Search
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
Over the last year and a half I have been reviewing books and have become somewhat critical, I was wondering if I would ever read a 5 star book again. It didn’t take too long, I would have given Forbidden all the stars if I was allowed. The story of forbidden is heart wrenching and soul-destroying but also wonderful.
Forbidden is a about a dysfunctional family in turmoil. The father left years ago and the mother of 5 children is never home! She is either out getting drunk or with her new boyfriend. Maya and Lochan are the eldest of the 5 children and had to take it upon themselves to keep the family afloat and to make sure social services never find out. Forbidden is about the relationship between Maya and Lochan and how it becomes more than brotherly sisterly love. They know it’s wrong but it feels so right.
I loved this book with all my heart, from the start you get a feeling that Maya and Lochan are not normal brother and sister. They have this connection, it feels like they are the mother and father of the 3 little’s, the way they manage everything from cooking,shopping,homework etc etc. They have been put in this impossible situation due to their mothers neglect.
All the characters are amazing, I could feel the utter despair that Lochan was going through, how he was torn between his feelings and what was socially acceptable. He would do anything for all of his family, he was smart and caring. Stress, taking on a role as father and loving his sister takes a toll on his mental health and starts having panic attacks. Maya was a great character but she wasn’t as vigilant as Lochan.
My feels were all over the place with this book, there is a point in the book where I had to stop reading (This has never happened to me before) I didn’t know if I could go on, it was so intense! My heart was in my mouth! The love in this book didn’t feel wrong and it’s not romaticizing incest, it’s just these children were put in this situation and they were living the role of mother and father in every possible way.
I have never read a book about incest before, it was extremely well written and I manged to read it very quickly despite it being 432 pages long. The book is from dual perspective alternating from Lochan and Maya, so you get an idea of what about both of them are thinking and feeling. No stone was left unturned. I am usually wary about reading books that have a lot of hype surrounding them but this is worth all the hype and more. If you have not read this yet, then you need to grab yourself a copy you won’t regret it.
Has anyone read other works by Tabitha Sazuma, are they as good as Forbidden?
I rated this 5 out of 5 stars.
Forbidden is a about a dysfunctional family in turmoil. The father left years ago and the mother of 5 children is never home! She is either out getting drunk or with her new boyfriend. Maya and Lochan are the eldest of the 5 children and had to take it upon themselves to keep the family afloat and to make sure social services never find out. Forbidden is about the relationship between Maya and Lochan and how it becomes more than brotherly sisterly love. They know it’s wrong but it feels so right.
I loved this book with all my heart, from the start you get a feeling that Maya and Lochan are not normal brother and sister. They have this connection, it feels like they are the mother and father of the 3 little’s, the way they manage everything from cooking,shopping,homework etc etc. They have been put in this impossible situation due to their mothers neglect.
All the characters are amazing, I could feel the utter despair that Lochan was going through, how he was torn between his feelings and what was socially acceptable. He would do anything for all of his family, he was smart and caring. Stress, taking on a role as father and loving his sister takes a toll on his mental health and starts having panic attacks. Maya was a great character but she wasn’t as vigilant as Lochan.
My feels were all over the place with this book, there is a point in the book where I had to stop reading (This has never happened to me before) I didn’t know if I could go on, it was so intense! My heart was in my mouth! The love in this book didn’t feel wrong and it’s not romaticizing incest, it’s just these children were put in this situation and they were living the role of mother and father in every possible way.
I have never read a book about incest before, it was extremely well written and I manged to read it very quickly despite it being 432 pages long. The book is from dual perspective alternating from Lochan and Maya, so you get an idea of what about both of them are thinking and feeling. No stone was left unturned. I am usually wary about reading books that have a lot of hype surrounding them but this is worth all the hype and more. If you have not read this yet, then you need to grab yourself a copy you won’t regret it.
Has anyone read other works by Tabitha Sazuma, are they as good as Forbidden?
I rated this 5 out of 5 stars.
OMG!! This book is the feels of FEELS! I loved it and couldn't put it down! Rainbow Rowell is now one of my favourite authors.
