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SweetRing is the premier dating app platform for those dedicated to finding their perfect match and...
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Natalia (73 KP) rated Detroit: Become Human in Video Games
Dec 17, 2018
Story (4 more)
Characters
Art direction
Soundtrack
Controls
More Than Just a Video Game
I'll admit that hearing the initial premise of Detroit, it seemed to me cliche: a future in which technology has advanced to the point that androids exist, and how these androids themselves gain sentience. This, sprinkled in with messages of how we must improve how we treat the planet, and how we need to have a more consistent moral compass. All this I had expected from the game, but it ended up being so much more than that.
While the messages weaved into the game may not be ones people wanted or enjoyed, it can't be denied that the high-risk choices and the way we see glimpses into a wider world around these certainly engage any player. All of your choices seem high stake. Choices you make are timed, and there's no telling if they will have a completely unexpected outcome in the long-run of the story, and even if they don't, at the moment they feel like the most important choices you will ever make. Sure, some choices end up being, ultimately, pointless, but that seems to be a way that reflects life - you will make choices that seem incredibly important, but in the end, have no major result.
The game also follows three separate storylines - all of which do cross at some point within the game - and each has its charms. The most known story is the one following Connor, an android working in the DPD, but the other two focus on characters of seemingly varying importance: Kara, an android in charge of taking care of her owns daughter Alice, and Markus, an android who is charged with helping an elderly man live his day-to-day life as an artist. Within the game, however, these characters hold a similar kind of importance, perhaps due to the fact you play from their perspectives, or perhaps because you will personally gain an attachment to each characters bonds, motivations and lives as androids in a pivotal point in time for this fictional universe.
It's virtually impossible for me to review this game without mentioning the artistic efforts that went into it. Primarily, I mean the art direction and soundtrack. I'm a fan of 2D Indie games as much as the next person, just as I am a fan of the stylized graphics of the Borderlands universe and the art styles of visual novels, but something about how Detroit teeters on the edge of the uncanny valley in the best way possible speaks to how it's trying to reflect the real world. The depth of field in the game is fantastic, and small details are given their deserved attention to make a player feel as though they are watching a real-world story going on in front of them as they play. The music is certainly something that never fails for me in video games (looking at the Sonic games for influencing my love for video game music) but it completely excels in Detroit. Each story has its own collection of songs and a theme - musical loops that repeat throughout the majority of the songs in their sections to boot - and this truly helps with the experience. The way the music helps create an atmosphere, and how it fits almost perfectly into the actions going on, moves you. I don't know how else I can say this, really. Tempo changes, intensity and volume all come together to immerse you into what is happening on screen and have yet to jar me at all from my experience.
I've already mentioned the effect of the music on your mood, but what links well into this is the representation in the game - literally and symbolically. Literally, you see a diverse cast of characters that, despite most of them being androids, provide more proportional race-representation than actual films. Symbolically though, there is a much deeper idea of the past, present and future shown in the game. Perhaps this is me digging a whole lot further than necessary. I wouldn't be surprised. To avoid making this reviews very much filled with spoilers I'll have to talk in a vaguely cryptic way. Throughout Kara's story, there is a sense of being attached to the past, and this is amplified by the tracks that pair with the gameplay, truly making me cry no matter how many times I've seen a similar scene play out before me in a previous run of the game. This same link is shown with Connor and Markus, who link into the present and the past respectively. Unless I want to give away major plot points, I'll have to end my exploration of that little theory there, but if you are planning on playing through, or perhaps doing it again, it may be a good idea to look out for these themes. When you keep them in mind, they seem to pop up all over.
I know plenty of people have a problem with the pacing of the game, which can be quite understandable. Some scenes are long, some bursts of action seem unnecessary and stick around for a while longer than you may want them to, but this doesn't put as much of a damper on playing as it would seem. Pacing is an issue plenty of games have, and it seems perfectly fine to me in Detroit.
