Eyes All Over the Sky: Aerial Reconnaissance in the First World War
Book
After the first successful flight by the Wright brothers in 1903, the age of aviation was born, and...
Dee (0 KP) rated Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1) in Books
Mar 12, 2021
This started out so well. It was incredibly magical - secret doorways on earth, which took the main character Karou, into a shop where her chimeara 'family' resided. Karou has little knowledge, being human, about her own origins or how she ended up in the care of Brimstone, the shop's custodian. All she knows is that he collects an endless supply of teeth (which she is often sent to pick up from around the world - the shop's doorway acting as a portal that deposits her anywhere on earth). There is a second door within the shop, which Karou is not allowed near and she has no idea what lies beyond it. Messages are sent to her via a crow-like creature. So far, so mysterious. It reminded me a little of Narnia or The Adventures of the Wishing Chair / Magic Faraway Tree. Oh, and if that's not enough - the teeth are used to help grant wishes (ranging from minor to major).
I'm a big fan of dual-world/magic-portal books. However, as the novel went on it became less intriguing. It slips into the sort of insta-love that is ten-a-penny in YA fiction. Also, I just felt that the 'big reveal' of what was behind the second door was a bit of a letdown. And the whole war between angels and chimera felt somehow jarring and unimaginative. I feel mean-spirited saying this, but the dynamic and world-building just didn't capture my imagination. The layering of the back-story also felt a bit forced and I started to find it dull.
I suppose the real test of the first book in a trilogy (as this is) is whether the reader can't wait to pick up the next instalment. Personally, I'm not sure I would bother. A shame, really, as it started out so well.
LoganCrews (2861 KP) rated Palo Alto (2014) in Movies
Sep 20, 2020
LeftSideCut (3778 KP) rated The Hunt (2020) in Movies
Oct 13, 2020
The main issue I had was that all of the satire is very on the nose, possibly a purposeful choice? Either way, it gives the impression that The Hunt thinks it's cleverer than it actually is. This is constantly present within the unbalanced dialogue. Some of it is genuinely funny, some of it comes across as try hard, attempting to cram in as many messages as possible resulting in none of these commentaries being particularly clear cut.
Then again, it's not a film to be taken seriously and this could actually be a non-point - hard to tell!
It would be a an altogether worse movie if it wasn't for lead actress Betty Gilpin. Her character Crystal is the picture perfect no bullshit, badass final girl, and her performance elevates The Hunt as a whole.
I could be wrong, but it also seems like she did her own stunts, which is particularly badass considering the ridiculous fight scene near the films end. Same can be said for the always reliable Hilary Swank. Pretty sure the two of them were just going at it, and it's easily the films best scene.
The whole film is actually a more gory experience than I expected, and is pretty effective, even if a lot of it is obvious CGI.
The Hunt is a loud and obnoxious experience that is frequently muddied by it's own smugness, but the stand out performance from Gilpin, and some genuinely great set pieces ensure that it's an entertaining action-horror that's worth a watch.
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