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Sensitivemuse (246 KP) rated Falconer's Crusade in Books
Apr 7, 2018
Great historical aspect, mystery not so much
This is a pretty short mystery to read through. Looks can be deceiving though. Despite being short, it’s packed in with some heavy duty stuff.
The setting for example. Very rich in detail and gives you a sense on how it was back then in William Falconer’s time. Add in some political intrigue, a Jewish Quarter, and some rioting and it gets pretty exciting. I really can’t get over how great the setting is. It’s so descriptive you can feel the darkness and the dampness that permeates throughout the novel. Morson also does an excellent job to stay close to historical accuracy here in this novel as well. Forensic pathology is frowned upon, and you even get to see Falconer try on a strange contraption that looks a lot like Medieval opera glasses at the time. :)
The plot is pretty straight forward although there is not much of a secret mystery element in it. The suspect list is not extensive (thankfully! You’ll see why as you read further into this review) and when revealed it’s not much of a surprise or an a ha! Moment. There isn’t much personality to the characters except Falconer and his student Thomas. Thomas is a particular dolt. A Farmer boy who managed to be gifted and chosen to study and be a Scholar, well, for all the idiotic moves he makes, you have to wonder how the University chose this guy to let him attend their school. He fumbles and stumbles at the worst times and always manages to get himself into some life threatening situations (and doesn’t learn from it). It was funny the first few times, but after a while it gets annoying and you want to slap this boy upside the head. (You don’t deserve Hannah’s attention, you twit).
I’m going to assume it will get better with other books in this series, and this one serves as an introduction to the series. Since I really do love the historical aspect I will stick with this series and see where it takes me. Historical mystery lovers will love the setting and theme of this book, the mystery part, not so much.
The setting for example. Very rich in detail and gives you a sense on how it was back then in William Falconer’s time. Add in some political intrigue, a Jewish Quarter, and some rioting and it gets pretty exciting. I really can’t get over how great the setting is. It’s so descriptive you can feel the darkness and the dampness that permeates throughout the novel. Morson also does an excellent job to stay close to historical accuracy here in this novel as well. Forensic pathology is frowned upon, and you even get to see Falconer try on a strange contraption that looks a lot like Medieval opera glasses at the time. :)
The plot is pretty straight forward although there is not much of a secret mystery element in it. The suspect list is not extensive (thankfully! You’ll see why as you read further into this review) and when revealed it’s not much of a surprise or an a ha! Moment. There isn’t much personality to the characters except Falconer and his student Thomas. Thomas is a particular dolt. A Farmer boy who managed to be gifted and chosen to study and be a Scholar, well, for all the idiotic moves he makes, you have to wonder how the University chose this guy to let him attend their school. He fumbles and stumbles at the worst times and always manages to get himself into some life threatening situations (and doesn’t learn from it). It was funny the first few times, but after a while it gets annoying and you want to slap this boy upside the head. (You don’t deserve Hannah’s attention, you twit).
I’m going to assume it will get better with other books in this series, and this one serves as an introduction to the series. Since I really do love the historical aspect I will stick with this series and see where it takes me. Historical mystery lovers will love the setting and theme of this book, the mystery part, not so much.
graveyardgremlin (7194 KP) rated The Fruit of Her Hands: The Story of Shira of Ashkenaz in Books
Feb 15, 2019
I'm having a remarkably hard time gathering up my thoughts to review THE FRUIT OF HER HANDS. The book is a mixed bag as far as I'm concerned.
Overall, the book was informative and easy entertainment, but it lacked depth. For the most part the characters were either good or bad, with no shades of grey, which made them unrealistic and led to my feeling of detachment. Shira was a sympathetic and capable main character during the first third of the book and looked to be an interesting Medieval wife. Unfortunately, after she became married, she lost her personality. I realize that it was an accurate portrayal of Jewish wives back then, but Shira had been scholarly, while still seeing to her duties, up until this point and then turned into a boring protagonist. What set her apart and made me want to read about her was her attitude about learning the Talmud like the men. What interested Meir in the first place was Shira, who he thought unusual; not that I was shown their love, I was just told about it. The chemistry was lacking between them, but that may be in part that I didn't get a good sense of who Meir was as a person, other than he was brilliant, a revered scholar, et cetera. No one felt real in this book and that's a shame.