This is certainly turning into a much longer review than I had expected to give. I think to wrap this all up I can say that I have an overwhelmingly positive view of this game. Certainly, if you have enough interest in the game to be looking at reviews, this game is for you. I would recommend this for anyone looking for a unique gaming experience.
While the messages weaved into the game may not be ones people wanted or enjoyed, it can't be denied that the high-risk choices and the way we see glimpses into a wider world around these certainly engage any player. All of your choices seem high stake. Choices you make are timed, and there's no telling if they will have a completely unexpected outcome in the long-run of the story, and even if they don't, at the moment they feel like the most important choices you will ever make. Sure, some choices end up being, ultimately, pointless, but that seems to be a way that reflects life - you will make choices that seem incredibly important, but in the end, have no major result.
The game also follows three separate storylines - all of which do cross at some point within the game - and each has its charms. The most known story is the one following Connor, an android working in the DPD, but the other two focus on characters of seemingly varying importance: Kara, an android in charge of taking care of her owns daughter Alice, and Markus, an android who is charged with helping an elderly man live his day-to-day life as an artist. Within the game, however, these characters hold a similar kind of importance, perhaps due to the fact you play from their perspectives, or perhaps because you will personally gain an attachment to each characters bonds, motivations and lives as androids in a pivotal point in time for this fictional universe.
It's virtually impossible for me to review this game without mentioning the artistic efforts that went into it. Primarily, I mean the art direction and soundtrack. I'm a fan of 2D Indie games as much as the next person, just as I am a fan of the stylized graphics of the Borderlands universe and the art styles of visual novels, but something about how Detroit teeters on the edge of the uncanny valley in the best way possible speaks to how it's trying to reflect the real world. The depth of field in the game is fantastic, and small details are given their deserved attention to make a player feel as though they are watching a real-world story going on in front of them as they play. The music is certainly something that never fails for me in video games (looking at the Sonic games for influencing my love for video game music) but it completely excels in Detroit. Each story has its own collection of songs and a theme - musical loops that repeat throughout the majority of the songs in their sections to boot - and this truly helps with the experience. The way the music helps create an atmosphere, and how it fits almost perfectly into the actions going on, moves you. I don't know how else I can say this, really. Tempo changes, intensity and volume all come together to immerse you into what is happening on screen and have yet to jar me at all from my experience.
I've already mentioned the effect of the music on your mood, but what links well into this is the representation in the game - literally and symbolically. Literally, you see a diverse cast of characters that, despite most of them being androids, provide more proportional race-representation than actual films. Symbolically though, there is a much deeper idea of the past, present and future shown in the game. Perhaps this is me digging a whole lot further than necessary. I wouldn't be surprised. To avoid making this reviews very much filled with spoilers I'll have to talk in a vaguely cryptic way. Throughout Kara's story, there is a sense of being attached to the past, and this is amplified by the tracks that pair with the gameplay, truly making me cry no matter how many times I've seen a similar scene play out before me in a previous run of the game. This same link is shown with Connor and Markus, who link into the present and the past respectively. Unless I want to give away major plot points, I'll have to end my exploration of that little theory there, but if you are planning on playing through, or perhaps doing it again, it may be a good idea to look out for these themes. When you keep them in mind, they seem to pop up all over.
I know plenty of people have a problem with the pacing of the game, which can be quite understandable. Some scenes are long, some bursts of action seem unnecessary and stick around for a while longer than you may want them to, but this doesn't put as much of a damper on playing as it would seem. Pacing is an issue plenty of games have, and it seems perfectly fine to me in Detroit.
This is certainly turning into a much longer review than I had expected to give. I think to wrap this all up I can say that I have an overwhelmingly positive view of this game. Certainly, if you have enough interest in the game to be looking at reviews, this game is for you. I would recommend this for anyone looking for a unique gaming experience.
Midge (525 KP) rated Who (Stalker #1) in Books
Feb 9, 2019
A Touch Of Brilliance!
Who scares you the most, a complete stranger or a person you know that has you in their sight?
