of my love of Norah was diminished by slightly unrealistic and odd plotlines. Maybe it's just me, but I was immensely bothered by little things - Luke's dad getting a job at the TSA for 8 weeks (unless that was a long time ago, basically impossible in the security clearance era). In turn, Norah's mom undergoes a hospital stay that seems oddly inserted; further, if the family has money, why is poor, scared Norah forced to stay alone for huge chunks of time without any assistance or company? Luke also comes across as too good to be true sometimes, making me question his character, even when I wanted to buy into the love story. Finally, the ending hinges on a weird twist and seemed to tie things up a little too easily for how strongly the book was presenting Norah's illness throughout.
The angsty teen love genre is certainly in full swing lately and adding in mental illness is popular as well (I think [b:Everything, Everything|18692431|Everything, Everything|Nicola Yoon|https://images.gr-assets.com/books/1450515891s/18692431.jpg|26540216] is my favorite, where it worked so beautifully). Still, I certainly wouldn't not recommend this novel. It's well-written, portrays its mental illnesses very well, and the character of Norah is worth the read alone. There are some flaws, yes, but I did enjoy the book overall. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available as of 01/03/2017.