What was perhaps done best were the details and information about the Jewish people and their faith. Generally, it was written into the story quite well, even if Shira was conveniently placed right in the way of big events. I learned much and am grateful for the history of that time. My one problem with it was that although I felt the pain and suffering the Jewish endured, it was just a little too clean. More realism and grit would have added much to the book.
Perhaps the scope of the book did a disservice to the story as a whole, and it might have benefited a few scenes taken out. As a whole, it's a decent book and a good debut, but it still lacks that something that makes me what to say "read it".
Overall, the book was informative and easy entertainment, but it lacked depth. For the most part the characters were either good or bad, with no shades of grey, which made them unrealistic and led to my feeling of detachment. Shira was a sympathetic and capable main character during the first third of the book and looked to be an interesting Medieval wife. Unfortunately, after she became married, she lost her personality. I realize that it was an accurate portrayal of Jewish wives back then, but Shira had been scholarly, while still seeing to her duties, up until this point and then turned into a boring protagonist. What set her apart and made me want to read about her was her attitude about learning the Talmud like the men. What interested Meir in the first place was Shira, who he thought unusual; not that I was shown their love, I was just told about it. The chemistry was lacking between them, but that may be in part that I didn't get a good sense of who Meir was as a person, other than he was brilliant, a revered scholar, et cetera. No one felt real in this book and that's a shame.
What was perhaps done best were the details and information about the Jewish people and their faith. Generally, it was written into the story quite well, even if Shira was conveniently placed right in the way of big events. I learned much and am grateful for the history of that time. My one problem with it was that although I felt the pain and suffering the Jewish endured, it was just a little too clean. More realism and grit would have added much to the book.
Perhaps the scope of the book did a disservice to the story as a whole, and it might have benefited a few scenes taken out. As a whole, it's a decent book and a good debut, but it still lacks that something that makes me what to say "read it".
RəX Regent (349 KP) rated Warcraft (2016) in Movies
Feb 19, 2019
To begin, I am not really up on the plot of the game in which this movie is based, though I do understand that this is a prequel and that the tone is reasonably accurate to the that of the long enduring PC game.
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
But derivative is the word. The game was designed to allow its players to interact with each over and across the internet and essentially play in scenarios which span the fantasy genre, itself drawing from such classics as Lord Of the Rings, Dungeons and Dragons and every medieval or ancient myth imaginable.
As a game, this sounds like fun, taking on roles and pretending to be mythological characters, wielding swords and magic, but since this was already taken wholesale from the genre, including films, what was the point?
Essentially, what we have is an epic mash up of films which have already made there mark whilst offering little if anything new worth talking about. The plot twists are predicable if not hammy, the characterisations are dull and cliched and in the end there is little to offer but a brand name and endless special effects.
The movie does pick up a bit in the third act but even this is let down with a finale of world building and sequel teasing, with the plot left wide open and several plot lines ready to go if there was ever to be a Warcraft 2. The problem is that there is little to tantalise unless you are already a die hard fan. The writing is poor, effective for driving the plot along at some pace but it is mundane, predictable and lacking any real intrigue or interest. It simply goes through the motions as does almost everything and everyone else in the film as a whole.
I want to say that it could have been better, but I can not. I think that Jones and his team have probably done a reasonable job of adapting this game but that is what it is, a derivative PC game and hardly suitable for a movie of this scale.
When will they learn?
Goddess in the Stacks (553 KP) rated The Alloy of Law: A Mistborn Novel in Books
Jan 25, 2018
A fun romp
The Alloy of Law is a fun romp in the world of Sanderson's earlier Mistborn trilogy. The world has advanced three hundred years, from medieval technology levels to about Victorian levels. Electricity is just starting to be found in homes, though people are suspicious of it, and trains and guns are fairly widespread. Think Victorian England meets the Wild West and you'll be in the ballpark. The main characters of the Mistborn trilogy have faded into legend by the time The Alloy of Law takes place, and it's really interesting to see how they are revered (or not) by the characters in this book.