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Megan Mitcham’s latest novel, "WHO," delivers an intensely evocative story in this first book of her new Stalker series. With intelligently crafted words and an intriguing plot that has plenty of suspenseful twists, this novel made me want to keep on turning the pages. At first, I found the book a little slow and I was worried that the story wouldn’t live up to its promise, however, the pace soon picked up and I knew I was reading a book that I would come to really enjoy.
Billionaire Larkin Ashford is the fiercely independent owner of her fashion empire which was founded on the back of wedlock. When her company has the opportunity to go public, her Board of Directors won’t give her the green light, unless she agrees to marry. A series of threatening messages aren’t making her decision any easier. As she retreats to her rooftop hideaway to clear her head, she finds herself imprisoned in the strong arms of a mysterious chap who thinks she was about to jump…
Despite her friends’ warnings that her knight in shining armour could be her stalker, she can’t get him out of her head. Determined to find the truth, she searches for her mystery man and discovers a dark secret that could destroy everything that she holds dear. With her empire in danger, she’ll have to uncover the truth before her fortune and her life are reduced to tatters.
I loved the character of Larkin who is efficient, imaginative and extremely shrewd. She has deep-rooted issues with trust from her past and she doesn’t believe in love or long-term relationships. Her mother died when she was thirteen, and she has a tense relationship with her emotionally distant father. She does have a few really close friends that are supportive and loyal. I loved that Megan Mitcham introduced us to an abundance of wonderful characters, especially Larkin’s girlfriends, Genevieve, Marlis and Libby. Their exuberance collectively provides many moments of fun, support and girlie laughter.
Larkin’s high profile life is very much lived in the limelight and with major personal and business decisions needing to be made, who is causing so much trouble for her and what will be the price she has to pay?
I had so many different scenarios playing out in my head, and even though I anticipated some of the twists, I couldn’t settle on the outcome and I was kept guessing until the end. The author definitely did not disappoint with the conclusion of this book!
If you love dramatic plots, intrigue and enjoy crime novels with a bit of romance, then Megan Mitcham delivers with abundance in "WHO."
Thank you to Hidden Gems and the author, Megan Mitcham for a free ARC of this book in exchange for a voluntary, honest review.
Janeeny (200 KP) rated Things Fall Apart in Books
Jun 10, 2019
I was very confused by February’s ‘Penguin Reading Challenge’, as I don’t think I got one. Their February newsletter did recommend ‘Pride and Prejudice’ as a valentine read so potentially that may have been my classic recommendation for the month, however I’ve already read that one so I decided this month to go for January’s second recommendation of Chinua Achebe’s ‘Things fall apart’.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
I don’t really know how to summarise this book without giving a lot away so I’m going to rely on Amazon –
Okonowo is the greatest warrior alive. His fame has spread like a bushfire in West Africa and he is one of the most powerful men of his clan.
But he also has a fiery temper. Determined not to be like his father, he refuses to show weakness to anyone – even if the only way he can master his feelings is with his fists. When outsiders threaten the traditions of his clan, Okonowo takes violent action. Will the great man’s dangerous pride eventually destroy him?
Again a Classic that did actually engross me. At the risk of sounding like a complete heel I was expecting to be lectured to by this book. Usually with Historical literature books of such high acclaim we encounter a lot of hidden and profound messages about our place in the world and how we treat others and the story can feel a bit dry. Also, with the other Historical fiction based in other countries I’ve read, I’ve appreciated the story, but they have essentially been based around problems exclusive to that era and culture, so it’s not really something I can relate to.
So oddly enough this little book set within a Nigerian tribe in the 1890s was actually quite relatable. Ok so maybe not many people can relate to a situation where you and a group of other men lead your foster son to a dark forest and kill him, but we can relate to making hard choices in life and letting down the ones we love.
You know as soon as you meet Okonowo that things are not going to go well for him, he is a prideful man quick to anger. He mistreats his wives and has high expectations of his children, and his intentions whilst well-meaning for his family are also misguided. Okonowo lives in a very superstitious village, and you can see that, after Okonowo does something that a close friend warns him against, that things will start to go bad from there. Things do not end well for Okonowo, as he doesn’t seem to learn or heed the warnings around him, but in the end you do start to sympathise with him a bit.
