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Spiritual Insights w/Charlotte Spicer—Spirituality & Metaphysics Talk Radio
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We honor your presence here! Join over 200,000 listeners worldwide who tune in for inspiration and...
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Saints and Spectacle: Byzantine Mosaics in Their Cultural Setting
Book
Saints and Spectacle examines the origins and reception of the Middle Byzantine program of mosaic...
The Television Will be Revolutionized
Book
Go behind the TV screen to explore what is changing, why it is changing, and why the changes...
Women's Hairstyles PRO - Virtual Hair Makeover. Try On Your New Female Hair With Hair Cut & Editor
Lifestyle
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*** The Best Women's Hairstyle App On The App Store *** You have this great head of hair, but you...
Stickman Volleyball
Games and Sports
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Stickman Volleyball, the most played fun sports game comes right to your device. Experience pure...
Sarah (126 KP) rated The Sinner - Season 2 in TV
Feb 18, 2019
After being disappointed by the first season, I was curious as to what the second could possibly about - but looked forward to hopefully finding out more about Bill Pullman's character, Detective Harry Ambrose.
A different town, a different killer and another mystery that goes far beyond the deaths that we see in the first episode. Sadly, I still got the same feeling of "oh, that's it?" when it was all over.
Once again, the story comes to us via the medium of flashbacks, and, once again, the characters are just so unlikable.
We catch glimpses of Ambrose's past and are treated to flashbacks of, for instance, interactions between the "mother and son" who are the main focus of this investigation - but where you never really find out what the actual point of these scenes was.
I really do love a good crime thriller - sadly, this show just isn't the one for me.
A different town, a different killer and another mystery that goes far beyond the deaths that we see in the first episode. Sadly, I still got the same feeling of "oh, that's it?" when it was all over.
Once again, the story comes to us via the medium of flashbacks, and, once again, the characters are just so unlikable.
We catch glimpses of Ambrose's past and are treated to flashbacks of, for instance, interactions between the "mother and son" who are the main focus of this investigation - but where you never really find out what the actual point of these scenes was.
I really do love a good crime thriller - sadly, this show just isn't the one for me.
Andy Walker (4885 KP) rated Dead Island (2018) in Movies
Apr 18, 2019
Shot in 2010 on an iPhone 4s.
Contains spoilers, click to show
Set on a secluded island with no cell phone service, 17 year old twins, Kelsey & Devon, who are aspiring film makers are forced to move there just before their senior year. They decide to film everything as their phone are otherwise useless. Then masked killers show up and torment the family throughout the night.
It is basically a found footage film, but filmed entire on mobile phones. To be honest I found a lot of the jerky shots and continual movement both off putting and annoying, when they did have static shots they were far too long and not interesting enough. The last fifteen minutes or so of the film are not bad but by then I'd lost a bit of interest. There is some pretty shocking acting as well.
Not really a good film, but deserving of a "good" Mark purely for the novelty of the filming medium.
It is basically a found footage film, but filmed entire on mobile phones. To be honest I found a lot of the jerky shots and continual movement both off putting and annoying, when they did have static shots they were far too long and not interesting enough. The last fifteen minutes or so of the film are not bad but by then I'd lost a bit of interest. There is some pretty shocking acting as well.
Not really a good film, but deserving of a "good" Mark purely for the novelty of the filming medium.
Awix (3310 KP) rated Network (1976) in Movies
Feb 16, 2018 (Updated Feb 16, 2018)
Acclaimed satirical comedy-drama; impressively prescient look at American media. Long-serving newscaster is victim of falling ratings, has breakdown and threatens to commit suicide on live TV: network execs are appalled until it transpires this has caused a spike in viewing figures, so they give him a job as a ranting news gimp.
Smartly written and well-performed; slight tendency towards speechifying rather than actual dialogue in the closing stages, but at least the speeches are good. Movie predicts rise of reality TV and collapse in news values with eerie accuracy, also the potential power of rabble-rousing TV demagogues (chief rabble-rouser does not complain about fake news, but it's a near thing). On another level, film is basically just cinema being snotty about how television is a more juvenile and morally bankrupt medium - 1976 was one of the very last years they could do this without it seeming like massive hypocrisy.
Smartly written and well-performed; slight tendency towards speechifying rather than actual dialogue in the closing stages, but at least the speeches are good. Movie predicts rise of reality TV and collapse in news values with eerie accuracy, also the potential power of rabble-rousing TV demagogues (chief rabble-rouser does not complain about fake news, but it's a near thing). On another level, film is basically just cinema being snotty about how television is a more juvenile and morally bankrupt medium - 1976 was one of the very last years they could do this without it seeming like massive hypocrisy.
David McK (3731 KP) rated The Death of Superman (The Death and Return of Superman, #1) in Books
Jan 30, 2019
Superman dies
It doesn't hold.
Back in the early 90s, I remember one comic book,in particular, that made the headlines, when DC decided to take what was then a massive risk and kill off one of their lead characters.
This was in the days, of course, before that trick became 'old hat; before the comic industry kept killing off and bringing back to life their leads.
Reading it now, even if the plot isn't that strong (who is Doomsday? Where has he come from? What does he want? Why was it the the Justice League of Americas B-team that went out to face him and got taken apart?), it's interesting to see how the medium has moved on: in particular (mostly) away for the lurid brightly coloured panels of this comic.
I have to say, as well, if you thought the devastation of Metropolis at the end of the recent(ish) 'Man of Steel' movie was bad, read this ...
It doesn't hold.
Back in the early 90s, I remember one comic book,in particular, that made the headlines, when DC decided to take what was then a massive risk and kill off one of their lead characters.
This was in the days, of course, before that trick became 'old hat; before the comic industry kept killing off and bringing back to life their leads.
Reading it now, even if the plot isn't that strong (who is Doomsday? Where has he come from? What does he want? Why was it the the Justice League of Americas B-team that went out to face him and got taken apart?), it's interesting to see how the medium has moved on: in particular (mostly) away for the lurid brightly coloured panels of this comic.
I have to say, as well, if you thought the devastation of Metropolis at the end of the recent(ish) 'Man of Steel' movie was bad, read this ...