Sypnosis:
Fangirl is about identical twins Cath and Wren, these two do everything together even so as going to the same University.
Wren is the more outgoing of the two who just wants to party, make friends and enjoy everything university has to offer. Cath on the other hand is a shy, geeky fan fiction writer that wants to appear invisible to everyone and just get her head down.
Cath has an obsession with a book series called Simon snow and launched her own fan fiction page that carry the story on in different scenes and she is quite a success at it, but it's literally all she can think about
As the girls have two very different ideas of University they decide not to live together so Cath has to share with Reagan, she has a boyfriend that is always there, encouraging Cath to go out bowling and parties.
Then there is the boy in her fiction writing class that wants to be writing buddies.
Cath soon finds love, but with whom?
<blockquote> I don’t just kiss people. Kisses aren’t... just with me.</blockquote>
My thoughts:
Fangirl is written in a 3rd person POV and started off pretty slow for my liking and I couldn't see what all the hype was about! At 100 pages in things started to get interesting and the pace was set.
The characters in this book are so relatable and realistic, with Cath and her social anxiety, daily worries and awkwardness, her fathers mental health and Wren going off the rails.
Levi is just the most amazing character I have come across always happy and just there! when you need him. He's a listener and patient and OMG!! I think I have a fictional crush!
I HATED!! the Simon Snow fan fiction parts I thought it was just a rip off of Harry potter and was not interested in this part at all that I started to skip all these parts and unfortunately there was so much of it
Rainbow Rowell is a contemporary romance genius! I was even thinking about the book at work, trying to think what was going to happen and what I had already read, that's how hooked I was on this book.
I never wanted it to end it just made me all warm and fuzzy inside, this would have been a five star book if it wasn't for the Simon Snow parts
I have read Eleanor and Park by Rainbow Rowell and I loved it, but I definitely will not be picking up carry on as it's all about Simon bloody Snow-sorry!
I recommend this to anyone that enjoys contemporary and romance novels.
I rate this book 4 out of 5 stars
Sypnosis:
Fangirl is about identical twins Cath and Wren, these two do everything together even so as going to the same University.
Wren is the more outgoing of the two who just wants to party, make friends and enjoy everything university has to offer. Cath on the other hand is a shy, geeky fan fiction writer that wants to appear invisible to everyone and just get her head down.
Cath has an obsession with a book series called Simon snow and launched her own fan fiction page that carry the story on in different scenes and she is quite a success at it, but it's literally all she can think about
As the girls have two very different ideas of University they decide not to live together so Cath has to share with Reagan, she has a boyfriend that is always there, encouraging Cath to go out bowling and parties.
Then there is the boy in her fiction writing class that wants to be writing buddies.
Cath soon finds love, but with whom?
<blockquote> I don’t just kiss people. Kisses aren’t... just with me.</blockquote>
My thoughts:
Fangirl is written in a 3rd person POV and started off pretty slow for my liking and I couldn't see what all the hype was about! At 100 pages in things started to get interesting and the pace was set.
The characters in this book are so relatable and realistic, with Cath and her social anxiety, daily worries and awkwardness, her fathers mental health and Wren going off the rails.
Levi is just the most amazing character I have come across always happy and just there! when you need him. He's a listener and patient and OMG!! I think I have a fictional crush!
I HATED!! the Simon Snow fan fiction parts I thought it was just a rip off of Harry potter and was not interested in this part at all that I started to skip all these parts and unfortunately there was so much of it
Rainbow Rowell is a contemporary romance genius! I was even thinking about the book at work, trying to think what was going to happen and what I had already read, that's how hooked I was on this book.
I never wanted it to end it just made me all warm and fuzzy inside, this would have been a five star book if it wasn't for the Simon Snow parts
I have read Eleanor and Park by Rainbow Rowell and I loved it, but I definitely will not be picking up carry on as it's all about Simon bloody Snow-sorry!
I recommend this to anyone that enjoys contemporary and romance novels.