I think the best way to summarise the events in ‘Things fall apart’ is that whilst Okonowo’s problems are steered by his tribe’s beliefs and superstitions they are in essence problems that are relatable around the world.
Lee (2222 KP) rated Assassination Nation (2018) in Movies
Nov 13, 2018 (Updated Nov 13, 2018)
Characters aren't interesting, memorable or believable (3 more)
Badly edited
Poor use of music
Trying too hard to be edgy/shocking
Really, really bad
Assassination Nation really, really wants to shock you. At the beginning, it even gives out a warning, listing out all the offensive and shocking things coming up, along with a very quick clip of them all, that's how cool and edgy it thinks it is. It's all parties and social media, the girls are all bitches, the boys are all idiots. And it's all held together with bad editing, loud jarring music and a nonsensical plot. Maybe I'm just too old but I found it more annoying than shocking.
So, I think what they did with this movie is start at the end and then try and work backwards. They had this really cool idea of four schoolgirls, all standing there dressed in red, armed with guns and swords, ready to take on a town of crazy people wearing masks, and then they tried to come up with a way of getting to that point. The answer comes in the form of hacking, exposing everyone's data so that mob mentality ensues.
The hacking begins with some more prominent figures. The local mayor has all his private, kinky photos released and ends up publicly committing suicide. Then the local principal, a kind family man, has all of his messages and photos exposed. He has photos of his 6 year old daughter taking a bath, so he's branded a paedophile, obviously. The next logical step? Form a large crazed mob, demanding his resignation and terrorising his family by smashing his front door down. It's shocking right? Right? No. No, it's all just annoying nonsense.
Ok, so we've got the whole town acting like they're in a Purge movie, now how do we get the girls to start getting involved with guns and stuff. Well, let's have their data exposed too - nudes, details of the married man they've been texting. Then let's get somebody to falsely accuse one of girls of doing all the hacking so that the whole town hates them and is either trying to arrest them or kill them. And then the girls come across a stash of guns and knives laid out on the floor. There you go, job done, that's our movie.
To be fair, at that point the movie does improve in quality, but it's too little too late. There isn't a single interesting or memorable character in the whole thing, nothing to make you care or believe in anything you're seeing. And as I mentioned earlier, the whole thing is a complete mess. Pointless split screen scenes, dull voiceover narration, dramatic music that doesn't match the scene it's in. Character reactions, actions and interactions that are just complete nonsense. Officially one of the worst movies I've seen this year.
So, I think what they did with this movie is start at the end and then try and work backwards. They had this really cool idea of four schoolgirls, all standing there dressed in red, armed with guns and swords, ready to take on a town of crazy people wearing masks, and then they tried to come up with a way of getting to that point. The answer comes in the form of hacking, exposing everyone's data so that mob mentality ensues.
The hacking begins with some more prominent figures. The local mayor has all his private, kinky photos released and ends up publicly committing suicide. Then the local principal, a kind family man, has all of his messages and photos exposed. He has photos of his 6 year old daughter taking a bath, so he's branded a paedophile, obviously. The next logical step? Form a large crazed mob, demanding his resignation and terrorising his family by smashing his front door down. It's shocking right? Right? No. No, it's all just annoying nonsense.
Ok, so we've got the whole town acting like they're in a Purge movie, now how do we get the girls to start getting involved with guns and stuff. Well, let's have their data exposed too - nudes, details of the married man they've been texting. Then let's get somebody to falsely accuse one of girls of doing all the hacking so that the whole town hates them and is either trying to arrest them or kill them. And then the girls come across a stash of guns and knives laid out on the floor. There you go, job done, that's our movie.
To be fair, at that point the movie does improve in quality, but it's too little too late. There isn't a single interesting or memorable character in the whole thing, nothing to make you care or believe in anything you're seeing. And as I mentioned earlier, the whole thing is a complete mess. Pointless split screen scenes, dull voiceover narration, dramatic music that doesn't match the scene it's in. Character reactions, actions and interactions that are just complete nonsense. Officially one of the worst movies I've seen this year.