The Mistborn series has a well-developed system of magic that I found unique, creative, and complex but easy to follow. Allomancy is the art of burning ingested metals to do particular effects; different metals (and the ability to burn them) allow you to do different things. Tin, for example, lets you enhance your senses, leading to the nickname "Tin-eyes." Burning steel lets a Coinshot "push" on metals, telekinetically moving the metal away from themselves. (Or themselves away from the metal, if the metal too secure to be moved!) On the flipside of the coin (Ha!) is Feruchemy - a feruchemist uses metal accessories, often in the form of armbands or other jewelry, to "store up" his resources - he can become deaf and blind for a time, in order to use that resource later and have super-hearing and eagle-eyes, for example. Nothing is ultimately gained or lost, just stored until it's needed.
The writing in Alloy was certainly not as deep as the Mistborn trilogy, but Sanderson has said in interviews that this was supposed to be a fun break between books. If you're looking for a quick, fun adventure story, this is definitely a good book to pick up. From the witty banter between characters to the surprising choice of romance, this book kept my attention from start to finish. Sanderson is a very skilled author and I am eagerly looking forward to the sequel, as the book ends on a cliffhanger!
You can find all my reviews at http://goddessinthestacks.wordpress.com
The Mistborn series has a well-developed system of magic that I found unique, creative, and complex but easy to follow. Allomancy is the art of burning ingested metals to do particular effects; different metals (and the ability to burn them) allow you to do different things. Tin, for example, lets you enhance your senses, leading to the nickname "Tin-eyes." Burning steel lets a Coinshot "push" on metals, telekinetically moving the metal away from themselves. (Or themselves away from the metal, if the metal too secure to be moved!) On the flipside of the coin (Ha!) is Feruchemy - a feruchemist uses metal accessories, often in the form of armbands or other jewelry, to "store up" his resources - he can become deaf and blind for a time, in order to use that resource later and have super-hearing and eagle-eyes, for example. Nothing is ultimately gained or lost, just stored until it's needed.
The writing in Alloy was certainly not as deep as the Mistborn trilogy, but Sanderson has said in interviews that this was supposed to be a fun break between books. If you're looking for a quick, fun adventure story, this is definitely a good book to pick up. From the witty banter between characters to the surprising choice of romance, this book kept my attention from start to finish. Sanderson is a very skilled author and I am eagerly looking forward to the sequel, as the book ends on a cliffhanger!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Gareth von Kallenbach (971 KP) rated The Kid Who Would Be King (2019) in Movies
Jul 2, 2019
Alex Elliott (Louis Ashbourne Serkis), is a 12 year old boy that isn’t afraid to stand up to bullies and defend his friends. As noble as his deeds are, he ends up becoming the school bullies Lance (Tom Taylor) and Kaye’s (Rhianna Dorris) target. They chase him to an abandoned construction site where he falls off a ledge and encounters the notorious sword in the stone. As many are aware of King Arthur’s sword in the stone story, the person that pulls the sword from the stone shall become King of England. To his and his best friend Bedders’s (Dean Chaumoo) surprise, Alex draws the sword (aka Excalibur) from the stone and moments later Merlin appears (Angus Imrie) and warns Alex and Bedders of the danger that lies ahead. Morgana (Rebecca Ferguson), King Arthur’s half-sister, and her army of fire burning dead soldiers are on a mission to get Excalibur and take over Earth. Merlin encourages Alex, Bedders and the two bullies, they must put their differences aside to beat Morgana and save the world.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.
A clever modern day continuation to the story of the Sword in the Stone with a Lord of the Rings spin to it that’s appropriate for kids. All our main characters are children/teenagers, including Merlin, who at random climactic moments in the film transforms into an elder version of himself and is played by the legendary Patrick Stewart. Bedders’s role is similar to that of loyal and dopey, but brave Samwise Gamgee. He helps Alex recruit soldiers to help fight Morgana’s army and never leaves his best friend’s side.
A unique story about loyalty and working together to do what’s best to defeat evil and save Earth. Glad to see family friendly movies dabbling into the genre of medieval fantasy again. There are moments in the film that drag on. They should have omitted several scenes and the long run time of 2 hours and 12 minutes could have been shortened. Very much geared towards kids ages 8 and up, there are some dark moments that may not be suitable for the younger ages. Prepare for lots of adventure, laughter, and good vs evil story, one the whole family can enjoy.
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