I rate this book 4 out of 5 stars
AmyBee (4 KP) rated We Need to Talk About Kevin in Books
Sep 5, 2018
WARNING - SPOILERS AHEAD!!! ALSO, THIS REVIEW IS STILL UNDER CONSTRUCTION SO IF PARTS DON'T MAKE SENSE, WORRY NOT, I'LL BE BACK TO FINISH IT LATER!
I quite liked this psychological family/crime drama although I did think it dragged on quite a bit with a LOT of unnecessary information. I understand that we are meant to be inside Eva's head, experiencing and feeling everything that she does/did but there is still a hell of a lot in there that could easily have been omitted with no harm to the rest of the story. On the other hand, this approach helps if we want to read the story like a 'stream of consciousness' style of narrative.
That said, it was still enjoyable if a little tedious at times due to my above point and I absolutely was not prepared for the ending!
Several people asked on Quora whether the younger sister harmed herself with the cleaning fluid on purpose, which made it very clear to me that some readers have fundamentally misunderstood the entire story, and this makes me wonder if they have a different view altogether on the ending - who do they see as being responsible for the murders? Kevin? Kevin's mother? Or, a combination of the actions of each character and toxic social/familial environments which ignored and subsequently exacerbated the poor mental health of several characters, encouraged cycles of abuse, revenge and retaliation. My guess is that they entirely and wrongly blame Kevin.
Shriver has written this novel very cleverly, as when we think about each character's transgressions out of context, we all know what is wrong and who is responsible; however this is written in such a way that it encourages the reader to pick a character to blame, providing arguments for and against each one along the way. In real life, this would never happen, as we do not get this kind of depth of insight into the lives of mass murderers. We simply blame the killer first and foremost, maybe looking briefly in disdain at his neglectful family.
In this novel, it isn't as easy to simply blame Kevin. He may be the killer, but there are so many more mitigating factors to consider.
His mother's narcissism makes her unable to see or accept her role in the actions of her very sick son. She sees him as "bad" and that's just not true. Even worse is that she treats him as though he is just bad rather than extremely ill.
I do wonder also, if the author got any backlash for writing this on the back of all the school shootings there has been in the US since the 1990's? Did people think this was an opportunistic move in the same way that they lambasted Emma whats-her-name for writing ROOM after the Josef Fritzl scandal?
I quite liked this psychological family/crime drama although I did think it dragged on quite a bit with a LOT of unnecessary information. I understand that we are meant to be inside Eva's head, experiencing and feeling everything that she does/did but there is still a hell of a lot in there that could easily have been omitted with no harm to the rest of the story. On the other hand, this approach helps if we want to read the story like a 'stream of consciousness' style of narrative.
That said, it was still enjoyable if a little tedious at times due to my above point and I absolutely was not prepared for the ending!
Several people asked on Quora whether the younger sister harmed herself with the cleaning fluid on purpose, which made it very clear to me that some readers have fundamentally misunderstood the entire story, and this makes me wonder if they have a different view altogether on the ending - who do they see as being responsible for the murders? Kevin? Kevin's mother? Or, a combination of the actions of each character and toxic social/familial environments which ignored and subsequently exacerbated the poor mental health of several characters, encouraged cycles of abuse, revenge and retaliation. My guess is that they entirely and wrongly blame Kevin.
Shriver has written this novel very cleverly, as when we think about each character's transgressions out of context, we all know what is wrong and who is responsible; however this is written in such a way that it encourages the reader to pick a character to blame, providing arguments for and against each one along the way. In real life, this would never happen, as we do not get this kind of depth of insight into the lives of mass murderers. We simply blame the killer first and foremost, maybe looking briefly in disdain at his neglectful family.
In this novel, it isn't as easy to simply blame Kevin. He may be the killer, but there are so many more mitigating factors to consider.
His mother's narcissism makes her unable to see or accept her role in the actions of her very sick son. She sees him as "bad" and that's just not true. Even worse is that she treats him as though he is just bad rather than extremely ill.
I do wonder also, if the author got any backlash for writing this on the back of all the school shootings there has been in the US since the 1990's? Did people think this was an opportunistic move in the same way that they lambasted Emma whats-her-name for writing ROOM after the Josef Fritzl scandal?
