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Awix (3310 KP) rated Count Dracula (1977) in Movies

Nov 15, 2020  
Count Dracula (1977)
Count Dracula (1977)
1977 | Classics, Horror
8
7.4 (5 Ratings)
Movie Rating
Surprisingly faithful BBC adaptation of the famous story has definite merits, but also perhaps shows why most people don't stick so close to the text. Young solicitor Harker goes off to Transylvania to close a deal with the engimatic Count Dracula; you can probably guess the rest.

Scores very highly for its acting - Frank Finlay is a charismatic Van Helsing and Louis Jourdan a playfully evil Dracula - and also for its atmosphere, even with BBC TV production restraints (videotaped interiors, some rather weird special effects). For an adaptation to stick quite so close to the book is very nearly exceptional, too - Savory makes Lucy and Mina sisters, combines Arthur and Quincey into one character, and cuts down the final act, but that's about it. The drawback to this, of course, is that after the first act Dracula gets relatively little screen-time and even less dialogue, and it does drag on just a tiny bit. Nevertheless, its fidelity and seriousness mean that this is certainly among the top echelon of Draculas in any medium.
  
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Hari Nef recommended Salò, or the 120 Days of Sodom (1975) in Movies (curated)

 
Salò, or the 120 Days of Sodom (1975)
Salò, or the 120 Days of Sodom (1975)
1975 | Drama, Horror, War
6.1 (10 Ratings)
Movie Favorite Watch

"I didn’t know there were films that represented the things represented in this film. I didn’t know you could do that. People didn’t think you could do that when this film came out. I always ask myself: how macabre can we go, how graphic can we go, how dark can we go. And the commitment of these actors to the horror that they’re subjected to in this film—you can’t fake that stuff; it’s happening. This nudity is happening, this scatological stuff . . . I don’t know how much of that stuff was happening, but it’s just pure terror and pure excess. There’s also something unwittingly seductive about the beautiful, heightened elements of the film. There aren’t many films that communicate the dangers and trespasses of fascism better than this one. The terror is not in some externalized war story, it’s something that is very domestic and very tangible. You can’t forget a film like Salò, and the shock and the horror of it make such an effective medium for its serious political themes. I think it kind of shares that with Assassination Nation."

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