Chris Sawin (602 KP) rated Sunshine (2007) in Movies
Jun 19, 2019
The sun is dying and the Icarus project is sent in to fix the problem. Robert Capa and the Icarus team go out into space in hopes of re-igniting the sun with a stellar bomb that's equal in mass to Manhattan island. It's been sixteen months since the team first left earth and they're about to enter the blackout zone...a bit earlier than expected. This means they won't be able to send or receive messages back home after they reach this zone. This is only the beginning of their problems as they realize that no matter how prepared they thought they were...things can and will go wrong in phenomenal ways.
I've got to say right off the bat that this is one of my favorite films to come out in recent years. I think it's an almost perfect film. The film had a science advisor and it shows as it's a very intelligent film. The Danny Boyle films I've seen have been good, but I think this one is my favorite thus far. It's another film that is beautifully shot. Every frame is just oozing with vibrant colors and Boyle's style bleeds through in every scene. Cillian Murphy is impressive, as always. He's another actor I feel deserves more credit than he's given as he impresses me more and more as his talent seems to shine that much brighter in each film he's involved with. Chris Evans was the guy who surprised me in this. It's not a role you'd expect to see him in after seeing him in films like Not Another Teen Movie and Fantastic Four. He's in top form though and he fits into this role in ease. This is also one of the few films that I really enjoy the soundtrack, as well. When a soundtrack enhances the movie experience instead of taking away from it, it only makes the film that much better. This is one of those soundtracks.
As great as the film is, it's greatest strength is its biggest flaw. They did have a science advisor and it helps make the film more believable, more intelligent, etc. The things that were changed to add suspense or for whatever reason other than to make the film more believable or as factual as possible make the film seem a little farfetched at times. It's really only a minor nitpick and it doesn't take away from how superb this movie really is.
Sunshine is a film any science fiction or horror fan should see. It's mostly a science fiction film, but the last half or so is pure horror. There's definitely an Event Horizon feel to this film. It's an interesting formula that pays off pretty well in the end. The film looks fantastic as every shot seems to jump off the screen in vibrant color. It's very well written and pretty believable(given the circumstances). The acting is top notch and it's a film I highly recommend to anyone I can.
I've got to say right off the bat that this is one of my favorite films to come out in recent years. I think it's an almost perfect film. The film had a science advisor and it shows as it's a very intelligent film. The Danny Boyle films I've seen have been good, but I think this one is my favorite thus far. It's another film that is beautifully shot. Every frame is just oozing with vibrant colors and Boyle's style bleeds through in every scene. Cillian Murphy is impressive, as always. He's another actor I feel deserves more credit than he's given as he impresses me more and more as his talent seems to shine that much brighter in each film he's involved with. Chris Evans was the guy who surprised me in this. It's not a role you'd expect to see him in after seeing him in films like Not Another Teen Movie and Fantastic Four. He's in top form though and he fits into this role in ease. This is also one of the few films that I really enjoy the soundtrack, as well. When a soundtrack enhances the movie experience instead of taking away from it, it only makes the film that much better. This is one of those soundtracks.
As great as the film is, it's greatest strength is its biggest flaw. They did have a science advisor and it helps make the film more believable, more intelligent, etc. The things that were changed to add suspense or for whatever reason other than to make the film more believable or as factual as possible make the film seem a little farfetched at times. It's really only a minor nitpick and it doesn't take away from how superb this movie really is.
Sunshine is a film any science fiction or horror fan should see. It's mostly a science fiction film, but the last half or so is pure horror. There's definitely an Event Horizon feel to this film. It's an interesting formula that pays off pretty well in the end. The film looks fantastic as every shot seems to jump off the screen in vibrant color. It's very well written and pretty believable(given the circumstances). The acting is top notch and it's a film I highly recommend to anyone I can.