Hazel (1853 KP) rated Confidence in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Many university students will be able to relate to the panic and dread caused by dissertations and final exams. <i>Confidence</i>, co-written by Rowland Manthorpe and Kirstin Smith, is set at an English university where third year students are cramming in revision sessions in the lead up to their examinations. This story combines two character’s experiences which, although rarely overlap, reveal the effects of the lack of and over-confidence.
Whilst Ellie struggles with her dissertation, Charlie believes that he will successfully complete his degree without the need to revise, giving him more time to focus on his social (and sex) life. Both students are distracted by their less-than-perfect social lives, jeopardizing their exam results and discover that life is not at all what they predicted it to be.
<i>Confidence</i> is a book of multiple stories. Firstly (and secondly) there are Ellie’s and Charlie’s predicaments, but the remainder of the novel contains an autobiography of sorts about the nineteenth-century philosopher Friedrich Nietzsche – whom Ellie is penning her philosophy dissertation on. Whether these sections are an example of a student essay – are the authors aware that they are all written in the third person these days? – Nietzsche’s theories regarding confidence are highly relevant to the theme of the book.
The academically well-written sections about Nietzsche, his life and his spiral into insanity are very interesting to read. Composed in an essay-like format, the information is presented in an easy-to-understand, clear manner, making what in reality is a difficult concept to fathom, simple to comprehend. The fictional narrative, however, is much less pleasing in comparison. Filled with expletives, Manthorpe and Smith paint a stereotypical view of student life. Instead of the hard-working and dedicated people that many students are, they are depicted as alcoholic sex-maniacs.
Whilst negatively categorizing students, other issues are also raised such as feminism and mental health. Whereas these concerns are important topics in the twenty first century, the stigma and inaccurate knowledge about illnesses such as Anorexia is almost unforgivable – “[She] would grow out of it…” Seriously?!
As a story,<i> Confidence</i> falls well below my expectations. Although the stresses of university life are relatable, the characters go to extremes, making their scenarios all the more unrealistic. The essay on Nietzsche on the other hand is an enjoyable, informative piece of writing, which saves <i>Confidence</i> from the fate of a completely negative review. Perhaps my interest in philosophy helped me appreciate the depth of detail and knowledge written about Nietzsche, however I still maintain that it has been composed in such a way as to make it entertaining. Perhaps created with a student audience in mind, <i>Confidence</i> will most likely appeal to readers with the ability to think about the world from a philosophical perspective.
Many university students will be able to relate to the panic and dread caused by dissertations and final exams. <i>Confidence</i>, co-written by Rowland Manthorpe and Kirstin Smith, is set at an English university where third year students are cramming in revision sessions in the lead up to their examinations. This story combines two character’s experiences which, although rarely overlap, reveal the effects of the lack of and over-confidence.
Whilst Ellie struggles with her dissertation, Charlie believes that he will successfully complete his degree without the need to revise, giving him more time to focus on his social (and sex) life. Both students are distracted by their less-than-perfect social lives, jeopardizing their exam results and discover that life is not at all what they predicted it to be.
<i>Confidence</i> is a book of multiple stories. Firstly (and secondly) there are Ellie’s and Charlie’s predicaments, but the remainder of the novel contains an autobiography of sorts about the nineteenth-century philosopher Friedrich Nietzsche – whom Ellie is penning her philosophy dissertation on. Whether these sections are an example of a student essay – are the authors aware that they are all written in the third person these days? – Nietzsche’s theories regarding confidence are highly relevant to the theme of the book.
The academically well-written sections about Nietzsche, his life and his spiral into insanity are very interesting to read. Composed in an essay-like format, the information is presented in an easy-to-understand, clear manner, making what in reality is a difficult concept to fathom, simple to comprehend. The fictional narrative, however, is much less pleasing in comparison. Filled with expletives, Manthorpe and Smith paint a stereotypical view of student life. Instead of the hard-working and dedicated people that many students are, they are depicted as alcoholic sex-maniacs.
Whilst negatively categorizing students, other issues are also raised such as feminism and mental health. Whereas these concerns are important topics in the twenty first century, the stigma and inaccurate knowledge about illnesses such as Anorexia is almost unforgivable – “[She] would grow out of it…” Seriously?!
As a story,<i> Confidence</i> falls well below my expectations. Although the stresses of university life are relatable, the characters go to extremes, making their scenarios all the more unrealistic. The essay on Nietzsche on the other hand is an enjoyable, informative piece of writing, which saves <i>Confidence</i> from the fate of a completely negative review. Perhaps my interest in philosophy helped me appreciate the depth of detail and knowledge written about Nietzsche, however I still maintain that it has been composed in such a way as to make it entertaining. Perhaps created with a student audience in mind, <i>Confidence</i> will most likely appeal to readers with the ability to think about the world from a philosophical perspective.
HRV4Training
Health & Fitness and Sports
App
The only scientifically validated HRV app that doesn't require an external sensor. HRV4Training...
Holiday Destination by Nadine Shah
Album Watch
For most of us, 2016 was a tumultuous and ugly year - one steeped in political chaos and an air of...
rock pop
Deep Sleep and Relaxation Hypnosis- Cure Insomnia
Medical and Lifestyle
App
Does it work? 3.5 million people have used Mindifi's Deep Sleep and Relaxation hypnosis, a #1...
Hazel (1853 KP) rated The Treatment in Books
Sep 28, 2017
One Flew Over the Cuckoo's Nest for Teens
This ARC was provided by the publisher via NetGalley in exchange for an honest review
You have to help me. We’re not being reformed. We’re being brainwashed. When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In The Treatment by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s Flawed and Kazuo Ishiguro’s Never Let Me Go. A thriller that needs a hero in the unlikely form of a teenage girl, The Treatment is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A One Flew Over the Cuckoo’s Nest for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
The Treatment is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.
You have to help me. We’re not being reformed. We’re being brainwashed. When sixteen-year-old Drew Finch receives this note from a strange woman on the street claiming to be her brother’s psychologist, she does not know how to react. But when a speeding car hits the doctor immediately after, Drew begins to think something portentous is afoot. In The Treatment by C. L. Taylor, the Residential Reform Academy in Northumberland is achieving great things, turning antisocial teenagers into model citizens. Mason, Drew’s brother, has been expelled from three different schools and has been sent to the academy as a last resort, however, Drew now suspects that Mason is in trouble.
In a slightly dystopian setting, Drew, a usually quiet girl, easily gets herself admitted to the academy by punching the school bully. With the intention of helping Mason escape, Drew calmly arrives at the Academy, not realising how much danger she is placing herself in. She soon discovers that this would not be a transitory admission and, unless she escapes, she will become like all the other narcotised students.
Trying to remain fastidious whilst avoiding garrulous roommates and staff, Drew desperately tries to concoct an escape plan, however, she may be too late. The more she learns about the Residential Reform Academy, the more she discovers about the evil intentions behind it. How can she break out of the prison-like building and seek help when the government is deeply involved with the whole sordid procedure?
C. L. Taylor devises an exciting scenario that will appeal to fans of Cecelia Ahern’s Flawed and Kazuo Ishiguro’s Never Let Me Go. A thriller that needs a hero in the unlikely form of a teenage girl, The Treatment is a stimulating story about those without a public voice overthrowing the immoral experiments of the dastards in power.
A One Flew Over the Cuckoo’s Nest for teenagers, this book deals with themes of mental health, oppression and the misuse of authority. Told from the perspective of a girl who has been bullied most of her life and coming from a dysfunctional family, there is a lot for the reader to connect with. Although it does not allay the growing fears of governmental conspiracies, The Treatment ends with the positive message that by standing up to those who do you wrong has its rewards, not only for yourself but for those in similar situations too.
The Treatment is a very enjoyable book that pulls the reader into the story, causing them to question how they would handle a similar situation. Would they be as brave as Drew and her new friends, or would they be doomed to a fate of mindless obedience? Compelling from beginning to end, C. L. Taylor’s latest novel is a refreshing break from the over-the-top science fiction dystopian novels, preferring to tackle futuristic ideas that are much closer to home. This is a book that can be fully recommended to the Young Adult community.